1:45
GENETIC ORIGINS OF GREEKS (PROTO GREEKS)
...
published: 21 Oct 2012
author: kizarmisyesil domatesler
GENETIC ORIGINS OF GREEKS (PROTO GREEKS)
GENETIC ORIGINS OF GREEKS (PROTO GREEKS)
- published: 21 Oct 2012
- views: 123
- author: kizarmisyesil domatesler
19:26
Recommended Books: Proto-Indo-European Culture
The Proto-Indo-Europeans were the people who spoke the language that's at the base of most...
published: 23 Mar 2013
author: Ceisiwr Serith
Recommended Books: Proto-Indo-European Culture
Recommended Books: Proto-Indo-European Culture
The Proto-Indo-Europeans were the people who spoke the language that's at the base of most of the languages stretching from Iceland to India. We've been able...- published: 23 Mar 2013
- views: 177
- author: Ceisiwr Serith
5:43
Proto-Kaw Greek Structure Sunbeam
Nice early '70s American prog....
published: 21 Aug 2011
author: Bryan Cline
Proto-Kaw Greek Structure Sunbeam
Proto-Kaw Greek Structure Sunbeam
Nice early '70s American prog.- published: 21 Aug 2011
- views: 476
- author: Bryan Cline
3:27
Themis Adamantidis - Se Proto Plano (Greek)
Themis Adamantidis - Se Proto Plano (Greek)
GREEK MUSIC...
published: 12 Nov 2013
Themis Adamantidis - Se Proto Plano (Greek)
Themis Adamantidis - Se Proto Plano (Greek)
Themis Adamantidis - Se Proto Plano (Greek) GREEK MUSIC- published: 12 Nov 2013
- views: 0
4:34
Respons to Serb/greek propaganda
Respons to Serb/greek propaganda Austrian study about the Albanian language. "(Old) Albani...
published: 18 Aug 2010
author: HaplogroupE3b1a
Respons to Serb/greek propaganda
Respons to Serb/greek propaganda
Respons to Serb/greek propaganda Austrian study about the Albanian language. "(Old) Albanian - Living legacy of a dead language?" http://www.fwf.ac.at/en/pub...- published: 18 Aug 2010
- views: 3089
- author: HaplogroupE3b1a
5:03
World's Oldest Languages
By resolving certain formulaic uncertainties in the methodology of Gray & Atkinson's phylo...
published: 28 Jul 2011
author: BeautySavesWorld
World's Oldest Languages
World's Oldest Languages
By resolving certain formulaic uncertainties in the methodology of Gray & Atkinson's phylogenetic approach to the reconstruction of the Indo-European languag...- published: 28 Jul 2011
- views: 2331
- author: BeautySavesWorld
5:35
Proto Kaw - Greek Structure Sunbeam
...
published: 16 Aug 2011
author: romefalls67
Proto Kaw - Greek Structure Sunbeam
1:36
The Indo-European Language Family
Indo-European peoples and languages. Indo-European languages is the most widely spoken fam...
published: 27 Jan 2012
author: Prasanna Patange
The Indo-European Language Family
The Indo-European Language Family
Indo-European peoples and languages. Indo-European languages is the most widely spoken family of languages in the world. Its members include the Indo-Aryan &...- published: 27 Jan 2012
- views: 6704
- author: Prasanna Patange
16:25
To Proto Gaming Video Mou!!!
Einai to proto video min me krazete mono eimai kainourgio :P!
Kante Like(Αρεσκω) ama sas a...
published: 26 Nov 2013
To Proto Gaming Video Mou!!!
To Proto Gaming Video Mou!!!
Einai to proto video min me krazete mono eimai kainourgio :P! Kante Like(Αρεσκω) ama sas arese Subscribe & Comment!!!- published: 26 Nov 2013
- views: 326
5:39
Proto-Türks in Greek Pre-Culture / Turkic Symbols - 8000 B.C.
Türük Bil Empire established in 879 B.C. by Bûmin Kagan Istemi !...
published: 25 Dec 2009
author: IdelUralState
Proto-Türks in Greek Pre-Culture / Turkic Symbols - 8000 B.C.
Proto-Türks in Greek Pre-Culture / Turkic Symbols - 8000 B.C.
Türük Bil Empire established in 879 B.C. by Bûmin Kagan Istemi !- published: 25 Dec 2009
- views: 6837
- author: IdelUralState
2:54
Stamatis Gonidis Proto trapezi / Σταμάτης Γονίδης Πρώτο τραπέζι
Στίχοι: Βασίλης Παπαδόπουλος
1991
Πρώτο τραπέζι απόψε μόνος μου
πρώτο τραπέζι εγώ κι ο ...
published: 07 Feb 2014
Stamatis Gonidis Proto trapezi / Σταμάτης Γονίδης Πρώτο τραπέζι
Stamatis Gonidis Proto trapezi / Σταμάτης Γονίδης Πρώτο τραπέζι
Στίχοι: Βασίλης Παπαδόπουλος 1991 Πρώτο τραπέζι απόψε μόνος μου πρώτο τραπέζι εγώ κι ο πόνος μου πρώτο τραπέζι κι η ορχήστρα να παίζει τραγούδια για σένα αγαπημένα Κι απόψε πίνω με δυο ποτήρια το ένα το ποτήρι σου έχω χαλάσει εκατομμύρια για το χατήρι σου για το χατήρι σου- published: 07 Feb 2014
- views: 17
0:44
Hidden Turkic History: Sumerian Latin Greek Cyrillic Alphabets based on ProtoTurkic Scripts (Tamga)
Ancient holy universal Turkic History & Cul-Ture & Languages & Civilization - hidden, stol...
published: 01 Feb 2012
author: nomangodoytokay
Hidden Turkic History: Sumerian Latin Greek Cyrillic Alphabets based on ProtoTurkic Scripts (Tamga)
Hidden Turkic History: Sumerian Latin Greek Cyrillic Alphabets based on ProtoTurkic Scripts (Tamga)
Ancient holy universal Turkic History & Cul-Ture & Languages & Civilization - hidden, stolen, rewritten, renamed, disgraced, by the worst anti-Turkish/anti-T...- published: 01 Feb 2012
- views: 6417
- author: nomangodoytokay
Vimeo results:
78:24
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. Th...
published: 22 Sep 2009
author: Victoria and Albert Museum
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. The purpose of the lecture is to celebrate the legacy of the Museum’s founding director, and explore its implications for museums, culture and society today.
The lecture, entitled 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum' was delivered by Professor Sir Christopher Frayling. He presented new research on the “chamber of horrors” (a contemporary nickname for one of the V&A;'s earliest galleries, 'Decorations on False Principles', that opened in 1852) and the myths and realities of its reception, then opened up a wider debate on design education and museums from the nineteenth century to the present day.
Transcript:
Mark Jones: The annual Henry Cole lecture has been initiated to celebrate Henry Cole's legacy and to explore the contribution that culture can make to education and society today. It has also been launched to celebrate the opening of the Sackler Centre for arts education, including the Hochhauser Auditorium in which we sit tonight. There could be no one better than Professor Sir Christopher Frayling to give the inaugural Henry Cole Lecture. Christopher is a rare being: an intellectual who is a great communicator; a theorist who has a firm grip on the practical realities of life: a writer who truly and instinctively understands the words of making design and visual communication. As an enormously successful and respected Rector of the Royal College of Art, as Chairman of the Arts Council, and as a member and chair of boards too numerous to mention - but not forgetting the Royal Mint Advisory Committee which has recently been responsible for redesigning the coinage (personal interest) and as by far the longest-serving Trustee of the V&A;, he brings together culture, education and public service in a way which Henry Cole would have approved and admired. So it's more than fitting that he should be giving this first Henry Cole Lecture, 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum'.
CHRISTOPHER FRAYLING:
Thank you very much indeed Mark and thank you very much for inviting me to give this first Henry Cole Lecture. Just how much of an honour it is for me will I hope become clear as the lecture progresses.
Mark, Chairpeople, ladies and gentlemen:
Hidden away in the garden of the South Kensington Museum - now the Madejski Garden of the V&A; - there is a small and easily overlooked commemorative plaque that doesn't have a museum number. It reads: 'In Memory of Jim Died 1879 Aged 15 Years, Faithful Dog of Sir Henry Cole of this Museum'. Jim had in fact died on 30 January 1879. He was with Henry Cole in his heyday, as the king of South Kensington - its museums and colleges - and saw him through to retirement from the public service and beyond. And next to this inscription there's another one dedicated to Jim's successor, Tycho, and dated 1885. The dogs are actually buried in the garden. Now we know from Henry Cole's diary that between 1864 and 1879 Jim, who was a cairn terrier, was often to be seen in public at his master's side. In 1864 they were together inspecting the new memorial to the Great Exhibition of 1851 just behind the Albert Hall - a statue of Prince Albert by Joseph Durham on a lofty plinth covered in statistics about the income, expenditure and visitor numbers to the Great Exhibition: 6,039,195 to be exact. Cole had been a tireless champion of Prince Albert and according to the Princess Royal (later Empress of Prussia) there was a family saying in Buckingham Palace at the time, invented by Albert himself, that when things needed doing 'when we want steam we must get Cole'. We may therefore assume that when looking at the memorial, Cole was interested in the inscription, the statistics and the likeness of Prince Albert, while Jim was more interested in the possibilities of the plinth. In early 1866 - these are five studies of Jim, an etching by Henry Cole himself of 1864. In early 1866, first thing in the morning, soon after the workmen's bell had rung, Henry and Jim would set forth together from Cole's newly constructed official residence in the Museum (where he moved in July 1863) to tour the building sites of South Kensington - a name which was first invented by Cole when he re-named the museum The South Kensington Museum to describe the new developments happening around Brompton Church. According to 'The Builder' magazine, these two well-known figures would 'be seen clambering over bricks, mortar and girders up ladders and about scaffolding'. Several buildings in the South Kensington Renaissance Revival style were springing up all around them: The Natural History Museum, The College of Science, the extension to this Museum. And on the morning the Bethnal Green Museum opened - 24 June 1872 - Jim showed a healthy distaste for his master's well-known predilection for pomp and
6:35
Zeus on Ancient Greek Coins for Sale & Story of Prometheus Thief of Fire by Ancient Coin Expert
http://www.TrustedCoins.com
In the ancient Greek religion, Zeus zews zooss; Ancient Greek:...
published: 04 Jul 2013
author: Ilya Zlobin
Zeus on Ancient Greek Coins for Sale & Story of Prometheus Thief of Fire by Ancient Coin Expert
http://www.TrustedCoins.com
In the ancient Greek religion, Zeus zews zooss; Ancient Greek: Ζεύς; Modern Greek: Δίας, Dias) was the "Father of Gods and men" (πατὴρ ἀνδρῶν τε θεῶν τε) who ruled the Olympians of Mount Olympus as a father ruled the family. He was the god of sky and thunder in Greek mythology. His Roman counterpart is Jupiter and Etruscan counterpart is Tinia.
Zeus was the child of Cronus and Rhea, and the youngest of his siblings. In most traditions he was married to Hera, although, at the oracle of Dodona, his consort was Dione: according to the Iliad, he is the father of Aphrodite by Dione. He is known for his erotic escapades. These resulted in many godly and heroic offspring, including Athena, Apollo and Artemis, Hermes, Persephone (by Demeter), Dionysus, Perseus, Heracles, Helen of Troy, Minos, and the Muses (by Mnemosyne); by Hera, he is usually said to have fathered Ares, Hebe and Hephaestus.
As Walter Burkert points out in his book, Greek Religion, "Even the gods who are not his natural children address him as Father, and all the gods rise in his presence."[6] For the Greeks, he was the King of the Gods, who oversaw the universe. As Pausanias observed, "That Zeus is king in heaven is a saying common to all men". In Hesiod's Theogony Zeus assigns the various gods their roles. In the Homeric Hymns he is referred to as the chieftain of the gods.
His symbols are the thunderbolt, eagle, bull, and oak. In addition to his Indo-European inheritance, the classical "cloud-gatherer" also derives certain iconographic traits from the cultures of the Ancient Near East, such as the scepter. Zeus is frequently depicted by Greek artists in one of two poses: standing, striding forward, with a thunderbolt leveled in his raised right hand, or seated in majesty.
Etymology
The Chariot of Zeus, from an 1879 Stories from the Greek Tragedians by Alfred Church
In Greek, the god's name is Ζεύς Zeús /zdeús/ or /dzeús/ (Modern Greek /ˈzefs/) in the nominative case and Διός Diós in the genitive case. The earliest forms of the name are the Mycenaean Greek di-we and di-wo, written in Linear b syllabic script. With the apparent interchangeability of "z" and "d", Zeus can also be Deus.
Zeus, poetically referred to by the vocative Zeu pater ("O, father Zeus"), is a continuation of *Di̯ēus, the Proto-Indo-European god of the daytime sky, also called *Dyeus ph2tēr ("Sky Father"). The god is known under this name in Sanskrit (compare Dyaus/Dyaus Pita), Latin (compare Jupiter, from Iuppiter, deriving from the Proto-Indo-European vocative *dyeu-ph2tēr[10]), deriving from the basic form *dyeu- ("to shine", and in its many derivatives, "sky, heaven, god"). And in Germanic mythology (compare *Tīwaz > Old High German language Ziu, Old Norse Týr), together with Latin deus, dīvus and Dis (a variation of dīves[11]), from the related noun *deiwos. To the Greeks and Romans, the god of the sky was also the supreme god. Zeus is the only deity in the Olympic pantheon whose name has such a transparent Indo-European etymology
5:39
Persephone Greek Goddess of the Underworld Kore Daughter of Zeus and Demeter Ancient Coins
http://www.TrustedCoins.com
In Greek mythology, Persephone also called Kore (the maiden)is...
published: 29 Jun 2013
author: Ilya Zlobin
Persephone Greek Goddess of the Underworld Kore Daughter of Zeus and Demeter Ancient Coins
http://www.TrustedCoins.com
In Greek mythology, Persephone also called Kore (the maiden)is the daughter of Zeus and the harvest-goddess Demeter, and queen of the underworld. Homer describes her as the formidable, venerable majestic queen of the shades, who carries into effect the curses of men upon the souls of the dead. Kore was abducted by Hades, the god-king of the underworld [2] The myth of her abduction represents her function as the personification of vegetation which shoots forth in spring and withdraws into the earth after harvest; hence she is also associated with spring and with the seeds of the fruits of the fields. Similar myths appear in the Orient, in the cults of male gods like Attis, Adonis and Osiris,[3] and in Minoan Crete.
Persephone as a vegetation goddess (Kore) and her mother Demeter were the central figures of the Eleusinian mysteries that predated the Olympian pantheon, and promised to the initiated a more enjoyable prospect after death. The mystic Persephone is further said to have become by Zeus the mother of Dionysos, Iacchus, or Zagreus. The origins of her cult are uncertain, but it was based on very old agrarian cults of agricultural communities.
Persephone was commonly worshipped along with Demeter, and with the same mysteries. To her alone were dedicated the mysteries celebrated at Athens in the month of Anthesterion. In Classical Greek art, Persephone is invariably portrayed robed; often carrying a sheaf of grain. She may appear as a mystical divinity with a sceptre and a little box, but she was mostly represented in the act of being carried off by Hades.
In Roman mythology, she is called Proserpina.
Her name
Etymology
Triptolemus, Demeter, and Persephone by the Triptolemos Painter,ca 470BC
In a Linear B (Mycenean Greek) inscription on a tablet found at Pylos dated 1400-1200 BC, John Chadwick reconstructs the name of a goddess *Preswa who could be identified with Persa, daughter of Oceanus and finds speculative the further identification with the first element of Persephone.[4] Persephonē (Greek: Περσεφόνη) is her name in the Ionic Greek of epic literature. The Homeric form of her name is Persephoneia (Περσεφονεία,[5] Persephonēia). In other dialects she was known under variant names: Persephassa (Περσεφάσσα), Persephatta (Περσεφάττα), or simply Korē (Κόρη, "girl, maiden").[6] Plato calls her Pherepapha (Φερέπαφα) in his Cratylus, "because she is wise and touches that which is in motion". There also the forms Perifona (Πηριφόνα) and Phersephassa (Φερσέφασσα). The existence of so many different forms shows how difficult it was for the Greeks to pronounce the word in their own language and suggests that the name has probably a pre-Greek origin.[7]
An alternative etymology is from φέρειν φόνον, pherein phonon, "to bring (or cause) death".[8]
Another mythical personage of the name of Persephione is called a daughter of Minyas and the mother of Chloris, a nymph of spring, flower and new growth.[8] The Minyans were a group considered autochthonous, but some scholars assert that they were the first wave of Proto-Greek speakers in the second milemnium BC.[9]
The Roman Proserpina
The Romans first heard of her from the Aeolian and Dorian cities of Magna Graecia, who used the dialectal variant Proserpinē (Προσερπινη). Hence, in Roman mythology she was called Proserpina, a name erroneously derived by the Romans from "proserpere", "to shoot forth"[10] and as such became an emblematic figure of the Renaissance.[citation needed]
At Locri, perhaps uniquely, Persephone was the protector of marriage, a role usually assumed by Hera; in the iconography of votive plaques at Locri, her abduction and marriage to Hades served as an emblem of the marital state, children at Locri were dedicated to Proserpina, and maidens about to be wed brought their peplos to be blessed.[11]
Nestis
In a Classical period text ascribed to Empedocles, c. 490–430 BC,[12] describing a correspondence among four deities and the classical elements, the name Nestis for water apparently refers to Persephone: "Now hear the fourfold roots of everything: enlivening Hera, Hades, shining Zeus. And Nestis, moistening mortal springs with tears."[13]
Of the four deities of Empedocles's elements, it is the name of Persephone alone that is taboo—Nestis is a euphemistic cult title[14]—for she was also the terrible Queen of the Dead, whose name was not safe to speak aloud, who was euphemistically named simply as Kore or "the Maiden", a vestige of her archaic role as the deity ruling the underworld.
Titles and functions
45:55
Things Done for Themselves on Tornado Island (Quasha-Stein)
Axial Music & Glossodelia performance by George Quasha & Charles Stein at Berl's Brooklyn ...
published: 13 Dec 2013
author: George Quasha
Things Done for Themselves on Tornado Island (Quasha-Stein)
Axial Music & Glossodelia performance by George Quasha & Charles Stein at Berl's Brooklyn Poetry Shop (Dir.: Jared White) in the Two Heads performance series curated and introduced by Nada Gordon, in DUMBO, Dec. 6th, 2013.
Poems performed: C. Stein's "There Where You Do Not Think to Be Thinking" (from VIEWS FROM TORNADO ISLAND) and G. Quasha's "Things Done for Themselves" (PREVERBS).
Instruments: Stein: voice. Quasha: Roland Octapad, Roland SPD30 (9-pad sampler), Wave Drum.
Camera: Sarah Scheld. Management: Susan Quasha.
AXIAL MUSIC: Performance follows a principle of spontaneous interpersonal composition without adherence to precedent or previous patterns, guided instead by radical following of actual sounds generated in an intentional field. In axial sound one tracks an inner impulse that releases suddenly into a pulse as much as a rhythm, harnessing a movement within language of its own accord. There are no necessary patterned tendencies but there are endless optional ones. When successful the sound/language event has a life independent of the musicians/poets and may generate an altered state of listening. In addition to sound events, the performance sometimes has visual and proto-language components (glossodelia). Language and music become difficult to distinguish, like listening to strange tribal sounds in the distance and being unclear about what one is hearing. The confusion of language and music means that each may be viewed as the other.
GLOSSODELIA: Literally, “revealing tongues.” The artists/poets enter into a state of co-performative inquiry by way of what they use for language. This includes just about anything that can be generated in real (and hyperreal) time, such as sound, text, spoken word, gesture, and a range of semi-definable electronic phenomena (“electronic linguistics”). What they generate through various instruments (“psychotropic languaging vehicles”) becomes a field of strange attractors (“dynamical lingualia”) with a pull toward possible language realities (“lingualities"). Call it “a pulsational conversation with stepped-up intensity in which Real Time is invited to show its other side.”
"Glossodelic attractors," a term invented by G. Quasha for a performance with Gary Hill at the opening of the latter's retrospective at the Henry Gallery in Seattle (2012), suggests a range of meanings from the etymologies “glosso-” (fr. Greek “language, tongue”) and “-delic” (fr. Greek “make manifest, visible”) and resonates with “glossolalia” and “psychedelic.” “Attractors,” in addition to the mathematical meaning of “a set towards which a dynamical system evolves over time (e.g., strange attractor),” connects with the “-tropic” part of ‘psychotropic’—attractors that orient the mind, turn the mind in a new direction. Co-performative work involves singular initiations into dynamical/lingual events. As metanoiac languaging vehicles such work reorients the mind by altering our conception of what language is. They attract possible language realities—or, rather, "lingualities.”
Youtube results:
9:52
The Voice of Greece | Στέλιος Μαγαλιός - Blind Auditions (ep.1) (TALPA)
Ο Στέλιος κατάφερε να ξεσηκώσει τους coaches με τη φωνή του τραγουδώντας Nickelback -- "Ho...
published: 11 Jan 2014
The Voice of Greece | Στέλιος Μαγαλιός - Blind Auditions (ep.1) (TALPA)
The Voice of Greece | Στέλιος Μαγαλιός - Blind Auditions (ep.1) (TALPA)
Ο Στέλιος κατάφερε να ξεσηκώσει τους coaches με τη φωνή του τραγουδώντας Nickelback -- "How you remind me", κάτι που ο ίδιος δεν πίστευε ότι μπορεί να συμβεί! Αφού λοιπόν γύρισαν όλοι, ζήτησε να του τάξουν ότι μπορεί, ο καθένας ώστε να κάνει και αυτός την επιλογή του. Η Δέσποινα του τόνισε ότι ήταν η 1η που γύρισε! Ο Αντώνης του έπαιξε μέχρι και τύμπανα... Ο Μιχάλης από την πλευρά του προσπαθησε να τον μαγνητισει και να του δείξει "το σωστό δρόμo" που οδηγεί στην ...ομάδα του. Η Μελίνα με τη σειρά της του εξήγησε ότι έχει προσωπικότητα η φωνή του και ότι τον χρειάζεται στην ομάδα της! Τελικά επέλεξε τη Δέσποινα, η οποια ενθουσιάστηκε, γιατί δεν το περίμενε! Team#3 | #TeamVandi @Desp1naVandi- published: 11 Jan 2014
- views: 41760
14:09
So You Want to Learn Proto-Indo-European
The website I mention is http://titus.fkidg1.uni-frankfurt.de/didact/idg/idgphon.htm. The ...
published: 05 Oct 2012
author: Ceisiwr Serith
So You Want to Learn Proto-Indo-European
So You Want to Learn Proto-Indo-European
The website I mention is http://titus.fkidg1.uni-frankfurt.de/didact/idg/idgphon.htm. The books are: Robert S. P. Beekes / Comparative Indo-European Linguist...- published: 05 Oct 2012
- views: 1978
- author: Ceisiwr Serith
5:37
Greek Commentary Army Rage!! To proto mou video!!! :)
Army rage: http://www.armyrage.com/ Facebook: https://www.facebook.com/yiannis.vazelos PS3...
published: 10 Oct 2012
author: gate134evere
Greek Commentary Army Rage!! To proto mou video!!! :)
Greek Commentary Army Rage!! To proto mou video!!! :)
Army rage: http://www.armyrage.com/ Facebook: https://www.facebook.com/yiannis.vazelos PS3 TAG: John_13-4ever afiste 1 like kai 1 sub please me voi8a :)) sig...- published: 10 Oct 2012
- views: 52
- author: gate134evere
