MAKE THEM KISS!! (2.22.14 - Day 1759)
Québec History 13 - The British Conquest 1759
History's Turning Points - AD 1759 Battle For Canada
George Frideric Handel (1685-1759) Sonatas from & Violin
Abhishekam - అభిషేకం - 10th September 2014 - Episode No 1759
Battle of Quebec, 1759
Histoire du Québec 12 - La Conquête Britannique 1759
Largo from Xerxes G.F. Händel (1685-1759) Hauptwerkconcert Download
Carl Heinrich Graun (1703-1759) TE DEUM
1759-1932 Demerval Saviani (A história das idéias pedagógicas no Brasil)
Blitz Chess #1759 with Live Comments Four Knights Glek Variation vs capi45 with Black
Quebec 1759 - Das Ende Neufrankreichs (Teil 5/6)
FRANZ KROMMER.- 1759 - 1831.- Concierto para Oboe F-dur Op.52
Johann Christoph ALTNICKOL ( 1720-1759 ) - CANTATE DE PAQUES - HERMANN MAX
MAKE THEM KISS!! (2.22.14 - Day 1759)
Québec History 13 - The British Conquest 1759
History's Turning Points - AD 1759 Battle For Canada
George Frideric Handel (1685-1759) Sonatas from & Violin
Abhishekam - అభిషేకం - 10th September 2014 - Episode No 1759
Battle of Quebec, 1759
Histoire du Québec 12 - La Conquête Britannique 1759
Largo from Xerxes G.F. Händel (1685-1759) Hauptwerkconcert Download
Carl Heinrich Graun (1703-1759) TE DEUM
1759-1932 Demerval Saviani (A história das idéias pedagógicas no Brasil)
Blitz Chess #1759 with Live Comments Four Knights Glek Variation vs capi45 with Black
Quebec 1759 - Das Ende Neufrankreichs (Teil 5/6)
FRANZ KROMMER.- 1759 - 1831.- Concierto para Oboe F-dur Op.52
Johann Christoph ALTNICKOL ( 1720-1759 ) - CANTATE DE PAQUES - HERMANN MAX
88 7Mhz time 1759 date 20120628
06-1 -- Quebec 1759 part 1
Lucis Conquisitores: The Lyrical Legacy of Brother Robert Burns (1759-1796) Part I
Science not stamp collecting - the importance of botany from 1759 to 2059
Gavotte # 1 Handel (1685-1759)
Jocelyn Létourneau - 1759 and the future of memory in Quebec
Georges Danton 1759 1794 par Henri Guillemin
Antonio Teixeira (1707 - 1759) - TE DEUM (1 de 7)
Sicilienne - Maria Theresa von Paradis (1759-1824)
Rote Rosen - Folge 1759
Les Grandes Batailles du Passé - QUÉBEC 1759
Coronation Street - Episode 1759 (23rd November 1977)
Georg Friedrich Händel (1685-1759): Water Music. Suite No. 1 in F Major HWV 348
Знаменитые писатели. 04. Бернс, Роберт. Burns, Robert (1759-1796) (sl)
Louis de Caix d'Hervelois(ca.1680-1759) by Durefare デュルファール
哆啦A夢第1759集 哆啦A夢國語版
FRANZ KROMMER.- 1759-1831.-Concierto flauta y Oboe Op.65
Georg Friedrich Händel (1685-1759): Organ Concerto Op.7 No.4 in D Minor
"El Potencial Humano" con Leonardo Stemberg. Programa 1759 31 de Diciembre del 2013 01:17 hrs.
G. F. Händel (1685-1759): Water Music - Suite No.1 in F Major
L'histoire du Canada 11 - La bataille des plaines d'Abraham
Frankfurt (FRA) - San Francisco (SFO) United Airlines #1759 Takeoff with Channel 9 (Live ATC audio)
Frankfurt (FRA) - San Francisco (SFO) United Airlines #1759 Landing with Channel 9 (Live ATC audio)
FRANZ KROMMER.- 1759 - 1831.- Concierto para Flauta Op. 30
Union Pacific freight train w/ SD40Ns 1759 & 1761!
1759
1759 14 Att Burg 94Pct 8 05 14 edited
IMG 1759
Free Privacy Fence on Folly Beach 843-532-1759
Property for sale: 1759 Duncan Toledo Ohio 43613
Nice China Hutch Furniture For Sale 843-532-1759
IMG 1759
Georg Friedrich Händel (1685-1759): Concerto grosso Op.6 No.7 in B flat Major
Georg Friedrich Händel (1685-1759): Concerto grosso Op.6 No.6 in G Minor
IMG 1759
IMG 1759
IMG 1759
MVI 1759
Jon Drinks Water #1759
IMG 1759
Georg Friedrich Händel (1685-1759): Concerto grosso Op.6 No.2 in F Major
'Alla Hornpipe' - Georg Friedrich Händel (1685-1759)
Year 1759 (MDCCLIX) was a common year starting on Monday (link will display the full calendar) of the Gregorian calendar and a common year starting on Friday of the 11-day slower Julian calendar). In Great Britain, this year was known as the Annus Mirabilis because of British victories in the Seven Years' War.
George Frideric Handel (German: Georg Friedrich Händel; pronounced [ˈhɛndəl]) (23 February 1685 – 14 April 1759) was a German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music. He received critical musical training in Halle, Hamburg and Italy before settling in London (1712) and becoming a naturalised British subject in 1727. By then he was strongly influenced by the great composers of the Italian Baroque and the middle-German polyphonic choral tradition.
Within fifteen years, Handel, a dramatic genius, started three commercial opera companies to supply the English nobility with Italian opera, but the public came to hear the vocal bravura of the soloists rather than the music. In 1737 he had a physical breakdown, changed direction creatively and addressed the middle class. As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never performed an Italian opera again. Handel was only partly successful with his performances of English Oratorio on mythical and biblical themes, but when he arranged a performance of Messiah to benefit the Foundling Hospital (1750) the critique ended. The pathos of Handel's oratorios is an ethical one. They are hallowed not by liturgical dignity but by the moral ideals of humanity. Almost blind, and having lived in England for almost fifty years, he died a respected and rich man.
Carl Heinrich Graun (7 May 1704 – 8 August 1759) was a German composer and tenor singer. Along with Johann Adolph Hasse, he is considered to be the most important German composer of Italian opera of his time.
Graun was born in Wahrenbrück in Brandenburg. In 1714, he followed his brother, Johann Gottlieb Graun, to the school of the Church of the Cross, Dresden, and sang in the Dresdner Kreuzchor and the chorus of the Dresden Opera. He studied singing with Christian Petzold and composition with Johann Christoph Schmidt. In 1724, Graun moved to Braunschweig, singing at the opera house and writing six operas for the company. In 1735, Graun moved to Rheinsberg in Brandenburg, after he had written the opera Lo specchio della fedeltà for the marriage of the then crown prince Frederick (the Great) and Elisabeth Christine in Schloss Salzdahlum in 1733. He was Kapellmeister to Frederick the Great from his ascension to the throne in 1740 until Graun's death nineteen years later in Berlin.
Graun wrote a number of operas. His opera Cesare e Cleopatra inaugurated the opening of the Berlin State Opera (Königliche Hofoper) in 1742. Montezuma (1755) was written to a libretto by King Frederick. His pieces are rarely played today, though his passion cantata Der Tod Jesu (The Death of Jesus, 1755) was frequently performed in Germany for many years after his death. His other works include concertos and trio sonatas.
Franz Krommer (Czech: František Vincenc Kramář) (November 27, 1759, Kamenice u Jihlavy – January 8, 1831, Vienna) was a Czech composer of classical music, whose seventy-year life began the year of the death of George Frideric Handel and ended a few years after that of Ludwig van Beethoven.
The main events of his life were somewhat as follows:
He may have been Kapellmeister as early as 1814. (This article also shows or at least suggests that Beethoven's opinion towards such music of Krommer's as he heard was poor.)
His output was prolific, with at least three hundred published compositions in at least 110 opus numbers including at least five symphonies, seventy string quartets and many others for winds and strings, about fifteen string quintets ([1]) and much music for winds by themselves and with other instruments, for which he has perhaps become best-known.
Compiled from Library of Congress records (of scores, parts or recordings. Note that some works by Krommer were published with the same Op. number.) also from WorldCat.
Johann Christoph Altnickol, or Altnikol, (1 January 1720 – 25 July 1759; dates of baptism and burial) was a German organist, bass singer, and composer. He was a son-in-law and copyist of Johann Sebastian Bach.
He was born in Berna bei Seidenberg, Oberlausitz, and first educated at the Lauban Lyceum in 1733. He was employed as a singer and assistant organist at St Maria Magdalena, Breslau, between 1740 and 1744. He began studying theology at the University of Leipzig from March 1744, after being granted four thalers as a viaticum in January of that year. From Michaelmas 1745 he sang as a bass in Johann Sebastian Bach's choirs (asserted by Bach in May 1747 when Altnickol claimed a grant of 12 thalers in April/May 1747 for the work), something he should not have been allowed to do as a university student. He was recommended by W. F. Bach as the successor to his post at Dresden in April 1746, with the assertion that he had studied keyboard and composition with his father, but was not awarded the appointment.