More is a 1998 short film created by Mark Osborne using stop motion animation. More has won several awards, and was nominated for an Academy Award as Best Animated Short Film in 1998.
More tells the story of an inventor who lives in a drab, colorless world. Day by day, he toils away in a harsh, dull, and dehumanizing job, his only savior being the memories of the bliss of childhood. But at night, he works secretly on an invention that could help him relive those memories and spread their joy to everyone in his despair-filled life.
When he finishes the invention, it changes the way people look at the world. His success changes him, however, because he loses an important part of himself.
More was written and directed by Mark Osborne, and created by a team that included, among others, Keith and Shannon Lowry, Rick Orner, Nick Peterson, and David Candelaria. Although it was only a 6-minute short, it was, as Osborne put it, an "absolutely massive undertaking"—as it was the first short to be shot using the IMAX format. In addition, it was filmed using stop motion, a much more time-consuming method than live-action filming techniques.
More or Mores may refer to:
Ram Gopal Varma also known as RGV (born 7 April 1962) is an Indian film director, screenwriter and producer. Varma has directed, written and produced films across multiple genres — psychological thrillers, underworld gang warfare, road movies, horrors, politician-criminal nexus, and musicals in multiple languages.
He gained recognition in Bollywood with the Hindi film, Shiva premiered at International Film Festival of India in kolkata and Rangeela (1995). The next film he directed was Satya (1998), which won six Filmfare Awards, including the Critics Award for Best Film, and was show cased among the Indian panorama section, at the 1998 International Film Festival of India.Satya, together with his 2002 film Company (which he directed and which won seven Filmfare Awards) and the 2005 film D (which he produced), form an "Indian gangster trilogy".
Other acclaimed films that Varma directed include Kshana Kshanam (1991), Gaayam (1993), Anaganaga Oka Roju (1997), Prema Kadha (1999), Kaun (1999), Jungle (2000), Bhoot (2003), Sarkar (2005), Sarkar Raj (2008), Rakta Charitra (2010) Katha Screenplay Darshakatvam Appalaraju (2011) and Dongala Mutta (2011).
Akshay Kumar (born Rajiv Hari Om Bhatia on 9 September 1967) is an Indian film actor, producer, comedian and martial artist who has appeared in over a hundred Hindi films. He has nominated for Filmfare Award several times and won two times. When he began his acting career in the 1990s, he primarily starred in action films and was particularly known for his appearances in feature films commonly called the "Khiladi series", which included Khiladi (1992), Main Khiladi Tu Anari (1994), Sabse Bada Khiladi (1995), Khiladiyon Ka Khiladi (1996), Mr. and Mrs. Khiladi (1997), International Khiladi (1999), and Khiladi 420 (2000), as well as other action films such as Waqt Hamara Hai (1993), Mohra (1994), Elaan (1994) and Suhaag (1994).
Later he also gained fame for his drama, romance and comic roles. He started becoming known for his performances in romance films like Yeh Dillagi (1994) and Dhadkan (2000) as well as drama films such as Ek Rishtaa (2001). His comic performances in comedy films such as Hera Pheri (2000), Mujhse Shaadi Karogi (2004), and Garam Masala (2005) met with acclaim. His success further rose in 2007, when he starred in four consecutive commercial hits. He has thus established himself as one of the leading actors in Hindi cinema.
Pooja Bhatt (Hindi: पूजा भट; born 24 February 1972) is an Indian film actress and model, currently devoting time to film production and direction. She is the daughter of Indian film director Mahesh Bhatt.
Bhatt was born to Mahesh Bhatt and Kiran Bhatt (aka Loraine Bright). She is the step daughter of Soni Razdan. She has a brother, Rahul Bhatt and step sisters Shaheen and Alia. Her cousin Mohit Suri is a film screenwriter & director. Emraan Hashmi is another famous cousin.
She acted in many films which were produced and directed by her father. In most of her films, she used her real name Pooja.
Bhatt made her acting debut at age 17, in 1989 with Daddy, a TV film directed by her father Mahesh Bhatt. In the film she portrayed a soul-searching teenage girl in an estranged relationship with her alcoholic father, played by actor Anupam Kher.
Her biggest solo hit and her big screen debut came with a musical hit, Dil Hai Ke Manta Nahin (1991), which was a remake of the Oscar-winning Hollywood classic It Happened One Night. Pooja received the Filmfare Best Female Debut Award for the film. Another hit movie of Bhatt was Sadak (1991).
You swing your hips and then you wave me over
Your eyes are so blue
I stroke your lips, you call me casanova
Oh honey you
Star in this film every single night and every single matinee
You should be here to bring it all to life
Oh I'm just a phone call away
We lie and listen to the raindrops falling
That's all we do
But the phone rings, and you laugh because it's your husband calling
Oh darling you
Star in this film every single night and every single matinee
You should be here to bring it all to life
Oh I'm just a phone call away
And then you could be who you want to be
As long as you are near
What are you waiting for?
Everything you need is here
Just come and sleep with me
You must know what I mean
You've seen this film before
This is the final scene
Star in this film every single night and every single matinee
You should be here to bring it all to life
You gonna keep this up
Keep on falling, keep on falling
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Stop position, opposition ain't no competition
Stop position, opposition ain't no competition
Stop position, opposition ain't no competition
Stop pretending propositions full of contradictions
Ain't no love for you haters from the other side
Call the blind when you see in you're easing up my time
For the way that I do it, all wise no, no mind blowing
Your mind taking a stool
Fine showing that God loaded
You to a highway to new force
Dumb nigger why hate? Cause you say no to learning something
Loaded locks I can't, what you say no to learning something
Loaded locks I can't, what you say no to learning something
Putting you to the back I put a point yellow all through this back
You the killer baby know my case
No feeling put the money in the seif
Came a man honest when we posing
Bitch can't tell my I-Ge
Bullshit on the map like you won't eat
Whatever you do nigger keep rowing
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Whatever you do you know you gotta keep on film me
Keep on film me, keep on film me
Them cameras beaned up, babe keep on film me
What and listen how I'm living in my compositions
Honest missions of beloved straight above the mission
In fact you give it to the bricks that needs a touch
Wait let me get it, put you with my man Lux
Shit they prolly saying in the musty faces
Say shoot that hoe don't trust
And the club hatin we love makin with the shit you prolly won
Fuck nigger why hate? Cause you ain't known to getting money
Caught up in the gang feeling like I joined a gang and did it all for the name
Loyalty's a game but the industry's full of niggers and they all got game
Only for the cameras, only for the cameras
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Whatever you do you know you gotta keep on film me
Keep on film me, keep on film me
Them cameras beaned up, babe keep on film me
Money talk when I walk in
Broke niggers be crying
I don't drink but yeah 100 pink of that ride
Rose is for cry I'm just swinging low with my sway
Hooligans they flexing
Bad ones on my girls bad and my instagram
No taxi, and yea I'm single like a dollar bill
Curved it all and I'm trying to chill
Count a mill, hide the bill and got time to'
Niggers film me cause your girl is real
Bitches film me say your girl is thrill
Cause I'm bout that, I bounce that
This be money that mouse trap
Yeah we in there, riding round in that gatti
No murder ink when I'm killing shit
And I'm finna capture that body
So back back if I bang the boy
Cause I'm in straight for yo Benjamin
This came up with some new money
That shit ain't no coincidence
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
I can't explain, but I'm willing
Caught up in fame what a feeling
All of the lights, we in the building
Them cameras beaned up, babe keep on film me
Whatever you do you know you gotta keep on film me
Keep on film me, keep on film me
Them cameras beaned up, babe keep on film me
You know how I show you respect? By showing you nothin
Get ready, count these millions