Coordinates | 42°42′56″N170°58′5″N |
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birth date | August 18, 1933 |
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birth place | Paris, France |
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birth name | Rajmund Roman Thierry Polański |
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spouse | Barbara Lass(1959–1962, divorced)Sharon Tate (1968–1969; her death)Emmanuelle Seigner(1989–present) |
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years active | 1953–present |
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occupation | Actor, director, producer, screenwriter |
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notable works | ''Knife in the Water'', ''Repulsion'', ''Rosemary's Baby'', ''Chinatown'', ''The Pianist'' |
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style | Psychological, Surrealistic, Noir, Black comedy |
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citizenship | Franco-Polish |
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residence | France |
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alma mater | National Film School in Łódź |
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children | Daughter and son
}} |
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Roman Polanski (born 1933) is a French-Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few "truly international filmmakers." Polanski's films have inspired diverse directors, including the
Coen Brothers,
Atom Egoyan,
Darren Aronofsky,
Park Chan-wook,
Abel Ferrara, and
Wes Craven.
Born in Paris to Polish parents, he moved with his family back to Poland in 1937, shortly before the outbreak of World War II. He survived the Holocaust and was educated in Poland and became a director of both art house and commercial films.
World War II
The Polański family moved back to the Polish city of
Kraków in 1936, and were living there when World War II began with the
invasion of Poland. Neither of Polanski's parents were religious.
Kraków was soon occupied by the German forces, and Nazi racial and religious
purity laws made the Polańskis targets of persecution, forcing them into the
Kraków Ghetto, along with thousands of the
city's Jews. In the 1950s Polanski took up acting, appearing in
Andrzej Wajda's ''
Pokolenie'' (''A Generation'', 1954) and in the same year in Silik Sternfeld's ''
Zaczarowany rower'' (''Enchanted Bicycle'' or ''Magical Bicycle''). Polanski's directorial debut was also in 1955 with a short film ''Rower'' (''Bicycle''). ''Rower'' is a semi-autobiographical feature film, believed to be lost, which also starred Polanski. It refers to his real-life violent altercation with a notorious
Kraków felon, Janusz Dziuba, who arranged to sell Polanski a bicycle, but instead beat him badly and stole his money. In real life the offender was arrested while fleeing after fracturing Polanski's skull, and executed for three murders, out of eight prior such assaults, which he had committed. Several other short films made during his study at Łódź gained him considerable recognition, particularly ''
Two Men and a Wardrobe'' (1958) and ''
When Angels Fall'' (1959). He graduated in 1959.
Film director
1960s
;''Knife in the Water'' (1962)
Polanski's first feature-length film, ''
Knife in the Water'', was also the first significant Polish film after World War II that did not have a war theme. Scripted by
Jerzy Skolimowski,
Jakub Goldberg and Polanski, ''Knife in the Water'' is about a wealthy, unhappily married couple who decide to take a mysterious hitchhiker with them on a weekend boating excursion. A dark and unsettling work, Polanski's debut feature subtly evinces a profound pessimism about human relationships with regard to the psychological dynamics and moral consequences of status envy and sexual jealousy. ''Knife in the Water'' was a major commercial success in the West and gave Polanski an international reputation. The film also earned its director his first Academy Award nomination (Best Foreign Language Film, 1963).
Polanski left then-communist Poland and moved to France, where he had already made two notable short films in 1961: ''The Fat and the Lean'' and ''Mammals''. While in France, Polanski contributed one segment ("La rivière de diamants") to the French-produced omnibus film, ''Les plus belles escroqueries du monde'' (English title: ''The Beautiful Swindlers'') in 1964. However, Polanski found that in the early 1960s the French film industry was generally unwilling to support a rising filmmaker whom they viewed as a cultural Pole and not a Frenchman.
;''Repulsion'' (1965)
Polanski made three feature films in England, based on original scripts written by himself and Gérard Brach, a frequent collaborator. ''Repulsion'' (1965) is a psychological horror film focusing on a young Belgian woman named Carol (Catherine Deneuve), who is living in London with her older sister (Yvonne Furneaux). The film's themes, situations, visual motifs, and effects clearly reflect the influence of early surrealist cinema as well as horror movies of the 1950s – particularly Luis Buñuel's ''Un chien Andalou'', Jean Cocteau's ''The Blood of a Poet'', Henri-Georges Clouzot's ''Diabolique'' and Alfred Hitchcock's ''Psycho''.
;''Cul-de-sac'' (1966)
''Cul-de-sac'' (1966) is a bleak nihilist tragicomedy filmed on location in Northumberland. The general tone and the basic premise of the film owes a great deal to Samuel Beckett's ''Waiting for Godot'', along with aspects of Harold Pinter's ''The Birthday Party''.
;''The Fearless Vampire Killers/Dance of the Vampires'' (1967)
''The Fearless Vampire Killers'' (1967) (known by its original title, "Dance of the Vampires" in most countries outside the US) is a parody of vampire films. The plot concerns a buffoonish professor and his clumsy assistant, Alfred (played by Polanski), who are traveling through Transylvania in search of vampires. The ironic and macabre ending is considered classic Polanski. ''The Fearless Vampire Killers'' was Polanski's first feature to be photographed in color with the use of Panavision lenses, and included a striking visual style with snow-covered, fairy-tale landscapes, similar to the work of Soviet fantasy filmmakers. In addition, the richly textured color schemes of the settings evoke the magical, kaleidoscopic paintings of the great Russian-Jewish artist Marc Chagall, who provides the namesake for the innkeeper in the film. The film was written for Jack MacGowran, who played the lead role of Professor Abronsius.
Polanski met Sharon Tate while the film was being made, where she played the role of the local innkeeper's daughter. They were married in London on 1968.
;''Rosemary's Baby'' (1968)
Paramount studio head Robert Evans brought Polanski to America to direct the film ''Downhill Racer'', but Polanski read the novel ''Rosemary's Baby'' non-stop through the night and the following morning decided he wanted to write as well as direct it. The film, ''Rosemary's Baby'' (1968), was a box-office success and became his first Hollywood production, thereby establishing his reputation as a major commercial filmmaker. The film, a horror-thriller set in trendy Manhattan, is about Rosemary Woodhouse (Mia Farrow), a young housewife who is impregnated by the devil. Polanski's screenplay adaptation earned him a second Academy Award nomination.
On 9 August 1969, while Polanski was working in London, his wife, Sharon Tate, and four other people were murdered at the Polanskis' residence in Los Angeles.
1970s
;''Macbeth'' (1971)
Polanski abandoned his project and did not resume working until the production of
Shakespeare's ''
The Tragedy of Macbeth''.
Jon Finch and
Francesca Annis played the lead roles. He adapted Shakespeare's original text into a screenplay with the British theater critic
Kenneth Tynan. In his autobiography Polanski wrote that he wanted to be true to the violent nature of the work, and that he had been aware that his first project following Tate's murder, would be subject to scrutiny and probable cricitism regardless of the subject matter; if he had made a comedy he would have been perceived as callous.
;''What?'' (1973)
Written by Polanski and previous collaborator Gérard Brach, ''What?'' (1973) is a mordant absurdist comedy loosely based on the themes of ''Alice in Wonderland'' and Henry James. The film is a rambling shaggy dog story about the sexual indignities that befall a winsome young American hippie woman hitchhiking through Europe.
;''Chinatown (1974)
Polanski returned to Hollywood in 1973 to direct ''Chinatown'' for Paramount Pictures. The film was nominated for 11 Academy Awards. The stars, Jack Nicholson and Faye Dunaway, both received Oscar nominations for their roles, and the script by Robert Towne won for Best Original Screenplay. Polanski appears in a cameo role.
;''The Tenant'' (1976)
Polanski returned to Paris for his next film, ''The Tenant'' (1976), which was based on a 1964 novel by Roland Topor, a French writer of Polish-Jewish origin. In addition to directing the film, Polanski also played a leading role of a timid Polish immigrant living in Paris. Together with his two earlier works, ''The Tenant'' can be seen as the third installment in a loose trilogy of films called the "Apartment Trilogy" that explore the themes of social alienation and psychic and emotional breakdown. In his autobiography, Polanski wrote: "I had a great admiration for American institutions and regarded the United States as the only truly democratic country in the world."
;''Tess'' (1979)
He dedicated his next film, ''Tess'' (1979), to the memory of his late wife, Sharon Tate. It was Tate who suggested to Polanski that he read it, as she felt it might make a good film. ''Tess'' was Polanski's first film since his 1977 arrest in Los Angeles, and because of the American-British extradition treaty, ''Tess'' was shot in the north of France instead of Hardy's England. Nastassja Kinski appeared in the title role opposite Peter Firth and Leigh Lawson.
The film became the most expensive made in France up to that time. Ultimately, ''Tess'' proved a financial success and was well-received by both critics and the public. For ''Tess'', Polanski won France's César Awards for Best Picture and Best Director and received his fourth Academy Award nomination (and his second nomination for Best Director). The film received three Oscars: best cinematography, best art direction and best costume design. In addition, ''Tess'' was nominated for best picture.
1980s
;''Pirates'' (1986)
Nearly seven years passed before Polanski's next film, ''
Pirates'', a lavish period piece starring
Walter Matthau, which the director intended as an homage to the beloved
Errol Flynn swashbucklers of his childhood. The film was shot on location in Tunisia, using a full sized pirate vessel constructed for the production. It was a financial and critical failure.
;''Frantic'' (1988)
''Frantic'' (1988) was Hitchcockian suspense-thriller starring Harrison Ford and the actress/model Emmanuelle Seigner, who later became Polanski's wife . The film follows an ordinary tourist in Paris whose wife is kidnapped. He attempts, hopelessly, to go through the Byzantine bureaucratic channels to deal with her disappearance, but finally takes matters into his own hands.
1990s
Polanski followed this with the dark psycho-sexual film ''
Bitter Moon'' (1992), followed by a film of the acclaimed play ''
Death and the Maiden'' (1994) starring
Sigourney Weaver, and then ''
The Ninth Gate'' (1999), a thriller based on the novel
The Club Dumas and starring
Johnny Depp.
In 1997, Polanski directed a stage version of his 1967 film ''The Fearless Vampire Killers'', which debuted in Vienna followed by successful runs in Stuttgart, Hamburg, Berlin, and Budapest. On 1998, Polanski was elected a member of the Académie des Beaux-Arts. In an interview with David Letterman in 1982, she described their relationship and gave her opinion about his sexual assault case, claiming it was "ridiculous" and his residence in France was "a loss for America."
Emmanuelle Seigner
In 1989, Polanski married French actress
Emmanuelle Seigner. They have two children, daughter Morgane and son Elvis. Polanski and his children speak
Polish at home.
Legal history
Sexual assault case
On 11 March 1977, Polanski, then 43 years old, was arrested for the sexual assault of 13-year-old Samantha Geimer during a photo shoot for French ''Vogue'' magazine. Soon after he was indicted on six counts of criminal behavior, including rape. At his arraignment Polanski pled not guilty to all charges.
Geimer's attorney next arranged a plea bargain, which Polanski accepted, in which five of the six charges would be dismissed. As a result, Polanski pled guilty to the charge of "Unlawful Sexual Intercourse with a minor," and was ordered to undergo 90 days of psychiatric evaluation at Chino State Prison.
On release from prison after 42 days, Polanski expected that at final sentencing he would be put on probation, but the judge, Laurence J. Rittenband, had apparently changed his mind in the interim and now "suggested" to Polanski's attorney, Douglas Dalton, that more jail time and possible deportation were in order. Polanski was also told by his attorney that despite the fact that the prosecuting attorneys recommended probation, "the judge could no longer be trusted . . ." and the judge's representations were "worthless."
Upon learning of the judge's plans Polanski fled to France on 1 February 1978, just hours before sentencing by the judge. As a French citizen, he has been protected from extradition and has lived mostly in France since then.
Geimer sued Polanski in 1988, alleging sexual assault, intentional infliction of emotional distress and seduction. In 1993 Polanski agreed to settle with Geimer; however, in August 1996 Polanski still owed her $604,416. Geimer and her lawyers later confirmed that the settlement was completed.
On 26 September 2009, Polanski was arrested while in Switzerland at the request of U.S. authorities. He was kept in jail near Zurich for two months, then put under house arrest at his home in Gstaad while awaiting decision of appeals fighting extradition to the U.S. On 12 July 2010 the Swiss rejected the U.S. request, declared him a "free man" and released him from custody. All six of the original charges still remain pending in the U.S.
The victim, Samantha Geimer, during a television interview on 10 March 2011, blames the media, reporters, the court, and the judge for causing "way more damage to [her] and her family than anything Roman Polanski has ever done." She adds that the media were "really cruel," stating that the judge was using her and a noted celebrity for his own personal gain from the media exposure.
Documentary films
In 2008 the documentary film, ''
Roman Polanski: Wanted and Desired'', was released in Europe and the U.S. where it won numerous awards. The film focuses on the judge in the case and the possible reasons why he changed his mind. It includes interviews with those involved in the case, including the victim, Geimer, who commented about the judge:
:"He didn't care what happened to me, and he didn't care what happened to Polanski. He was orchestrating some little show . . . " Geimer's attorney, Lawrence Silver, adds that Polanski "was supposed to be treated fairly, and he clearly was not."
In an interview with the prosecuting attorney, Roger Gunson, he states "I'm not surprised that Polanski left under those circumstances," and, "it was going to be a real circus."
Former DA David Wells, made famous for stating on the documentary that he advised the trial judge to incarcerate Polanski, later admitted that he 'played up' his own role in the prosecution and that these back-door conversations in fact did not take place. David Wells's original statements were the most damning against the Polanski prosecution.
|-
| style="text-align:center;"|1965
|
Berlin Film Festival
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Silver Berlin Bear-Extraordinary Jury Prize (''
Repulsion'')
|
|-
| style="text-align:center;"|1966
|
Berlin Film Festival
|
Golden Bear (''
Cul-de-sac'')
|
|-
|1968
|Academy of Motion Picture Arts and Sciences
|Best screenplay adaptation (''
Rosemary's Baby'')
|
|-
|1974
|Academy of Motion Picture Arts and Sciences
|
Academy Award for Best Director (''
Chinatown'')
|
|-
|1974
|
Golden Globe Awards
|
Golden Globe Award for Best Director - Motion Picture (''Chinatown'')
|
|-
|1974
|
British Academy of Film and Television Arts (BAFTA)
|Best Direction (''Chinatown'')
|
|-
|1979
|
Académie des Arts et Techniques du Cinéma (César)
|
César Award for Best Picture (''
Tess'')
|
|-
|1979
|Académie des Arts et Techniques du Cinéma (César)
|
César Award for Best Director (''Tess'')
|
|-
|1979
|Academy of Motion Picture Arts and Sciences
|Academy Award for Directing (''Tess'')
|
|-
|1979
|Golden Globe Awards
|
Golden Globe Award for Best Foreign Film (''Tess'')
|
|-
|1979
|Golden Globe Awards
|Golden Globe Award for Best Director—Motion Picture (''Tess'')
|
|-
|2002
|
British Academy of Film and Television Arts (BAFTA)
|Best Film; Best Director (''
The Pianist'')
|
|-
|2002
|Academy of Motion Picture Arts and Sciences
|Academy Award for Best Director (''The Pianist'')
|
|-
|2002
|Académie des Arts et Techniques du Cinéma (César)
|César Award for Best Director (''The Pianist'')
|
|-
|2002
|Académie des Arts et Techniques du Cinéma (César)
|César Award for Best Film (''The Pianist'')
|
|-
|2002
|Académie des Arts et Techniques du Cinéma (César)
|César Award for Best Director (''The Pianist'')
|
|-
|2004
|
Karlovy Vary International Film Festival
|
Crystal Globe for outstanding artistic contribution to world cinema
|
|-
| 2009
|
Zurich Film Festival Golden Icon Award
|Lifetime achievement
|
}}
External links
Roman Polanski's official webpage
Interview with Charlie Rose, March 2000
"Interview: ''Roman Polanski: 'Wanted and Desired''
Category:1933 births
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yi:ראמאן פאלאנסקי
zh:羅曼·波蘭斯基