Christendom, or the Christian world, has several meanings. In a cultural sense it refers to the worldwide community of Christians, adherents of Christianity. In a historical or geopolitical sense the term usually refers collectively to Christian majority countries or countries in which Christianity dominates or was a territorial phenomenon.

The term Christendom is developed from the Latin word Christianus. The Christian world is also known collectively as the Corpus Christianum. The Latin term Corpus Christianum is often translated as the Christian body, meaning the community of all Christians. The Christian polity, embodying a less secular meaning, can be compatible with the idea of both a religious and a temporal body: Corpus Christianum. The Corpus Christianum can be seen as a Christian equivalent of the Muslim Ummah. The Kingdom of God is also frequently used, denoting that the Christian world is within (or among) people.

The Mark Taper Forum is a 739-seat thrust stage at the Los Angeles Music Center built by Welton Becket and Associates on the Bunker Hill section of downtown Los Angeles. Named for real estate developer Mark Taper, the theatre, the neighboring Ahmanson Theatre and the Kirk Douglas Theatre are all operated by the Center Theatre Group.

The Mark Taper Forum opened in 1967 as part of the Los Angeles Music Center, the West Coast’s equivalent of Lincoln Center. The smallest of the three, the Taper sits between the Dorothy Chandler Pavilion and the Ahmanson Theater at opposite ends of a plaza. The three buildings of the Music Center were designed by Los Angeles architect Welton Becket.

Mr. Becket designed the center in the style of New Formalism, which emphasized geometric shapes. The perfectly circular Taper is considered one of Mr. Becket’s best works, featuring a distinctive decorated drum of a design, its exterior wrapped in a lacy precast relief by Jacques Overhoff. The lobby has a curving, abalone wall by Tony Duquette. Charles Moore described Becket's design for the Music Center as "Late Imperial Depression-Style cake".

Sebastian Barry (born 5 July 1955) is an Irish playwright, novelist and poet. He is noted for his dense literary writing style and is considered one of Ireland's finest writers.

Barry's literary career began in poetry before he began writing plays and novels. In recent years his fiction writing has surpassed his work in the theatre in terms of success, having once been considered a playwright who wrote occasional novels.

He has twice been shortlisted for the Man Booker Prize for his novels A Long Long Way (2005) and The Secret Scripture (2008), the latter of which won the 2008 Costa Book of the Year and the James Tait Black Memorial Prize. His 2011 novel On Canaan's Side was longlisted for the Booker.

Barry was born in Dublin. He is the son of the late Irish actress Joan O'Hara. He attended Catholic University School and Trinity College, Dublin, where he edited Icarus.

His academic posts have included Honorary Fellow in Writing at the University of Iowa (1984), Villanova University (2006) and Writer Fellow at Trinity College, Dublin (1995–1996). Barry started his literary career with the novel Macker's Garden in 1982. This was followed by several books of poetry and a further novel The Engine of Owl-Light in 1987 before his career as a playwright began with his first play produced in the Abbey theater, Boss Grady's Boys in 1988.