RADIO STATION | GENRE | LOCATION |
---|---|---|
WHAV-AM 1640 Haverhill, MA | 70s,60s | USA |
YleX | Varied | Finland |
KDIA-AM 1640 (The Light for San Francisco) Vallejo, CA | Religious,Christian | USA |
WPAU-AM 1640 Paulding, OH | Oldies | USA |
Crisis de la década de 1640-1650
蜡笔小新第1640集 中文版国语中字 开玩笑露营哦
SH*T TALKING MY TUMOR! (10.26.13 - Day 1640)
La Guerra dels Segadors 1640 - Rafael Subirachs
1640 España está arruinada
12. Economic Expansion, 1560-1640
13. A Polarizing Society, 1560-1640
Case IH 1640 combine cutting wheat
1640, La Guerra dels Segadors
20. Constitutional Revolution and Civil War, 1640-1646
19. Crown and Political Nation, 1604-1640
Obras comentadas: Agnus Dei, Francisco de Zurbarán, (1635 - 1640), por Javier Portús
[LG] M62k-1640, Vievis - Lentvaris
Charles "Express Yourself" Wright, Mark Sonder Productions 540-636-1640
Crisis de la década de 1640-1650
蜡笔小新第1640集 中文版国语中字 开玩笑露营哦
SH*T TALKING MY TUMOR! (10.26.13 - Day 1640)
La Guerra dels Segadors 1640 - Rafael Subirachs
1640 España está arruinada
12. Economic Expansion, 1560-1640
13. A Polarizing Society, 1560-1640
Case IH 1640 combine cutting wheat
1640, La Guerra dels Segadors
20. Constitutional Revolution and Civil War, 1640-1646
19. Crown and Political Nation, 1604-1640
Obras comentadas: Agnus Dei, Francisco de Zurbarán, (1635 - 1640), por Javier Portús
[LG] M62k-1640, Vievis - Lentvaris
Charles "Express Yourself" Wright, Mark Sonder Productions 540-636-1640
London-Derry Connections: The early years, 1613-1640 - Dr Ian Archer
MVI 1640
Marionas - Gaspar Sanz (1640 - 1710)
SAM 1640
Nicolas Poussin, Landscape with Saint John on Patmos, 1640
Maxxed Out by Mark Sonder Productions 540-636-1640
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Year 1640 (MDCXL) was a leap year starting on Sunday (link will display the full calendar) of the Gregorian calendar and a leap year starting on Wednesday of the 10-day slower Julian calendar.
Francisco de Zurbarán (baptized November 7, 1598; died August 27, 1664) was a Spanish painter. He is known primarily for his religious paintings depicting monks, nuns, and martyrs, and for his still-lifes. Zurbarán gained the nickname Spanish Caravaggio, owing to the forceful, realistic use of chiaroscuro in which he excelled.
Zurbarán was born in 1598 in Fuente de Cantos, Extremadura; he was baptized on November 7 of that year. His parents were Luis de Zurbarán, a haberdasher, and his wife, Isabel Márquez. In childhood he set about imitating objects with charcoal. In 1614 his father sent him to Seville to apprentice for three years with Pedro Díaz de Villanueva, an artist of whom very little is known.
While in Seville, Zurbarán married Leonor de Jordera, by whom he had several children. Towards 1630 he was appointed painter to Philip IV, and there is a story that on one occasion the sovereign laid his hand on the artist's shoulder, saying "Painter to the king, king of painters." After 1640 his austere, harsh, hard edged style was unfavorably compared to the sentimental religiosity of Murillo and Zurbarán's reputation declined. It was only in 1658, late in Zurbarán's life that he moved to Madrid in search of work and renewed his contact with Velázquez. Zurbarán died in poverty and obscurity.
Gaspar Sanz (1640–1710) was an Aragonese composer, guitarist, organist and priest born to a wealthy family in Calanda in the Spanish comarca of Bajo Aragón. He studied music, theology and philosophy at the University of Salamanca, where he was later appointed Professor of Music. He wrote three volumes of pedagogical works for the baroque guitar that form an important part of today's classical guitar repertory and have informed modern scholars in the techniques of baroque guitar playing.
His birth date is unknown but he was baptized as Francisco Bartolome Sanz y Celma in the church of Calanda de Ebro, Aragon on 4 April 1640 later adopting the first name "Gaspar". After gaining his Bachelor of Theology at the University of Salamanca, Gaspar Sanz travelled to Naples, Rome and perhaps Venice to further his music education. He is thought to have studied under Orazio Benevoli, choirmaster at the Vatican and Cristofaro Caresana, organist at the Royal Chapel of Naples. He spent some years as the organist of the Spanish Viceroy at Naples.
Nicolas Poussin (pronounced: [ni.kɔ.lɑ pu.sɛ̃]; 15 June 1594 – 19 November 1665) was a French painter in the classical style. His work predominantly features clarity, logic, and order, and favors line over color. His work serves as an alternative to the dominant Baroque style of the 17th century. Until the 20th century he remained the major inspiration for such classically oriented artists as Jacques-Louis David, Jean-Auguste-Dominique Ingres and Paul Cézanne.
He spent most of his working life in Rome, except for a short period when Cardinal Richelieu ordered him back to France to serve as First Painter to the King.
Nicolas Poussin's early biographer was his friend Giovanni Pietro Bellori, who relates that Poussin was born near Les Andelys in Normandy and that he received an education that included some Latin, which would stand him in good stead. Early sketches attracted the notice of Quentin Varin, a local painter, whose pupil Poussin became, until he ran away to Paris at the age of eighteen. There he entered the studios of the Flemish painter Ferdinand Elle and then of Georges Lallemand, both minor masters now remembered for having tutored Poussin. He found French art in a stage of transition: the old apprenticeship system was disturbed, and the academic training destined to supplant it was not yet established by Simon Vouet; but having met Courtois the mathematician, Poussin was fired by the study of his collection of engravings by Marcantonio Raimondi after Italian masters.