Murphy Brown is an American situation comedy which aired on CBS from November 14, 1988, to May 18, 1998, for a total of 247 episodes. The program starred Candice Bergen as the eponymous Murphy Brown, a famous investigative journalist and news anchor for FYI, a fictional CBS television newsmagazine.
The program was well known for stories inspired by current events and its political satire. It achieved a high level of cultural notoriety in the 1992 presidential campaign when Dan Quayle mentioned the show in a campaign speech, afterwards known as the "Murphy Brown speech".
The show began in the Monday 9/8 p.m. timeslot and remained there until its final season when it was moved to Wednesday at 8:30/7:30 p.m. The series finale aired in its original Monday timeslot.
Murphy Brown (Candice Bergen) is a recovering alcoholic, who, in the show's first episode, returns to the fictional newsmagazine FYI for the first time following a stay at the Betty Ford Clinic. Over 40 and single, she is sharp-tongued and hard as nails. In her profession, she is considered one of the boys, having shattered any glass ceilings encountered during her career. Dominating the FYI news magazine, she is portrayed as one of America's hardest-hitting (though not the warmest or more sympathetic) media personalities.
The Danny Thomas Show (known as Make Room for Daddy during the first three seasons) is an American sitcom which ran from 1953 to 1957 on ABC and from 1957 to 1964 on CBS. A revival series known as Make Room for Granddaddy aired on ABC from 1970 to 1971. Episodes regularly featured music as part of the plot by Danny Thomas, guest stars and occasionally by other cast members.
In March 1953, Danny Thomas first signed the contract for the show with ABC and chose Desilu Studios to film it using its three-camera method. Two proposed titles during pre-production were The Children's Hour and Here Comes Daddy.
Thomas played Danny Williams, a successful comedian and nightclub entertainer at the Copa Club. Jean Hagen played his serious and loving wife Margaret, Sherry Jackson their daughter Terry, and Rusty Hamer their son Rusty. The show's premise dealt with Danny rarely having time to spend with his family and Margaret dealing with the children on her own. Margaret often felt neglected by her husband and on several occasions felt like leaving him. Margaret was a society woman and strict with the children but loved her family. Louise Beavers made several appearances during this era as the Williams' maid, Louise Evans, and often found herself at odds with Danny and sided with Margaret in most fights between the couple. Nana Bryant appeared often as Margaret's kind mother, who Danny and the children were fond of; but Margaret, who had been raised by her aunt and uncle because of her mother being away on stage tours often, was not as warm towards her mother. Bryant died in late 1955 and her character simply stopped appearing. During 1955, Louise Beavers became ill and Amanda Randolph took over the role of Louise.
That's when you know a group is hip
Is when your parents say
What is it with the hippy, the hip, hip, hippy glows?
And you can't understand a word they are sayin'
Back on up, back on up, oh yeah, back on up
Back on up, back on up, oh yeah, back on up
Back on up, back on up, oh yeah, back on up
Back on up, back on up, oh yeah, back on up
Oh yeah, back on up
Make room, 'cause we about to start swelling
Catching attitude, get buck sweat it up
And really lose cool, it's what we been commissioned to do
So back on up and give me room, we gotta keep makin' moves
My long range aim is dedicated to change
Persist to twist brains with rhymes, only God can explain
Attain divine intervention if your attentions arrested
Imprisoned and in position to listen to lessons given
Gotta make moves steadily, heavily bruising these dudes
We got the gift, but abuse tools misleading these youths see
My birthright is light in the darkness of night
To lead the lost paying the price of sacrificing my life
I've been sittin' and contemplating waiting anxiously peeking
Perception of these releases embracing the deeper reasons
Of timing and perfect season believing this thing is bigger
Than faces and sound scan reaching for the completion
Of purpose in promised land watchin' behind the curtain
For certain the game is hurtin' looking for some solution
Searchin' for revolution like music is the conclusion
Refusing to look at life a livin' for forward movement
Make room, 'cause we about to start swelling
Catching attitude, get buck sweat it up
And really lose cool, it's what we been commissioned to do
So back on up and give me room, we gotta keep makin' moves
Make room, 'cause we about to start swelling
Catching attitude, get buck sweat it up
And really lose cool, it's what we been commissioned to do
So back on up and give me room, we gotta keep makin' moves
Move cowards, move all you cowards move
Move cowards, move all you cowards move
Move cowards, move all you cowards move
He scared, she scared and if you scared then move
Oh God, don't let me act up, I feel a fit comin' on
My conniption's, my conviction's reaction to what's goin' on
My rebuttal's far from subtle, take you there just like a shuttle
Gather round the huddle embrace the pace
I spit at give it a kiss and cuddle
Boy what's that there you sayin'?
I'm tight like the shorts that men look gay in
Oh Lordy, you don' said too much
My slightest touch is a cobra clutch
Let it be known, we are the epitomy of strange and bizarre
Switchin' up and change our repertoire
Come discover who we are, wreaking havoc on Satan's mavericks
Through a labyrinth filled with nooks and crannies
An elite group called the factors
We like the X-Men so uncanny, imagine looking
Up seeing the plastered ceiling cracking, it ain't because
We broke, we lost our minds for God provoked and crazy actin'
Make room, 'cause we about to start swelling
Catching attitude, get buck sweat it up
And really lose cool, it's what we been commissioned to do
So back on up and give me room, we gotta keep makin' moves
Make room, 'cause we about to start swelling
Catching attitude, get buck sweat it up
And really lose cool, it's what we been commissioned to do
So back on up and give me room, we gotta keep makin' moves
Make room, 'cause we about to start swelling
Catching attitude, get buck sweat it up
And really lose cool, it's what we been commissioned to do
So back on up and give me room, we gotta keep makin' moves
Make room, 'cause we about to start swelling
Catching attitude, get buck sweat it up
And really lose cool, its' what we been commissioned to do
So back on up and give me room, we gotta keep makin' moves