Kabuki (歌舞伎, kabuki^?) is a classical Japanese dance-drama. Kabuki theatre is known for the stylization of its drama and for the elaborate make-up worn by some of its performers.

The individual kanji characters, from left to right, mean sing (歌), dance (舞), and skill (伎). Kabuki is therefore sometimes translated as "the art of singing and dancing". These are, however, ateji characters which do not reflect actual etymology. The kanji of 'skill' generally refers to a performer in kabuki theatre. Since the word kabuki is believed to derive from the verb kabuku, meaning "to lean" or "to be out of the ordinary", kabuki can be interpreted as "avant-garde" or "bizarre" theatre. The expression kabukimono (歌舞伎者) referred originally to those who were bizarrely dressed and swaggered on a street.

The history of kabuki began in 1603 when Izumo no Okuni, possibly a miko of Izumo Taisha, began performing a new style of dance drama in the dry riverbeds of Kyoto. Japan was under the control of the Tokugawa shogunate, enforced by Tokugawa Ieyasu. The name of the Edo period derives from the relocation of the Tokugawa regime from its former home in Kyoto to the city of Edo, present-day Tokyo. Female performers played both men and women in comic playlets about ordinary life. The style was immediately popular, and Okuni was asked to perform before the Imperial Court. In the wake of such success, rival troupes quickly formed, and kabuki was born as ensemble dance and drama performed by women—a form very different from its modern incarnation. Much of its appeal in this era was due to the ribald, suggestive themes featured by many troupes; this appeal was further augmented by the fact that the performers were often also available for prostitution. For this reason, kabuki was also called "遊女歌舞妓" (prostitute-singing and dancing performer) during this period.

The Classic (Hangul: 클래식; Keulraesik) is a 2003 South Korean melodrama / romance film directed by Kwak Jae-yong.

The film tells the parallel love stories of a mother and daughter. The story of the mother is told partially in flashbacks.

The movie starts in the present day. The daughter, Ji-hye (Son Ye-jin), is cleaning-up around her house when she comes across a box full of old letters and a diary that detail the story of her mother, Joo-hee (who is also played by Son Ye-jin). Periodically in the movie, Ji-hye reads one of these letters, which starts a flashback scene in which the story of the mother is told. These flashbacks are intertwined with Ji-hye's own story, in which she falls for a fellow student, Sang-min (Zo In Sung), who is involved with the school theater.

The movie tells the story of both relationships. The mother, Joo-hee, visits the countryside as a student one summer and meets Joon-ha (Jo Seung-woo). Together they explore the countryside, playing near a river which they both will always remember as their special place. When a storm starts they take shelter together under a tree, but not before Joo-hee twists her ankle and is rendered helpless. Joon-ha carries her on his back and they struggle home, only to be confronted by her angry parents. Before they separate, Joo-hee gives him a necklace, which he keeps close as a precious reminder of their time together.

LaCosta Tucker (born December 12, 1951) is an American country music artist who recorded in the 1970s and 1980s as La Costa. The sister of country singer Tanya Tucker, LaCosta charted several singles of her own in the 1970s on the Billboard country singles charts, including the #3 "Get on My Love Train."

Born in Seminole, Texas, Tucker moved around frequently, as her father Beau Tucker was a construction worker. Tucker had two siblings, Donald and younger sister, Tanya Tucker. Beau felt LaCosta had the talent to be a star, and Tucker won her first talent contest at age four. In-between entering beauty pageants and talent shows, she performed with Tanya in a band called the Country Westerners. She graduated from Cochise College in Douglas, Arizona and began working as a medical records technician as she sang in clubs and became Miss Country Music, Phoenix.

La Costa married, and around this time, Tanya became a country music star. La Costa moved to Las Vegas, to be near Tanya, and Beau Tucker helped her get a recording contract with Capitol Records in 1974. Going only by La Costa, she soon had a hit record with "I Wanna Get To You", which landed at 25 on the country charts, followed by "Get On My Love Train" at number 3 and "He Took Me for a Ride" at number 10. She charted 10 more singles for Capitol and recorded five albums for the label. In 1982 she moved to Elektra Records and she charted with "Love Take It Easy On Me", under her full name of La Costa Tucker.