Gavin Friday (born Fionán Martin Hanvey, 8 October 1959) is an Irish singer and songwriter, composer, actor and painter.

Gavin was born in Dublin and grew up in Ballygall a neighbourhood located on Dublin's Northside located between Finglas and Glasnevin where he went to school. He was a founding member of the post-punk group The Virgin Prunes and has recorded several solo albums and soundtracks.

In 1986, after the demise of Virgin Prunes, Gavin devoted himself to painting for a while, sharing a studio with Bono, Guggi and Charlie Whisker. This resulted in the exhibition Four Artists - Many Wednesdays (1988) at Dublin’s Hendricks Gallery. Friday, Guggi and Whisker showed paintings, while Bono opted to exhibit photos taken in Ethiopia. Gavin's part of the show was entitled I didn’t come up the Liffey in a bubble, an expression often used by Friday's father.

He has maintained a close friendship with U2's Bono since both were children, and they collaborated on the soundtrack for the Jim Sheridan film In the Name of the Father, including the title track "In the name of the father", "Billy Boola" and "You made me the thief of your heart", which was sung by Sinéad O'Connor and nominated for a Golden Globe for Best Original Song. In 2003 they wrote "Time Enough for Tears", the original theme tune for Sheridan's film In America, as sung by Andrea Corr. The song was nominated for a Golden Globe Award for Best Original Song.

David Bowie ( /ˈboʊ.i/ BOH-ee; born David Robert Jones on 8 January 1947) is an English musician, actor, record producer and arranger. A major figure for over four decades in the world of popular music, Bowie is widely regarded as an innovator, particularly for his work in the 1970s. He is known for his distinctive voice and the intellectual depth and eclecticism of his work.

Bowie first caught the eye and ear of the public in July 1969, when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie's impact at that time, as described by biographer David Buckley, "challenged the core belief of the rock music of its day" and "created perhaps the biggest cult in popular culture." The relatively short-lived Ziggy persona proved merely one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.

"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.

The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.

The earliest recorded use^{[citation needed]} of the term "the Man" in the American sense dates back to a letter written by a young Alexander Hamilton in September 1772, when he was 15. In a letter to his father James Hamilton, published in the Royal Dutch-American Gazette, he described the response of the Dutch governor of St. Croix to a hurricane that raked that island on August 31, 1772. "Our General has issued several very salutary and humane regulations and both in his publick and private measures, has shewn himself the Man." ^{[dubious – discuss]} In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.