Pyrénées-Atlantiques (French pronunciation: [pi.ʁe.ne.at.lɑ̃.tik]; Gascon: Pirenèus-Atlantics; Basque: Pirinio-Atlantiarrak or Pirinio-Atlantikoak) is a department in the southwest of France which takes its name from the Pyrenees mountains and the Atlantic Ocean.

Basses-Pyrénées is one of the original 83 departments of France created during the French Revolution, on March 4, 1790. It was created from parts of the former provinces of Guyenne, Béarn, and Gascony and included the three traditional provinces of the northern Basque Country: Labourd, Soule, and Basse-Navarre. It also included two tiny exclaves of Bigorre which were located within Béarn.

The previous history of the region, under the Ancien Régime, can be found at those individual articles.

On October 10, 1969, Basses-Pyrénées was renamed Pyrénées-Atlantiques.

Pyrénées-Atlantiques is part of the Aquitaine region of Southwest France. It is bordered by the Landes, Hautes-Pyrénées, Gers departments and the Bay of Biscay.

Principal settlements include Pau, Oloron-Sainte-Marie, Orthez, Biarritz, Bayonne, Anglet, Urrugne, Saint-Jean-de-Luz and Hendaye.

Mariano Eusebio González y García (13 August 1914 – 14 July 1970) aka Luis Mariano was a popular tenor of Spanish Basque origin who achieved celebrity in 1946 with « La belle de Cadix » (« The Beautiful Lady of Cadix ») an operetta by Francis Lopez. He appeared in the 1954 film Adventures of the Barber of Seville and Le Chanteur de Mexico (1957) and became popular in France as well as his native Spain.

Luis Mariano was born in Irun, Spain on 13 August 1914, the son of a garagiste and taxi-driver and showed interest in singing as a child. His family moved to France at the start of the Spanish Civil War and settled in Bordeaux where he studied at the Conservatoire, and also sang in cabarets.

Jeanne Lagiscarde, who was in charge of the classical department of a record store in Bordeaux, took Mariano under her wing, and gave up her job to nurture his talent in Paris. To earn a living, he sang in stage shows and appeared films, starting with 'L'escalier sans fin' in 1943. That year he auditioned for the role of Ernesto in Don Pasquale, and sang in the opera at the Palais de Chaillot and later at the Théâtre des Variétés, with Vina Bovy, recording excerpts from the opera. He also left many recordings of popular song and operetta.