7:25
Obras comentadas: Oropéndolas y Una cebra, Luis Paret y Alcázar, (1774)
Con motivo de la exposición La belleza encerrada. De Fra Angelico a Fortuny, Miguel Ángel ...
published: 24 Oct 2013
Obras comentadas: Oropéndolas y Una cebra, Luis Paret y Alcázar, (1774)
Obras comentadas: Oropéndolas y Una cebra, Luis Paret y Alcázar, (1774)
Con motivo de la exposición La belleza encerrada. De Fra Angelico a Fortuny, Miguel Ángel Blanco, artista, comenta las obras Oropéndolas y Una cebra, Luis Paret y Alcázar, (1774).- published: 24 Oct 2013
- views: 420
10:00
US Founding: Tavern to Tavern 1774-1789
The United States was founded in the City Tavern of Philadelphia in 1774. where the Contin...
published: 17 Sep 2008
author: Stanley Klos
US Founding: Tavern to Tavern 1774-1789
US Founding: Tavern to Tavern 1774-1789
The United States was founded in the City Tavern of Philadelphia in 1774. where the Continental Congress Assembled held their first caucus. After 15 years of...- published: 17 Sep 2008
- views: 70245
- author: Stanley Klos
23:20
The Declaratory Act (1766) to the Coercive Acts (1774)
The British goverrnment sought new sources of revenue in America and determined to keep it...
published: 09 Jan 2011
author: John Fitz
The Declaratory Act (1766) to the Coercive Acts (1774)
The Declaratory Act (1766) to the Coercive Acts (1774)
The British goverrnment sought new sources of revenue in America and determined to keep its political and economic control over her North American colonies, ...- published: 09 Jan 2011
- views: 2544
- author: John Fitz
9:36
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 2. Orpheus' First Lament & The Appearance of Eros (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in h...
published: 11 Jan 2009
author: LindoroRossini
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 2. Orpheus' First Lament & The Appearance of Eros (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 2. Orpheus' First Lament & The Appearance of Eros (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French op...- published: 11 Jan 2009
- views: 19547
- author: LindoroRossini
10:19
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 1. The Mourning of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in h...
published: 10 Jan 2009
author: LindoroRossini
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 1. The Mourning of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 1. The Mourning of Eurydice (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French op...- published: 10 Jan 2009
- views: 76984
- author: LindoroRossini
8:51
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 7. Orpheus among the Blessed Spirits (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in h...
published: 11 Jan 2009
author: LindoroRossini
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 7. Orpheus among the Blessed Spirits (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 7. Orpheus among the Blessed Spirits (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French op...- published: 11 Jan 2009
- views: 9161
- author: LindoroRossini
3:56
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 5. Dance of the Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in h...
published: 11 Jan 2009
author: LindoroRossini
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 5. Dance of the Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 5. Dance of the Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French op...- published: 11 Jan 2009
- views: 22938
- author: LindoroRossini
148:08
Christoph Willibald Gluck 1774 Iphigénie en Aulide Muti Urmana Barcellona Robertson La Scala Orchestra
...
published: 11 Feb 2013
author: Arionia Tellus
Christoph Willibald Gluck 1774 Iphigénie en Aulide Muti Urmana Barcellona Robertson La Scala Orchestra
Christoph Willibald Gluck 1774 Iphigénie en Aulide Muti Urmana Barcellona Robertson La Scala Orchestra
- published: 11 Feb 2013
- views: 1125
- author: Arionia Tellus
4:07
Gluck - Dance of The Furies from Orphée et Euridice (Paris 1774)
Christoph Willibald Ritter von Gluck (1714 - 1787) Dance of The Furies from Orphée et Euri...
published: 24 Apr 2011
author: mozpiano2
Gluck - Dance of The Furies from Orphée et Euridice (Paris 1774)
Gluck - Dance of The Furies from Orphée et Euridice (Paris 1774)
Christoph Willibald Ritter von Gluck (1714 - 1787) Dance of The Furies from Orphée et Euridice (Paris 1774) Australian Brandenburg Orchestra conducted by Pau...- published: 24 Apr 2011
- views: 12815
- author: mozpiano2
5:39
Ernie Lilliebridge JR upa meet 7-20-13 1774 raw total
Lifting on torn hamstring Raw total 1774. http://www.lift.net/store/team-lillie... Please ...
published: 22 Jul 2013
author: Ernie Lilliebridge JR
Ernie Lilliebridge JR upa meet 7-20-13 1774 raw total
Ernie Lilliebridge JR upa meet 7-20-13 1774 raw total
Lifting on torn hamstring Raw total 1774. http://www.lift.net/store/team-lillie... Please check out my lifting blog on both. http://www.lift.net/ernielillieb...- published: 22 Jul 2013
- views: 1318
- author: Ernie Lilliebridge JR
10:44
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 4. The Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in h...
published: 11 Jan 2009
author: LindoroRossini
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 4. The Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 4. The Furies (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French op...- published: 11 Jan 2009
- views: 16652
- author: LindoroRossini
4:35
Innovation von 1774. Die Kreisrunde Rechenmaschine von Philipp Matthäus Hahn
Zuerst werden einige Schieber eingestellt, dann wird gekurbelt: Klackern und Rattern erfül...
published: 19 Nov 2013
Innovation von 1774. Die Kreisrunde Rechenmaschine von Philipp Matthäus Hahn
Innovation von 1774. Die Kreisrunde Rechenmaschine von Philipp Matthäus Hahn
Zuerst werden einige Schieber eingestellt, dann wird gekurbelt: Klackern und Rattern erfüllt den Raum, nach kurzer Zeit kann dann das Rechenergebnis abgelesen werden. Prof. Dr. Ina Prinz, Direktorin des Arithmeums, präsentiert das Funktionsmodell der Kreisrunden Rechenmaschine von Pfarrer Phillip Matthäus Hahn. In Abständen präsentiert uni-bonn.tv Objekte, Dingem, Funde aus den Muiseen und Sammlungen der Universität Bonn, die dann von den Wissenschaftlern selbst vorgestellt werden. Mit den Museen und Sammlungen der Universität Bonn befasst sich auch die Ausgabe Nr. 4 der forsch (2013). Produziert von Uni-Bonn.TV © Universität Bonn- published: 19 Nov 2013
- views: 6
7:05
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 3. The Resolve of Orpheus (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in h...
published: 11 Jan 2009
author: LindoroRossini
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 3. The Resolve of Orpheus (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 3. The Resolve of Orpheus (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French op...- published: 11 Jan 2009
- views: 13856
- author: LindoroRossini
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9:28
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 6. Elysium & Dance of the Blessed Spirits (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in h...
published: 11 Jan 2009
author: LindoroRossini
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 6. Elysium & Dance of the Blessed Spirits (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Christoph Willibald Gluck - Orphee et Eurydice (1774 tenor version in French) - No. 6. Elysium & Dance of the Blessed Spirits (Richard Croft, Mireille Delunsch, Marion Harousseau & Claire Delgado-Boge; Marc Minkowski)
Though originally set to an Italian libretto, "Orfeo ed Euridice", Gluck's first step in his reform of the operatic form, owes much to the genre of French op...- published: 11 Jan 2009
- views: 18491
- author: LindoroRossini
97:24
1774-Revelation-Signs Of The End -Global Warming-Gog And Magog Attack Israel
Revelation-Signs Of The End -Global Warming-Gog And Magog Attack Israel....
published: 16 Jan 2013
author: Predestination.co.za
1774-Revelation-Signs Of The End -Global Warming-Gog And Magog Attack Israel
1774-Revelation-Signs Of The End -Global Warming-Gog And Magog Attack Israel
Revelation-Signs Of The End -Global Warming-Gog And Magog Attack Israel.- published: 16 Jan 2013
- views: 56
- author: Predestination.co.za