Soul music is a popular music genre that originated in the United States in the 1950s and early 1960s, combining elements of African American gospel music and rhythm and blues.

According to the Rock and Roll Hall of Fame, soul is "music that arose out of the black experience in America through the transmutation of gospel and rhythm & blues into a form of funky, secular testifying." Catchy rhythms, stressed by handclaps and extemporaneous body moves, are an important feature of soul music. Other characteristics are a call and response between the soloist and the chorus, and an especially tense vocal sound. The style also occasionally uses improvisational additions, twirls and auxiliary sounds.

Soul music has its roots in gospel music and rhythm and blues. The term 'soul' in black American parlance has connotations of black pride and culture. Gospel groups in the 1940s and 1950s occasionally used the term as part of their name. The jazz that self-consciously derived from gospel came to be called soul jazz. As singers and arrangers began using techniques from gospel and soul jazz in black popular music during the 1960s, soul music gradually functioned as an umbrella term for the black popular music at the time. The term "soul music" itself, to describe gospel-style music with secular lyrics, is first attested in 1961.

Barry White, born Barry Eugene Carter ((1944-09-12)September 12, 1944 – July 4, 2003(2003-07-04)), was an American composer and singer-songwriter.

A two-time Grammy Award-winner known for his distinctive bass voice and romantic image, White's greatest success came in the 1970s as a solo singer and with the Love Unlimited Orchestra, crafting many enduring soul, funk, and disco songs such as his two biggest hits, "You're the First, the Last, My Everything" and "Can't Get Enough of Your Love, Babe."

Worldwide, White had many gold and platinum albums and singles, with combined sales of over 100 million, according to critics Ed Hogan and Wade Kergan. His influences include southern soul artists like Isaac Hayes, Clarence Carter, Ray Charles, Aretha Franklin plus Motown artists The Supremes, The Four Tops and Marvin Gaye. Along with Isaac Hayes, White is considered by Allmusic.com as the first singer who played disco music before the actual period of the late 1970s.

Barry White was born Barry Eugene Carter in Galveston, Texas, and grew up in the high-crime areas of South Central Los Angeles. White was the elder of two brothers; his brother Darryl is 13 months younger. He grew up listening to his mother's classical music collection, and first took to the piano emulating what he heard on the records. His introduction to music later led to him playing piano on Jesse Belvin's hit single, "Goodnight My Love."

Gregory Porter is a jazz vocalist, songwriter, and actor. His debut album, Water, released in 2010 via Motéma Music, was nominated for Best Jazz Vocal album at the 53rd Annual Grammy Awards. He was also a member of the original Broadway cast of It Ain't Nothin' But the Blues. His sophomore album, Be Good, which contains many of Porter's compositions, was released on February 14th, 2012, and garnered critical acclaim for both his distinctive singing and his compositions, such as "Be Good (Lion's Song), "Real Good Hands", and "On My Way To Harlem".

Porter was born in Los Angeles, California, and raised in Bakersfield, California, where his mother was a minister. He attended San Diego State University on a football scholarship until a shoulder injury sidelined him permanently. Performing in local jazz clubs, Porter met saxophonist, pianist, and composer Kamau Kenyatta, whose mentoring played an integral role in Porter's career trajectory and professional development. Kenyatta introduced Gregory to flautist Hubert Laws who, upon hearing Porter singing along to Charlie Chaplin's "Smile", chose to include a bonus track featuring Porter's vocals on his Hubert Laws' Remembers the Unforgettable Nat King Cole (1998). Eloise Laws, Hubert's sister, happened to be visiting the studio, and helped get Porter cast in one of the leading roles in a new musical, It Ain't Nothin' But the Blues, which premiered at the Denver Center for the Performing Arts before moving to Off-Broadway and ultimately Broadway, in spite of previously having appeared in only one other theatrical work, Avenue X.

Dependency or dependent may refer to:

without one, in the case of independent forms

Among monastic orders, the term denotes the relation of a monastic community with a newer community which it has established elsewhere. The relationship can be that of an abbey with a priory composed of the monks who originated from the first house. In that situation, the abbot remains the ultimate authority for the affairs of the dependent priory, which is considered an extension of the founding house. This relationship will end at such time as the daughter community might become fully autonomous and an abbey in its own right.

Smaller monasteries of nuns within a monastic congregation can make a bond with a monastery of monks within the same division of the Order, whereby the two are affiliated, and the monks guarantee pastoral care of the nuns. In this sense, the women's house is considered a dependency on that of the men.

Anthony Dominick Benedetto, better known as Tony Bennett (born August 3, 1926), is an American singer of popular music, standards, show tunes, and jazz. Bennett is also a serious and accomplished painter, having created works — under the name Benedetto — that are on permanent public display in several institutions. He is the founder of Frank Sinatra School of the Arts in New York City.

Raised in New York City, Bennett began singing at an early age. He fought in the final stages of World War II as an infantryman with the U.S. Army in the European Theatre. Afterwards, he developed his singing technique, signed with Columbia Records, and had his first number one popular song with "Because of You" in 1951. Several top hits such as "Rags to Riches" followed in the early 1950s. Bennett then further refined his approach to encompass jazz singing. He reached an artistic peak in the late 1950s with albums such as The Beat of My Heart and Basie Swings, Bennett Sings. In 1962, Bennett recorded his signature song, "I Left My Heart in San Francisco". His career and his personal life then suffered an extended downturn during the height of the rock music era.