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Further similar concepts by Steinway include Steinway Piano Galleries, Homes of Steinway, Steinway Rooms and Steinway Salons; these buildings have all the same features as Steinway Halls but are smaller.
One of the flagship Steinway Halls is the one located on 57th Street in New York City, near Carnegie Hall.
It was built in 1866 behind the showrooms on 14th Street in Manhattan and was one of the first concert halls for wider audiences in New York. Four days after the Academy of Music in 14th Street burned down to the ground. On May 22, 1866, William Steinway laid the first stone of the Steinway Hall building. Its four floors had enough space to fit in a showroom for more than 100 pianos, the concert hall and rooms for piano lessons. The hall and the other rooms were illuminated with over 700 gaslights. The ground floor was occupied by the showroom and the office. The first floor there was taken by the concert hall. With 2,500 seats at that time it was one of the biggest halls in the city of New York, becoming soon one of the cultural centers of America.
The First Steinway Hall was also the home for the New York Philharmonic Orchestra for 25 years, from 1866 to 1891, until Carnegie Hall was opened in 1891. William Steinway recognized that it would be good for piano sales, if famous piano artists have a place to play on Steinway pianos, and also take a Steinway piano on a concert tour. In 1872, Steinway & Sons organised an unprecedented concert tour of 215 performances in 239 days for the Russian virtuoso pianist Anton Rubinstein. Rubinstein's legendary concert at the Steinway Hall was sold out with 3.000 guests, many of them standing. One concert on Saturday night, sells pianos on Monday morning was one of William Steinway's sayings. Cultural highlights included performances of such artists as Fritz Kreisler, Walter Damrosch, Jenny Lind, readings of Charles Dickens and performances of the Boston Symphony Orchestra.
Steinway Hall, as the center of New York's cultural life, attracted more customers to Steinway showrooms. The marketing idea was so successful for Steinway & Sons, that competition forced other piano manufacturers, such as the Aeolian Company and Chickering & Sons to build their own concert halls, the Aeolian Hall and Chickering Hall in New York. Other piano companies also invested in renowned stars tours in America, such as Pyotr Ilyich Tchaikovsky, who was invited on a two-month American tour in 1891, by piano maker Wm. Knabe & Co.. Around the same time, concert halls were also built in Boston, Chicago, Baltimore, and Philadelphia.
Steinway & Sons sales and marketing departments saw business benefits in having their piano showrooms near Carnegie Hall. Steinway pianos were played at both the intimate New Steinway Hall and the cavernous Carnegie Hall across 57th Street. The New Steinway Hall also introduced its own recording studio and technical equipment to broadcast classical music over the radio. The official opening night was on October 27, 1925 with a performance by Willem Mengelberg and 35 musicians from the New York Philharmonic before 300 invited guests of New York society. The entire performance was broadcast over the radio. Among the invited guests were musicians, media, industrialists and politicians. The Steinway family was represented by Frederick T. (Steinway & Sons president until 1927), Henry Ziegler, Theodore E. (Steinway & Sons president from 1927-1955), and William R., all were grandchildren of the company founder Henry E. Steinway. Among other notable performances at the new Steinway Hall was the 1928 duo piano recital by Vladimir Horowitz and Sergei Rachmaninoff.
In 1958, Steinway Hall was sold together with the land, and Steinway & Sons rented the rooms. In May 1999, Steinway bought back the building for approximately $62 million, but the land could only be rented for 99 years from the former owner who chose to retain ownership of the land.
Steinway Hall on 57th Street was designated a registered historic and cultural landmark in 2001. The building was designed by Warren & Wetmore. The exterior features a bas-relief of Apollo and a musical muse by Leo Lentelli located in the lunette above the grand window at ground level. The main room, a two-story rotunda, features high domed ceilings, handpainted by Paul Arndt. The interior design is appointed with marble and portraits of composers and concert artists. Some valuable paintings are showcased throughout Steinway Hall, by such renowned artists as Rockwell Kent, N.C. Wyeth, and Charles Chambers. Next gallery celebrates five generations of Steinway memorabilia, including design innovations, awards, and "fan mail" from luminaries like Thomas Edison. The main rotunda seats up to 300 guests and a small symphony orchestra. The showrooms are covered with wood panels for better acoustics. Steinway Artist Department, Steinway's sales and marketing departments, as well as the Steinway Service Department, are still operating in the same building. In the basement of Steinway Hall is a concert grand piano bank: an exclusive collection of Steinway concert grand pianos, maintained for the use in live concerts as well as for studio recordings by performing artists.
In 1997, Steinway Artist Jeffrey Biegel performed the first classical music recital transmitted live over the internet with audio and video, sent from Steinway Hall in New York City.
Steinway Salons are also located in Osaka, Kyoto, Kobe and three other locations across Japan. Steinway Salons in Japan provide pianos to concert halls, schools, entertainers and private individuals. Steinway concert pianos are used in performances by established artists and ensembles, and also by touring international stars, as well as by emerging new local talents.
Steinway & Sons main showroom recently opened in Beijing, China, where UNICEF Goodwill Ambassador Lang Lang introduced his own branded line of pianos designed by Steinway & Sons, to the audience of Beijing society and media. The 65th Steinway Children and Youth Competition was recently held in Beijing.
Today, additional forms of Steinway & Sons sales venues are located in Shanghai, China, and Tokyo, Japan.
Category:Buildings and structures in Manhattan Category:Concert halls in New York Category:Landmarks in Manhattan Category:Music venues in Manhattan
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