- published: 20 Sep 2011
- views: 435819
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L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643).
(Representación de Jordi Savall y La Capella Reial de Catalunya en el Gran Teatro del Liceo de Barcelona, 2002)
Intérpretes:
- Montserrat Figueras (La Música)
- Furio Zanasi (Orfeo)
- Arianna Savall (Eurídice)
- Sara Mingardo (La Mensajera)
- Cécile van de Sant (La Esperanza)
- Antonio Abete (Caronte)
- Adriana Fernández (Proserpina)
- Daniele Carnovich (Plutón)
- Fulvio Bettini (Apolo)
- Marília Vargas (Ninfa)
- Francesc Garrigosa, Carlos Mena, Gerd Türk, Iván García (Pastores / Espíritus)
(http://www.alia-vox.com/)
Jordi Savall on Spotify: https://play.spotify.com/artist/3faEZMpTmZFXpELU1EwWNL
Jordi Savall on Facebook: https://www.facebook.com/JordiSavallOfficialPage
El libreto es obra de Alessandro Striggio (el Joven) (1535 - 1590) y se basa en la obra de Rinuccini "L'Euridice" que ya había servido de base a las óperas de Peri y Caccini. Striggio amplió el pequeño poema de Rinuccini hasta convertirlo en un libreto de cinco actos, con un sentido teatral más dramático y emocionante.
"El Orfeo" se considera la primera gran ópera de la historia de la Lírica y punto de arranque fundamental en el desarrollo del género durante los siglos posteriores.
El texto de "El Orfeo" con traducción al español se puede ver en el siguiente enlace:
http://www.el-atril.com/cantares/opera/Monteverdi/orfeo.htm
ARGUMENTO: ( La acción se desarrolla en Grecia y las regiones subterráneas del mundo de los espíritus, en una antigüedad mítica).
[PRÓLOGO]
Tras una tocata instrumental de metales en RE Mayor con carácter estruendoso, aparece la Música, haciendo alabanzas de los presentes e instándolos a guardar silencio, mientras se narra la historia de Orfeo, hijo del dios Apolo y la musa Calíope.
[ACTO PRIMERO]
En un prado en medio del campo, ninfas y pastores celebran con alegría el día esplendoroso en que se casarán el mítico cantor de la Tracia, Orfeo, y su amada, la ninfa Eurídice; cantan uno de los pasajes corales más representativos de la época, «Lasciate i monti».
Orfeo relata cómo se enamoró de ella y ésta responde con el mismo ardor. Luego va con sus compañeras a recoger guirnaldas de flores. Pastores y ninfas continúan con sus danzas y alegres cantos, mientras reinan el regocijo y la felicidad.
[ACTO SEGUNDO]
Rodeado por los pastores, Orfeo entona un canto a la naturaleza y cuenta cómo corría por los sombríos bosques antes de haberse enamorado.
La alegría se interrumpe cuando llega la Mensajera, quién anuncia a Orfeo que una serpiente venenosa ha mordido a su amada Euridice causándole la muerte.
La propia Mensajera lamenta tener que dar semejante noticia. Orfeo decide descender a los infiernos a rescatar a Eurídice (al descenso voluntario al infierno se lo denomina catábasis), entonando un desesperado lamento.
[ACTO TERCERO]
Orfeo llega a la laguna Estigia acompañado por la Esperanza, Pero ésta le anuncia que no puede llevarlo mas allá porque vio grabado en la piedra el texto que cita a la Divina Comedia de Dante: "Abandonad toda esperanza los que entráis".
Caronte se niega a darle paso en su barca, pero Orfeo logra dormir al vigilante con su canto, y robándole la barca cruza la laguna entrando directamente en el infierno. Mientras, un coro de espíritus infernales celebra al Hombre, esa criatura que no intenta ninguna empresa en vano, y contra el cual la Naturaleza no sabe armarse.
[ACTO CUARTO]
Orfeo ha llegado a los infiernos, y con su canto logra emocionar a Proserpina.
Ésta le ruega a Plutón que le permita a Orfeo recuperar a su amada Euridice, haciendo referencia a su antiguo amor, por el cual él la raptara y la llevó a los infiernos.
El dios reconoce también haberse conmovido con el canto de Orfeo, y finalmente acepta y permite que Eurídice le siga, con la condición de que Orfeo no vuelva la mirada a su amada hasta que hayan salido del infierno.
Orfeo parte de los infiernos seguido por Eurídice. Pronto le entra la duda de si ella realmente lo sigue y, al oír un ruido, no resiste la tentación de girar la cabeza para cerciorarse. En ese momento ella comienza a desvanecerse y un espíritu, ministro de Plutón, le amonesta:"Roto has la ley, e indigno eres de gracia". Orfeo intenta seguirla, pero es expulsado del infierno. El coro cierra el acto con esta observación: "Venció al infierno Orfeo y fue vencido por sus propias pasiones".
[ACTO QUINTO]
Orfeo regresa al campo de Tracia lamentando su soledad, vagando sin rumbo y llorando su amor perdido.
El eco repite su lamento trágico y Apolo, dolido por el sufrimiento que aqueja a su hijo, desciende del Olimpo y le dice que lo acompañe al cielo, donde encontrará la bella semblanza de Euridice en el sol y en las estrellas.
Padre e hijo cantan un alegre dúo, mientras ascienden al cielo donde alcanzaran la alegría eterna.
http://es.wikipedia.org/wiki/Claudio_Monteverdi
El Orfeo de Claudio Monteverdi, versión de Jordi Savall, con Le Concert des Nations, La Capella Reial y solistas.
Todo un portento de interpretación operística y una versión referencial monteverdiana.
- published: 01 Mar 2011
- views: 368815
"Fable en musique" ("favola in musica") en 1 prologue et 5 actes de Claudio Monteverdi, créé le 24 février 1607 au Théâtre de la Cour à Mantoue
Livret en italien : Alessandro Striggio, d'après la légende grecque
ST : italiano, english, deutsch, français, español
Direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Ballet des Opernhauses Zürich
Mise en scène et réalisation (1978) : Jean-Pierre Ponnelle
Orphée : Philippe Huttenlocher (baryton)
Eurydice : Dietlinde Turban (soprano)
La Musique - L'Espérance : Trudeliese Schmidt (soprano)
Apollon : Roland Hermann (ténor)
Proserpine - Une messagère : Glenys Linos (soprano)
Pluton : Werner Gröschel (basse)
Charon : Hans Franzen (basse)
Une nymphe : Suzanne Calabro (soprano)
Bergers : Peter Keller, Francesco Araiza, Rudolf A. Hartmann, Christian Boesch, József Dene
Esprits : Francesco Araiza, Rudolf A. Hartmann, József Dene
Chœurs de nymphes, de bergers,d'esprits infernaux
- published: 10 Aug 2013
- views: 198692
- Composer: Claudio Giovanni Antonio Monteverdi (15 May 1567 -- 29 November 1643)
- Ensemble: Concentus Musicus Wien
- Choir: Capella Antiqua München
- Conductor: Nikolaus Harnoncourt
- Soloists:
Lajos Kozma (Orfeo)
Rotraud Hansmann (La Musica/Euridice)
Cathy Berberian (Messaggiera/Speranza)
Eiko Katanosaka (Proserpina/Ninfa)
- Year of recording: 1969
L'Orfeo (SV 318) "Favola in musica", written in 1607.
Prologo
00:00:00 - 1. Toccata
00:02:04 - 2. Ritornello-Dal mio Permesso amato
Act I
00:07:31 - 1. In questo lieto e fortunato giorno
00:09:29 - 2. Vieni Imeneo, deh vieni
00:11:33 - 3. Lasciate i monti
00:14:13 - 4. Rosa del Ciel, vita del mondo
00:17:15 - 5. Lasciate i monti
00:20:05 - 6. Ritornello-Alcun non sia che disperato
Act II
00:24:32 - 1. Sinfonia-Ecco pur ch'a voi ritorno
00:28:01 - 2. Ritornello-Vi ricorda o bosch'ombrosi
00:30:40 - 3. Mira, deh mira Orfeo
00:33:36 - 4. Donde vieni? Ove vai?
00:38:39 - 5. Tu se' morta
00:40:42 - 6. Ahi caso acerbo
00:43:08 - 7. Sinfonia-Chi ne consola ahi lassi?
Act III
00:49:14 - 1. Sinfonia
00:49:56 - 2. Scorta da te mio Nume
00:51:24 - 3. Ecco l'altra palude
00:55:11 - 4. O tu ch'innanzi morte
00:57:35 - 5. Possente spirto
01:03:33 - 6. Orfeo son io
01:06:36 - 7. Ben mi lusinga al quanto
01:09:18 - 8. "Ei dorme, e la mia cetra"
01:11:30 - 9. Sinfonia-Nulla impresa per huom
Act IV
01:15:10 - 1. Signor quell'infelice
01:17:42 - 2. Benché severo ed immutabil fato
01:20:50 - 3. Quali grazie ti rendo
01:22:56 - 4. Ecco il gentil cantore
01:26:03 - 5. O dolcissimi lumi io pur vi veggio
01:29:30 - 6. Sinfonia-É la virtite un raggio
Act V
01:32:54 - 1. Ritornello-Questi i campi di Tracia
01:37:40 - 2. Ma tu, anima mia, se mai ritorna
01:40:23 - 3. Sinfonia-Perch'a lo sdegno ed al dolor
01:42:54 - 4. Troppo, troppo gioisti
01:46:01 - 5. Ritornello-Vanne Orfeo felice a pieno
01:47:14 - 6. Moresca
L'Orfeo is a late Renaissance/early Baroque opera, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. Written in 1607 for a court performance during the annual Carnival at Mantua, L'Orfeo is one of the earliest music dramas still regularly performed.
During the early 17th century, the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's L'Orfeo moved this process out of its experimental era and provided the first fully developed example of the new genre. After its initial performance the work was staged again in Mantua, and possibly in other Italian centres in the next few years. Its score was published by Monteverdi in 1609 and again in 1615. After the composer's death in 1643 the opera went unperformed for many years, and was largely forgotten until a revival of interest in the late 19th century led to a spate of modern editions and performances. At first these tended to be unstaged versions within institutes and music societies, but following the first modern dramatised performance in Paris, in 1911, the work began to be seen increasingly often in theatres. After the Second World War most new editions sought authenticity through the use of period instruments, like this version by Harnoncourt. Many recordings were issued, and the opera was increasingly staged in opera houses. In 2007 the quatercentenary of the premiere was celebrated by performances throughout the world.
In his published score Monteverdi lists around 41 instruments to be deployed, with distinct groups of instruments used to depict particular scenes and characters. Thus strings, harpsichords and recorders represent the pastoral fields of Thrace with their nymphs and shepherds, while heavy brass illustrates the underworld and its denizens. Composed at the point of transition from the Renaissance era to the Baroque, L'Orfeo employs all the resources then known within the art of music, with particularly daring use of polyphony. The work is not orchestrated as such; in the Renaissance tradition instrumentalists followed the composer's general instructions but were given considerable freedom to improvise. This separates Monteverdi's work from the later opera canon, and makes each performance of L'Orfeo a uniquely individual occasion.
- published: 22 Oct 2015
- views: 46179
Release Date: 01/16/2007
Label: Harmonia Mundi Catalog #: 9909003
Composer: Claudio Monteverdi
Performer: Graciela Oddone, Simon Keenlyside, Juanita Lascarro, Martina Dike
Conductor: René Jacobs
Orchestra/Ensemble: Ghent Collegium Vocale, Concerto Vocale
Number of Discs: 2
Recorded in: Stereo
This stunningly conceived, musically vibrant Orfeo was taped at Brussels' La Monnaie in 1998. The much-lauded production later traveled to the Brooklyn Academy of Music where it was as great a success as it had been in Belgium. And indeed, anyone coming to this DVD is in for a treat, a veritable feast for both eye and ear. Choreographer/director Trisha Brown, conductor René Jacobs, and designer Roland Aeschlimann have created an ideal fusion of words, action, sight, and sound, one that never lets the viewer down and manages to tell the story in an elegant, unusual, and ultimately intensely moving manner.
The utter absence of realism in the physical production is no problem at all. The stage is bare and is dominated by a gigantic blue moon (later yellow) as backdrop; a suspended dancer moves gracefully and weightlessly in front of it as La Musica sings; the chorus (members of the Collegium Vocale) are dressed like the Trisha Brown Dancers and move about the stage with them with such comfort that they all seem part of the same family.
Brown's movements are not typical of any particular type of dance--the performers whirl and seem almost to fly. All movement is effortless and agile but at the same time remarkably clear-cut and exact. The dancers' arms create arbors for Orfeo and Euridice and they move like things in nature (all of the characters sway and use their torsos and arms with absolute grace); the opera's pastoral setting is evoked without a blade of grass. A foreboding, stage-high black structure contains Caronte, ready to take Orfeo to Hades. You watch the performance as a child would, in appreciation of something entirely new.
Orchestra and Chorus are the best to be found in any media, but there are better sung individual performances of this opera to be had on CD--one led by John Eliot Gardiner and another by René Jacobs--so this set should be seen either as an additional version or for what it is, a stunning staging of the piece with some very fine singing, and indeed, the best video version available.
Simon Keenlyside is a remarkable singing actor and proves himself lithe enough both vocally and physically to fit into this production. But he is a baritone and his dark timbre, while handsome, is not really what this music calls for. That having been said, his is a moving, intelligent portrayal and will bring few complaints. Soprano Juanita Lascarro sings La Musica and Euridice very well and she looks lovely. Graciela Odone's Messenger is properly tragic, but her voice lacks distinction.
- published: 22 Jun 2016
- views: 5492
music director: René Jacobs, Orfeo: Simon Keenlyside, choreography: Trisha Brown dancers: Kathleen Fisher, Stanford Makishi, Mariah Malohey, Brandi Norton, Stacy Matthew Sencer, Katrina Thonpson, Keith A. Thompson, Abigall Yager, Ming-Lung Yang
ORPHEUS:
See now, I return to you,
dear woods and beloved hills,
made blessed by that sun
through whom alone my darkness is lightened.
FIRST SHEPHERD:
Look, Orpheus, how the shade
of those beech trees invites us,
now that Phoebus darts
burning rays from heaven.
On these grassy banks
let us rest, and let each
in his own way let loose his voice
to the murmur of the waters.
FIRST & SECOND SHEPHERDS:
In this flowery meadow
every sylvan deity
is often wont
to linger for his pleasure.
Here Pan, the shepherds' god,
has sometimes been heard lamenting,
sweetly recalling
his unrequited loves.
CHORUS of NYMPHS & SHEPHERDS:
Here the charming dryads,
a company always decked with flowers,
have been seen gathering roses
with white fingers.
Therefore, Orpheus, make worthy
of the sound of your lyre
these fields, where there blows
a breeze with the perfumes of Araby.
ORPHEUS:
Do you recall, O shady woods,
my long, bitter torments,
when the rocks, their hearts softened,
replied to my laments?
Say, did I not then seem to you
more wretched than any other?
Now Fortune has changed her tune
and turned my woes into rejoicing.
Once I lived in sadness and sorrow;
now I rejoice, and those anxieties
that I have suffered for so many years
make my present happy state more dear.
Through you alone, lovely Eurydice,
I bless my torments;
after sorrow, one is all the more content,
after woe, one is all the happier.
FIRST SHEPHERD:
See, O see, Orpheus, how all around
the woods and the meadow smile.
Then continue, with your golden plectrum,
to sweeten the air on so blessed a day.
- published: 10 Jan 2009
- views: 320394
Esta hermosa historia (completa) fue adaptada para ser presentada de la mejor manera posible por esta serie animada, y que, del mismo modo, intenta presentar el ahogo de sentimientos que subyacen de este hermoso mito griego que quiere ser olvidado por la fama de Romeo y Julieta. La idea, es no olvidar lo que se puede hacer por amor, un raro sentimiento poderoso mucho más allá del reino de la muerte.
Tomado de Caballeros del Zodiaco (Capítulo 130), Ovas de Hades (ova 17).
- published: 10 Dec 2012
- views: 351610
Buy this dvd from : http://amzn.to/pSHM6K
Tocata
Ritornello
Dal mio Permesso amato
- published: 02 Jul 2006
- views: 818108
Orfeo
Orfeo is the Italian for Orpheus, a legendary figure in Greek mythology, chief among poets and musicians.
Orfeo may refer to:
Music
Literature
Astronomy
Other
See also
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Orfeo
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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120:02L' ORFEO: Favola in Musica (Claudio Monteverdi) - Representación de Jordi Savall
L' ORFEO: Favola in Musica (Claudio Monteverdi) - Representación de Jordi SavallL' ORFEO: Favola in Musica (Claudio Monteverdi) - Representación de Jordi Savall
L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643). (Representación de Jordi Savall y La Capella Reial de Catalunya en el Gran Teatro del Liceo de Barcelona, 2002) Intérpretes: - Montserrat Figueras (La Música) - Furio Zanasi (Orfeo) - Arianna Savall (Eurídice) - Sara Mingardo (La Mensajera) - Cécile van de Sant (La Esperanza) - Antonio Abete (Caronte) - Adriana Fernández (Proserpina) - Daniele Carnovich (Plutón) - Fulvio Bettini (Apolo) - Marília Vargas (Ninfa) - Francesc Garrigosa, Carlos Mena, Gerd Türk, Iván García (Pastores / Espíritus) (http://www.alia-vox.com/) Jordi Savall on Spotify: https://play.spotify.com/artist/3faEZMpTmZFXpELU1EwWNL Jordi Savall on Facebook: https://www.facebook.com/JordiSavallOfficialPage El libreto es obra de Alessandro Striggio (el Joven) (1535 - 1590) y se basa en la obra de Rinuccini "L'Euridice" que ya había servido de base a las óperas de Peri y Caccini. Striggio amplió el pequeño poema de Rinuccini hasta convertirlo en un libreto de cinco actos, con un sentido teatral más dramático y emocionante. "El Orfeo" se considera la primera gran ópera de la historia de la Lírica y punto de arranque fundamental en el desarrollo del género durante los siglos posteriores. El texto de "El Orfeo" con traducción al español se puede ver en el siguiente enlace: http://www.el-atril.com/cantares/opera/Monteverdi/orfeo.htm ARGUMENTO: ( La acción se desarrolla en Grecia y las regiones subterráneas del mundo de los espíritus, en una antigüedad mítica). [PRÓLOGO] Tras una tocata instrumental de metales en RE Mayor con carácter estruendoso, aparece la Música, haciendo alabanzas de los presentes e instándolos a guardar silencio, mientras se narra la historia de Orfeo, hijo del dios Apolo y la musa Calíope. [ACTO PRIMERO] En un prado en medio del campo, ninfas y pastores celebran con alegría el día esplendoroso en que se casarán el mítico cantor de la Tracia, Orfeo, y su amada, la ninfa Eurídice; cantan uno de los pasajes corales más representativos de la época, «Lasciate i monti». Orfeo relata cómo se enamoró de ella y ésta responde con el mismo ardor. Luego va con sus compañeras a recoger guirnaldas de flores. Pastores y ninfas continúan con sus danzas y alegres cantos, mientras reinan el regocijo y la felicidad. [ACTO SEGUNDO] Rodeado por los pastores, Orfeo entona un canto a la naturaleza y cuenta cómo corría por los sombríos bosques antes de haberse enamorado. La alegría se interrumpe cuando llega la Mensajera, quién anuncia a Orfeo que una serpiente venenosa ha mordido a su amada Euridice causándole la muerte. La propia Mensajera lamenta tener que dar semejante noticia. Orfeo decide descender a los infiernos a rescatar a Eurídice (al descenso voluntario al infierno se lo denomina catábasis), entonando un desesperado lamento. [ACTO TERCERO] Orfeo llega a la laguna Estigia acompañado por la Esperanza, Pero ésta le anuncia que no puede llevarlo mas allá porque vio grabado en la piedra el texto que cita a la Divina Comedia de Dante: "Abandonad toda esperanza los que entráis". Caronte se niega a darle paso en su barca, pero Orfeo logra dormir al vigilante con su canto, y robándole la barca cruza la laguna entrando directamente en el infierno. Mientras, un coro de espíritus infernales celebra al Hombre, esa criatura que no intenta ninguna empresa en vano, y contra el cual la Naturaleza no sabe armarse. [ACTO CUARTO] Orfeo ha llegado a los infiernos, y con su canto logra emocionar a Proserpina. Ésta le ruega a Plutón que le permita a Orfeo recuperar a su amada Euridice, haciendo referencia a su antiguo amor, por el cual él la raptara y la llevó a los infiernos. El dios reconoce también haberse conmovido con el canto de Orfeo, y finalmente acepta y permite que Eurídice le siga, con la condición de que Orfeo no vuelva la mirada a su amada hasta que hayan salido del infierno. Orfeo parte de los infiernos seguido por Eurídice. Pronto le entra la duda de si ella realmente lo sigue y, al oír un ruido, no resiste la tentación de girar la cabeza para cerciorarse. En ese momento ella comienza a desvanecerse y un espíritu, ministro de Plutón, le amonesta:"Roto has la ley, e indigno eres de gracia". Orfeo intenta seguirla, pero es expulsado del infierno. El coro cierra el acto con esta observación: "Venció al infierno Orfeo y fue vencido por sus propias pasiones". [ACTO QUINTO] Orfeo regresa al campo de Tracia lamentando su soledad, vagando sin rumbo y llorando su amor perdido. El eco repite su lamento trágico y Apolo, dolido por el sufrimiento que aqueja a su hijo, desciende del Olimpo y le dice que lo acompañe al cielo, donde encontrará la bella semblanza de Euridice en el sol y en las estrellas. Padre e hijo cantan un alegre dúo, mientras ascienden al cielo donde alcanzaran la alegría eterna. http://es.wikipedia.org/wiki/Claudio_Monteverdi -
120:02Orfeo Monteverdi Savall Liceo divxclasico.avi
Orfeo Monteverdi Savall Liceo divxclasico.aviOrfeo Monteverdi Savall Liceo divxclasico.avi
El Orfeo de Claudio Monteverdi, versión de Jordi Savall, con Le Concert des Nations, La Capella Reial y solistas. Todo un portento de interpretación operística y una versión referencial monteverdiana. -
101:00Monteverdi - L'Orfeo (complet - ST it-eng-fr-de-esp)
Monteverdi - L'Orfeo (complet - ST it-eng-fr-de-esp)Monteverdi - L'Orfeo (complet - ST it-eng-fr-de-esp)
"Fable en musique" ("favola in musica") en 1 prologue et 5 actes de Claudio Monteverdi, créé le 24 février 1607 au Théâtre de la Cour à Mantoue Livret en italien : Alessandro Striggio, d'après la légende grecque ST : italiano, english, deutsch, français, español Direction musicale : Nikolaus Harnoncourt Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich Ballet des Opernhauses Zürich Mise en scène et réalisation (1978) : Jean-Pierre Ponnelle Orphée : Philippe Huttenlocher (baryton) Eurydice : Dietlinde Turban (soprano) La Musique - L'Espérance : Trudeliese Schmidt (soprano) Apollon : Roland Hermann (ténor) Proserpine - Une messagère : Glenys Linos (soprano) Pluton : Werner Gröschel (basse) Charon : Hans Franzen (basse) Une nymphe : Suzanne Calabro (soprano) Bergers : Peter Keller, Francesco Araiza, Rudolf A. Hartmann, Christian Boesch, József Dene Esprits : Francesco Araiza, Rudolf A. Hartmann, József Dene Chœurs de nymphes, de bergers,d'esprits infernaux -
108:04Claudio Monteverdi - L'Orfeo
Claudio Monteverdi - L'OrfeoClaudio Monteverdi - L'Orfeo
- Composer: Claudio Giovanni Antonio Monteverdi (15 May 1567 -- 29 November 1643) - Ensemble: Concentus Musicus Wien - Choir: Capella Antiqua München - Conductor: Nikolaus Harnoncourt - Soloists: Lajos Kozma (Orfeo) Rotraud Hansmann (La Musica/Euridice) Cathy Berberian (Messaggiera/Speranza) Eiko Katanosaka (Proserpina/Ninfa) - Year of recording: 1969 L'Orfeo (SV 318) "Favola in musica", written in 1607. Prologo 00:00:00 - 1. Toccata 00:02:04 - 2. Ritornello-Dal mio Permesso amato Act I 00:07:31 - 1. In questo lieto e fortunato giorno 00:09:29 - 2. Vieni Imeneo, deh vieni 00:11:33 - 3. Lasciate i monti 00:14:13 - 4. Rosa del Ciel, vita del mondo 00:17:15 - 5. Lasciate i monti 00:20:05 - 6. Ritornello-Alcun non sia che disperato Act II 00:24:32 - 1. Sinfonia-Ecco pur ch'a voi ritorno 00:28:01 - 2. Ritornello-Vi ricorda o bosch'ombrosi 00:30:40 - 3. Mira, deh mira Orfeo 00:33:36 - 4. Donde vieni? Ove vai? 00:38:39 - 5. Tu se' morta 00:40:42 - 6. Ahi caso acerbo 00:43:08 - 7. Sinfonia-Chi ne consola ahi lassi? Act III 00:49:14 - 1. Sinfonia 00:49:56 - 2. Scorta da te mio Nume 00:51:24 - 3. Ecco l'altra palude 00:55:11 - 4. O tu ch'innanzi morte 00:57:35 - 5. Possente spirto 01:03:33 - 6. Orfeo son io 01:06:36 - 7. Ben mi lusinga al quanto 01:09:18 - 8. "Ei dorme, e la mia cetra" 01:11:30 - 9. Sinfonia-Nulla impresa per huom Act IV 01:15:10 - 1. Signor quell'infelice 01:17:42 - 2. Benché severo ed immutabil fato 01:20:50 - 3. Quali grazie ti rendo 01:22:56 - 4. Ecco il gentil cantore 01:26:03 - 5. O dolcissimi lumi io pur vi veggio 01:29:30 - 6. Sinfonia-É la virtite un raggio Act V 01:32:54 - 1. Ritornello-Questi i campi di Tracia 01:37:40 - 2. Ma tu, anima mia, se mai ritorna 01:40:23 - 3. Sinfonia-Perch'a lo sdegno ed al dolor 01:42:54 - 4. Troppo, troppo gioisti 01:46:01 - 5. Ritornello-Vanne Orfeo felice a pieno 01:47:14 - 6. Moresca L'Orfeo is a late Renaissance/early Baroque opera, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. Written in 1607 for a court performance during the annual Carnival at Mantua, L'Orfeo is one of the earliest music dramas still regularly performed. During the early 17th century, the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's L'Orfeo moved this process out of its experimental era and provided the first fully developed example of the new genre. After its initial performance the work was staged again in Mantua, and possibly in other Italian centres in the next few years. Its score was published by Monteverdi in 1609 and again in 1615. After the composer's death in 1643 the opera went unperformed for many years, and was largely forgotten until a revival of interest in the late 19th century led to a spate of modern editions and performances. At first these tended to be unstaged versions within institutes and music societies, but following the first modern dramatised performance in Paris, in 1911, the work began to be seen increasingly often in theatres. After the Second World War most new editions sought authenticity through the use of period instruments, like this version by Harnoncourt. Many recordings were issued, and the opera was increasingly staged in opera houses. In 2007 the quatercentenary of the premiere was celebrated by performances throughout the world. In his published score Monteverdi lists around 41 instruments to be deployed, with distinct groups of instruments used to depict particular scenes and characters. Thus strings, harpsichords and recorders represent the pastoral fields of Thrace with their nymphs and shepherds, while heavy brass illustrates the underworld and its denizens. Composed at the point of transition from the Renaissance era to the Baroque, L'Orfeo employs all the resources then known within the art of music, with particularly daring use of polyphony. The work is not orchestrated as such; in the Renaissance tradition instrumentalists followed the composer's general instructions but were given considerable freedom to improvise. This separates Monteverdi's work from the later opera canon, and makes each performance of L'Orfeo a uniquely individual occasion. -
115:37Claudio Monteverdi: L'Orfeo
Claudio Monteverdi: L'OrfeoClaudio Monteverdi: L'Orfeo
Release Date: 01/16/2007 Label: Harmonia Mundi Catalog #: 9909003 Composer: Claudio Monteverdi Performer: Graciela Oddone, Simon Keenlyside, Juanita Lascarro, Martina Dike Conductor: René Jacobs Orchestra/Ensemble: Ghent Collegium Vocale, Concerto Vocale Number of Discs: 2 Recorded in: Stereo This stunningly conceived, musically vibrant Orfeo was taped at Brussels' La Monnaie in 1998. The much-lauded production later traveled to the Brooklyn Academy of Music where it was as great a success as it had been in Belgium. And indeed, anyone coming to this DVD is in for a treat, a veritable feast for both eye and ear. Choreographer/director Trisha Brown, conductor René Jacobs, and designer Roland Aeschlimann have created an ideal fusion of words, action, sight, and sound, one that never lets the viewer down and manages to tell the story in an elegant, unusual, and ultimately intensely moving manner. The utter absence of realism in the physical production is no problem at all. The stage is bare and is dominated by a gigantic blue moon (later yellow) as backdrop; a suspended dancer moves gracefully and weightlessly in front of it as La Musica sings; the chorus (members of the Collegium Vocale) are dressed like the Trisha Brown Dancers and move about the stage with them with such comfort that they all seem part of the same family. Brown's movements are not typical of any particular type of dance--the performers whirl and seem almost to fly. All movement is effortless and agile but at the same time remarkably clear-cut and exact. The dancers' arms create arbors for Orfeo and Euridice and they move like things in nature (all of the characters sway and use their torsos and arms with absolute grace); the opera's pastoral setting is evoked without a blade of grass. A foreboding, stage-high black structure contains Caronte, ready to take Orfeo to Hades. You watch the performance as a child would, in appreciation of something entirely new. Orchestra and Chorus are the best to be found in any media, but there are better sung individual performances of this opera to be had on CD--one led by John Eliot Gardiner and another by René Jacobs--so this set should be seen either as an additional version or for what it is, a stunning staging of the piece with some very fine singing, and indeed, the best video version available. Simon Keenlyside is a remarkable singing actor and proves himself lithe enough both vocally and physically to fit into this production. But he is a baritone and his dark timbre, while handsome, is not really what this music calls for. That having been said, his is a moving, intelligent portrayal and will bring few complaints. Soprano Juanita Lascarro sings La Musica and Euridice very well and she looks lovely. Graciela Odone's Messenger is properly tragic, but her voice lacks distinction. -
7:33Claudio Monteverdi - L'Orfeo
Claudio Monteverdi - L'OrfeoClaudio Monteverdi - L'Orfeo
music director: René Jacobs, Orfeo: Simon Keenlyside, choreography: Trisha Brown dancers: Kathleen Fisher, Stanford Makishi, Mariah Malohey, Brandi Norton, Stacy Matthew Sencer, Katrina Thonpson, Keith A. Thompson, Abigall Yager, Ming-Lung Yang ORPHEUS: See now, I return to you, dear woods and beloved hills, made blessed by that sun through whom alone my darkness is lightened. FIRST SHEPHERD: Look, Orpheus, how the shade of those beech trees invites us, now that Phoebus darts burning rays from heaven. On these grassy banks let us rest, and let each in his own way let loose his voice to the murmur of the waters. FIRST & SECOND SHEPHERDS: In this flowery meadow every sylvan deity is often wont to linger for his pleasure. Here Pan, the shepherds' god, has sometimes been heard lamenting, sweetly recalling his unrequited loves. CHORUS of NYMPHS & SHEPHERDS: Here the charming dryads, a company always decked with flowers, have been seen gathering roses with white fingers. Therefore, Orpheus, make worthy of the sound of your lyre these fields, where there blows a breeze with the perfumes of Araby. ORPHEUS: Do you recall, O shady woods, my long, bitter torments, when the rocks, their hearts softened, replied to my laments? Say, did I not then seem to you more wretched than any other? Now Fortune has changed her tune and turned my woes into rejoicing. Once I lived in sadness and sorrow; now I rejoice, and those anxieties that I have suffered for so many years make my present happy state more dear. Through you alone, lovely Eurydice, I bless my torments; after sorrow, one is all the more content, after woe, one is all the happier. FIRST SHEPHERD: See, O see, Orpheus, how all around the woods and the meadow smile. Then continue, with your golden plectrum, to sweeten the air on so blessed a day. -
18:59La historia de Orfeo y Eurídice
La historia de Orfeo y EurídiceLa historia de Orfeo y Eurídice
Esta hermosa historia (completa) fue adaptada para ser presentada de la mejor manera posible por esta serie animada, y que, del mismo modo, intenta presentar el ahogo de sentimientos que subyacen de este hermoso mito griego que quiere ser olvidado por la fama de Romeo y Julieta. La idea, es no olvidar lo que se puede hacer por amor, un raro sentimiento poderoso mucho más allá del reino de la muerte. Tomado de Caballeros del Zodiaco (Capítulo 130), Ovas de Hades (ova 17). -
4:26Monteverdi - L'Orfeo - Savall
Monteverdi - L'Orfeo - SavallMonteverdi - L'Orfeo - Savall
Buy this dvd from : http://amzn.to/pSHM6K Tocata Ritornello Dal mio Permesso amato -
5:39Lira de Orfeo COMPLETO + Lira de Mime
Lira de Orfeo COMPLETO + Lira de Mime -
6:59Orfeo y Euridice (Mitología Griega)
Orfeo y Euridice (Mitología Griega)Orfeo y Euridice (Mitología Griega)
'Orfeo' is featured as a movie character in the following productions:
Imago mortis (2009)
Actors: Richard Stanley (writer), Álex Angulo (actor), Leticia Dolera (actress), Francesco Carnelutti (actor), Geraldine Chaplin (actress), Paolo De Vita (actor), Álvaro Augustín (producer), Bruno Di Bartolomei (miscellaneous crew), Luiso Berdejo (writer), Salvatore Ricciardi (miscellaneous crew), Steven Luotto (miscellaneous crew), Raimondo Aiello (editor), Zacarías M. de la Riva (composer), Silvia De Santis (actress), Alberto Amarilla (actor),
Plot: In the 1600s, long before the invention of photography, a scientist named Girolamo Fumagalli was obsessed with the idea of reproducing images. He discovered that by killing a victim and removing the victim's eyeballs, it was possible to reproduce on paper the last image imprinted on that person's retinas. He named this technique 'thanatography'. Today, the same kind of gruesome ritual and abominable crime recurs within the walls of an international school of cinema.
Keywords: 16th-century, bare-chested-male, bare-chested-male-bondage, early-technology, evil-art, evil-book, evil-photography, eyeballs, eyes-gouged-out, eyes-wide-openGenres: Horror, Mystery, Thriller,
L'Orfeo, Favola in musica in un prologo e cinque atti (2009)
Actors: Pier Luigi Pizzi (costume designer), Pier Luigi Pizzi (miscellaneous crew), William Christie (actor), Salomé Jiménez (actress), Vanessa Calderón (actress), Raúl Zajdner (actor), Dietrich Henschel (actor), Cyril Auvity (actor), Hanna Bayodi (actress), Cyril Auvity (actor), Matteo Ricchetti (director), Les Arts Florissants (actor), Bruno Renhold (actor), Antonio Abete (actor), Jean-Yves Ravoux (actor),
Genres: Drama, Musical,L'Orfeo (2007)
Actors: Susann Schimk (producer), Jörg Trentmann (producer), Christian von Behr (producer), Rainer Baumert (producer), René Jacobs (actor), Dorothea Diekmann (producer), Georg Wübbolt (director), Sunhae Im (actress), Sunhae Im (actress), Antonio Abete (actor), Stéphane Degout (actor), Alessandro Striggio (writer), Marie-Claude Chappuis (actress), Marie-Claude Chappuis (actress), Johannes Chum (actor),
Genres: Music,Ogni volta che te ne vai (2004)
Actors: Domenico Procacci (producer), Andrea Guerra (composer), Rolando Ravello (actor), Cecilia Dazzi (actress), Giorgio Colangeli (actor), Bruno Corazzari (actor), Fabio De Luigi (actor), Fabio De Luigi (writer), Maria Vittoria Abbrugiati (miscellaneous crew), Laura Paolucci (producer), Leo Mantovani (actor), Paolo Marzoni (editor), Franco Mescolini (actor), Bettina Pontiggia (costume designer), Ivan Fiorini (producer),
Genres: Comedy,Figli di Annibale (1998)
Actors: Diego Abatantuono (actor), Ugo Conti (actor), Silvio Orlando (actor), Diego Abatantuono (writer), Diego Abatantuono (writer), Davide Ferrario (writer), Davide Ferrario (writer), Sergio Rubini (writer), Davide Ferrario (director), Valentina Cervi (actress), Claudio Cormio (editor), Pietro Ghislandi (actor), Flavio Insinna (actor), Luca Gasparini (editor), Paola Sangiovanni (miscellaneous crew),
Plot: A bungling bank robber, an uncooperative hostage with a secret, a gay policeman and a situation which rapidly goes from bad to worse are the ingredients to this very funny and unpredictable caper flick. Sad sack Domenico is an unemployed man who decides to rob a Turin bank and then to travel north to Switzerland with his loot. But things don't work out that way: For the heist is messy and he ends up with the tall, patrician Tommaso as his hostage. Tommaso, a businessman who is on the verge of bankruptcy, quickly takes over and convinces convincing Domenico to, instead, head south, get help from a friend of Tommaso and sail off to Egypt. But the plan soon unravels, as Domenico discovers that the friend, Orfeo, is actually Tommaso's lover and a policeman to boot. The odd couple is now the odd triangle and when Tommaso's grown-up daughter decides to come along as well, the likelihood of poor Domenico getting out of the country becomes more and more complicated.
Keywords: bank, bank-robber, gay, gay-interest, hostage, policemanGenres: Comedy,
Angelo, tyran de Padoue (1985)
Actors: Jean-Louis Barrault (actor), Jacques Dacqmine (actor), Robert Lombard (actor), Marilyne Canto (actress), Geneviève Page (actress), Victor Hugo (writer), Jean-Louis Barrault (miscellaneous crew), Cyrielle Clair (actress), Jean-Paul Carrère (director), Pierre Tabard (actor), François Duval (actor), Magali Barney (actress), Dominique Virton (actor), Jean-Paul Gonzenbach (actor), Pierre Hoden (actor),
Genres: ,L'Orfeo (1978)
Actors: Jean-Pierre Ponnelle (director), Jean-Pierre Ponnelle (costume designer), Jean-Pierre Ponnelle (miscellaneous crew), Francisco Araiza (actor), Francisco Araiza (actor), Dietlinde Turban (actress), Rudolf Hartmann (actor), Rudolf Hartmann (actor), Trudeliese Schmidt (actress), Peter Keller (actor), Werner Groschel (actor), Alessandro Striggio (writer), Christian Boesch (actor), Christian Boesch (actor), Jozsef Dene (actor),
Genres: Drama, Music,The Hot Box (1972)
Actors: SOS Daredevils (actor), Zaldy Zshornack (actor), Ruben Ramos (actor), Robert Rivera (actor), Ruben Rustia (actor), Rocco Montalban (actor), Robert Miller (actor), Carmen Argenziano (actor), Ramon D'Salva (actor), Roy Alvarez (actor), Jose Romulo (actor), Charles Dierkop (actor), Charles Dierkop (actor), Roger Corman (producer), Gina Laforteza (actress),
Plot: Hot action and lust in the steamy tropical jungle, as heroines break out of a women's prison and start a local revolution.
Keywords: female-nudity, independent-film, urination, w.i.p, women's-prisonGenres: Action, Adventure, Drama, War,
Taglines: A tropical torture chamber where anything can happen. RAVAGED ... SAVAGED ... Licked by the fiery tongues of "The Hot Box" Their guns are hot and their bodies are hard!
Santo contra Blue Demon en la Atlántida (1970)
Actors: Jesús Sotomayor Martínez (writer), Jesús Sotomayor Martínez (producer), Julián Soler (director), Santo (actor), Santo (actor), Carlos Suárez (actor), Marcelo Villamil (actor), Rafael Banquells (actor), Rafael Banquells (actor), Gustavo César Carrión (composer), Rafael García Travesi (writer), Juan Garza (actor), Silvia Pasquel (actress), Blue Demon (actor), Jorge Rado (actor),
Plot: A Nazi scientist using the lost city of Atlantis as his home base threatens to destroy civilization with a nuclear bomb. The Nazi scientist wants the third Reich to rule again and if his demands are not meet he will follow through on his threat of nuclear annihilation. With very little time to spare Santo is enlisted to find the nuclear bomb, disarm it and end the Nazi scientist's diabolical plan.
Keywords: atlantis, character-name-in-title, wrestlingGenres: Action, Adventure, Mystery, Sci-Fi, Thriller,
I giganti della Tessaglia (1960)
Actors: Riccardo Freda (writer), Ennio De Concini (writer), Pietro Tordi (actor), Nando Tamberlani (actor), Piero Pastore (actor), Alberto Sorrentino (actor), Jacques Stany (actor), Fortunato Arena (actor), Nando Angelini (actor), Alberto Farnese (actor), Massimo Girotti (actor), Raf Baldassarre (actor), Alfredo Varelli (actor), Mario Giorsi (costume designer), Carlo Rustichelli (composer),
Plot: In order to placate the angry gods, who have allowed Thessaly to be overrun with barbarian invaders and beset with natural disasters, King Jason takes his Argonauts on a search for the fabled Golden Fleece. Meanwhile, back at home, his scheming regent is plotting to get his hands on the kingdom--and the queen.
Keywords: adventure-hero, adventurer, ambush, ancient-greece, argonaut, armor, arrow-through-neck, bare-chested-male, battle, beefcakeGenres: Adventure,
Taglines: The Screen Explodes With Wondrous Spectacle Bigger Than Anything You Have Ever Seen!!
Quotes:
Regina Gaia: [to Giasone/Jason] We're both like trees which produce a marvelous fruit that no one is allowed to gather.Adrasto: [to Creusa] Whenever your eyes are flashing with rage, you're even more beautiful.
Adrasto: [speaking of Creusa] What good are the gems in the treasury of Thessaly when it is she I desire most of all? Her loveliness is ablaze in me like an open furnace.
Orfeo
ALBUMS
- Inferno released: 2010
Inferno
Released 2010- add to main playlist Play in Full Screen Highway to Noordeloos
- add to main playlist Play in Full Screen Fluitfeeks
- add to main playlist Play in Full Screen Inferno
- add to main playlist Play in Full Screen Mazurker
- add to main playlist Play in Full Screen Eria Rond'or
- add to main playlist Play in Full Screen Space
- add to main playlist Play in Full Screen Chique
- add to main playlist Play in Full Screen Onderton
- add to main playlist Play in Full Screen Beau Jardin
- add to main playlist Play in Full Screen Nick's Song
- add to main playlist Play in Full Screen 11 Fantasy
Orfeo
ALBUMS
- Haute Musique released: 2013
- Miles Away released: 2010
- Ricordati di me released: 2003
- Heineken Millenium Mix released: 1999
- Revolver released:
Haute Musique
Released 2013- add to main playlist Play in Full Screen Violet
- add to main playlist Play in Full Screen Morning In Japan
- add to main playlist Play in Full Screen The Ember Song
- add to main playlist Play in Full Screen Sun
- add to main playlist Play in Full Screen Girigbukar (Les Philistins)
- add to main playlist Play in Full Screen Guaracha U.F.O (Versión Rebajada)
- add to main playlist Play in Full Screen Holiday rêverie
- add to main playlist Play in Full Screen The Place
- add to main playlist Play in Full Screen Y'en a-t-il?
- add to main playlist Play in Full Screen Nnormal
- add to main playlist Play in Full Screen There's a Light Out on the Horizon
Miles Away
Released 2010- add to main playlist Play in Full Screen Miles Away (Radio Edit)
- add to main playlist Play in Full Screen Miles Away (Orlando Voorn Fix Mix)
- add to main playlist Play in Full Screen Miles Away (Original Flavour Mix)
- add to main playlist Play in Full Screen Miles Away (Dub Mix)
- add to main playlist Play in Full Screen Miles Away (Electro Mix)
Ricordati di me
Released 2003- add to main playlist Play in Full Screen Questo è il quartiere di Giulia e Carlo
- add to main playlist Play in Full Screen Comincia un nuovo giorno
- add to main playlist Play in Full Screen Quello che resta
- add to main playlist Play in Full Screen Il momento di Valentina
- add to main playlist Play in Full Screen Tutto si fermò
- add to main playlist Play in Full Screen Sospesi
- add to main playlist Play in Full Screen L'occasione perduta
- add to main playlist Play in Full Screen Ali Baba
- add to main playlist Play in Full Screen Il profumo di lei
- add to main playlist Play in Full Screen Volevano diventare qualcuno
- add to main playlist Play in Full Screen Il gioco delle parti
- add to main playlist Play in Full Screen Il valzer di Giulia
- add to main playlist Play in Full Screen L'immagine di Paolo
- add to main playlist Play in Full Screen È vera felicità?
- add to main playlist Play in Full Screen Christmas Song
Heineken Millenium Mix
Released 1999- add to main playlist Play in Full Screen Starwars Main Theme
- add to main playlist Play in Full Screen Plastic Dreams
- add to main playlist Play in Full Screen Give It Up
- add to main playlist Play in Full Screen La Foule (extended vocal mix)
- add to main playlist Play in Full Screen Passion
- add to main playlist Play in Full Screen Pump Up the Jam (Boys-R-Us remix) (feat. Technotronic)
- add to main playlist Play in Full Screen Bombay Mix
- add to main playlist Play in Full Screen Out of the Blue
- add to main playlist Play in Full Screen Couch Surfin'
- add to main playlist Play in Full Screen Miles Away (original Flavour mix)
- add to main playlist Play in Full Screen Tides (instrumental)
- add to main playlist Play in Full Screen Cuban Base
- add to main playlist Play in Full Screen Take 5
- add to main playlist Play in Full Screen I Got You (I Feel Good)
- add to main playlist Play in Full Screen Im Nin' Alu
- add to main playlist Play in Full Screen Billy Jean
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- add to main playlist Play in Full Screen Oh Happy Day
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- add to main playlist Play in Full Screen Outro
Revolver
- add to main playlist Play in Full Screen Revolver
- add to main playlist Play in Full Screen Later That Night
- add to main playlist Play in Full Screen Atom's Tomb
- add to main playlist Play in Full Screen The Heist
- add to main playlist Play in Full Screen Fear Me
- add to main playlist Play in Full Screen Mucchio Selvaggio (Remix)
- add to main playlist Play in Full Screen Chess Room
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- add to main playlist Play in Full Screen Purple Requiem
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- add to main playlist Play in Full Screen To Never Miss
- add to main playlist Play in Full Screen Ask Yourself
- add to main playlist Play in Full Screen Gnossienne No. 1
Orfeo
ALBUMS
- Path of Chaos released:
Path of Chaos
- add to main playlist Play in Full Screen Luna Herida
- add to main playlist Play in Full Screen Cathedral of Flesh
- add to main playlist Play in Full Screen Cat People
- add to main playlist Play in Full Screen Synthetizer
- add to main playlist Play in Full Screen Mallory
- add to main playlist Play in Full Screen Evolution
- add to main playlist Play in Full Screen Revolucion
Orfeo
ALBUMS
- Rockit, Volume 62: Ottobre 2014 released: 2014
Rockit, Volume 62: Ottobre 2014
Released 2014- add to main playlist Play in Full Screen Crediti
- add to main playlist Play in Full Screen Please Come Home
- add to main playlist Play in Full Screen Preacher man
- add to main playlist Play in Full Screen Canzone dell'Erica
- add to main playlist Play in Full Screen Talking About Beatles (After Crash remix)
- add to main playlist Play in Full Screen Run
- add to main playlist Play in Full Screen Brix
- add to main playlist Play in Full Screen Dorothy
- add to main playlist Play in Full Screen Two Spheres
- add to main playlist Play in Full Screen Musicisti alla ribalta
- add to main playlist Play in Full Screen 3 Juno
Orfeo
ALBUMS
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L' ORFEO: Favola in Musica (Claudio Monteverdi) - Representación de Jordi Savall
L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643). (Representación de Jordi Savall y La Capella Reial de Catalunya en el Gran Teatro del Liceo de Barcelona, 2002) Intérpretes: - Montserrat Figueras (La Música) - Furio Zanasi (Orfeo) - Arianna Savall (Eurídice) - Sara Mingardo (La Mensajera) - Cécile van de Sant (La Esperanza) - Antonio Abete (Caronte) - Adriana Fernández (Proserpina) - Daniele Carnovich (Plutón) - Fulvio Bettini (Apolo) - Marília Vargas (Ninfa) - Francesc Garrigosa, Carlos Mena, Gerd Türk, Iván García (Pastores / Espíritus) (http://www.alia-vox.com/) Jordi Savall on Spotify: https://play.spotify.com/artist/3faEZMpTmZFXpELU1EwWNL Jordi Savall on Facebook: https://www.facebook.com/JordiSavallOfficialPage El libreto es obra de Alessandro Striggio (e...
published: 20 Sep 2011 -
Orfeo Monteverdi Savall Liceo divxclasico.avi
El Orfeo de Claudio Monteverdi, versión de Jordi Savall, con Le Concert des Nations, La Capella Reial y solistas. Todo un portento de interpretación operística y una versión referencial monteverdiana.
published: 01 Mar 2011 -
Monteverdi - L'Orfeo (complet - ST it-eng-fr-de-esp)
"Fable en musique" ("favola in musica") en 1 prologue et 5 actes de Claudio Monteverdi, créé le 24 février 1607 au Théâtre de la Cour à Mantoue Livret en italien : Alessandro Striggio, d'après la légende grecque ST : italiano, english, deutsch, français, español Direction musicale : Nikolaus Harnoncourt Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich Ballet des Opernhauses Zürich Mise en scène et réalisation (1978) : Jean-Pierre Ponnelle Orphée : Philippe Huttenlocher (baryton) Eurydice : Dietlinde Turban (soprano) La Musique - L'Espérance : Trudeliese Schmidt (soprano) Apollon : Roland Hermann (ténor) Proserpine - Une messagère : Glenys Linos (soprano) Pluton : Werner Gröschel (basse) Charon : Hans Franzen (basse) Une nymphe : Suzanne Calabro (soprano) Bergers : P...
published: 10 Aug 2013 -
Claudio Monteverdi - L'Orfeo
- Composer: Claudio Giovanni Antonio Monteverdi (15 May 1567 -- 29 November 1643) - Ensemble: Concentus Musicus Wien - Choir: Capella Antiqua München - Conductor: Nikolaus Harnoncourt - Soloists: Lajos Kozma (Orfeo) Rotraud Hansmann (La Musica/Euridice) Cathy Berberian (Messaggiera/Speranza) Eiko Katanosaka (Proserpina/Ninfa) - Year of recording: 1969 L'Orfeo (SV 318) "Favola in musica", written in 1607. Prologo 00:00:00 - 1. Toccata 00:02:04 - 2. Ritornello-Dal mio Permesso amato Act I 00:07:31 - 1. In questo lieto e fortunato giorno 00:09:29 - 2. Vieni Imeneo, deh vieni 00:11:33 - 3. Lasciate i monti 00:14:13 - 4. Rosa del Ciel, vita del mondo 00:17:15 - 5. Lasciate i monti 00:20:05 - 6. Ritornello-Alcun non sia che disperato Act II 00:24:32 - 1. Sinfonia-Ecco pur ch'a voi ...
published: 22 Oct 2015 -
Claudio Monteverdi: L'Orfeo
Release Date: 01/16/2007 Label: Harmonia Mundi Catalog #: 9909003 Composer: Claudio Monteverdi Performer: Graciela Oddone, Simon Keenlyside, Juanita Lascarro, Martina Dike Conductor: René Jacobs Orchestra/Ensemble: Ghent Collegium Vocale, Concerto Vocale Number of Discs: 2 Recorded in: Stereo This stunningly conceived, musically vibrant Orfeo was taped at Brussels' La Monnaie in 1998. The much-lauded production later traveled to the Brooklyn Academy of Music where it was as great a success as it had been in Belgium. And indeed, anyone coming to this DVD is in for a treat, a veritable feast for both eye and ear. Choreographer/director Trisha Brown, conductor René Jacobs, and designer Roland Aeschlimann have created an ideal fusion of words, action, sight, and sound,...
published: 22 Jun 2016 -
Claudio Monteverdi - L'Orfeo
music director: René Jacobs, Orfeo: Simon Keenlyside, choreography: Trisha Brown dancers: Kathleen Fisher, Stanford Makishi, Mariah Malohey, Brandi Norton, Stacy Matthew Sencer, Katrina Thonpson, Keith A. Thompson, Abigall Yager, Ming-Lung Yang ORPHEUS: See now, I return to you, dear woods and beloved hills, made blessed by that sun through whom alone my darkness is lightened. FIRST SHEPHERD: Look, Orpheus, how the shade of those beech trees invites us, now that Phoebus darts burning rays from heaven. On these grassy banks let us rest, and let each in his own way let loose his voice to the murmur of the waters. FIRST & SECOND SHEPHERDS: In this flowery meadow every sylvan deity is often wont to linger for his pleasure. Here Pan, the shepherds' ...
published: 10 Jan 2009 -
La historia de Orfeo y Eurídice
Esta hermosa historia (completa) fue adaptada para ser presentada de la mejor manera posible por esta serie animada, y que, del mismo modo, intenta presentar el ahogo de sentimientos que subyacen de este hermoso mito griego que quiere ser olvidado por la fama de Romeo y Julieta. La idea, es no olvidar lo que se puede hacer por amor, un raro sentimiento poderoso mucho más allá del reino de la muerte. Tomado de Caballeros del Zodiaco (Capítulo 130), Ovas de Hades (ova 17).
published: 10 Dec 2012 -
Monteverdi - L'Orfeo - Savall
Buy this dvd from : http://amzn.to/pSHM6K Tocata Ritornello Dal mio Permesso amato
published: 02 Jul 2006 -
-
Orfeo y Euridice (Mitología Griega)
published: 19 Oct 2012
L' ORFEO: Favola in Musica (Claudio Monteverdi) - Representación de Jordi Savall
- Order: Reorder
- Duration: 120:02
- Updated: 20 Sep 2011
- views: 435819
L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643).
(Representación de Jordi Savall y La Capella Reial de Catalunya en el Gran Teatro del Lice...
L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643).
(Representación de Jordi Savall y La Capella Reial de Catalunya en el Gran Teatro del Liceo de Barcelona, 2002)
Intérpretes:
- Montserrat Figueras (La Música)
- Furio Zanasi (Orfeo)
- Arianna Savall (Eurídice)
- Sara Mingardo (La Mensajera)
- Cécile van de Sant (La Esperanza)
- Antonio Abete (Caronte)
- Adriana Fernández (Proserpina)
- Daniele Carnovich (Plutón)
- Fulvio Bettini (Apolo)
- Marília Vargas (Ninfa)
- Francesc Garrigosa, Carlos Mena, Gerd Türk, Iván García (Pastores / Espíritus)
(http://www.alia-vox.com/)
Jordi Savall on Spotify: https://play.spotify.com/artist/3faEZMpTmZFXpELU1EwWNL
Jordi Savall on Facebook: https://www.facebook.com/JordiSavallOfficialPage
El libreto es obra de Alessandro Striggio (el Joven) (1535 - 1590) y se basa en la obra de Rinuccini "L'Euridice" que ya había servido de base a las óperas de Peri y Caccini. Striggio amplió el pequeño poema de Rinuccini hasta convertirlo en un libreto de cinco actos, con un sentido teatral más dramático y emocionante.
"El Orfeo" se considera la primera gran ópera de la historia de la Lírica y punto de arranque fundamental en el desarrollo del género durante los siglos posteriores.
El texto de "El Orfeo" con traducción al español se puede ver en el siguiente enlace:
http://www.el-atril.com/cantares/opera/Monteverdi/orfeo.htm
ARGUMENTO: ( La acción se desarrolla en Grecia y las regiones subterráneas del mundo de los espíritus, en una antigüedad mítica).
[PRÓLOGO]
Tras una tocata instrumental de metales en RE Mayor con carácter estruendoso, aparece la Música, haciendo alabanzas de los presentes e instándolos a guardar silencio, mientras se narra la historia de Orfeo, hijo del dios Apolo y la musa Calíope.
[ACTO PRIMERO]
En un prado en medio del campo, ninfas y pastores celebran con alegría el día esplendoroso en que se casarán el mítico cantor de la Tracia, Orfeo, y su amada, la ninfa Eurídice; cantan uno de los pasajes corales más representativos de la época, «Lasciate i monti».
Orfeo relata cómo se enamoró de ella y ésta responde con el mismo ardor. Luego va con sus compañeras a recoger guirnaldas de flores. Pastores y ninfas continúan con sus danzas y alegres cantos, mientras reinan el regocijo y la felicidad.
[ACTO SEGUNDO]
Rodeado por los pastores, Orfeo entona un canto a la naturaleza y cuenta cómo corría por los sombríos bosques antes de haberse enamorado.
La alegría se interrumpe cuando llega la Mensajera, quién anuncia a Orfeo que una serpiente venenosa ha mordido a su amada Euridice causándole la muerte.
La propia Mensajera lamenta tener que dar semejante noticia. Orfeo decide descender a los infiernos a rescatar a Eurídice (al descenso voluntario al infierno se lo denomina catábasis), entonando un desesperado lamento.
[ACTO TERCERO]
Orfeo llega a la laguna Estigia acompañado por la Esperanza, Pero ésta le anuncia que no puede llevarlo mas allá porque vio grabado en la piedra el texto que cita a la Divina Comedia de Dante: "Abandonad toda esperanza los que entráis".
Caronte se niega a darle paso en su barca, pero Orfeo logra dormir al vigilante con su canto, y robándole la barca cruza la laguna entrando directamente en el infierno. Mientras, un coro de espíritus infernales celebra al Hombre, esa criatura que no intenta ninguna empresa en vano, y contra el cual la Naturaleza no sabe armarse.
[ACTO CUARTO]
Orfeo ha llegado a los infiernos, y con su canto logra emocionar a Proserpina.
Ésta le ruega a Plutón que le permita a Orfeo recuperar a su amada Euridice, haciendo referencia a su antiguo amor, por el cual él la raptara y la llevó a los infiernos.
El dios reconoce también haberse conmovido con el canto de Orfeo, y finalmente acepta y permite que Eurídice le siga, con la condición de que Orfeo no vuelva la mirada a su amada hasta que hayan salido del infierno.
Orfeo parte de los infiernos seguido por Eurídice. Pronto le entra la duda de si ella realmente lo sigue y, al oír un ruido, no resiste la tentación de girar la cabeza para cerciorarse. En ese momento ella comienza a desvanecerse y un espíritu, ministro de Plutón, le amonesta:"Roto has la ley, e indigno eres de gracia". Orfeo intenta seguirla, pero es expulsado del infierno. El coro cierra el acto con esta observación: "Venció al infierno Orfeo y fue vencido por sus propias pasiones".
[ACTO QUINTO]
Orfeo regresa al campo de Tracia lamentando su soledad, vagando sin rumbo y llorando su amor perdido.
El eco repite su lamento trágico y Apolo, dolido por el sufrimiento que aqueja a su hijo, desciende del Olimpo y le dice que lo acompañe al cielo, donde encontrará la bella semblanza de Euridice en el sol y en las estrellas.
Padre e hijo cantan un alegre dúo, mientras ascienden al cielo donde alcanzaran la alegría eterna.
http://es.wikipedia.org/wiki/Claudio_Monteverdi
wn.com/L' Orfeo Favola In Musica (Claudio Monteverdi) Representación De Jordi Savall
L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643).
(Representación de Jordi Savall y La Capella Reial de Catalunya en el Gran Teatro del Liceo de Barcelona, 2002)
Intérpretes:
- Montserrat Figueras (La Música)
- Furio Zanasi (Orfeo)
- Arianna Savall (Eurídice)
- Sara Mingardo (La Mensajera)
- Cécile van de Sant (La Esperanza)
- Antonio Abete (Caronte)
- Adriana Fernández (Proserpina)
- Daniele Carnovich (Plutón)
- Fulvio Bettini (Apolo)
- Marília Vargas (Ninfa)
- Francesc Garrigosa, Carlos Mena, Gerd Türk, Iván García (Pastores / Espíritus)
(http://www.alia-vox.com/)
Jordi Savall on Spotify: https://play.spotify.com/artist/3faEZMpTmZFXpELU1EwWNL
Jordi Savall on Facebook: https://www.facebook.com/JordiSavallOfficialPage
El libreto es obra de Alessandro Striggio (el Joven) (1535 - 1590) y se basa en la obra de Rinuccini "L'Euridice" que ya había servido de base a las óperas de Peri y Caccini. Striggio amplió el pequeño poema de Rinuccini hasta convertirlo en un libreto de cinco actos, con un sentido teatral más dramático y emocionante.
"El Orfeo" se considera la primera gran ópera de la historia de la Lírica y punto de arranque fundamental en el desarrollo del género durante los siglos posteriores.
El texto de "El Orfeo" con traducción al español se puede ver en el siguiente enlace:
http://www.el-atril.com/cantares/opera/Monteverdi/orfeo.htm
ARGUMENTO: ( La acción se desarrolla en Grecia y las regiones subterráneas del mundo de los espíritus, en una antigüedad mítica).
[PRÓLOGO]
Tras una tocata instrumental de metales en RE Mayor con carácter estruendoso, aparece la Música, haciendo alabanzas de los presentes e instándolos a guardar silencio, mientras se narra la historia de Orfeo, hijo del dios Apolo y la musa Calíope.
[ACTO PRIMERO]
En un prado en medio del campo, ninfas y pastores celebran con alegría el día esplendoroso en que se casarán el mítico cantor de la Tracia, Orfeo, y su amada, la ninfa Eurídice; cantan uno de los pasajes corales más representativos de la época, «Lasciate i monti».
Orfeo relata cómo se enamoró de ella y ésta responde con el mismo ardor. Luego va con sus compañeras a recoger guirnaldas de flores. Pastores y ninfas continúan con sus danzas y alegres cantos, mientras reinan el regocijo y la felicidad.
[ACTO SEGUNDO]
Rodeado por los pastores, Orfeo entona un canto a la naturaleza y cuenta cómo corría por los sombríos bosques antes de haberse enamorado.
La alegría se interrumpe cuando llega la Mensajera, quién anuncia a Orfeo que una serpiente venenosa ha mordido a su amada Euridice causándole la muerte.
La propia Mensajera lamenta tener que dar semejante noticia. Orfeo decide descender a los infiernos a rescatar a Eurídice (al descenso voluntario al infierno se lo denomina catábasis), entonando un desesperado lamento.
[ACTO TERCERO]
Orfeo llega a la laguna Estigia acompañado por la Esperanza, Pero ésta le anuncia que no puede llevarlo mas allá porque vio grabado en la piedra el texto que cita a la Divina Comedia de Dante: "Abandonad toda esperanza los que entráis".
Caronte se niega a darle paso en su barca, pero Orfeo logra dormir al vigilante con su canto, y robándole la barca cruza la laguna entrando directamente en el infierno. Mientras, un coro de espíritus infernales celebra al Hombre, esa criatura que no intenta ninguna empresa en vano, y contra el cual la Naturaleza no sabe armarse.
[ACTO CUARTO]
Orfeo ha llegado a los infiernos, y con su canto logra emocionar a Proserpina.
Ésta le ruega a Plutón que le permita a Orfeo recuperar a su amada Euridice, haciendo referencia a su antiguo amor, por el cual él la raptara y la llevó a los infiernos.
El dios reconoce también haberse conmovido con el canto de Orfeo, y finalmente acepta y permite que Eurídice le siga, con la condición de que Orfeo no vuelva la mirada a su amada hasta que hayan salido del infierno.
Orfeo parte de los infiernos seguido por Eurídice. Pronto le entra la duda de si ella realmente lo sigue y, al oír un ruido, no resiste la tentación de girar la cabeza para cerciorarse. En ese momento ella comienza a desvanecerse y un espíritu, ministro de Plutón, le amonesta:"Roto has la ley, e indigno eres de gracia". Orfeo intenta seguirla, pero es expulsado del infierno. El coro cierra el acto con esta observación: "Venció al infierno Orfeo y fue vencido por sus propias pasiones".
[ACTO QUINTO]
Orfeo regresa al campo de Tracia lamentando su soledad, vagando sin rumbo y llorando su amor perdido.
El eco repite su lamento trágico y Apolo, dolido por el sufrimiento que aqueja a su hijo, desciende del Olimpo y le dice que lo acompañe al cielo, donde encontrará la bella semblanza de Euridice en el sol y en las estrellas.
Padre e hijo cantan un alegre dúo, mientras ascienden al cielo donde alcanzaran la alegría eterna.
http://es.wikipedia.org/wiki/Claudio_Monteverdi
- published: 20 Sep 2011
- views: 435819
Orfeo Monteverdi Savall Liceo divxclasico.avi
- Order: Reorder
- Duration: 120:02
- Updated: 01 Mar 2011
- views: 368815
El Orfeo de Claudio Monteverdi, versión de Jordi Savall, con Le Concert des Nations, La Capella Reial y solistas.
Todo un portento de interpretación operística...
El Orfeo de Claudio Monteverdi, versión de Jordi Savall, con Le Concert des Nations, La Capella Reial y solistas.
Todo un portento de interpretación operística y una versión referencial monteverdiana.
wn.com/Orfeo Monteverdi Savall Liceo Divxclasico.Avi
El Orfeo de Claudio Monteverdi, versión de Jordi Savall, con Le Concert des Nations, La Capella Reial y solistas.
Todo un portento de interpretación operística y una versión referencial monteverdiana.
- published: 01 Mar 2011
- views: 368815
Monteverdi - L'Orfeo (complet - ST it-eng-fr-de-esp)
- Order: Reorder
- Duration: 101:00
- Updated: 10 Aug 2013
- views: 198692
"Fable en musique" ("favola in musica") en 1 prologue et 5 actes de Claudio Monteverdi, créé le 24 février 1607 au Théâtre de la Cour à Mantoue
Livret en itali...
"Fable en musique" ("favola in musica") en 1 prologue et 5 actes de Claudio Monteverdi, créé le 24 février 1607 au Théâtre de la Cour à Mantoue
Livret en italien : Alessandro Striggio, d'après la légende grecque
ST : italiano, english, deutsch, français, español
Direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Ballet des Opernhauses Zürich
Mise en scène et réalisation (1978) : Jean-Pierre Ponnelle
Orphée : Philippe Huttenlocher (baryton)
Eurydice : Dietlinde Turban (soprano)
La Musique - L'Espérance : Trudeliese Schmidt (soprano)
Apollon : Roland Hermann (ténor)
Proserpine - Une messagère : Glenys Linos (soprano)
Pluton : Werner Gröschel (basse)
Charon : Hans Franzen (basse)
Une nymphe : Suzanne Calabro (soprano)
Bergers : Peter Keller, Francesco Araiza, Rudolf A. Hartmann, Christian Boesch, József Dene
Esprits : Francesco Araiza, Rudolf A. Hartmann, József Dene
Chœurs de nymphes, de bergers,d'esprits infernaux
wn.com/Monteverdi L'Orfeo (Complet St It Eng Fr De Esp)
"Fable en musique" ("favola in musica") en 1 prologue et 5 actes de Claudio Monteverdi, créé le 24 février 1607 au Théâtre de la Cour à Mantoue
Livret en italien : Alessandro Striggio, d'après la légende grecque
ST : italiano, english, deutsch, français, español
Direction musicale : Nikolaus Harnoncourt
Orchestre et chœurs : Das Monteverdi-Ensemble des Opernhauses Zürich
Ballet des Opernhauses Zürich
Mise en scène et réalisation (1978) : Jean-Pierre Ponnelle
Orphée : Philippe Huttenlocher (baryton)
Eurydice : Dietlinde Turban (soprano)
La Musique - L'Espérance : Trudeliese Schmidt (soprano)
Apollon : Roland Hermann (ténor)
Proserpine - Une messagère : Glenys Linos (soprano)
Pluton : Werner Gröschel (basse)
Charon : Hans Franzen (basse)
Une nymphe : Suzanne Calabro (soprano)
Bergers : Peter Keller, Francesco Araiza, Rudolf A. Hartmann, Christian Boesch, József Dene
Esprits : Francesco Araiza, Rudolf A. Hartmann, József Dene
Chœurs de nymphes, de bergers,d'esprits infernaux
- published: 10 Aug 2013
- views: 198692
Claudio Monteverdi - L'Orfeo
- Order: Reorder
- Duration: 108:04
- Updated: 22 Oct 2015
- views: 46179
- Composer: Claudio Giovanni Antonio Monteverdi (15 May 1567 -- 29 November 1643)
- Ensemble: Concentus Musicus Wien
- Choir: Capella Antiqua München
- Condu...
- Composer: Claudio Giovanni Antonio Monteverdi (15 May 1567 -- 29 November 1643)
- Ensemble: Concentus Musicus Wien
- Choir: Capella Antiqua München
- Conductor: Nikolaus Harnoncourt
- Soloists:
Lajos Kozma (Orfeo)
Rotraud Hansmann (La Musica/Euridice)
Cathy Berberian (Messaggiera/Speranza)
Eiko Katanosaka (Proserpina/Ninfa)
- Year of recording: 1969
L'Orfeo (SV 318) "Favola in musica", written in 1607.
Prologo
00:00:00 - 1. Toccata
00:02:04 - 2. Ritornello-Dal mio Permesso amato
Act I
00:07:31 - 1. In questo lieto e fortunato giorno
00:09:29 - 2. Vieni Imeneo, deh vieni
00:11:33 - 3. Lasciate i monti
00:14:13 - 4. Rosa del Ciel, vita del mondo
00:17:15 - 5. Lasciate i monti
00:20:05 - 6. Ritornello-Alcun non sia che disperato
Act II
00:24:32 - 1. Sinfonia-Ecco pur ch'a voi ritorno
00:28:01 - 2. Ritornello-Vi ricorda o bosch'ombrosi
00:30:40 - 3. Mira, deh mira Orfeo
00:33:36 - 4. Donde vieni? Ove vai?
00:38:39 - 5. Tu se' morta
00:40:42 - 6. Ahi caso acerbo
00:43:08 - 7. Sinfonia-Chi ne consola ahi lassi?
Act III
00:49:14 - 1. Sinfonia
00:49:56 - 2. Scorta da te mio Nume
00:51:24 - 3. Ecco l'altra palude
00:55:11 - 4. O tu ch'innanzi morte
00:57:35 - 5. Possente spirto
01:03:33 - 6. Orfeo son io
01:06:36 - 7. Ben mi lusinga al quanto
01:09:18 - 8. "Ei dorme, e la mia cetra"
01:11:30 - 9. Sinfonia-Nulla impresa per huom
Act IV
01:15:10 - 1. Signor quell'infelice
01:17:42 - 2. Benché severo ed immutabil fato
01:20:50 - 3. Quali grazie ti rendo
01:22:56 - 4. Ecco il gentil cantore
01:26:03 - 5. O dolcissimi lumi io pur vi veggio
01:29:30 - 6. Sinfonia-É la virtite un raggio
Act V
01:32:54 - 1. Ritornello-Questi i campi di Tracia
01:37:40 - 2. Ma tu, anima mia, se mai ritorna
01:40:23 - 3. Sinfonia-Perch'a lo sdegno ed al dolor
01:42:54 - 4. Troppo, troppo gioisti
01:46:01 - 5. Ritornello-Vanne Orfeo felice a pieno
01:47:14 - 6. Moresca
L'Orfeo is a late Renaissance/early Baroque opera, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. Written in 1607 for a court performance during the annual Carnival at Mantua, L'Orfeo is one of the earliest music dramas still regularly performed.
During the early 17th century, the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's L'Orfeo moved this process out of its experimental era and provided the first fully developed example of the new genre. After its initial performance the work was staged again in Mantua, and possibly in other Italian centres in the next few years. Its score was published by Monteverdi in 1609 and again in 1615. After the composer's death in 1643 the opera went unperformed for many years, and was largely forgotten until a revival of interest in the late 19th century led to a spate of modern editions and performances. At first these tended to be unstaged versions within institutes and music societies, but following the first modern dramatised performance in Paris, in 1911, the work began to be seen increasingly often in theatres. After the Second World War most new editions sought authenticity through the use of period instruments, like this version by Harnoncourt. Many recordings were issued, and the opera was increasingly staged in opera houses. In 2007 the quatercentenary of the premiere was celebrated by performances throughout the world.
In his published score Monteverdi lists around 41 instruments to be deployed, with distinct groups of instruments used to depict particular scenes and characters. Thus strings, harpsichords and recorders represent the pastoral fields of Thrace with their nymphs and shepherds, while heavy brass illustrates the underworld and its denizens. Composed at the point of transition from the Renaissance era to the Baroque, L'Orfeo employs all the resources then known within the art of music, with particularly daring use of polyphony. The work is not orchestrated as such; in the Renaissance tradition instrumentalists followed the composer's general instructions but were given considerable freedom to improvise. This separates Monteverdi's work from the later opera canon, and makes each performance of L'Orfeo a uniquely individual occasion.
wn.com/Claudio Monteverdi L'Orfeo
- Composer: Claudio Giovanni Antonio Monteverdi (15 May 1567 -- 29 November 1643)
- Ensemble: Concentus Musicus Wien
- Choir: Capella Antiqua München
- Conductor: Nikolaus Harnoncourt
- Soloists:
Lajos Kozma (Orfeo)
Rotraud Hansmann (La Musica/Euridice)
Cathy Berberian (Messaggiera/Speranza)
Eiko Katanosaka (Proserpina/Ninfa)
- Year of recording: 1969
L'Orfeo (SV 318) "Favola in musica", written in 1607.
Prologo
00:00:00 - 1. Toccata
00:02:04 - 2. Ritornello-Dal mio Permesso amato
Act I
00:07:31 - 1. In questo lieto e fortunato giorno
00:09:29 - 2. Vieni Imeneo, deh vieni
00:11:33 - 3. Lasciate i monti
00:14:13 - 4. Rosa del Ciel, vita del mondo
00:17:15 - 5. Lasciate i monti
00:20:05 - 6. Ritornello-Alcun non sia che disperato
Act II
00:24:32 - 1. Sinfonia-Ecco pur ch'a voi ritorno
00:28:01 - 2. Ritornello-Vi ricorda o bosch'ombrosi
00:30:40 - 3. Mira, deh mira Orfeo
00:33:36 - 4. Donde vieni? Ove vai?
00:38:39 - 5. Tu se' morta
00:40:42 - 6. Ahi caso acerbo
00:43:08 - 7. Sinfonia-Chi ne consola ahi lassi?
Act III
00:49:14 - 1. Sinfonia
00:49:56 - 2. Scorta da te mio Nume
00:51:24 - 3. Ecco l'altra palude
00:55:11 - 4. O tu ch'innanzi morte
00:57:35 - 5. Possente spirto
01:03:33 - 6. Orfeo son io
01:06:36 - 7. Ben mi lusinga al quanto
01:09:18 - 8. "Ei dorme, e la mia cetra"
01:11:30 - 9. Sinfonia-Nulla impresa per huom
Act IV
01:15:10 - 1. Signor quell'infelice
01:17:42 - 2. Benché severo ed immutabil fato
01:20:50 - 3. Quali grazie ti rendo
01:22:56 - 4. Ecco il gentil cantore
01:26:03 - 5. O dolcissimi lumi io pur vi veggio
01:29:30 - 6. Sinfonia-É la virtite un raggio
Act V
01:32:54 - 1. Ritornello-Questi i campi di Tracia
01:37:40 - 2. Ma tu, anima mia, se mai ritorna
01:40:23 - 3. Sinfonia-Perch'a lo sdegno ed al dolor
01:42:54 - 4. Troppo, troppo gioisti
01:46:01 - 5. Ritornello-Vanne Orfeo felice a pieno
01:47:14 - 6. Moresca
L'Orfeo is a late Renaissance/early Baroque opera, with a libretto by Alessandro Striggio. It is based on the Greek legend of Orpheus, and tells the story of his descent to Hades and his fruitless attempt to bring his dead bride Eurydice back to the living world. Written in 1607 for a court performance during the annual Carnival at Mantua, L'Orfeo is one of the earliest music dramas still regularly performed.
During the early 17th century, the traditional intermedio—a musical sequence between the acts of a straight play—was evolving into the form of a complete musical drama or "opera". Monteverdi's L'Orfeo moved this process out of its experimental era and provided the first fully developed example of the new genre. After its initial performance the work was staged again in Mantua, and possibly in other Italian centres in the next few years. Its score was published by Monteverdi in 1609 and again in 1615. After the composer's death in 1643 the opera went unperformed for many years, and was largely forgotten until a revival of interest in the late 19th century led to a spate of modern editions and performances. At first these tended to be unstaged versions within institutes and music societies, but following the first modern dramatised performance in Paris, in 1911, the work began to be seen increasingly often in theatres. After the Second World War most new editions sought authenticity through the use of period instruments, like this version by Harnoncourt. Many recordings were issued, and the opera was increasingly staged in opera houses. In 2007 the quatercentenary of the premiere was celebrated by performances throughout the world.
In his published score Monteverdi lists around 41 instruments to be deployed, with distinct groups of instruments used to depict particular scenes and characters. Thus strings, harpsichords and recorders represent the pastoral fields of Thrace with their nymphs and shepherds, while heavy brass illustrates the underworld and its denizens. Composed at the point of transition from the Renaissance era to the Baroque, L'Orfeo employs all the resources then known within the art of music, with particularly daring use of polyphony. The work is not orchestrated as such; in the Renaissance tradition instrumentalists followed the composer's general instructions but were given considerable freedom to improvise. This separates Monteverdi's work from the later opera canon, and makes each performance of L'Orfeo a uniquely individual occasion.
- published: 22 Oct 2015
- views: 46179
Claudio Monteverdi: L'Orfeo
- Order: Reorder
- Duration: 115:37
- Updated: 22 Jun 2016
- views: 5492
Release Date: 01/16/2007
Label: Harmonia Mundi Catalog #: 9909003
Composer: Claudio Monteverdi
Performer: Graciela Oddone, Simon Keenlyside, Juanit...
Release Date: 01/16/2007
Label: Harmonia Mundi Catalog #: 9909003
Composer: Claudio Monteverdi
Performer: Graciela Oddone, Simon Keenlyside, Juanita Lascarro, Martina Dike
Conductor: René Jacobs
Orchestra/Ensemble: Ghent Collegium Vocale, Concerto Vocale
Number of Discs: 2
Recorded in: Stereo
This stunningly conceived, musically vibrant Orfeo was taped at Brussels' La Monnaie in 1998. The much-lauded production later traveled to the Brooklyn Academy of Music where it was as great a success as it had been in Belgium. And indeed, anyone coming to this DVD is in for a treat, a veritable feast for both eye and ear. Choreographer/director Trisha Brown, conductor René Jacobs, and designer Roland Aeschlimann have created an ideal fusion of words, action, sight, and sound, one that never lets the viewer down and manages to tell the story in an elegant, unusual, and ultimately intensely moving manner.
The utter absence of realism in the physical production is no problem at all. The stage is bare and is dominated by a gigantic blue moon (later yellow) as backdrop; a suspended dancer moves gracefully and weightlessly in front of it as La Musica sings; the chorus (members of the Collegium Vocale) are dressed like the Trisha Brown Dancers and move about the stage with them with such comfort that they all seem part of the same family.
Brown's movements are not typical of any particular type of dance--the performers whirl and seem almost to fly. All movement is effortless and agile but at the same time remarkably clear-cut and exact. The dancers' arms create arbors for Orfeo and Euridice and they move like things in nature (all of the characters sway and use their torsos and arms with absolute grace); the opera's pastoral setting is evoked without a blade of grass. A foreboding, stage-high black structure contains Caronte, ready to take Orfeo to Hades. You watch the performance as a child would, in appreciation of something entirely new.
Orchestra and Chorus are the best to be found in any media, but there are better sung individual performances of this opera to be had on CD--one led by John Eliot Gardiner and another by René Jacobs--so this set should be seen either as an additional version or for what it is, a stunning staging of the piece with some very fine singing, and indeed, the best video version available.
Simon Keenlyside is a remarkable singing actor and proves himself lithe enough both vocally and physically to fit into this production. But he is a baritone and his dark timbre, while handsome, is not really what this music calls for. That having been said, his is a moving, intelligent portrayal and will bring few complaints. Soprano Juanita Lascarro sings La Musica and Euridice very well and she looks lovely. Graciela Odone's Messenger is properly tragic, but her voice lacks distinction.
wn.com/Claudio Monteverdi L'Orfeo
Release Date: 01/16/2007
Label: Harmonia Mundi Catalog #: 9909003
Composer: Claudio Monteverdi
Performer: Graciela Oddone, Simon Keenlyside, Juanita Lascarro, Martina Dike
Conductor: René Jacobs
Orchestra/Ensemble: Ghent Collegium Vocale, Concerto Vocale
Number of Discs: 2
Recorded in: Stereo
This stunningly conceived, musically vibrant Orfeo was taped at Brussels' La Monnaie in 1998. The much-lauded production later traveled to the Brooklyn Academy of Music where it was as great a success as it had been in Belgium. And indeed, anyone coming to this DVD is in for a treat, a veritable feast for both eye and ear. Choreographer/director Trisha Brown, conductor René Jacobs, and designer Roland Aeschlimann have created an ideal fusion of words, action, sight, and sound, one that never lets the viewer down and manages to tell the story in an elegant, unusual, and ultimately intensely moving manner.
The utter absence of realism in the physical production is no problem at all. The stage is bare and is dominated by a gigantic blue moon (later yellow) as backdrop; a suspended dancer moves gracefully and weightlessly in front of it as La Musica sings; the chorus (members of the Collegium Vocale) are dressed like the Trisha Brown Dancers and move about the stage with them with such comfort that they all seem part of the same family.
Brown's movements are not typical of any particular type of dance--the performers whirl and seem almost to fly. All movement is effortless and agile but at the same time remarkably clear-cut and exact. The dancers' arms create arbors for Orfeo and Euridice and they move like things in nature (all of the characters sway and use their torsos and arms with absolute grace); the opera's pastoral setting is evoked without a blade of grass. A foreboding, stage-high black structure contains Caronte, ready to take Orfeo to Hades. You watch the performance as a child would, in appreciation of something entirely new.
Orchestra and Chorus are the best to be found in any media, but there are better sung individual performances of this opera to be had on CD--one led by John Eliot Gardiner and another by René Jacobs--so this set should be seen either as an additional version or for what it is, a stunning staging of the piece with some very fine singing, and indeed, the best video version available.
Simon Keenlyside is a remarkable singing actor and proves himself lithe enough both vocally and physically to fit into this production. But he is a baritone and his dark timbre, while handsome, is not really what this music calls for. That having been said, his is a moving, intelligent portrayal and will bring few complaints. Soprano Juanita Lascarro sings La Musica and Euridice very well and she looks lovely. Graciela Odone's Messenger is properly tragic, but her voice lacks distinction.
- published: 22 Jun 2016
- views: 5492
Claudio Monteverdi - L'Orfeo
- Order: Reorder
- Duration: 7:33
- Updated: 10 Jan 2009
- views: 320394
music director: René Jacobs, Orfeo: Simon Keenlyside, choreography: Trisha Brown dancers: Kathleen Fisher, Stanford Makishi, Mariah Malohey, Brandi Norton, Stac...
music director: René Jacobs, Orfeo: Simon Keenlyside, choreography: Trisha Brown dancers: Kathleen Fisher, Stanford Makishi, Mariah Malohey, Brandi Norton, Stacy Matthew Sencer, Katrina Thonpson, Keith A. Thompson, Abigall Yager, Ming-Lung Yang
ORPHEUS:
See now, I return to you,
dear woods and beloved hills,
made blessed by that sun
through whom alone my darkness is lightened.
FIRST SHEPHERD:
Look, Orpheus, how the shade
of those beech trees invites us,
now that Phoebus darts
burning rays from heaven.
On these grassy banks
let us rest, and let each
in his own way let loose his voice
to the murmur of the waters.
FIRST & SECOND SHEPHERDS:
In this flowery meadow
every sylvan deity
is often wont
to linger for his pleasure.
Here Pan, the shepherds' god,
has sometimes been heard lamenting,
sweetly recalling
his unrequited loves.
CHORUS of NYMPHS & SHEPHERDS:
Here the charming dryads,
a company always decked with flowers,
have been seen gathering roses
with white fingers.
Therefore, Orpheus, make worthy
of the sound of your lyre
these fields, where there blows
a breeze with the perfumes of Araby.
ORPHEUS:
Do you recall, O shady woods,
my long, bitter torments,
when the rocks, their hearts softened,
replied to my laments?
Say, did I not then seem to you
more wretched than any other?
Now Fortune has changed her tune
and turned my woes into rejoicing.
Once I lived in sadness and sorrow;
now I rejoice, and those anxieties
that I have suffered for so many years
make my present happy state more dear.
Through you alone, lovely Eurydice,
I bless my torments;
after sorrow, one is all the more content,
after woe, one is all the happier.
FIRST SHEPHERD:
See, O see, Orpheus, how all around
the woods and the meadow smile.
Then continue, with your golden plectrum,
to sweeten the air on so blessed a day.
wn.com/Claudio Monteverdi L'Orfeo
music director: René Jacobs, Orfeo: Simon Keenlyside, choreography: Trisha Brown dancers: Kathleen Fisher, Stanford Makishi, Mariah Malohey, Brandi Norton, Stacy Matthew Sencer, Katrina Thonpson, Keith A. Thompson, Abigall Yager, Ming-Lung Yang
ORPHEUS:
See now, I return to you,
dear woods and beloved hills,
made blessed by that sun
through whom alone my darkness is lightened.
FIRST SHEPHERD:
Look, Orpheus, how the shade
of those beech trees invites us,
now that Phoebus darts
burning rays from heaven.
On these grassy banks
let us rest, and let each
in his own way let loose his voice
to the murmur of the waters.
FIRST & SECOND SHEPHERDS:
In this flowery meadow
every sylvan deity
is often wont
to linger for his pleasure.
Here Pan, the shepherds' god,
has sometimes been heard lamenting,
sweetly recalling
his unrequited loves.
CHORUS of NYMPHS & SHEPHERDS:
Here the charming dryads,
a company always decked with flowers,
have been seen gathering roses
with white fingers.
Therefore, Orpheus, make worthy
of the sound of your lyre
these fields, where there blows
a breeze with the perfumes of Araby.
ORPHEUS:
Do you recall, O shady woods,
my long, bitter torments,
when the rocks, their hearts softened,
replied to my laments?
Say, did I not then seem to you
more wretched than any other?
Now Fortune has changed her tune
and turned my woes into rejoicing.
Once I lived in sadness and sorrow;
now I rejoice, and those anxieties
that I have suffered for so many years
make my present happy state more dear.
Through you alone, lovely Eurydice,
I bless my torments;
after sorrow, one is all the more content,
after woe, one is all the happier.
FIRST SHEPHERD:
See, O see, Orpheus, how all around
the woods and the meadow smile.
Then continue, with your golden plectrum,
to sweeten the air on so blessed a day.
- published: 10 Jan 2009
- views: 320394
La historia de Orfeo y Eurídice
- Order: Reorder
- Duration: 18:59
- Updated: 10 Dec 2012
- views: 351610
Esta hermosa historia (completa) fue adaptada para ser presentada de la mejor manera posible por esta serie animada, y que, del mismo modo, intenta presentar el...
Esta hermosa historia (completa) fue adaptada para ser presentada de la mejor manera posible por esta serie animada, y que, del mismo modo, intenta presentar el ahogo de sentimientos que subyacen de este hermoso mito griego que quiere ser olvidado por la fama de Romeo y Julieta. La idea, es no olvidar lo que se puede hacer por amor, un raro sentimiento poderoso mucho más allá del reino de la muerte.
Tomado de Caballeros del Zodiaco (Capítulo 130), Ovas de Hades (ova 17).
wn.com/La Historia De Orfeo Y Eurídice
Esta hermosa historia (completa) fue adaptada para ser presentada de la mejor manera posible por esta serie animada, y que, del mismo modo, intenta presentar el ahogo de sentimientos que subyacen de este hermoso mito griego que quiere ser olvidado por la fama de Romeo y Julieta. La idea, es no olvidar lo que se puede hacer por amor, un raro sentimiento poderoso mucho más allá del reino de la muerte.
Tomado de Caballeros del Zodiaco (Capítulo 130), Ovas de Hades (ova 17).
- published: 10 Dec 2012
- views: 351610
Monteverdi - L'Orfeo - Savall
- Order: Reorder
- Duration: 4:26
- Updated: 02 Jul 2006
- views: 818108
Buy this dvd from : http://amzn.to/pSHM6K
Tocata
Ritornello
Dal mio Permesso amato
- published: 02 Jul 2006
- views: 818108
Lira de Orfeo COMPLETO + Lira de Mime
- Order: Reorder
- Duration: 5:39
- Updated: 28 May 2009
- views: 2402157
https://twitter.com/#!/mgrgs1 - Lira de Orfeo + Lira de Mime ... disfrutenlo :D
Visita http://kyoko-y-ren.blogspot.com y http://caballero-vampiro.blogspot.com...
https://twitter.com/#!/mgrgs1 - Lira de Orfeo + Lira de Mime ... disfrutenlo :D
Visita http://kyoko-y-ren.blogspot.com y http://caballero-vampiro.blogspot.com
wn.com/Lira De Orfeo Completo Lira De Mime
Orfeo y Euridice (Mitología Griega)
- Order: Reorder
- Duration: 6:59
- Updated: 19 Oct 2012
- views: 233881
- published: 19 Oct 2012
- views: 233881
back
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- Chat
back
- Playlist
- Chat
120:02
L' ORFEO: Favola in Musica (Claudio Monteverdi) - Representación de Jordi Savall
L' ORFEO: Favola in Musica (1607) - Claudio Monteverdi (1567 - 1643).
(Representación de J...
published: 20 Sep 2011
L' ORFEO: Favola in Musica (Claudio Monteverdi) - Representación de Jordi Savall
L' ORFEO: Favola in Musica (Claudio Monteverdi) - Representación de Jordi Savall
- Report rights infringement
- published: 20 Sep 2011
- views: 435819
120:02
Orfeo Monteverdi Savall Liceo divxclasico.avi
El Orfeo de Claudio Monteverdi, versión de Jordi Savall, con Le Concert des Nations, La Ca...
published: 01 Mar 2011
Orfeo Monteverdi Savall Liceo divxclasico.avi
Orfeo Monteverdi Savall Liceo divxclasico.avi
- Report rights infringement
- published: 01 Mar 2011
- views: 368815
101:00
Monteverdi - L'Orfeo (complet - ST it-eng-fr-de-esp)
"Fable en musique" ("favola in musica") en 1 prologue et 5 actes de Claudio Monteverdi, cr...
published: 10 Aug 2013
Monteverdi - L'Orfeo (complet - ST it-eng-fr-de-esp)
Monteverdi - L'Orfeo (complet - ST it-eng-fr-de-esp)
- Report rights infringement
- published: 10 Aug 2013
- views: 198692
108:04
Claudio Monteverdi - L'Orfeo
- Composer: Claudio Giovanni Antonio Monteverdi (15 May 1567 -- 29 November 1643)
- Ensem...
published: 22 Oct 2015
Claudio Monteverdi - L'Orfeo
Claudio Monteverdi - L'Orfeo
- Report rights infringement
- published: 22 Oct 2015
- views: 46179
115:37
Claudio Monteverdi: L'Orfeo
Release Date: 01/16/2007
Label: Harmonia Mundi Catalog #: 9909003
Composer: Claud...
published: 22 Jun 2016
Claudio Monteverdi: L'Orfeo
Claudio Monteverdi: L'Orfeo
- Report rights infringement
- published: 22 Jun 2016
- views: 5492
7:33
Claudio Monteverdi - L'Orfeo
music director: René Jacobs, Orfeo: Simon Keenlyside, choreography: Trisha Brown dancers: ...
published: 10 Jan 2009
Claudio Monteverdi - L'Orfeo
Claudio Monteverdi - L'Orfeo
- Report rights infringement
- published: 10 Jan 2009
- views: 320394
18:59
La historia de Orfeo y Eurídice
Esta hermosa historia (completa) fue adaptada para ser presentada de la mejor manera posib...
published: 10 Dec 2012
La historia de Orfeo y Eurídice
La historia de Orfeo y Eurídice
- Report rights infringement
- published: 10 Dec 2012
- views: 351610
4:26
Monteverdi - L'Orfeo - Savall
Buy this dvd from : http://amzn.to/pSHM6K
Tocata
Ritornello
Dal mio Permesso amato
published: 02 Jul 2006
Monteverdi - L'Orfeo - Savall
Monteverdi - L'Orfeo - Savall
- Report rights infringement
- published: 02 Jul 2006
- views: 818108
5:39
Lira de Orfeo COMPLETO + Lira de Mime
https://twitter.com/#!/mgrgs1 - Lira de Orfeo + Lira de Mime ... disfrutenlo :D
Visita ht...
published: 28 May 2009
Lira de Orfeo COMPLETO + Lira de Mime
6:59
Orfeo y Euridice (Mitología Griega)
published: 19 Oct 2012
Orfeo y Euridice (Mitología Griega)
Orfeo y Euridice (Mitología Griega)
- Report rights infringement
- published: 19 Oct 2012
- views: 233881
L' ORFEO: Favola in Musica (Claudio Monteverdi) - ...
Orfeo Monteverdi Savall Liceo divxclasico.avi...
Monteverdi - L'Orfeo (complet - ST it-eng-fr-de-es...
Claudio Monteverdi - L'Orfeo...
Claudio Monteverdi: L'Orfeo...
Claudio Monteverdi - L'Orfeo...
La historia de Orfeo y Eurídice...
Monteverdi - L'Orfeo - Savall...
Lira de Orfeo COMPLETO + Lira de Mime...
Orfeo y Euridice (Mitología Griega)...
-
Lyrics list:lyrics
-
Orfeo, Carmen Consoli
Orfeo
Sei venuto a convincermi
o a biasimarmi per ciò che non ho ancora imparato
Sei venuto a riprendermi
Orfeo malato dai forza e coraggio al tuo canto eccelso
Portami con te non voltarti
conducimi alla luce del giorno
Portami con te non lasciarmi
Io sono bendata ma sento già il calore
È il momento di svegliarmi
È tempo di rinascere
Sento addosso le tue mani
ed è un caldo richiamo perché
ho bisogno di svegliarmi
di prendermi cura di te
Ritorno alla vita.
Sei venuto a difendermi
a liberarmi imponendo oltremodo la tua ostinazione
Sei venuto a riprendermi
eroe distratto da voci che inducono in tentazione
Portami con te non ascoltarle
conducimi alla luce del giorno
Portami con te non lasciarmi
Il varco è vicino ed io sento già il tepore
È il momento di svegliarmi
È tempo di rinascere
Sento addosso le tue mani
ed è un caldo richiamo perché
ho bisogno di svegliarmi
È il momento di svegliarmi
Ritorno alla vita...
Ritorno alla vita...
Ritorno alla vita...
back
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Edit WorldNews.com 22 Nov 2016
A federal judge presiding over a naturalization ceremony in San Antonio, Texas last week was caught on video telling the group of new citizens if they don’t like President-elect Donald Trump, they can "go to another country," according to TV station KHOU and reported by Talking Points Memo (TPM) ... He will be your president and if you do not like that, you need to go to another country.” – U.S. Federal Judge John Primomo ....
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Edit WorldNews.com 22 Nov 2016
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United States of Detachment
Edit WorldNews.com 22 Nov 2016
Article By WN.com Guest Writer Gilad AtzmonFor years I have been arguing that the Left, Liberals and Progressives are delusional on the verge of total detachment. Hillary Clinton’s astonishing defeat proves that point. Both Clinton and her campaign had been boasting in victorious hubris for months ... “It is a complex computer algorithm that the campaign was prepared to publicly unveil after the election as its invisible guiding hand”....
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Edit WorldNews.com 22 Nov 2016
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Edit WorldNews.com 22 Nov 2016
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Edit Cleveland 21 Nov 2016
By MARK SATOLA ... As with last year, though, Vivaldi's music anchored the proceedings, with three concertos rendered with the style we have come to expect from Apollo's Fire ... The singers performed music from Monteverdi's operas "L'Orfeo" and "L'Incoronazione di Poppea," as well as a trio of his "Scherzi musicale," to fine effect, complete with the sort of semi-staging that allows them to inhabit the characters in a more theatrical way ... ....
Traditional art will always remain
Edit The Hindu 11 Nov 2016
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Edit The Guardian 06 Nov 2016
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Edit The Guardian 01 Nov 2016
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Adelaide festival 2017 program: Cate Blanchett and Shakespeare get dark, weird and surreal
Edit The Guardian 27 Oct 2016
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Orfeo Trio to perform recital at OSU (Oklahoma State University)
Edit Public Technologies 20 Oct 2016
The Orfeo Trio will play a chamber music recital featuring works by Beethoven, Brahms and Alyabyev at 2.30 p.m.Saturday, Oct ... The Orfeo Trio was formed in 2012 in Wichita, where they began their career as the official Piano Trio of the Wichita State University College of Fine Arts, School of Music ... Bees, and cellist Leonid Shukaev, the Orfeo Trio....
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Edit Public Technologies 19 Oct 2016
(Source. Chicago Symphony Orchestra) For Immediate Release. Press Contacts.. October 19, 2016 Eileen Chambers, 312-294-3092 Photos Available By Request ... October 27-30, 2016 ... In August 2015, Skride released her fifth CD for Orfeo featuring concertos by Nielsen and Sibelius, and her preceding CD with the Oslo Philharmonic Vasily Petrenko received the Award of the German Record Critics and was nominated for the BBC Music Magazine Award ... E ... R....
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Edit Penn Live 05 Oct 2016
As the seasons change from summer to fall, now may be the perfect time to enjoy the York Symphony Orchestra's Oct. 15 concert, "A Baroque Beginning.". The concert will feature performances of Handel's "Entrance of the Queen of Sheba" from the oratorio "Solomon," selections from Gluck's "Orfeo ed Euridice" and Bach's Orchestral Suite No. 3. The finale, though, will be Vivaldi's "The Four Seasons," his famous quartet of concerti....
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Edit The Guardian 29 Sep 2016
A new play tells the story of Kathleen Ferrier, using the singer’s own letters and diaries. Lucy Stevens explains how she brought a down-to-earth icon to the stage. The story of Kathleen Ferrier’s life and untimely death at only 41 is well-known ... Twitter ... Facebook. Twitter. Pinterest ... Kathleen wasn’t trained for the stage and said she didn’t feel comfortable in opera, limiting her repertoire to Britten’s Rape of Lucretia and Gluck’s Orfeo ... ....
Northern opera finds its forum through a new research network (University of Huddersfield)
Edit Public Technologies 28 Sep 2016
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Pianist Dena Kay Jones to perform “Images of Spain” Oct. 7 (University of Arkansas at Little Rock)
Edit Public Technologies 26 Sep 2016
(Source. University of Arkansas at Little Rock). Dena Kay Jones, a member of the music faculty at the University of Texas at El Paso, will perform a solo piano recital at the University of Arkansas at Little Rock at 7.30 p.m., Friday, Oct. 7, in the Stella Boyle Smith Concert Hall in the Fine Arts Building ... Most recently, she participated as a piano solo and chamber musician in the 2016 Orfeo Music Festival in Italy ... (noodl. 35531699) ....
Daegu opera festival livens up the fall (Ministry of Culture, Sports And Tourism of the Republic of Korea)
Edit Public Technologies 22 Sep 2016
The Daegu Opera House, in collaboration with Austria's Linz State Theater (Landestheater Linz), performs Gluck's 'Orfeo ed Euridice' on Oct ... Audiences can look forward to a colorful repertoire this year, as the program features well-known operas like Puccini's 'La Boheme' and 'Tosca,' as well as productions like Beethoven's 'Fidelio' and Gluck's 'Orfeo ed Euridice' that don't arrive on local stages on a regular basis....
Baiba and Lauma Skride: Grieg, Nielsen CD review – ideally matched pair bring on the surprises
Edit The Guardian 15 Sep 2016- 1
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