Adair may refer to:

Cláudia Cristina Leite Inácio, known as Claudia Leitte (born July 10, 1980 in São Gonçalo, Rio de Janeiro) is a Pop, Brazilian axé singer, and former vocalist of the group Babado Novo. Since she is one of the most popular axé singers in Brazil, she hosted MTV Brasil's Video Music Brasil 2007, in which she had been nominated as best singer in that award. Claudia Leitte has also won other awards.

Claudia Leitte started singing children's songs, while still young, then worked as a singer in bars. She was also the vocalist of several axé music bands. As a teenager she sang in trios elétricos. She became a professional singer when she was thirteen years old.

Leitte has been the vocalist of Salvador-based axé band Babado Novo since November 2001. Her band released five albums. The band's first album, named Sem Vergonha, released in 2003, sold more than 90,000 copies, being the band's first Gold disc, while the album named Uau! Babado Novo ao Vivo em Salvador, released in 2004, sold more than 100,000 CDs and more than 70,000 DVDs, and the fourth album, released in December 2005, named Diário de Claudinha (meaning Claudinha's Diary, Claudinha being Claudia Leitte's nickname) sold 70,000 copies in just one week.

Beegie Adair (born in Barren County, Kentucky in 1937) is a jazz pianist. She studied piano at Western Kentucky University. She moved to Nashville, Tennessee where she did graduate work at Peabody College. She later went on to form the Beegie Adair Trio.

Beegie Adair began taking piano lessons at age five. She continued to study piano throughout college, earning a B.S. in Music Education at Western State University in Bowling Green, Kentucky. During and after college, she played in jazz bands, and spent three years teaching music to children before moving to Nashville, where she became a session musician, working at WSM-TV and Radio. After 9 years at the station, she began freelancing studio work, in addition to TV orchestra work. She was rehearsal pianist and utility keyboard on the Johnny Cash Show on ABC from 1969-1971. She has many album credits with musicians all around the world, including John Stewart, John Loudermilk, J.J. Cale, Ronnie Milsap and Mickey Newbury. Her TV credits include shows with Peggy Lee, Mama Cass Elliott, Dinah Shore, Chet Atkins, Dolly Parton, Carol Burnett, Lucille Ball. She has accompanied such artists as Urbie Green, Nat Adderley, Lew Tabackin, Perry Como, Wayne Newton, Steve Allen and Henry Mancini in live concerts.

Dorothy Fields (July 15, 1905 – March 28, 1974) was an American librettist and lyricist.

She wrote over 400 songs for Broadway musicals and films. Along with Ann Ronell, Dana Suesse, Bernice Petkere, and Kay Swift, she was one of the first successful Tin Pan Alley and Hollywood female songwriters.

Fields was born in Allenhurst, New Jersey, and grew up in New York City.

Her father, Lew Fields, an immigrant from Poland, was a vaudeville comedian and later became a Broadway producer. Her career as a professional songwriter took off in 1928, when Jimmy McHugh, who had seen some of her early work, invited her to provide some lyrics for him for Blackbirds of 1928. Fields and McHugh teamed up until 1935. Songs from this period include "I Can't Give You Anything But Love, Baby", "Exactly Like You", and "On the Sunny Side of the Street."

In the mid-1930s, Fields started to write lyrics for films and collaborated with other composers, including Jerome Kern. With Kern, she worked on the movie version of Roberta, and also on their greatest success, Swing Time. The song "The Way You Look Tonight" earned the Fields/Kern team an Academy Award for Best Original Song in 1936.

Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "All the Things You Are", "The Way You Look Tonight", "Long Ago (and Far Away)" and "Who?". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and E. Y. Harburg.

A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejected, earlier musical theatre tradition. He and his collaborators also employed his melodies to further the action or develop characterization to a greater extent than in the other musicals of his day, creating the model for later musicals. Although dozens of Kern's musicals and musical films were hits, only Show Boat is now regularly revived. Songs from his other shows, however, are still frequently performed and adapted. Although Kern detested jazz arrangements of his songs, many have been adopted by jazz musicians to become standard tunes.