Henry Bamford Parkes (13 November 1904 – 7 January 1972) was an author and professor of history at New York University. He was born in Sheffield, England.

After reading history at Oxford University, Parkes came to the United States to pursue graduate studies at the University of Michigan. He received his Ph.D. from Michigan in 1929 and joined the history faculty of New York University in 1930. He had also lectured at Barnard College, the University of Wyoming, the New School for Social Research and the University of Washington. From 1956-57, Parkes was a Fulbright Fellow, working at the University of Athens in Greece.

Coordinates: 53°20′55″N 1°41′22″W / 53.3485°N 1.6894°W / 53.3485; -1.6894

Bamford (also known as Bamford with Thornhill) is a village in the Derbyshire Peak District, England, close to the River Derwent. To the north-east is Bamford Edge, and to the south-east the location of the water treatment works covering the Ladybower, Derwent and Howden Reservoirs. Though locally Bamford is described as being in the Hope Valley, it is technically in the Upper Derwent Valley. According to the 2001 census it had a population of 1,184.

Its name is recorded in the Domesday Book as Banford, and likely came from Anglo-Saxon Bēamford = "tree-trunk ford".

The parish church of St John the Baptist was built c. 1860. There are also Methodist and Catholic churches in the village.

The village graveyard also contains some re-interred graves from the nearly villages of Derwent and Ashopton which were drowned following the creation of Ladybower Reservoir.

Bamford water mill has been turned into flats but some of the original machinery still remains.

 Anton Bruckner (help·info) ((1824-09-04)4 September 1824 – 11 October 1896(1896-10-11)) was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies.

Unlike other musical radicals, such as Richard Wagner or Hugo Wolf who fit the enfant terrible mould, Bruckner showed extreme humility before other musicians, Wagner in particular. This apparent dichotomy between Bruckner the man and Bruckner the composer hampers efforts to describe his life in a way that gives a straightforward context for his music.

His works, the symphonies in particular, had detractors, most notably the influential Austrian critic Eduard Hanslick, and other supporters of Johannes Brahms, who pointed to their large size, use of repetition, and Bruckner's propensity to revise many of his works, often with the assistance of colleagues, and his apparent indecision about which versions he preferred. On the other hand, Bruckner was greatly admired by subsequent composers, including his friend Gustav Mahler, who described him as "half simpleton, half God".

Sir William Turner Walton OM (29 March 1902 – 8 March 1983) was an English composer. During a sixty-year career, he wrote music in several classical genres and styles, from film scores to opera. His best-known works include Façade, the cantata Belshazzar's Feast, the Viola Concerto, and the First Symphony.

Born in Lancashire, the son of a musician, Walton was a chorister and then an undergraduate at Christ Church, Oxford. On leaving the university, he was taken up by the literary Sitwell siblings, who provided him with a home and a cultural education. His earliest work of note was a collaboration with Edith Sitwell, Façade, which at first brought him notoriety as a modernist, but later became a popular ballet score.

In middle age, Walton left Britain and set up home with his young wife on the Italian island of Ischia. By this time, he had ceased to be regarded as a modernist, and some of his compositions of the 1950s were criticised as old-fashioned. His only full-length opera, Troilus and Cressida, was among the works to be so labelled and has made little impact in opera houses. In his last years, his works came back into critical fashion; his later compositions, dismissed by critics at the time of their premieres, were revalued and regarded alongside his earlier works.

Samuel Osborne Barber II (March 9, 1910 – January 23, 1981) was an American composer of orchestral, opera, choral, and piano music. He is one of the most celebrated composers of the 20th century; music critic Donal Henahan stated that "Probably no other American composer has ever enjoyed such early, such persistent and such long-lasting acclaim." His Adagio for Strings (1936) has earned a permanent place in the concert repertory of orchestras. He was twice awarded the Pulitzer Prize for music, for his opera Vanessa (1956–57) and his Concerto for Piano and Orchestra (1962). Also widely performed is his Knoxville: Summer of 1915 (1947), a work for soprano and orchestra, which sets a prose text by James Agee. Unusual among contemporary composers, nearly all of his compositions have been recorded.

Barber was born in West Chester, Pennsylvania, the son of Marguerite McLeod (née Beatty) and Samuel Le Roy Barber. He was born into a comfortable, educated, social, and distinguished Irish-American^{[citation needed]} family. His father was a physician, and his mother was a pianist. His aunt, Louise Homer, was a leading contralto at the Metropolitan Opera and his uncle, Sidney Homer, was a composer of American art songs. Louise Homer is known to have influenced Barber's interest in voice. Through his aunt, Barber had access to many great singers and songs.