Parnell (film)

Parnell is a 1937 biographical film released by MGM starring Clark Gable as Charles Stewart Parnell, the famous Irish politician. It is considered Gable's worst film, and is classified in The Fifty Worst Films of All Time.

Production

Parnell had originally been cast to star Gable and his frequent co-star Joan Crawford. Myrna Loy, meanwhile, was to star in The Last of Mrs. Cheyney (1937). MGM literally flipped the assignments as Crawford did not want to do another costume picture after 1936's The Gorgeous Hussy. She also did not get along with director John Stahl. Another issue came with the beard that the real Charles Parnell wore. Fans balked at the idea of Gable wearing a beard, and Gable, whose limit in facial hair was his mustache, agreed. It was settled upon that Gable would only have a set of sideburns. As filming began, Gable felt very uneasy with his role, either unable or unwilling to portray the sensitive nature required to capture the character. Loy later recalled, "I learned about another side of him at that time. He was a man who loved poetry and fine literature, read it, and knew it. He would read poetry to me sometimes during breaks, but he didn't want anyone to know it." One of the many concerns that Gable had about this production, added to literally everything about it, was the acting that would be required of him to play out a believable death scene. During the filming of the death scene, Stahl put on mood music to help the actors get into character. Gable loathed the music and complained to Carole Lombard. The next day, when Stahl called for the music to be turned on, a jazzy version of "I'll Be Glad When You're Dead, You Rascal You", went floating throughout the studio.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: