Bossa nova is a well-known style of Brazilian music developed and popularized in the 1950s and 1960s. The phrase bossa nova means literally "New Trend" (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ( listen)) A lyrical fusion of samba and jazz, bossa nova acquired a large following in the 1960s initially from young musicians and college students. Since its birth, it remains a vital part of the standard jazz repertoire.

In Brazil, the word "bossa" is slang for doing something with particular charm, natural flair or innate ability. As early as 1932, Noel Rosa used the word in a samba:

"O samba, a prontidão e outras bossas são nossas coisas, são coisas nossas" ("The samba, the readiness and other bossas are our things, are things from us").

The exact origin of the term "bossa nova" still remains uncertain. Within the artistic beach culture of the late 1950s Rio de Janeiro, the term "bossa" was used to refer to any new "trend" or "fashionable wave". In his book Bossa Nova, Brazilian author Ruy Castro asserts that "bossa" was already in use in the 1950s by musicians as a word to characterize someone's knack for playing or singing idiosyncratically. Castro claims that the term "bossa nova" might have first been used in publicity for a concert given in 1958 by the Grupo Universitário Hebraico do Brasil (University Hebrew Group of Brazil). This group consisted of Sylvinha Telles, Carlinhos Lyra, Nara Leão, Luizinho Eça, Roberto Menescal, et al. And in 1959, Nara Leão also participated in more than one embryonic display of bossa nova. This included the 1st Festival de Samba Session, conducted by the PUC's (Pontifical Universidade Catolica) student union. (This session was then chaired by Carlos Diegues, a law student that Leão ultimately married.) While these early musicians were likely using the term "bossa nova" as a generic reference this novel musical style, the term took hold as the definition of their own specific artistic creation to this day.

Marcus Vinícius da Cruz e Mello Moraes (October 19, 1913 – July 9, 1980), known as Vinícius de Moraes (Portuguese pronunciation: [viˈnisius dʒi moˈɾajs]) and nicknamed O Poetinha (the little poet), was born in Rio de Janeiro, Brazil. Son of Lydia Cruz de Moraes and Clodoaldo Pereira da Silva Moraes, he was a seminal figure in contemporary Brazilian music. As a poet, he wrote lyrics for a great number of songs that became all-time classics. He was also a composer of bossa nova, a playwright, a diplomat and, as an interpreter of his own songs, he left several important albums.

Son of Clodoaldo da Silva Pereira Moraes - a City Hall officer, as well as poet and amateur guitar player - and Lidia Cruz - a housewife and amateur pianist - Vinicius was born in 1913 in the neighborhood of Gávea, then a rural suburb of Rio de Janeiro. In 1916, he moved with his family to various addresses at the downtown quarter of Botafogo, where he attended classes at Afrânio Peixoto Primary School. In 1920, through his maternal grandfather, he gained entrance at a Masonic lodge. In 1922, Moraes's parents, shocked at the 18 of the Copacabana Fort revolt, were to move to another suburb, Governador Island, while young Vinicius stayed at his grandfather's downtown home in order to finish primary school, going to his parents' home only at weekends and during holidays. During his visits to his folks' home, Vinicius was to get in touch with various musicians, among them the composer Bororó.

Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, bandleader and actor. Like Red Norvo, he was one of the first jazz vibraphone players. Hampton ranks among the great names in jazz history, having worked with a who's who of jazz musicians, from Benny Goodman and Buddy Rich to Charlie Parker and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame.

Lionel Hampton was born in Louisville, Kentucky, in 1908, and was raised by his grandmother. Shortly after he was born, he and his mother moved to her hometown Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin before he and his family moved to Chicago, Illinois in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off limits because of racial segregation. During the 1920s—while still a teenager—Hampton took xylophone lessons from Jimmy Bertrand and started playing drums. Hampton was raised Roman Catholic, and started out playing fife and drum at the Holy Rosary Academy near Chicago.

Olivia Ong (simplified Chinese: 王俪婷; traditional Chinese: 王儷婷; pinyin: Wáng Lìtíng; born 2 October 1985) is a Singaporean singer. She sings mostly in English but developed her career singing in English and Japanese. In addition, she has released rare tracks, recorded in Mandarin, and Cantonese which can be found on limited edition albums.

Likened to Seiko Matsuda, she won a singing contest and was signed to a Japanese recording company S2S Pte Ltd at the age of 15.

After taking her O-level examinations in Singapore, Ong moved to Japan to further her studies as well as her career as a solo artist. In Singapore, Ong, along with 2 other Singaporean girls formed the Japanese pop (J-pop) group, Mirai. Their first single, "Open Up Your Mind", was one of the theme songs in the Japanese anime Gensoumaden Saiyuki.

She released her bestselling début, A Girl Meets Bossa Nova at only 19. With her sultry, soulful, pristine and innocent vocals, she reinterprets Frank Sinatra's hits such as "Quiet Nights of Quiet Stars", among other jazz and pop numbers. She is one of the new wave of Singaporean talent being exported internationally. So far, Ong is the only pop sensation exported exclusively to Japan; previous stars such as Mavis Hee, Kit Chan, Tanya Chua, Joi Chua, Stefanie Sun, Michelle Saram etc., have been promoted mainly in the Greater Chinese market.

Lalo Schifrin (born June 21, 1932) is an Argentine composer, pianist and conductor. He is best known for his film and TV scores, such as the "Theme from Mission: Impossible". He has received four Grammy Awards and six Oscar nominations. Schifrin, associated with the jazz music genre, is also noted for work with Clint Eastwood in the late 1960s, 1970s and 1980s, particularly the Dirty Harry films.

Schifrin was born Boris Claudio Schifrin in Buenos Aires to Jewish parents. His father, Luis Schifrin, led the second violin section of the orchestra at the Teatro Colón for three decades. At the age of six, Schifrin began a six-year course of study on piano with Enrique Barenboim, the father of the pianist and conductor Daniel Barenboim. At age 16, Schifrin began studying piano with the Greek-Russian expatriate Andreas Karalis, former head of the Kiev Conservatory, and harmony with Argentine composer Juan Carlos Paz. During this time, Schifrin also became interested in jazz.

Although Schifrin studied sociology and law at the University of Buenos Aires, it was music that captured his attention. At age 20, he successfully applied for a scholarship to the Paris Conservatoire. While there, he attended Olivier Messiaen's classes and formally studied with Charles Koechlin, a disciple of Maurice Ravel. At night he played jazz in the Paris clubs. In 1955, Schifrin played piano with Ástor Piazzolla and represented his country at the International Jazz Festival in Paris.