- published: 29 Jul 2018
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偷 Stolen Moments is the 15th studio album by Hong Kong singer Prudence Liew. This is the second in a series of three cover albums to be released by Liew in three different languages: the Mandarin album Love Addict was previously released in June 2011, and an untitled English album that has yet to be released.
The reasoning behind naming the album "偷 Stolen Moments" is actually explained on the cover of the album:
Liew stated that she immensely enjoyed the recording session, hence a person and enjoyment combined together to form the Chinese character "steal". In the liner notes, Liew explained that in the process of covering another person's work, besides paying the royalty fees to the record companies, no permissions were granted by the original artists, composers, and lyricists, and therefore is a form of stealing from their artistic moments.
Of the ten songs on the album, a more pop version of "左右手 (My Left and Right Hands)" was previously included on the Leslie Cheung tribute album, ReImagine Leslie Cheung released by Universal Music Hong Kong earlier in the year. The first printing of this album had the compact discs pressed in Germany at Arvato Bertelsmann to ensure the audio quality of the album was preserved. The album is released as a double album, with the second disc being a bonus DVD with music videos of all ten tracks.
Stolen Moments was singer-songwriter John Hiatt's tenth album, released in 1990. It was his highest charting solo album upon its release, peaking at #61. Joan Baez later covered "Through Your Hands" on her 1992 album Play Me Backwards, and David Crosby covered it on his 1993 record Thousand Roads. Earl Thomas Conley had a minor country hit with "Bring Back Your Love to Me" in 1990 (it is unsure whether Conley's version pre-dated Hiatt's album release). Don Henley's version reached #33 on the US Billboard charts and appeared in the film Michael. The Nitty Gritty Dirt Band covered "The Rest of the Dream" on a 1990 album of the same title. Ilse DeLange recorded "Child Of The Wild Blue Yonder" on her live album "Dear John".
All tracks written by John Hiatt
Stolen Moments (1920) is a silent film starring Marguerite Namara with Rudolph Valentino playing a villain, the last film in which he played one. It was released in December 1920, just a few months before Valentino was elevated to stardom by his performance in The Four Horsemen of the Apocalypse (released 6 March 1921). In fact, filming of Stolen Moments was expedited so that Valentino could make it to Hollywood before filming began on The Four Horsemen of the Apocalypse.
Stolen Moments was filmed in St. Augustine, Florida and Savannah, Georgia, by American Cinema Corporation.
In its initial release in 1920, Stolen Moments was a six-reel feature vehicle for Marguerite Namara, a successful opera singer at the time. In November 1922, it was edited to a three-reel feature that emphasized Valentino's character and re-released by Select Pictures Corporation to capitalize on his stardom. The three-reel edit is the only version of the film known to exist today. The US television premiere of the shorter version was on Turner Classic Movies on 22 May 2006.
The Bill is a British police procedural television series that was broadcast on the ITV network from 16 October 1984 until 31 August 2010. It revolves around the fictional incidents dealt with by the Metropolitan Police Service. The programme originated from a one-off drama, entitled Woodentop, which was broadcast in August 1983.
In its final year on air, The Bill was broadcast once a week, usually on Tuesdays or Thursdays, in a one-hour format. The programme focused on the lives and work of one shift of police officers, rather than on any particular aspect of police work. The Bill was the longest-running police procedural television series in the United Kingdom until its cancellation, and was among the longest running of any British television series. The series was originally produced by Thames Television; later, after a company merger, this changed to Talkback Thames. The title of the programme originated from "Old Bill", a slang term for the police. This was also Geoff McQueen's original title idea for the series.
Series 17 of British television drama The Bill consisted of 92 episodes, broadcast between 5 January and 21 December 2001. As well as 85 regular episodes, the series also included a series of seven special episodes featuring former Detective Sergeant Don Beech, and the newly promoted Detective Inspector Claire Stanton, one of which was filmed in Australia, which concludes the Beech storyline, which began in Series 16. Although the idea of making the series into a serial drama did not fully take effect until April 2002, many of the stories in the latter half of the year were multi-part stories, some containing up to six episodes, such as the "Night Games" saga. The two-part episode "Lifelines" is the last two-parter to feature in the series until the return of episode titles in 2007. On 14 August 2013, The Bill Series 17 Part 1 & 2 and The Bill Series 17 Part 3 & 4 DVD sets were released (in Australia).
Series 21 of British television drama The Bill was broadcast from January 5 until December 29, 2005. The series consisted of 106 episodes, making it the series with the highest number of episodes in the show's final decade. This series saw the programme change hands as executive producer of three and a half years, Paul Marquess, stepped down to make way for new producer Jonathan Young. Subsequently, this resulted in the removal of much of the 'soap' feel which was introduced by Marquess, and the main focus turning towards the actual policing aspect of the programme. The majority of this series however remained serialised, with the transition back to single-hander episodes being phased in slowly, following into Series 22.
This series saw the highest number of cast changes in the latter series of the show, with a significant number of key characters axed following the conclusion of several long-running storylines. This series also saw the departure of the show's longest serving cast member at that point, DC Jim Carver (Mark Wingett), who had been with the show since its pilot episode in 1983. As a dedication, a special half-hour 'two-hander' episode was recorded, featuring Carver and Sgt. June Ackland (Trudie Goodwin), who also appeared with Wingett in the show's pilot in '83. This series also featured the final episode of The Bill: Uncovered, a series of special documentaries following the lives and events of particular characters or groups of characters. This particular special, however, was never broadcast in the United Kingdom and was subsequently only shown on terrestrial television in Australia.
Provided to YouTube by Universal Music Group Stolen Moments · John Hiatt Stolen Moments ℗ 1990 A&M; Records Released on: 1990-01-01 Producer, Studio Personnel, Mixer, Recording Engineer: Glyn Johns Studio Personnel, Mixer, Recording Engineer: Jack Joseph Puig Studio Personnel, Asst. Recording Engineer: Joe Schiff Associated Performer, Acoustic Guitar: John Hiatt Associated Performer, Bass Guitar: Pat Donaldson Associated Performer, Drums: David Kemper Associated Performer, Electric Guitar: Ethan Johns Associated Performer, Organ: Chuck Leavell Associated Performer, Background Vocalist: Russ Taff Associated Performer, Background Vocalist: Ashley Cleveland Composer Lyricist: John Hiatt Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Seven Little Indians · John Hiatt Stolen Moments ℗ 1990 A&M; Records Released on: 1990-01-01 Producer, Studio Personnel, Mixer, Recording Engineer: Glyn Johns Studio Personnel, Mixer, Recording Engineer: Jack Joseph Puig Studio Personnel, Asst. Recording Engineer: Joe Schiff Associated Performer, Acoustic Guitar: John Hiatt Associated Performer, Percussion: Ritchie Heyward Associated Performer, Electric Guitar: Michael Landau Associated Performer, Mandolin: Ethan Johns Composer Lyricist: John Hiatt Auto-generated by YouTube.
From a Hiatt bootleg DVD called "Dusty Old Tapes".
Title track from Stolen Moments
Provided to YouTube by Universal Music Group Thirty Years Of Tears · John Hiatt Stolen Moments ℗ 1990 A&M; Records Released on: 1990-01-01 Producer, Studio Personnel, Mixer, Recording Engineer: Glyn Johns Studio Personnel, Mixer, Recording Engineer: Jack Joseph Puig Studio Personnel, Asst. Recording Engineer: Joe Schiff Associated Performer, Acoustic Guitar: John Hiatt Associated Performer, Bass Guitar: Pat Donaldson Associated Performer, Drums, Acoustic Guitar: Ethan Johns Associated Performer, Guitar: Mac Gayden Associated Performer, Synthesizer: Wix Composer Lyricist: John Hiatt Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Back Of My Mind · John Hiatt Stolen Moments ℗ 1990 A&M; Records Released on: 1990-01-01 Producer, Studio Personnel, Mixer, Recording Engineer: Glyn Johns Studio Personnel, Mixer, Recording Engineer: Jack Joseph Puig Studio Personnel, Asst. Recording Engineer: Joe Schiff Associated Performer, Acoustic Guitar: John Hiatt Associated Performer, Bass Guitar: Wix Associated Performer, Drums: Ritchie Heyward Associated Performer, Synthesizer: Bill Payne Associated Performer, Electric Guitar: Michael Landau Composer Lyricist: John Hiatt Auto-generated by YouTube.
Provided to YouTube by Universal Music Group One Kiss · John Hiatt Stolen Moments ℗ 1990 A&M; Records Released on: 1990-01-01 Producer, Studio Personnel, Mixer, Recording Engineer: Glyn Johns Studio Personnel, Mixer, Recording Engineer: Jack Joseph Puig Studio Personnel, Asst. Recording Engineer: Joe Schiff Associated Performer, Electric Guitar, Background Vocalist: John Hiatt Associated Performer, Bass Guitar: Pat Donaldson Associated Performer, Drums: Ethan Johns Associated Performer, Guitar: Michael Landau Associated Performer, Synthesizer: Wix Associated Performer, Background Vocalist: Russ Taff Composer Lyricist: John Hiatt Auto-generated by YouTube.
Provided to YouTube by Universal Music Group Bring Back Your Love To Me · John Hiatt Stolen Moments ℗ 1990 A&M; Records Released on: 1990-01-01 Producer, Studio Personnel, Mixer, Recording Engineer: Glyn Johns Studio Personnel, Mixer, Recording Engineer: Jack Joseph Puig Studio Personnel, Asst. Recording Engineer: Joe Schiff Associated Performer, Electric Guitar, Background Vocalist: John Hiatt Associated Performer, Bass Guitar: Pat Donaldson Associated Performer, Drums: Ritchie Heyward Associated Performer, Piano: Bill Payne Associated Performer, Synthesizer: Wix Associated Performer, Background Vocalist: Bobby King Associated Performer, Background Vocalist: Willie Green Composer Lyricist: John Hiatt Auto-generated by YouTube.
偷 Stolen Moments is the 15th studio album by Hong Kong singer Prudence Liew. This is the second in a series of three cover albums to be released by Liew in three different languages: the Mandarin album Love Addict was previously released in June 2011, and an untitled English album that has yet to be released.
The reasoning behind naming the album "偷 Stolen Moments" is actually explained on the cover of the album:
Liew stated that she immensely enjoyed the recording session, hence a person and enjoyment combined together to form the Chinese character "steal". In the liner notes, Liew explained that in the process of covering another person's work, besides paying the royalty fees to the record companies, no permissions were granted by the original artists, composers, and lyricists, and therefore is a form of stealing from their artistic moments.
Of the ten songs on the album, a more pop version of "左右手 (My Left and Right Hands)" was previously included on the Leslie Cheung tribute album, ReImagine Leslie Cheung released by Universal Music Hong Kong earlier in the year. The first printing of this album had the compact discs pressed in Germany at Arvato Bertelsmann to ensure the audio quality of the album was preserved. The album is released as a double album, with the second disc being a bonus DVD with music videos of all ten tracks.
Stolen moments are all we have together
Two hearts that must find love on borrowed time
Stolen moments, the seconds that we treasure
Must this forbidden pleasure be a crime?
If only we had met when both of us were free
We could walk into the sunlight where a love like ours should be.
Stolen moments that only let me borrow
A glimpse of some tomorrow when you're mine
[ steel - guitar ]