A Rage to Live is a 1965 American drama film directed by Walter Grauman and starring Suzanne Pleshette as a woman whose passions wreak havoc on her life. The screenplay by John T. Kelley is based on the 1949 novel of the same name by John O'Hara.
Newspaper heiress Grace Caldwell's nymphomania threatens to destroy the reputation of her staid, wealthy Pennsylvania family. As a precocious teenager, she succumbs to the advances of her older brother Brock's friend Charlie Jay, a decision that apparently ignites her passion for all men.
After a series of meaningless dalliances with strange men in cheap motel rooms, she meets San Francisco real estate broker Sidney Tate at a Christmas party. The two fall in love and he proposes marriage, prompting Grace to confess about her past. Despite being taken aback by her candid revelations, Sidney still wants to marry her, and she commits herself to a monogamous relationship, a pledge she keeps for the first few years of their union, which produces a son and a seemingly idyllic life on a farm.
To Live (simplified Chinese: 活着, traditional Chinese: 活著 Huózhe) is a 1993 novel by Chinese novelist Yu Hua. It describes the struggles endured by the son of a wealthy land-owner after the Revolution fundamentally alters the nature of Chinese society. The contrast between his pre-revolutionary status as a selfish fool who (literally) travels on the shoulders of the downtrodden and his post-revolutionary status as a persecuted peasant are stark.
It was originally published in the Shanghai literary journal Harvest.
Xu Fugui is a son of a local rich man and compulsive gambler. After losing his entire family fortune, his father dies with grief and indignation. The Chinese civil war is occurring at the time, and Fugui is forced to join the army. By the time he finally returns home two years later, he finds his mother has died of a stroke, and his daughter has become mute and lost most of her hearing from a fever. Years later, Fugui's only son dies after a blood transfusion. The daughter finally grows up and finds a husband. They are a happy couple until she dies from dystocia. Soon after that, Fugui's wife dies of osteoporosis, and his son in law dies in a construction accident. Eventually, even Fugui’s last relative, his grandson Kugen (renamed Mantou in the 1994 movie adaptation), chokes to death while eating beans. In the end, Fugui buys an old ox to accompany him. It seems that in the world absolutely nothing is left for him, but he does not give up, he believes there is still hope, that just like they say, things would get better.
Nelson Smock Riddle, Jr. (June 1, 1921 – October 6, 1985) was an American arranger, composer, bandleader and orchestrator whose career stretched from the late 1940s to the mid 1980s. His work for Capitol Records kept such vocalists as Ella Fitzgerald, Frank Sinatra, Dean Martin, Nat King Cole, Judy Garland, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith household names. He found commercial and critical success again in the 1980s with a trio of Platinum albums with vocalist Linda Ronstadt.
Riddle was born in Oradell, New Jersey, the only child of Marie Albertine Riddle and Nelson Smock Riddle, Sr., and later moved to nearby Ridgewood. Following his father's interest in music, he began taking piano lessons at age eight and trombone lessons at age fourteen. Riddle and his family had a summer house in Rumson, New Jersey. He enjoyed Rumson so much that he convinced his parents to allow him to attend high school there for his senior year. After his graduation from Rumson High School, Riddle spent his late teens and early 20s playing trombone in and occasionally arranging for various local dance bands, culminating in his association with the Charlie Spivak Orchestra.
Ferrante & Teicher were a duo of American piano players, known for their light arrangements of familiar classical pieces, movie soundtracks, and show tunes.
Arthur Ferrante (September 7, 1921, New York City – September 19, 2009), and Louis Teicher (August 24, 1924, Wilkes-Barre, Pennsylvania – August 3, 2008) met while studying at the Juilliard School of Music in New York. Musical prodigies, they began performing as a piano duo while still in school. After graduating, they both joined the Juilliard faculty.
Steven Tyler of Aerosmith relates the story that in the 1950s the two students practiced in the home of his grandmother Constance Neidhart Tallarico.
In 1947, they launched a full-time concert career, at first playing nightclubs, then quickly moving up to playing classical music with orchestral backing. Between 1950 and 1980, they were a major American easy listening act, and scored four big U.S. hits: "Theme From The Apartment" (Pop #10), "Theme From Exodus" (Pop #2), "Tonight" (Pop #8), and "Midnight Cowboy" (Pop #10). They performed and recorded regularly with pops orchestras popular standards by George Gershwin, Jerome Kern, Cole Porter, Richard Rodgers and others. In 1973, they did the Hollywood Radio Theater theme for the Rod Serling radio drama series, The Zero Hour.
Panos Kiamos (Greek: Πάνος Κιάμος) is a Greek laiko/pop singer, known for his distinctive voice and onstage energy.
His early career began with appearances in major nightclubs alongside well-established names in the Greek music scene, such as Tolis Voskopoulos, Makis Christodoulopoulos, Eleni Dimou and Giorgos Alkaios.
In 1998, Kiamos released his first CD entitled Enas Erotas Latria ke Anagki, from which two songs gained distinct popularity: Ola Ya Senane Milane (Horis Nero) and Trelos Ya Sena. In 1999, he released his second CD Den Ise Moni. This was followed in 2000 by Tou Erota Feggaria.
In 2002, Kiamos made significant progress in the northern city of Thessaloniki. The songs Alithina (Truly) and Arketa (Enough) from the CD Tis Nyhtas Oniro (Dream of the Night) became notably popular in the north, and as a result Kiamos' stock rose considerably. The CD To Yelio Sou Klei followed a year later; by this stage, he had become a household name throughout the country, and had gained a reputation for his on-stage energy and enthusiasm.
[Dominique] Street Science, you're on the air *static*
What do you feel when you hear a record like Tupac's new one? *static*
[Man responds] I love Tupac's new record *static*
[Dominique]
Right, but don't you feel like that creates *static*
a tension between East and West? *static*
He's talking about killing people *static*
I had sex with your wife and not in those words *static*
but he's talking about I wanna see you deceased *static*
Intro: Makaveli
No doubt... to live and die in LA
California -- what you say about Los Angeles
Still the only place for me that never rains in the sun
and everybody got love
Verse One: Makaveli
To live and die in LA, where everyday we try to fatten our pockets
Us niggaz hustle for the cash so it's hard to knok it
Everybody got they own thang, currency chasin
Worldwide through the hard times, warrior faces
Shed tears as we bury niggaz close to heart
What was a friend now a ghost in the dark, cold hearted bout it
Nigga got smoked by a fiend, tryin to floss on him
Blind to a broken man's dream, a hard lesson
Court cases keep me guessin, plea bargain
ain't an option now, so I'm stressin, cost me more
to be free than a life in the pen
Makin money off of cuss words, writin again
Learn how to think ahead, so I fight with my pen
Late night down Sunset likin the scene
What's the worst they could do to a nigga got me lost in hell
To live and die in LA on bail, my angel sing
Chorus: Val Young
To live and die in LA, it's the place to be
You've got to be there to know it, what everybody wanna see
(repeat 2X)
Verse Two: Makaveli
It's the, City of Angels and constant danger
South Central LA, can't get no stranger
Full of drama like a soap opera, on the curb
Watchin the ghetto bird helicopters, I observe
So many niggaz gettin three strikes, tossed in jail
I swear the pen the right across from hell, I can't cry
Cause it's on now, I'm just a nigga on his own now
Livin life Thug style, so I can't smile
Writin to my peoples when they ask for pictures
Thinkin Cali just fun and bitches, hahaha
Better learn about the dress code, B's and C's
All them other niggaz copycats, these is G's
I love Cali like I love woman
Cause every nigga in LA got a little bit of Thug in him
We might fight with each other, but I promise you this
We'll burn this bitch down, get us pissed
To live and die in LA
(Let my angel sing)
Chorus
Verse Three: Makaveli
Cause would it be LA without Mexicans?
Black love brown pride and the sets again
Pete Wilson tryin to see us all broke, I'm on some bullshit
Out for everything they owe, remember K-DAY
Weekends, Crenshaw -- MLK
Automatics rang free, niggaz lost they way
Gang signs being showed, nigga love your hood
But reconize and it's all good, where the weed at?
Niggaz gettin shermed out
Snoop Dogg in this muhfucka perved out, M.O.B.
Big Suge in the Low-Low, bounce and turn
Dogg Pound in the Lex, wit a ounce to burn
Got them Watts niggaz with me, OFTB
They got some hash took the stash left the rest for me
Neckbone, Tre, Head Ron, Punchy too
Big Rock got knocked, but this one's for you
I hit the studio and drop a jewel, hopin it pay
Gettin high watchin time fly, to live and die in LA
(Let my angel sing)
Chorus
Outro: Makaveli
This go out for 92.3, and 106
All the radio stations that be bumpin my shit
Makin my shit sells katruple quitraple platinum, hehe
This go out to all the magazines that supported me
All the real motherfuckers
All the stores, the mom and pop spots
A&R; people, all y'all motherfuckers
LA, California Love part motherfuckin Two
Without gay ass Dre
Sometimes fly a little high,
Then you know better dig yourself.
Sometimes get a little lost,
Then you know you got to find yourself.
Happens to everyone and Lord, I don't know why.
I want, I want,
I need, I need.
I want, I want to live,
To see it all,
Laugh, touch it all.
Sometimes we say silly things,
And act like two little kids.
Like the tail wagging the dog,
We both get hurt by what was said,
That's okay, that's allright with me,
I'd rather fight with you than lay down and die.
I want, I want,
I need, I need.
I want, I want to live,
To see it all,
Laugh, touch it all.
I want, I want,
I need, I need.
I want, I want to live,
To see it all,
Laugh, touch it all,
Written by: Janis Ian, John Vezner, and John Mellencamp
They are master and slave.
We are sunlight and shadow.
All roads to the river.
I am lost. I am saved.
I'm beloved and betrayed.
All roads to the river.
And the river runs wide,
And the river runs deep
And I spit in the eye
Of safe company.
When I dive right down
To the undertow
Well, the deeper I drown
Lord, the higher I'll go.
I am whispering dreams.
I am howling revolutions.
All roads to the river.
I am valentine sweet
And I live in this nightmare.
All roads to the river.
And the river runs wide,
The river runs deep
And I spit in the eye
Of safe company.
When I dive right down
To the undertow
Well, the deeper I drown
Lord, the higher I'll go.
This is nothing like we planned.
That's the way it's always been.
All roads to the river.
I have hated and I have loved.
I have prayed and I have sinned.
All roads to the river.
And the river runs wide,
The river runs deep
And I spit in the eye
Of safe company.
When I dive right down
To the undertow
Well, the deeper I drown
Lord, the higher I'll go.
What is there left to say?
Your mind's made up today
I'd just be wasting all my breath on you
To make you understand when it's right in front of you
I think you can see, you can see
So reach up, take his hand and see him
Change your life around
That's all I want for you, is to live, to actually live
And you wonder why you can't stop
Thinking about him if he exists, 'cuz he exists
If what I say is true or isn't, am I hitting or am I missing it
You still have to choose, you still have to choose
I'm not the one who's speaking to you now
Your heart is calling out
And the fire is burning, now more than ever before
When you've realized
You're never gonna get it right
You're sleeping under blackened skies
But that's okay
We sink as we hang our heads
We're not desperate
We're dying to live
There is no love left to give
We're not desperate
We're dying to live
By the time you taste success
You'll be forgotten by the only ones
That you were trying to impress
No one needs to tell you
That the world outside is cold
Everyone will die
But some will get to grow old
I've experienced some sort of vertigo
And it was not so long ago
My hands are where my feet should be
My feet will touch the sky
But I don't know why...