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I Threes
The I Threes in concert Photo: Eddie Mallin
Background information
Origin	Kingston, Jamaica
Genres	Reggae
Occupations	Musicians, songwriters
Instruments	Vocalists
Years active	1974-1981
Labels	Tuff Gong / Island
Associated acts	Bob Marley & The Wailers
Past members
Rita Marley Judy Mowatt Marcia Griffiths

The I Threes were a Jamaican reggae singing group made up of three women, that was formed in 1974 to support Bob Marley & The Wailers after Peter Tosh and Bunny Wailer — the original Wailer backing vocalists — left the band.

The three members were Marley's wife Rita Marley, plus Judy Mowatt and Marcia Griffiths.^[1] Their name is intended as a spin on the Rastafarian "I and I" concept of the Godhead within each person.

References[link]

External links[link]

• Article

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Jah Jah, also known as MC Jah Jah, is the professional name of Janine Gordon, a white, female rapper, photographer and multimedia artist from Brooklyn, New York.

Rap career[link]

Jah Jah got her start in rap by becoming acquainted with many people involved in the Brooklyn, underground hip hop scene during the '90s. It was here that she met many other artists such as Redman, Chubb Rock, and The Beatnuts."I was so encouraged meeting Redman and The Beatnuts, Redman called me out in his song back in 97, 'Jah Jah I go Ca Ca,' so I have these people, people encouraging me," stated the rapper in an interview.^[1] She has a very wide fan base on Myspace and has experienced some success with her music overseas in Brazil.^[1] Jah Jah was able to remain within the top 10 artists for over a year on the Myspace music chart.^[2]

Lawsuit against 50 Cent[link]

In 2005, Jah Jah filed a copyright infringement lawsuit against 50 Cent and Dr. Dre for allegedly stealing her music and using it illegally for 50's Massacre album.^[3]

Discography[link]

• The Art of Hip Hop (2002)
• Take a Lick Take a Bite (2005)
• The Attack (2007)
• Musica Do Brasil (2008)
• Intelligence Report (2010)
• Lawless (2010)

Art work[link]

Jah Jah has art, notably photography that has appeared in magazines such as Arena and galleries in New York, San Francisco,^[4] Europe and Brazil.^[5] Her visual art work is credited under her real name, Janine Gordon.^[6] She also has a Master's Degree in Fine Art from New York University.^[4]

Exhibitions[link]

Here are the exhibitions that Janine's art has been featured in:

Solo Exhibitions[link]

• 2008 MV Art Projects, Zurich
• 2007/08 Elga Wimmer Gallery, New York
• 2006 Les Rencontres d'Arles festival, France: laureate of the Discovery Award
• 2006 Galerie Kamel Mennour, Paris
• 2005 Galerie Volker Diehl, Berlin, Germany
• 2005 Galerie Kamel Mennour, Paris
• 2004 Oliver Kamm Gallery, New York
• 2002 Deitch Projects, New York Galerie Volker Diehl, Berlin XL Xavier LaBoulbenne, New York
• 2001 Refusalon Gallery, San Francisco
• 1998/99 ANP, Antwerpen
• 1996 John Gibson Gallery, New York
• 1995 White Columns, New York ìIn Vitroî, Art Contemporain, Geneva,curated by Lionel Bovier^[4]

Group Exhibitions[link]

• 2008 Art for Life, benefit with Rush Arts at Russell Simmons CNEAI, France, curated by John Armleder and Mai-Thu Perret No Milk Today, Autoversion Ltd. New York City The Other Side, The 58 Gallery, NJ, curated by Billy Miller Artist as Publisher, The Center for Book Arts___ In A Boxî, Canco, Jersey City, Curated by B.Miller Circulo Azul, Mexico curated by Elga Wimmer El Aire, Mexico, curated by Elga Wimmer Diva Art Fair, Elga Wimmer Black Noise, project with John Armleder, MAMCO,Switzerland Invisible Museum, Devon Dikeu via Denver Art Museum Do the Right Bling, Stedelijk Museum, Holland Youth of Today, Shirinkunstalle, Germany Moscow Art Fair, Moscow, Galerie Volker Diehl MACO, Mexico Art fair , Elga Wimmer Extension 17. The Swiss Institute, NYC Paris Photo 2005, Galerie Volker Diehl Summer group show, Mitchell ñIness and Nash
• 2004 Will Boys Will Be Boys, curated by Shamim Momim The Armory, NY, Galerie Volker Diehl Palais de Tokyo ((((LIVE)))), Curated by Jerome Sans Rimbaud, I-20 Gallery, curated by Max Henry Teenage Kicks, Royal Hiberian Academy. Dublin, Ireland Affordable art fair, Oliver Kamm 5BE Gallery Art Miami, Oliver Kamm/5bE,NADA Art Miami, Mitchell-Innes and Nash Gallery The Drawing Center Benefit selections A Moments Notice, Inman Gallery,Texas Robert York Gallery, NYC
• 2002 Highlights from the Permanent Photography Collection The Armory, Paul Morris Gallery The Bathroom show,Daniel Riech, NY BOMB, curated Brooklyn Front Gallery, Brooklyn Come to Life, curated by Noritoshi Hirakawa Hot Groove, Gallery M, NY Ottokringer Brewrei, Vienna
• 2001 The Whitney Bienniel, 2001, The Whitney Museum of American Art Pollock to Today: Highlights from the Permanent Collection Whitney Museum of American Art, New York Directory, Swiss Institute, New York, curated by Marc-Olivier Wahler Masculinities Nikolaj Contemporary Art Center of Copenhagen, "Guide to trust No.2", Yerba Buena Center for the arts,curated by Jimi Dams "Peppermint", Smack Melon, Brooklyn, NY, curated by Dermis Leon "The Conclusion of a Paradox",Venetia Kapernikas Gallery, curated by Noritoshi Hirakawa "The Last Year", Salle de Bains, Rotterdam "LoVe", Cynthia Braun Gallery, New York "Bloom", Lolocolmo, Brescia
• 1998 Identity Crisis, Spencer Brownstone Gallery, New York Male, Wessel O ëConnor Gallery, New York, curated by Vince Aletti
• 1996 "Voyeurs Delight", Franklin Furnace, New York "The Most Important Thing in the World, Oasis Vs.Blur and artists who Rock", curated by Bill Arning " Non! Pas comme ca!", CAN, Neuchatel, curated by Marc-Olivier Wahler^[4]

References[link]

External links[link]

• Official website
• Janine Gordon "Stunting" Gallery
• Jah Jah's Official Myspace
• Galerie Volker Diehl: Janine Gordon Works
• Janine Gordon's Works in the Dikeou Collection

Alpharita Constantia Anderson (born 25 July 1946), better known as Rita Marley, and sometimes called "Nana Rita", is the widow of reggae legend/musician Bob Marley, and a member of the trio the I Threes, Bob Marley's backup singers.

Biography[link]

Rita was born July 25, 1946 in Santiago de Cuba to Leroy Anderson and Cynthia "Beda" Jarrett. She grew up in the upper level of Beachwood Avenue, located in Kingston, Jamaica. In her book No Woman, No Cry: My Life with Bob Marley Rita describes how she was raised by her Aunt Viola on Greenwich Park Road. Bob was from the lower level of Trenchtown.

In the mid 1960s, Rita met Bob after meeting Peter Tosh. After it was learned that she was a singer, she was asked to audition for the Soulettes, later known as the I Threes. The group included Rita, her cousin Constantine "Dream" Walker, and Marlene "Precious" Giffordwas.^{[citation needed]} Bob became the group's mentor and manager and through working together, he and Rita fell in love.

The two married 10 February 1966. However, the reason for their marriage was said to have been a way to make it easier for Rita to immigrate to the US should Bob have decided to live in the US following a visit with his mother in Delaware. Raised Christian, she became involved in the Rastafari Movement prior to witnessing stigmata during Haile Selassie's visit to Jamaica on 21 April 1966. She remains, however, an active member of the Ethiopian Orthodox Church.^{[citation needed]}

After Marley's death, she recorded a few albums under her name with some success in the United Kingdom.^{[citation needed]}

In 1986, Rita made the decision to convert Bob Marley's home into the Bob Marley Museum. She is also the Founder and Chairperson of the Robert Marley Foundation, Bob Marley Trust, and the Bob Marley Group of Companies. She founded the Rita Marley Foundation in 2000. She has also adopted 35 children in Ethiopia and has assisted over 200 children in Konkonuru Methodist School in Ghana and made a commitment to positively impact their lives.^{[citation needed]}

Children[link]

Rita has six children, three from other relationships and three with Bob. Bob adopted Rita's two children as his own and they have the Marley name. Bob has 13 children in total: the two of Rita's that he adopted, three born to Rita, and the remaining eight with separate women.^{[1][2][dead link]} Rita's children are, in order of birth:

1. Sharon Marley, born November 23, 1964
2. Cedella Marley born August 23, 1967
3. David "Ziggy" Marley, born October 17, 1968
4. Stephen Marley, born April 20, 1972
5. Stephanie, born 17 August 1974 (from a relationship with Ital, according to Bob's mother, Cedella Booker)
6. Serita Stewart, born August 11, 1985 (from a relationship with Tacky, according to her biography)

Recent/Current[link]

Rita appears in the song "Mary Jane Shoes" on Fergie's multi-platinum 2006 album The Dutchess. Rita performed background vocals to the song "Raikoum" by Khaled in his album Liberté. She also performed background vocals for the song Ouelli El Darek by Khaled in his album Sahra.

Rita Marley Foundation[link]

In 2000, Rita Marley founded the Rita Marley Foundation. It is a non-governmental, not-for-profit, non-partisan organization that works to alleviate poverty and hunger in developing countries. It specifically targets elderly and youth.^[3]

It has given out a number of scholarships to music students in Ghana's Berklee College of Music. It also hosts the annual Unite Africa which looks to spread global awareness about issues that affect Africa and to develop lasting solutions.

Controversy[link]

Rita Marley planned to have the body of her late husband, Bob Marley, exhumed and buried in Ethiopia, his "spiritual resting place" in 2005. She wanted it to be a month long celebration of what would be his 60th birthday. The area in which she wanted to bury him was a Rastafarian community that was given land by the country's last emperor, Haile Selassie. She claimed to have the backing of the Ethiopian government and said "We are working on bringing his remains to Ethiopia. It is part of Bob's own mission. Bob's whole life is about Africa, it is not about Jamaica. How can you give up a continent for an island? He has a right for his remains to be where he would love them to be. This was his mission. Ethiopia is his spiritual resting place. With the 60th anniversary this year, the impact is there and the time is right."^[4]

Discography[link]

• 1967 : Pied Piper (single, on Club Ska '67) - Mango
• 1980 : Rita Marley - Trident
• 1981 : Who Feels It Knows It - Shanachie Records
• 1983 : It's About Time - John Denver; RCA
• 1988 : Harambe (Working Together for Freedom) - Shanachie Records
• 1988 : We Must Carry on - Shanachie Records
• 1990 : Beauty of God's - Shanachie Records
• 1990 : Good Girls Cult - Shanachie Records
• 1990 : One Draw - Shanachie Records
• 2003 : Sings Bob Marley...and Friends - Shanachie Records
• 2004 : Play Play - Universal Music
• 2005 : Sunshine After Rain
• 2006 : Gifted Fourteen Carnation

References[link]

1. ^ Meredith Dixon
2. ^ http://www.bbc.co.uk/1xtra/dancehall/marley_famtree1.shtm
3. ^ Rita Marley Foundation web site
4. ^ News IMDb web site

External links[link]

• Rita Marley at the Internet Movie Database
• starpulse.com biography
• VH1 biography

Books[link]

Rita Marley, Hettie Jones (2004). No Woman, No Cry: My Life with Bob Marley. Hyperion, ISBN 0-7868-6867-8

Bob Marley
Bob Marley performing in concert, circa 1980.
Background information
Birth name	Robert Nesta Marley
Also known as	Tuff Gong
Born	(1945-02-06)6 February 1945 Nine Mile, Saint Ann, Jamaica
Died	11 May 1981(1981-05-11) (aged 36) Miami, Florida, U.S.
Genres	Reggae, ska, rocksteady
Occupations	Singer-songwriter, musician
Instruments	Vocals, guitar, piano, saxophone, harmonica, percussion
Years active	1962–1981
Labels	Studio One, Upsetter, Tuff Gong
Associated acts	Bob Marley & The Wailers, Wailers Band, The Upsetters, I Threes
Website	bobmarley.com

Robert Nesta "Bob" Marley, OM (6 February 1945 – 11 May 1981) was a Jamaican singer-songwriter and musician. He was the rhythm guitarist and lead singer for the ska, rocksteady and reggae band Bob Marley & The Wailers (1963–1981). Marley remains the most widely known and revered performer of reggae music, and is credited with helping spread both Jamaican music and the Rastafari movement to a worldwide audience.^[1]

Marley's music was heavily influenced by the social issues of his homeland, and he is considered to have given voice to the specific political and cultural nexus of Jamaica.^[2] His best-known hits include "I Shot the Sheriff", "No Woman, No Cry", "Could You Be Loved", "Stir It Up", "Get Up Stand Up", "Jamming", "Redemption Song", "One Love" and, "Three Little Birds",^[3] as well as the posthumous releases "Buffalo Soldier" and "Iron Lion Zion". The compilation album Legend (1984), released three years after his death, is reggae's best-selling album, going ten times Platinum which is also known as one Diamond in the U.S.,^[4] and selling 25 million copies worldwide.^[5][6]

Early life and career[link]

Bob Marley was born in the village of Nine Mile in Saint Ann Parish, Jamaica as Nesta Robert Marley.^[7] A Jamaican passport official would later swap his first and middle names.^[8] His father, Norval Sinclair Marley, was a white Jamaican of mixed and English descent whose family came from Sussex, England. Norval was a captain in the Royal Marines,^{[citation needed]} as well as a plantation overseer, when he married Cedella Booker, an Afro-Jamaican then 18 years old.^[9] Norval provided financial support for his wife and child, but seldom saw them, as he was often away on trips. In 1955, when Bob Marley was 10 years old, his father died of a heart attack at age 70.^[10] Marley faced questions about his own racial identity throughout his life. He once reflected:

I don't have prejudice against meself. My father was a white and my mother was black. Them call me half-caste or whatever. Me don't deh pon nobody's side. Me don't deh pon the black man's side nor the white man's side. Me deh pon God's side, the one who create me and cause me to come from black and white.^[11]

The Bob Marley House in Nine Mile is a home that he shared with his mother during his youth

Although Marley recognised his mixed ancestry, throughout his life and because of his beliefs, he self-identified as a black African, following the ideas of Pan-African leaders. Marley stated that his two biggest influences were the African-centered Marcus Garvey and Haile Selassie. A central theme in Bob Marley's message was the repatriation of black people to Zion, which in his view was Ethiopia, or more generally, Africa.^[12] In songs such as "Black Survivor", "Babylon System", and "Blackman Redemption", Marley sings about the struggles of blacks and Africans against oppression from the West or "Babylon".^[13]

Marley and his step brother Bunny Wailer (Bob's mother had a daughter with Bunny's father, younger sister to both of them) started to play music while he was still at school, which he left at the age of 14 to make music with Joe Higgs, a local singer and devout Rastafari. At a jam session with Higgs and Livingston, Marley met Peter McIntosh (later known as Peter Tosh), who had similar musical ambitions.^[14] In 1962, Marley recorded his first two singles, "Judge Not" and "One Cup of Coffee", with local music producer Leslie Kong. These songs, released on the Beverley's label under the pseudonym of Bobby Martell,^[15] attracted little attention. The songs were later re-released on the box set Songs of Freedom, a posthumous collection of Marley's work. Marley was also known to use an Epiphone guitar for much of his career.

Bob Marley Epiphone guitar at his birthplace in Nine Mile, Jamaica.

Bob Marley & The Wailers[link]

1963–1974[link]

Marley in concert in 1980, Zurich, Switzerland

In 1963, Bob Marley, Bunny Wailer, Peter Tosh, Junior Braithwaite, Beverley Kelso, and Cherry Smith formed a ska and rocksteady group, calling themselves "The Teenagers". They later changed their name to "The Wailing Rudeboys", then to "The Wailing Wailers", at which point they were discovered by record producer Coxsone Dodd, and finally to "The Wailers". By 1966, Braithwaite, Kelso, and Smith had left The Wailers, leaving the core trio of Bob Marley, Bunny Wailer, and Peter Tosh.^[16]

In 1966, Marley married Rita Anderson, and moved near his mother's residence in Wilmington, Delaware in the United States for a short time, during which he worked as a DuPont lab assistant and on the assembly line at a Chrysler plant, under the alias Donald Marley.^[17]

Though raised in the Catholic tradition, Marley became captivated by Rastafarian beliefs in the 1960s, when away from his mother's influence.^[18] Formally converted to Rastafari after returning to Jamaica, Marley began to wear his trademark dreadlocks (see the religion section for more on Marley's religious views). After a conflict with Dodd, Marley and his band teamed up with Lee "Scratch" Perry and his studio band, The Upsetters. Although the alliance lasted less than a year, they recorded what many consider The Wailers' finest work. Marley and Perry split after a dispute regarding the assignment of recording rights, but they would remain friends and work together again.

Bob Marley's flat in 1972 at 34 Ridgmount Gardens, Bloomsbury, London, his first UK address.^[19][20]

Between 1968 and 1972, Bob and Rita Marley, Peter Tosh and Bunny Wailer re-cut some old tracks with JAD Records in Kingston and London in an attempt to commercialise The Wailers' sound. Bunny later asserted that these songs "should never be released on an album ... they were just demos for record companies to listen to". Also in 1968, Bob and Rita visited the Bronx to see Johnny Nash's songwriter Jimmy Norman.^[21] A three-day jam session with Norman and others, including Norman's co-writer Al Pyfrom, resulted in a 24-minute tape of Marley performing several of his own and Norman-Pyfrom's compositions. This tape is, according to Reggae archivist Roger Steffens, rare in that it was influenced by pop rather than reggae, as part of an effort to break Marley into the American charts.^[21] According to an article in The New York Times, Marley experimented on the tape with different sounds, adopting a doo-wop style on "Stay With Me" and "the slow love song style of 1960's artists" on "Splish for My Splash".^[21] An artist yet to establish himself outside his native Jamaica, Marley lived in Ridgmount Gardens, Bloomsbury, London during 1972.^[19][20]

In 1972, the Wailers entered into an ill-fated deal with CBS Records and embarked on a tour with American soul singer Johnny Nash. Broke, the Wailers became stranded in London. Marley turned up at Island Records founder and producer Chris Blackwell's London office, and asked him to advance the cost of a new single. Since Jimmy Cliff, Island's top reggae star, had recently left the label, Blackwell was primed for a replacement. In Marley, Blackwell recognized the elements needed to snare the rock audience: "I was dealing with rock music, which was really rebel music. I felt that would really be the way to break Jamaican music. But you needed someone who could be that image. When Bob walked in he really was that image."^[22] Blackwell told Marley he wanted The Wailers to record a complete album (essentially unheard of at the time). When Marley told him it would take between £3,000 and £4,000, Blackwell trusted him with the greater sum. Despite their "rude boy" reputation, the Wailers returned to Kingston and honored the deal, delivering the album Catch A Fire.

Primarily recorded on eight-track at Harry J's in Kingston, Catch A Fire marked the first time a reggae band had access to a state-of-the-art studio and were accorded the same care as their rock'n'roll peers.^[22] Blackwell desired to create "more of a drifting, hypnotic-type feel than a reggae rhythm",^[23] and restructured Marley's mixes and arrangements. Marley travelled to London to supervise Blackwell's overdubbing of the album, which included tempering the mix from the bass-heavy sound of Jamaican music, and omitting two tracks.^[22]

The Wailers' first major label album, Catch a Fire was released worldwide in April 1973, packaged like a rock record with a unique Zippo lighter lift-top. Initially selling 14,000 units, it didn't make Marley a star, but received a positive critical reception.^[22] It was followed later that year by Burnin', which included the standout songs "Get Up, Stand Up", and "I Shot the Sheriff", which appealed to the ear of Eric Clapton. He recorded a cover of the track in 1974 which became a huge American hit, raising Marley's international profile.^[24] Many Jamaicans were not keen on the new "improved" reggae sound on Catch A Fire, but the Trenchtown style of Burnin' found fans across both reggae and rock audiences.^[22]

During this period, Blackwell gifted his Kingston residence and company headquarters at 56 Hope Road (then known as Island House) to Marley. Housing Tuff Gong Studios, the property became not only Marley's office, but also his home.^[22]

The Wailers were scheduled to open 17 shows for the number one black act in the States, Sly and the Family Stone. After 4 shows, the band was fired because they were more popular than the acts they were opening for.^[25] The Wailers broke up in 1974 with each of the three main members pursuing solo careers. The reason for the breakup is shrouded in conjecture; some believe that there were disagreements amongst Bunny, Peter, and Bob concerning performances, while others claim that Bunny and Peter simply preferred solo work.

1974–1981[link]

Bob Marley & The Wailers live at Crystal Palace Park during the Uprising Tour

Despite the break-up, Marley continued recording as "Bob Marley & The Wailers". His new backing band included brothers Carlton and Aston "Family Man" Barrett on drums and bass respectively, Junior Marvin and Al Anderson on lead guitar, Tyrone Downie and Earl "Wya" Lindo on keyboards, and Alvin "Seeco" Patterson on percussion. The "I Threes", consisting of Judy Mowatt, Marcia Griffiths, and Marley's wife, Rita, provided backing vocals. In 1975, Marley had his international breakthrough with his first hit outside Jamaica, "No Woman, No Cry", from the Natty Dread album. This was followed by his breakthrough album in the United States, Rastaman Vibration (1976), which spent four weeks on the Billboard Hot 100.^[26] On 3 December 1976, two days before "Smile Jamaica", a free concert organised by the Jamaican Prime Minister Michael Manley in an attempt to ease tension between two warring political groups, Marley, his wife, and manager Don Taylor were wounded in an assault by unknown gunmen inside Marley's home. Taylor and Marley's wife sustained serious injuries, but later made full recoveries. Bob Marley received minor wounds in the chest and arm.^[27] The shooting was thought to have been politically motivated, as many felt the concert was really a support rally for Manley. Nonetheless, the concert proceeded, and an injured Marley performed as scheduled, two days after the attempt. When asked why, Marley responded, "The people who are trying to make this world worse aren’t taking a day off. How can I?" The members of the group Zap Pow, which had no radical religious or political beliefs, played as Bob Marley's backup band before a festival crowd of 80,000 while members of The Wailers were still missing or in hiding.^[28][29]

Marley left Jamaica at the end of 1976, and after a month-long "recovery and writing" sojourn at the site of Chris Blackwell's Compass Point Studios in Nassau, Bahamas, arrived in England, where he spent two years in self-imposed exile. Whilst there he recorded the albums Exodus and Kaya. Exodus stayed on the British album charts for 56 consecutive weeks. It included four UK hit singles: "Exodus", "Waiting in Vain", "Jamming", and "One Love" (a rendition of Curtis Mayfield's hit, "People Get Ready"). During his time in London, he was arrested and received a conviction for possession of a small quantity of cannabis.^[30] In 1978, Marley returned to Jamaica and performed at another political concert, the One Love Peace Concert, again in an effort to calm warring parties. Near the end of the performance, by Marley's request, Michael Manley (leader of then-ruling People's National Party) and his political rival Edward Seaga (leader of the opposing Jamaica Labour Party), joined each other on stage and shook hands.^[31]

Under the name Bob Marley and the Wailers eleven albums were released, four live albums and seven studio albums. The releases included Babylon by Bus, a double live album with thirteen tracks, were released in 1978 and received critical acclaim. This album, and specifically the final track "Jamming" with the audience in a frenzy, captured the intensity of Marley's live performances.^[32]

Survival, a defiant and politically charged album, was released in 1979. Tracks such as "Zimbabwe", "Africa Unite", "Wake Up and Live", and "Survival" reflected Marley's support for the struggles of Africans. His appearance at the Amandla Festival in Boston in July 1979 showed his strong opposition to South African apartheid, which he already had shown in his song "War" in 1976. In early 1980, he was invited to perform at the 17 April celebration of Zimbabwe's Independence Day. Uprising (1980) was Bob Marley's final studio album, and is one of his most religious productions; it includes "Redemption Song" and "Forever Loving Jah".^[34] Confrontation, released posthumously in 1983, contained unreleased material recorded during Marley's lifetime, including the hit "Buffalo Soldier" and new mixes of singles previously only available in Jamaica.^[35]

Personal life[link]

Religion[link]

Bob Marley was a member of the Rastafari movement, whose culture was a key element in the development of reggae. Bob Marley became an ardent proponent of Rastafari, taking their music out of the socially deprived areas of Jamaica and onto the international music scene. He once gave the following response, which was typical, to a question put to him during a recorded interview:

• Interviewer: "Can you tell the people what it means being a Rastafarian?"
• Bob: "I would say to the people, Be still, and know that His Imperial Majesty, Emperor Haile Selassie of Ethiopia is the Almighty. Now, the Bible seh so, Babylon newspaper seh so, and I and I the children seh so. Yunno? So I don't see how much more reveal our people want. Wha' dem want? a white God, well God come black. True true."^[36]

Observant of the Rastafari practice Ital, a diet that shuns meat, Marley was a vegetarian.^[37] According to his biographers, he affiliated with the Twelve Tribes Mansion. He was in the denomination known as "Tribe of Joseph", because he was born in February (each of the twelve sects being composed of members born in a different month). He signified this in his album liner notes, quoting the portion from Genesis that includes Jacob's blessing to his son Joseph. Marley was baptised by the Archbishop of the Ethiopian Orthodox Church in Kingston, Jamaica, on 4 November 1980.^[38][39]

Family[link]

Bob Marley had a number of children: three with his wife Rita, two adopted from Rita's previous relationships, and several others with different women. The Bob Marley official website acknowledges eleven children.

Those listed on the official site are:

1. Sharon, born 23 November 1964, to Rita in previous relationship
2. Cedella born 23 August 1967, to Rita
3. David "Ziggy", born 17 October 1968, to Rita
4. Stephen, born 20 April 1972, to Rita
5. Robert "Robbie", born 16 May 1972, to Pat Williams
6. Rohan, born 19 May 1972, to Janet Hunt
7. Karen, born 1973 to Janet Bowen
8. Stephanie, born 17 August 1974; according to Cedella Booker she was the daughter of Rita and a man called Ital with whom Rita had an affair; nonetheless she was acknowledged as Bob's daughter
9. Julian, born 4 June 1975, to Lucy Pounder
10. Ky-Mani, born 26 February 1976, to Anita Belnavis
11. Damian, born 21 July 1978, to Cindy Breakspeare

Makeda was born on 30 May 1981, to Yvette Crichton, after Marley's death.^[40] Meredith Dixon's book lists her as Marley's child, but she is not listed as such on the Bob Marley official website.

Various websites, for example,^[41] also list Imani Carole, born 22 May 1963 to Cheryl Murray; but she does not appear on the official Bob Marley website.^[40]

Final years and death[link]

Marley performing in Dalymount Park in the late 1970s

In July 1977, Marley was found to have a type of malignant melanoma under the nail of one of his toes. Contrary to urban legend, this lesion was not primarily caused by an injury during a football match in that year, but was instead a symptom of the already existing cancer. Marley turned down doctors' advice to have his toe amputated, citing his religious beliefs.^[42] Despite his illness, he continued touring and was in the process of scheduling a world tour in 1980. The intention was for Inner Circle to be his opening act on the tour but after their lead singer Jacob Miller died in Jamaica in March 1980 after returning from a scouting mission in Brazil this was no longer mentioned.^[43]

The album Uprising was released in May 1980 (produced by Chris Blackwell), on which "Redemption Song" is particularly considered to be about Marley coming to terms with his mortality.^{[citation needed]} The band completed a major tour of Europe, where they played their biggest concert, to a hundred thousand people in Milan. After the tour Marley went to America, where he performed two shows at Madison Square Garden as part of the Uprising Tour.

The final concert of Bob Marley's career was held 23 September 1980 at the Stanley Theater (now called The Benedum Center For The Performing Arts) in Pittsburgh, Pennsylvania. The audio recording of that concert is now available on CD, vinyl, and digital music services.

Shortly after, Marley's health deteriorated and he became very ill; the cancer had spread throughout his body. The rest of the tour was cancelled and Marley sought treatment at the Bavarian clinic of Josef Issels, where he received a controversial type of cancer therapy (Issels treatment) partly based on avoidance of certain foods, drinks, and other substances. After fighting the cancer without success for eight months, Marley boarded a plane for his home in Jamaica.^[44]

While flying home from Germany to Jamaica, Marley's vital functions worsened. After landing in Miami, Florida, he was taken to the hospital for immediate medical attention. He died at Cedars of Lebanon Hospital in Miami (now University of Miami Hospital) on the morning of 11 May 1981, at the age of 36. The spread of melanoma to his lungs and brain caused his death. His final words to his son Ziggy were "Money can't buy life".^[45] Marley received a state funeral in Jamaica on 21 May 1981, which combined elements of Ethiopian Orthodoxy and Rastafari tradition.^[46] He was buried in a chapel near his birthplace with his red Gibson Les Paul (some accounts say it was a Fender Stratocaster).^[47]

On 21 May 1981, Jamaican Prime Minister Edward Seaga delivered the final funeral eulogy to Marley, declaring:

His voice was an omnipresent cry in our electronic world. His sharp features, majestic looks, and prancing style a vivid etching on the landscape of our minds. Bob Marley was never seen. He was an experience which left an indelible imprint with each encounter. Such a man cannot be erased from the mind. He is part of the collective consciousness of the nation.^[48]

Legacy[link]

Marley has remained popular for decades after his death—one of many memorials to him is this representation at Madame Tussaud Wax Museum in Amsterdam

Bob Marley was the Third World's first pop superstar. He was the man who introduced the world to the mystic power of reggae. He was a true rocker at heart, and as a songwriter, he brought the lyrical force of Bob Dylan, the personal charisma of John Lennon, and the essential vocal stylings of Smokey Robinson into one voice.

— Jann Wenner, at Marley’s 1994 posthumous introduction into the Rock and Roll Hall of Fame^[49]

In 1999 Time magazine chose Bob Marley & The Wailers' Exodus as the greatest album of the 20th century.^[50] In 2001, he was posthumously awarded the Grammy Lifetime Achievement Award, and a feature-length documentary about his life, Rebel Music, won various awards at the Grammys. With contributions from Rita, The Wailers, and Marley's lovers and children, it also tells much of the story in his own words.^[51] A statue was inaugurated, next to the national stadium on Arthur Wint Drive in Kingston to commemorate him. In 2006, the State of New York renamed a portion of Church Avenue from Remsen Avenue to East 98th Street in the East Flatbush section of Brooklyn "Bob Marley Boulevard".^[52] In 2008, a statue of Marley was inaugurated in Banatski Sokolac, Serbia.^[53]

Internationally, Marley’s message also continues to reverberate amongst various indigenous communities. For instance, the Aboriginal people of Australia continue to burn a sacred flame to honor his memory in Sydney’s Victoria Park, while members of the Native American Hopi and Havasupai tribe revere his work.^[54] There are also many tributes to Bob Marley throughout India, including restaurants, hotels, and cultural festivals.^[55][56]

Marley has also evolved into a global symbol, which has been endlessly merchandised through a variety of mediums. In light of this, author Dave Thompson in his book Reggae and Caribbean Music, laments what he perceives to be the commercialized pacification of Marley's more militant edge, stating:

Bob Marley ranks among both the most popular and the most misunderstood figures in modern culture ... That the machine has utterly emasculated Marley is beyond doubt. Gone from the public record is the ghetto kid who dreamed of Che Guevara and the Black Panthers, and pinned their posters up in the Wailers Soul Shack record store; who believed in freedom; and the fighting which it necessitated, and dressed the part on an early album sleeve; whose heroes were James Brown and Muhammad Ali; whose God was Ras Tafari and whose sacrament was marijuana. Instead, the Bob Marley who surveys his kingdom today is smiling benevolence, a shining sun, a waving palm tree, and a string of hits which tumble out of polite radio like candy from a gumball machine. Of course it has assured his immortality. But it has also demeaned him beyond recognition. Bob Marley was worth far more.^[57]

Film adaptations[link]

In February 2008, director Martin Scorsese announced his intention to produce a documentary movie on Marley. The film was set to be released on 6 February 2010, on what would have been Marley's 65th birthday.^[58] However, Scorsese dropped out due to scheduling problems. He was replaced by Jonathan Demme,^[59] who dropped out due to creative differences with producer Steve Bing during the beginning of editing. Kevin Macdonald replaced Demme^[60] and the film, Marley, was released on 20 April 2012.

In March 2008, The Weinstein Company announced its plans to produce a biopic of Bob Marley, based on the book No Woman No Cry: My Life With Bob Marley by Rita Marley. Rudy Langlais will produce the script by Lizzie Borden and Rita Marley will be executive producer.^[61]

Ex-girlfriend and filmmaker Esther Anderson, along with Gian Godoy, made the documentary Bob Marley: The Making of a Legend, which premiered at the Edinburgh International Film Festival in 2011.^[62]

Discography[link]

• The Wailing Wailers (1965)
• The Best of The Wailers (1970)
• Soul Rebels (1970)
• Soul Revolution (1971)
• Catch a Fire (1973)
• Burnin' (1973)
• Natty Dread (1974)
• Rastaman Vibration (1976)
• Exodus (1977)
• Kaya (1978)
• Survival (1979)
• Uprising (1980)
• Confrontation (1983)

Awards and honors[link]

Marley's star on the Hollywood Walk of Fame

• 1976: Band of the Year (Rolling Stone).
• June 1978: Awarded the Peace Medal of the Third World from the United Nations.^[54]
• February 1981: Awarded Jamaica's third highest honour, the Jamaican Order of Merit.
• March 1994: Inducted into the Rock and Roll Hall of Fame.
• 1999: Album of the Century for Exodus by Time Magazine.
• February 2001: A star on the Hollywood Walk of Fame.

• February 2001: Awarded Grammy Lifetime Achievement Award.
• 2004: Rolling Stone ranked him No.11 on their list of the 100 Greatest Artists of All Time.^[63]
• "One Love" named song of the millennium by BBC.
• Voted as one of the greatest lyricists of all time by a BBC poll.^[64]
• 2006: A blue plaque was unveiled at his first UK residence in Ridgmount Gardens, London, dedicated to him by Nubian Jak community trust and supported by Her Majesty's Foreign Office.^[65]
• 2010: "Catch a Fire" inducted into the Grammy Hall of Fame (Reggae Album).^[66]

References[link]