Morris, Robert Filmography

• My Worst Enemy
  1991, role: actor , character name: J.R. Lawrence
• Tangiers
  1985, role: actor
• The First Part of King Henry the Fourth, with the Life and Death of Henry Surnamed Hotspur
  1979, role: actor , character name: Edmund Mortimer, Earl of March
• Promenade
  1968, role: actor , character name: Don
• Quatermass and the Pit
  1967, role: actor , character name: Jerry Watson
• Frankenstein Created Woman
  1967, role: actor , character name: Hans
• A Man for All Seasons
  1966, role: actor , character name: Gentleman Usher
• East of Eden
  1955, role: actor , character name: Student

Morris, Robert Filmography

• Masters of Modern Sculpture Part III: The New World
  1978, role: actor , character name: Himself
• American Art in the 1960s
  1972, role: actor , character name: Himself

Morris, Robert Filmography

• In Mizzoura
  1919, role: actor , character name: Col. Bollinger
• The Flashlight
  1915, role: actor

Famous quotes by Robert Morris:

"It takes a lot of people getting sick, and going to physicians, and then it also takes the physicians diagnosing the illness and recognizing that it's water-borne, and very often all of those things don't happen."

"Hopefully the rally today [Wednesday] means we're breaking through some of the skepticism about accounting."

"I'm sure the Duquesne kids are aware of Robert Morris and I'm sure the Robert Morris kids are aware of Duquesne, ... We've had a more intense camp to get ready. Playing Duquesne is a good way to start."

"challenge to start something from scratch."

"Not to take anything away from Duquesne, but I don't think we played very well, ... We weren't in sync and we've got a lot of work to do. We're going to have to go back to the drawing board and start all over."

"I never presumed that a technique of composition or an idea was so special that just using it would guarantee the quality of the music."

"I know enough jazz harmony to do something already, but to really play something with other people that would be suave and cool."

"When composers say that music is a temporal art, I think that's true, but what is most fun in music is when you know that there are connections that are non-temporal. You can compare them with the unfolding of the piece again - you can compare the drama of the unfolding with the relationships that you remember."

"I liked counterpoint because of the way that things went together. That was interesting because the musical elements were separable and then you could warp all of these lines and times and spaces into each other and put voices together. That was a different kind of experience from harmony and I was very affected by it, too; I was escaping the boundaries of space and time."

"I do remember, though, when I discovered the third! I was about five years old - it was a very pleasing sound. I remembered that if I hit one note, then skipped one and played the next, I could get this really good sound."

"So many of the sounds that contemporary composers were trying to create were to be found in the traditional musics of the world. That was encouraging but also little daunting to think that you had to work so hard to be new and yet it was old."

"Well, I don't know any piece by heart, but Mozart goes something like this... What do you think?"