-
Washington University in st louis
https://wustl.edu/
From Wikipedia, the free encyclopedia
"Washington University" redirects here. For other uses, see Washington (disambiguation).
Not to be confused with University of Washington, Washington State University, or The George Washington University.
Washington University in St. Louis
WashUShielding.svg
Latin: Universitas Washingtoniana
Other names
WashU
Former names
Eliot Seminary
(1853–1854)
Washington Institute
(1854–1856)
Motto Per veritatem vis (Latin)
Motto in English
Strength through truth
Type Private
Established February 22, 1853
Endowment $6.819 billion (2015)[1]
Chancellor Mark S. Wrighton
Provost Holden Thorp
Academic staff
3,395[2]
Administrative staff
9,605[3]
Students 14,117[4]
Undergraduates 7,303[4]
Postgraduates 6,814[4]
Location St. Louis, Missouri, U.S.
38.6...
published: 31 Aug 2016
-
First Heroes
First Heroes
Get This Item https://amzn.to/36J2qtA
Age Range: 6 - 10 years
Grade Level: 1 - 5
Hardcover: 224 pages
Publisher: Thomas Nelson (August 6, 2019)
Language: English
ISBN-10: 1400212634
ISBN-13: 978-1400212637
Product Dimensions: 7 x 0.8 x 9.2 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review: 4.5 out of 5 stars 25 customer reviews
Amazon Best Sellers Rank: #152,579 in Books (See Top 100 in Books)
#222 in Children's Devotional Christianity Books
#268 in Children's Bible Stories
#202 in Children's Christian Prayer Books (Books)
hero definition
what is a hero essay
what makes a hero definition
examples of heroes in movies
famous heroes of the world
hero disambiguation
avengers 1000000 bc comic
starbrand hulk
loki joins the avengers
i...
published: 19 Dec 2019
-
Tibia - rover world trap
I'm Tibia, alright.
Recent isn't renew.
Cannot ignore alike this throughout hypnotized.
Oops, I feel in the front room,
once or twice quickly jump
somerset.
I left at midnight...to... volume up...avon down. It is the soundtrack to winter, late nights, midnight, red wine, being carefree.
Masked wet paint...
It starts at midnight...... what I can do...
volume up again, more vol.
Wilt dirty river between avon.
Sour cherry or cherry tell me you finally why loving me? Seventeenth time? I say: hmm?
Just listen and listen and stay yourself.
They are sometimes taken to be different languages, but it is difficult to be sure given of attestation.
Give own blood and sweating like one big wine-lake believes they were probably dialects of a single music or also besides mural on the walls if...
published: 17 Jan 2019
-
Medical Visualization with New Generation Spatial 3D Displays
Authors: Marco Agus, Fabio Bettio, Enrico Gobbetti, and Giovanni Pintore.
In this paper the capabilities of a modern spatial 3D display are exploited for medical visualization tasks. The system gives multiple viewers the illusion of seeing virtual objects floating at fixed physical locations. The usage of this kind of display in conjunction with 3D visualization techniques helps disambiguating complex images, so it is proven to be a real advantage for immediate understanding and visualization of medical data. We demonstrate this by reporting on some preliminary test cases of direct volume rendering techniques (Maximum Intensity Projection and X Ray simulation), as well as an example of a collaborative medical diagnostic application for analysis of Abdominal Aortic Aneurysms.
Eurographics I...
published: 22 Oct 2012
-
Randall Korman: "Facade: Missing in Action"
Architecture Spring 2018 Lecture Series - January 30, 2018 in Slocum Hall.
Professor Korman joined the Syracuse Architecture faculty in 1977, and, over the next forty years, he became one of the school’s most important and influential administrators and faculty members. Perhaps his greatest contribution, however, is the role he played and continues to play in shaping the educational experience of the several hundred architecture students fortunate enough to have been and to be in his studio courses and his thesis advisees.
“Historically, the rhetoric of architecture has centered largely on the phenomenon of the façade. As the principal surface of mediation, contextualization and representation, the facade carries the lion’s share of responsibility for containing the internal environment...
published: 15 Feb 2018
-
The SHARE-VDE Project: Fulfilling the Potential of BIBFRAME
Michele Casalini and Tiziana Possemato discuss the SHARE Virtual Discovery Environment in Linked Data, a library community-driven research and development project with the main goal of contributing in bringing BIBFRAME into practice for the benefit of librarians and library patrons. Through the individual processes of analysis, enrichment, reconciliation, conversion and publication of data from MARC21 to RDF, and in the context of libraries with different systems, habits and cataloguing traditions, a three BIBFRAME layer architecture environment (Person/Work, Instance, Item) is established. The deliverables of the project include the conversion into BIBFRAME of over 100 million bibliographic and authority records for the entire catalogue of the participating institutions. The SHARE-VDE pro...
published: 12 Mar 2018
-
Skynet activated: Building smarter apps with Cognitive Services and Xamarin - Gerald Versluis
AI is not taking over our planet just yet, but we're getting there! In this session we will look at how we can integrate the Microsoft Cognitive Services into our Xamarin apps.
With doing so, you can now determine what your users are looking at and even how they are feeling or who they are and use that to enhance your functionality.
"Come with me if you want to live!"
published: 09 Jun 2018
-
Grand Challenges Keynote: Kate Zwaard
MIT hosted a working summit on the Grand Challenges in Information Science and Scholarly Communication March 19-23, 2018. Inviting experts from across disciplines and sectors, the summit aimed to identify critical problems in information science that are solvable within 10 years and which have broad implications across the scholarly community.
Workshops focused on producing draft research agendas in the areas of:
Scholarly discovery
Digital curation and preservation
Open scholarship
Learn more at https://grandchallenges.mit.edu
The MIT Libraries are an engine for creating, sharing, and safeguarding knowledge at the Institute and beyond.
The Libraries work to improve the world’s collective knowledge by equipping current and future scholars with the best content and the skills to use i...
published: 27 Jun 2018
-
Painting: Now and Forever, Part II at MATTHEW MARKS GALLERY
James Kalm risks a soaking deluge to bring viewers the first gallery of this abbreviated glimpse of on of this summer's most discussed painting shows. Presenting a cross section of generational and geographical implications, "Painting: Now and Forever, Part II" is the second installment of the original exhibition that happened in 1998. At that time the shows were split between Matthew Marks Gallery and the late Pat Hearn's. Though limited in scope these exhibitions display a broad spectrum of current practices while also re-evaluating past movements with in a Post Modernist context. Featuring works by Lily van der Stokker, Jack Goldstein, Martin Kippenberger, Rodney Graham, Binky Palermo and others
published: 27 Aug 2008
-
2019 10 29 14 03 55
published: 05 Nov 2019
0:20
Washington University in st louis
https://wustl.edu/
From Wikipedia, the free encyclopedia
"Washington University" redirects here. For other uses, see Washington (disambiguation).
Not to be con...
https://wustl.edu/
From Wikipedia, the free encyclopedia
"Washington University" redirects here. For other uses, see Washington (disambiguation).
Not to be confused with University of Washington, Washington State University, or The George Washington University.
Washington University in St. Louis
WashUShielding.svg
Latin: Universitas Washingtoniana
Other names
WashU
Former names
Eliot Seminary
(1853–1854)
Washington Institute
(1854–1856)
Motto Per veritatem vis (Latin)
Motto in English
Strength through truth
Type Private
Established February 22, 1853
Endowment $6.819 billion (2015)[1]
Chancellor Mark S. Wrighton
Provost Holden Thorp
Academic staff
3,395[2]
Administrative staff
9,605[3]
Students 14,117[4]
Undergraduates 7,303[4]
Postgraduates 6,814[4]
Location St. Louis, Missouri, U.S.
38.648°N 90.305°WCoordinates: 38.648°N 90.305°W
Campus Urban
2,312.5 acres (936 ha)[5][6]
Newspaper Student Life
Colors Red and Green[7]
Athletics NCAA Division III – UAA
Nickname Bears
Website www.wustl.edu
Washington University in St. Louis logo.png
Washington University in St. Louis (WashU, or WUSTL) is a private research university located in St. Louis, Missouri, United States. Founded in 1853, and named after George Washington, the university has students and faculty from all 50 U.S. states and more than 120 countries.[8] Twenty-five Nobel laureates have been affiliated with Washington University, nine having done the major part of their pioneering research at the university.[9] Washington University's undergraduate program is ranked 15th by U.S. News and World Report.[10] The university is ranked 23rd in the world by the Academic Ranking of World Universities.[11]
Washington University is made up of seven graduate and undergraduate schools that encompass a broad range of academic fields.[12] Officially incorporated as "The Washington University," the university is occasionally referred to as "WUSTL," (pronounced /whu- stḷ/) an acronym derived from its initials. More commonly, the school is referred to as "WashU". To prevent confusion over its location, the Board of Trustees added the phrase "in St. Louis" in 1976.
https://wn.com/Washington_University_In_St_Louis
https://wustl.edu/
From Wikipedia, the free encyclopedia
"Washington University" redirects here. For other uses, see Washington (disambiguation).
Not to be confused with University of Washington, Washington State University, or The George Washington University.
Washington University in St. Louis
WashUShielding.svg
Latin: Universitas Washingtoniana
Other names
WashU
Former names
Eliot Seminary
(1853–1854)
Washington Institute
(1854–1856)
Motto Per veritatem vis (Latin)
Motto in English
Strength through truth
Type Private
Established February 22, 1853
Endowment $6.819 billion (2015)[1]
Chancellor Mark S. Wrighton
Provost Holden Thorp
Academic staff
3,395[2]
Administrative staff
9,605[3]
Students 14,117[4]
Undergraduates 7,303[4]
Postgraduates 6,814[4]
Location St. Louis, Missouri, U.S.
38.648°N 90.305°WCoordinates: 38.648°N 90.305°W
Campus Urban
2,312.5 acres (936 ha)[5][6]
Newspaper Student Life
Colors Red and Green[7]
Athletics NCAA Division III – UAA
Nickname Bears
Website www.wustl.edu
Washington University in St. Louis logo.png
Washington University in St. Louis (WashU, or WUSTL) is a private research university located in St. Louis, Missouri, United States. Founded in 1853, and named after George Washington, the university has students and faculty from all 50 U.S. states and more than 120 countries.[8] Twenty-five Nobel laureates have been affiliated with Washington University, nine having done the major part of their pioneering research at the university.[9] Washington University's undergraduate program is ranked 15th by U.S. News and World Report.[10] The university is ranked 23rd in the world by the Academic Ranking of World Universities.[11]
Washington University is made up of seven graduate and undergraduate schools that encompass a broad range of academic fields.[12] Officially incorporated as "The Washington University," the university is occasionally referred to as "WUSTL," (pronounced /whu- stḷ/) an acronym derived from its initials. More commonly, the school is referred to as "WashU". To prevent confusion over its location, the Board of Trustees added the phrase "in St. Louis" in 1976.
- published: 31 Aug 2016
- views: 162
1:32
First Heroes
First Heroes
Get This Item https://amzn.to/36J2qtA
Age Range: 6 - 10 years
Grade Level: 1 - 5
Hardcover: 224 pages
Publisher: Thomas Nelson (August 6, 2019)
L...
First Heroes
Get This Item https://amzn.to/36J2qtA
Age Range: 6 - 10 years
Grade Level: 1 - 5
Hardcover: 224 pages
Publisher: Thomas Nelson (August 6, 2019)
Language: English
ISBN-10: 1400212634
ISBN-13: 978-1400212637
Product Dimensions: 7 x 0.8 x 9.2 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review: 4.5 out of 5 stars 25 customer reviews
Amazon Best Sellers Rank: #152,579 in Books (See Top 100 in Books)
#222 in Children's Devotional Christianity Books
#268 in Children's Bible Stories
#202 in Children's Christian Prayer Books (Books)
hero definition
what is a hero essay
what makes a hero definition
examples of heroes in movies
famous heroes of the world
hero disambiguation
avengers 1000000 bc comic
starbrand hulk
loki joins the avengers
iron man artificial intelligence
endgame concept art
loki #2
https://wn.com/First_Heroes
First Heroes
Get This Item https://amzn.to/36J2qtA
Age Range: 6 - 10 years
Grade Level: 1 - 5
Hardcover: 224 pages
Publisher: Thomas Nelson (August 6, 2019)
Language: English
ISBN-10: 1400212634
ISBN-13: 978-1400212637
Product Dimensions: 7 x 0.8 x 9.2 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review: 4.5 out of 5 stars 25 customer reviews
Amazon Best Sellers Rank: #152,579 in Books (See Top 100 in Books)
#222 in Children's Devotional Christianity Books
#268 in Children's Bible Stories
#202 in Children's Christian Prayer Books (Books)
hero definition
what is a hero essay
what makes a hero definition
examples of heroes in movies
famous heroes of the world
hero disambiguation
avengers 1000000 bc comic
starbrand hulk
loki joins the avengers
iron man artificial intelligence
endgame concept art
loki #2
- published: 19 Dec 2019
- views: 0
4:43
Tibia - rover world trap
I'm Tibia, alright.
Recent isn't renew.
Cannot ignore alike this throughout hypnotized.
Oops, I feel in the front room,
once or twice quickly jump
somerset...
I'm Tibia, alright.
Recent isn't renew.
Cannot ignore alike this throughout hypnotized.
Oops, I feel in the front room,
once or twice quickly jump
somerset.
I left at midnight...to... volume up...avon down. It is the soundtrack to winter, late nights, midnight, red wine, being carefree.
Masked wet paint...
It starts at midnight...... what I can do...
volume up again, more vol.
Wilt dirty river between avon.
Sour cherry or cherry tell me you finally why loving me? Seventeenth time? I say: hmm?
Just listen and listen and stay yourself.
They are sometimes taken to be different languages, but it is difficult to be sure given of attestation.
Give own blood and sweating like one big wine-lake believes they were probably dialects of a single music or also besides mural on the walls if feels like sky inside and walk into the clouds here on the land if the rain falls below here down then everything dry will up in the sky
I written a;bit
ore go on
not yet
later
bristol: the trouble maker intercity,
it is forever true,
bury deep as this night,
mine craft has crashed,
sofa shrew as scores of a thorp hiccup and stutter again such as article but particle
which were diminutives as accord.
Attention,
exe,
out of order pls, oh no...No! Cliff, cleft, tweak,
passion, peaks, tweaks,
travel, fun and discover is oh yes...yeah.
Tibia on own foots wander in the city, from street by street, reason is just for fun.
This city looks like a very promising strike. His first touch and dribbling looks insane but accept drink, drink x17 times and fight, at ten borough... haha HAha ..So that's your secret plan.
RIP B. S. the flame man.
By definitely professional.
Absinthe on the wall as poisongreen.
Conflict is the essence of drama.
Well done: side by side like cider
on the shelfs of the walls.
Sideline,
One byway
complex cul-de-sac.
Bounce back as all wall ball.
Not to be confused with in for other uses, see disambiguation, grey stock still alive.
Move backward maybe it would be better to this song instead of second I want to changed all, i can change if I want all but that's not me, so I won't change nothing. Alright.
Look winter's butterflies, where? Wearing fur? Very colourful white and black er er er black and white in each another interesting case.
Get used photograph focus dump middle.
Meet galaxies clusters
- chopper slicer crusher -
cosmic ordering universe of dust.
daphne blue
rebels burgundy
sonic blue
absinthe green
light black
dark white
cherry purple
lime yellow-green
woodgreen
brown blacked
walnut-mordent
sunburst on the wall
ocher
transparents spits
drip so hard
green sky
crimson
fuchsia
hydrangea transparent
pink as panther
turquoise greensky
High of watt and low frequencies: no life, no air, no prudence, no patience, no felt danger,
so just have to gonna gone, not too far, should be alright.
Get up, wake up, walk, just walking, no run away, wait a minute, take no one breath, think about what you can do now and didn't give up nothing before sleep well or woke up after that moment.
oh sometimes I can feel three thousand return trip width in the front room.
Impulsive behaviour
range of a spectrum
bugle of sound fins
left behind
schemer
one of is the fate
maze-globe
to ries
dummy
pretending
to resemble and serve as a substitute for the starry-eyed or just usually
test using stuffed owls and wooden dummies near mint has seen never before
Hoy alike ark
heaviest ark but
renew it is impossible
rhythmic-elevator dizzy busy fuckers, kisses
click
the solution
cracked heel
spur
inciter
as in is pirate
woolens burn to soot
welcome to pen
day for night
cannot contain this sunshine
somebody somewhere
brix mixed
ready
steady
giant dog parade
those now
least
ago you are
flatten out
handheld hand hold
fall silent as pretermit genesis
fall silent as pretermit lineage
are you it is not you are sporty-less
I wish I was there
sticking flowers from dirty floor in mouth
before or after
cheer can be produced by
no browsing
form to the explorer
oud percussion played by striking with the hand or with a handheld or pedal-operated stick or beater or by shaking.
Cheerful wood in the columns
yummy indeed
time in the years later does not doing the,
see again soon.
12358
https://wn.com/Tibia_Rover_World_Trap
I'm Tibia, alright.
Recent isn't renew.
Cannot ignore alike this throughout hypnotized.
Oops, I feel in the front room,
once or twice quickly jump
somerset.
I left at midnight...to... volume up...avon down. It is the soundtrack to winter, late nights, midnight, red wine, being carefree.
Masked wet paint...
It starts at midnight...... what I can do...
volume up again, more vol.
Wilt dirty river between avon.
Sour cherry or cherry tell me you finally why loving me? Seventeenth time? I say: hmm?
Just listen and listen and stay yourself.
They are sometimes taken to be different languages, but it is difficult to be sure given of attestation.
Give own blood and sweating like one big wine-lake believes they were probably dialects of a single music or also besides mural on the walls if feels like sky inside and walk into the clouds here on the land if the rain falls below here down then everything dry will up in the sky
I written a;bit
ore go on
not yet
later
bristol: the trouble maker intercity,
it is forever true,
bury deep as this night,
mine craft has crashed,
sofa shrew as scores of a thorp hiccup and stutter again such as article but particle
which were diminutives as accord.
Attention,
exe,
out of order pls, oh no...No! Cliff, cleft, tweak,
passion, peaks, tweaks,
travel, fun and discover is oh yes...yeah.
Tibia on own foots wander in the city, from street by street, reason is just for fun.
This city looks like a very promising strike. His first touch and dribbling looks insane but accept drink, drink x17 times and fight, at ten borough... haha HAha ..So that's your secret plan.
RIP B. S. the flame man.
By definitely professional.
Absinthe on the wall as poisongreen.
Conflict is the essence of drama.
Well done: side by side like cider
on the shelfs of the walls.
Sideline,
One byway
complex cul-de-sac.
Bounce back as all wall ball.
Not to be confused with in for other uses, see disambiguation, grey stock still alive.
Move backward maybe it would be better to this song instead of second I want to changed all, i can change if I want all but that's not me, so I won't change nothing. Alright.
Look winter's butterflies, where? Wearing fur? Very colourful white and black er er er black and white in each another interesting case.
Get used photograph focus dump middle.
Meet galaxies clusters
- chopper slicer crusher -
cosmic ordering universe of dust.
daphne blue
rebels burgundy
sonic blue
absinthe green
light black
dark white
cherry purple
lime yellow-green
woodgreen
brown blacked
walnut-mordent
sunburst on the wall
ocher
transparents spits
drip so hard
green sky
crimson
fuchsia
hydrangea transparent
pink as panther
turquoise greensky
High of watt and low frequencies: no life, no air, no prudence, no patience, no felt danger,
so just have to gonna gone, not too far, should be alright.
Get up, wake up, walk, just walking, no run away, wait a minute, take no one breath, think about what you can do now and didn't give up nothing before sleep well or woke up after that moment.
oh sometimes I can feel three thousand return trip width in the front room.
Impulsive behaviour
range of a spectrum
bugle of sound fins
left behind
schemer
one of is the fate
maze-globe
to ries
dummy
pretending
to resemble and serve as a substitute for the starry-eyed or just usually
test using stuffed owls and wooden dummies near mint has seen never before
Hoy alike ark
heaviest ark but
renew it is impossible
rhythmic-elevator dizzy busy fuckers, kisses
click
the solution
cracked heel
spur
inciter
as in is pirate
woolens burn to soot
welcome to pen
day for night
cannot contain this sunshine
somebody somewhere
brix mixed
ready
steady
giant dog parade
those now
least
ago you are
flatten out
handheld hand hold
fall silent as pretermit genesis
fall silent as pretermit lineage
are you it is not you are sporty-less
I wish I was there
sticking flowers from dirty floor in mouth
before or after
cheer can be produced by
no browsing
form to the explorer
oud percussion played by striking with the hand or with a handheld or pedal-operated stick or beater or by shaking.
Cheerful wood in the columns
yummy indeed
time in the years later does not doing the,
see again soon.
12358
- published: 17 Jan 2019
- views: 52
3:21
Medical Visualization with New Generation Spatial 3D Displays
Authors: Marco Agus, Fabio Bettio, Enrico Gobbetti, and Giovanni Pintore.
In this paper the capabilities of a modern spatial 3D display are exploited for medica...
Authors: Marco Agus, Fabio Bettio, Enrico Gobbetti, and Giovanni Pintore.
In this paper the capabilities of a modern spatial 3D display are exploited for medical visualization tasks. The system gives multiple viewers the illusion of seeing virtual objects floating at fixed physical locations. The usage of this kind of display in conjunction with 3D visualization techniques helps disambiguating complex images, so it is proven to be a real advantage for immediate understanding and visualization of medical data. We demonstrate this by reporting on some preliminary test cases of direct volume rendering techniques (Maximum Intensity Projection and X Ray simulation), as well as an example of a collaborative medical diagnostic application for analysis of Abdominal Aortic Aneurysms.
Eurographics Italian Chapter Conference. Eurographics Association, February 2007.
http://www.crs4.it/vic/cgi-bin/bib-page.cgi?id='Agus:2007:MVN'
https://wn.com/Medical_Visualization_With_New_Generation_Spatial_3D_Displays
Authors: Marco Agus, Fabio Bettio, Enrico Gobbetti, and Giovanni Pintore.
In this paper the capabilities of a modern spatial 3D display are exploited for medical visualization tasks. The system gives multiple viewers the illusion of seeing virtual objects floating at fixed physical locations. The usage of this kind of display in conjunction with 3D visualization techniques helps disambiguating complex images, so it is proven to be a real advantage for immediate understanding and visualization of medical data. We demonstrate this by reporting on some preliminary test cases of direct volume rendering techniques (Maximum Intensity Projection and X Ray simulation), as well as an example of a collaborative medical diagnostic application for analysis of Abdominal Aortic Aneurysms.
Eurographics Italian Chapter Conference. Eurographics Association, February 2007.
http://www.crs4.it/vic/cgi-bin/bib-page.cgi?id='Agus:2007:MVN'
- published: 22 Oct 2012
- views: 81
1:45:17
Randall Korman: "Facade: Missing in Action"
Architecture Spring 2018 Lecture Series - January 30, 2018 in Slocum Hall.
Professor Korman joined the Syracuse Architecture faculty in 1977, and, over the nex...
Architecture Spring 2018 Lecture Series - January 30, 2018 in Slocum Hall.
Professor Korman joined the Syracuse Architecture faculty in 1977, and, over the next forty years, he became one of the school’s most important and influential administrators and faculty members. Perhaps his greatest contribution, however, is the role he played and continues to play in shaping the educational experience of the several hundred architecture students fortunate enough to have been and to be in his studio courses and his thesis advisees.
“Historically, the rhetoric of architecture has centered largely on the phenomenon of the façade. As the principal surface of mediation, contextualization and representation, the facade carries the lion’s share of responsibility for containing the internal environment and confronting the outer world, often doing this across a very thin layer. As a result, the contemporary envelope can be one of the most complex and multidisciplinary of all components of a building.
The façade is the first surface one encounters when approaching a building and the last when departing. It provides the representative image for all architecture and is how we typically recall a structure. It has the unique capacity to embody the idea of the building as a whole and is the principal instrument by which the architect shapes the observer’s impression of it. Very simply, when we think of a building we usually first think of its façade.
And yet, the architectural façade also has been the most neglected building component within the various discourses of the discipline. With the dramatic development of sophisticated systems of enclosure, significant advances in materials technology, and the impact of parametric design, there has been a corresponding increase in the number of books and articles that deal with the technological and performative aspects of the building envelope. But, curiously, very few discuss the façade as an instrument of the culture and principal engine of the building’s rhetoric. This component of contemporary architectural discourse seems to be largely missing, begging the question: How is it that the most conspicuous part of any building is conspicuously absent from our considered reflection?
For the past 25 years I have been addressing these matters through my research, teaching, writing and lecturing. My lead-off presentation will speak to some of the issues attending to the production of the modern façade. Entitled ‘Façade: Missing in Action,’ the principal thesis of my talk is that the profession’s current preoccupation with parametricism, blob architecture and minimalism has resulted in a shift away from the historic traditions of creating ‘face’ and the defining urban space in place of creating iconic structures and exotic ‘skins.’ The result has been the privileging of the individual building’s identity over the collective responsibility to create public space, begging the question: ‘What is the future of urban space?’
https://wn.com/Randall_Korman_Facade_Missing_In_Action
Architecture Spring 2018 Lecture Series - January 30, 2018 in Slocum Hall.
Professor Korman joined the Syracuse Architecture faculty in 1977, and, over the next forty years, he became one of the school’s most important and influential administrators and faculty members. Perhaps his greatest contribution, however, is the role he played and continues to play in shaping the educational experience of the several hundred architecture students fortunate enough to have been and to be in his studio courses and his thesis advisees.
“Historically, the rhetoric of architecture has centered largely on the phenomenon of the façade. As the principal surface of mediation, contextualization and representation, the facade carries the lion’s share of responsibility for containing the internal environment and confronting the outer world, often doing this across a very thin layer. As a result, the contemporary envelope can be one of the most complex and multidisciplinary of all components of a building.
The façade is the first surface one encounters when approaching a building and the last when departing. It provides the representative image for all architecture and is how we typically recall a structure. It has the unique capacity to embody the idea of the building as a whole and is the principal instrument by which the architect shapes the observer’s impression of it. Very simply, when we think of a building we usually first think of its façade.
And yet, the architectural façade also has been the most neglected building component within the various discourses of the discipline. With the dramatic development of sophisticated systems of enclosure, significant advances in materials technology, and the impact of parametric design, there has been a corresponding increase in the number of books and articles that deal with the technological and performative aspects of the building envelope. But, curiously, very few discuss the façade as an instrument of the culture and principal engine of the building’s rhetoric. This component of contemporary architectural discourse seems to be largely missing, begging the question: How is it that the most conspicuous part of any building is conspicuously absent from our considered reflection?
For the past 25 years I have been addressing these matters through my research, teaching, writing and lecturing. My lead-off presentation will speak to some of the issues attending to the production of the modern façade. Entitled ‘Façade: Missing in Action,’ the principal thesis of my talk is that the profession’s current preoccupation with parametricism, blob architecture and minimalism has resulted in a shift away from the historic traditions of creating ‘face’ and the defining urban space in place of creating iconic structures and exotic ‘skins.’ The result has been the privileging of the individual building’s identity over the collective responsibility to create public space, begging the question: ‘What is the future of urban space?’
- published: 15 Feb 2018
- views: 703
1:26:50
The SHARE-VDE Project: Fulfilling the Potential of BIBFRAME
Michele Casalini and Tiziana Possemato discuss the SHARE Virtual Discovery Environment in Linked Data, a library community-driven research and development proje...
Michele Casalini and Tiziana Possemato discuss the SHARE Virtual Discovery Environment in Linked Data, a library community-driven research and development project with the main goal of contributing in bringing BIBFRAME into practice for the benefit of librarians and library patrons. Through the individual processes of analysis, enrichment, reconciliation, conversion and publication of data from MARC21 to RDF, and in the context of libraries with different systems, habits and cataloguing traditions, a three BIBFRAME layer architecture environment (Person/Work, Instance, Item) is established. The deliverables of the project include the conversion into BIBFRAME of over 100 million bibliographic and authority records for the entire catalogue of the participating institutions. The SHARE-VDE project is carried out through discussion and experimentation of the options for the native RDF data creation, enhancement and sharing of all type of resources with the library, archive and museum communities, also revealing the richness within the data of existing collections, often hidden or unexpressed in a traditional catalogue.
Speaker Biography: Michele Casalini is managing director of Casalini Libri, which produces authority and bibliographical data, supplies books and journals, and handles e-content for publishers and libraries. Following studies in modern languages and literature at the University of Florence and a period working with the publishing company La Nuova Italia, Casalini specialized in information technology and management. She is board member of the Council on Library and Information Resources.
Speaker Biography: Tiziana Possemato holds a degree in philosophy from La Sapienza in Rome, diplomas in archival science and library sciences from the Vatican Library Schools and a master's degree in library sciences from the University of Florence. She has led projects in library automation, analysis, mapping, conversion and for the transformation in linked open data and the publication of catalogue data from numerous institutions. She is the chief information officer of Casalini Libri, and director of @Cult.
For transcript and more information, visit https://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=8275
https://wn.com/The_Share_Vde_Project_Fulfilling_The_Potential_Of_Bibframe
Michele Casalini and Tiziana Possemato discuss the SHARE Virtual Discovery Environment in Linked Data, a library community-driven research and development project with the main goal of contributing in bringing BIBFRAME into practice for the benefit of librarians and library patrons. Through the individual processes of analysis, enrichment, reconciliation, conversion and publication of data from MARC21 to RDF, and in the context of libraries with different systems, habits and cataloguing traditions, a three BIBFRAME layer architecture environment (Person/Work, Instance, Item) is established. The deliverables of the project include the conversion into BIBFRAME of over 100 million bibliographic and authority records for the entire catalogue of the participating institutions. The SHARE-VDE project is carried out through discussion and experimentation of the options for the native RDF data creation, enhancement and sharing of all type of resources with the library, archive and museum communities, also revealing the richness within the data of existing collections, often hidden or unexpressed in a traditional catalogue.
Speaker Biography: Michele Casalini is managing director of Casalini Libri, which produces authority and bibliographical data, supplies books and journals, and handles e-content for publishers and libraries. Following studies in modern languages and literature at the University of Florence and a period working with the publishing company La Nuova Italia, Casalini specialized in information technology and management. She is board member of the Council on Library and Information Resources.
Speaker Biography: Tiziana Possemato holds a degree in philosophy from La Sapienza in Rome, diplomas in archival science and library sciences from the Vatican Library Schools and a master's degree in library sciences from the University of Florence. She has led projects in library automation, analysis, mapping, conversion and for the transformation in linked open data and the publication of catalogue data from numerous institutions. She is the chief information officer of Casalini Libri, and director of @Cult.
For transcript and more information, visit https://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=8275
- published: 12 Mar 2018
- views: 329
52:40
Skynet activated: Building smarter apps with Cognitive Services and Xamarin - Gerald Versluis
AI is not taking over our planet just yet, but we're getting there! In this session we will look at how we can integrate the Microsoft Cognitive Services into o...
AI is not taking over our planet just yet, but we're getting there! In this session we will look at how we can integrate the Microsoft Cognitive Services into our Xamarin apps.
With doing so, you can now determine what your users are looking at and even how they are feeling or who they are and use that to enhance your functionality.
"Come with me if you want to live!"
https://wn.com/Skynet_Activated_Building_Smarter_Apps_With_Cognitive_Services_And_Xamarin_Gerald_Versluis
AI is not taking over our planet just yet, but we're getting there! In this session we will look at how we can integrate the Microsoft Cognitive Services into our Xamarin apps.
With doing so, you can now determine what your users are looking at and even how they are feeling or who they are and use that to enhance your functionality.
"Come with me if you want to live!"
- published: 09 Jun 2018
- views: 49
1:04:37
Grand Challenges Keynote: Kate Zwaard
MIT hosted a working summit on the Grand Challenges in Information Science and Scholarly Communication March 19-23, 2018. Inviting experts from across disciplin...
MIT hosted a working summit on the Grand Challenges in Information Science and Scholarly Communication March 19-23, 2018. Inviting experts from across disciplines and sectors, the summit aimed to identify critical problems in information science that are solvable within 10 years and which have broad implications across the scholarly community.
Workshops focused on producing draft research agendas in the areas of:
Scholarly discovery
Digital curation and preservation
Open scholarship
Learn more at https://grandchallenges.mit.edu
The MIT Libraries are an engine for creating, sharing, and safeguarding knowledge at the Institute and beyond.
The Libraries work to improve the world’s collective knowledge by equipping current and future scholars with the best content and the skills to use it, whether examining medieval manuscripts or flying drones to collect data. We make MIT research — from the LIGO detection of gravitational waves to the future of workplace automation — openly accessible to the world. Our new research initiative will tackle the big challenges in information science and scholarly communication, ranging from digital preservation to accessibility and inclusion in library systems. Learn more at https://libraries.mit.edu
https://wn.com/Grand_Challenges_Keynote_Kate_Zwaard
MIT hosted a working summit on the Grand Challenges in Information Science and Scholarly Communication March 19-23, 2018. Inviting experts from across disciplines and sectors, the summit aimed to identify critical problems in information science that are solvable within 10 years and which have broad implications across the scholarly community.
Workshops focused on producing draft research agendas in the areas of:
Scholarly discovery
Digital curation and preservation
Open scholarship
Learn more at https://grandchallenges.mit.edu
The MIT Libraries are an engine for creating, sharing, and safeguarding knowledge at the Institute and beyond.
The Libraries work to improve the world’s collective knowledge by equipping current and future scholars with the best content and the skills to use it, whether examining medieval manuscripts or flying drones to collect data. We make MIT research — from the LIGO detection of gravitational waves to the future of workplace automation — openly accessible to the world. Our new research initiative will tackle the big challenges in information science and scholarly communication, ranging from digital preservation to accessibility and inclusion in library systems. Learn more at https://libraries.mit.edu
- published: 27 Jun 2018
- views: 201
10:01
Painting: Now and Forever, Part II at MATTHEW MARKS GALLERY
James Kalm risks a soaking deluge to bring viewers the first gallery of this abbreviated glimpse of on of this summer's most discussed painting shows. Presenti...
James Kalm risks a soaking deluge to bring viewers the first gallery of this abbreviated glimpse of on of this summer's most discussed painting shows. Presenting a cross section of generational and geographical implications, "Painting: Now and Forever, Part II" is the second installment of the original exhibition that happened in 1998. At that time the shows were split between Matthew Marks Gallery and the late Pat Hearn's. Though limited in scope these exhibitions display a broad spectrum of current practices while also re-evaluating past movements with in a Post Modernist context. Featuring works by Lily van der Stokker, Jack Goldstein, Martin Kippenberger, Rodney Graham, Binky Palermo and others
https://wn.com/Painting_Now_And_Forever,_Part_Ii_At_Matthew_Marks_Gallery
James Kalm risks a soaking deluge to bring viewers the first gallery of this abbreviated glimpse of on of this summer's most discussed painting shows. Presenting a cross section of generational and geographical implications, "Painting: Now and Forever, Part II" is the second installment of the original exhibition that happened in 1998. At that time the shows were split between Matthew Marks Gallery and the late Pat Hearn's. Though limited in scope these exhibitions display a broad spectrum of current practices while also re-evaluating past movements with in a Post Modernist context. Featuring works by Lily van der Stokker, Jack Goldstein, Martin Kippenberger, Rodney Graham, Binky Palermo and others
- published: 27 Aug 2008
- views: 3949