A Sarafan (Russian: сарафан, from Persian sеrāрā^{[citation needed]}) is a traditional Russian long, trapeze-shaped jumper dress (pinafore) worn as Russian folk costume by women and girls.

Chronicles first mention it under the year 1376, and since that time it was worn well until the 20th century. It is now worn as folk costume for performing Russian folk songs and folk dancing. Plain sarafans are still designed and worn today as a summer-time light dress.

It was the dress worn by peasant girls and women in the central and northern part of Russia until the 20th century. Russian women from the upper and middle classes stopped wearing traditional Russian costume in the 18th century, during Peter the Great's modernization of Russia, apart from the kokoshniks as part a court dress (although the clothing style of Russian aristocrats differed greatly from those of commoners). It is now worn as folk costume for performing Russian folk songs and folk dancing.

Sarafans could be of single piece construction with thin shoulder straps over which a sleeveless vest, called a "dushegreya" is sometimes worn, giving the shape of the body of a smaller triangle over a larger one. It comes in different styles such as the simpler black, flower- or check-patterned versions formerly used for everyday wear, or the elaborate brocade versions formerly reserved for special occasions. The head-dress usually worn with the sarafan today in folk performances is the kokoshnik, although in the past a head scarf tied under the chin or at the back of the head was part of everyday dress.

James Last (also known as "Hansi") (born Hans Last, 17 April 1929, Bremen, Germany) is a German composer and big band leader. His "happy music" made his numerous albums best-sellers in Germany and the United Kingdom. His composition, "Happy Heart", became an international success in interpretations by Andy Williams and Petula Clark. According to the British Hit Singles & Albums book, he has reportedly sold in excess of seventy million albums worldwide.

Last's father was an official at the public works department of the city of Bremen and he grew up in the suburb of Sebaldsbrück. He learned to play the piano from the age of 12, then switched to double bass as a teenager. His home city was heavily bombed in World War II and he ran messages to air defence command posts during raids. At 14 he was entered in the Bückeburg Military Music School of the German Wehrmacht.

After the fall of the Nazis, he joined Hans-Gunther Österreich's Radio Bremen Dance Orchestra in 1946. In 1948, he became the leader of the Last-Becker Ensemble, which performed for seven years. During that time, he was voted as the best bassist in the country by a German jazz poll for three consecutive years, from 1950–1952. After the Last-Becker Ensemble disbanded, he became the in-house arranger for Polydor Records, as well as for a number of European radio stations. For the next decade, he helped arrange hits for artists like Helmut Zacharias, Freddy Quinn, Lolita, Alfred Hause and Caterina Valente.

Paul Mauriat (4 March 1925 – 3 November 2006) was a French orchestra leader, conductor of Le Grand Orchestre de Paul Mauriat, who specialized in the easy listening genre. He is best known in the United States for his million selling remake of André Popp's "Love is Blue", which was #1 for 5 weeks in 1968. Other recordings for which he is known include El Bimbo, "Toccata" and "Penelope."

Mauriat was born and grew up in Marseille, France. His father was a postal inspector who loved to play classical piano and violin. Mauriat began playing music at the age of four and enrolled in the Conservatoire in Paris at the age of 10, but by the time he was 17, he had fallen in love with jazz and popular music. During World War II, Mauriat started his own dance band and toured concert halls throughout Europe. In the 1950s he became musical director to at least two well-known French singers, Charles Aznavour and Maurice Chevalier, touring with them respectively.

In 1957, Mauriat released his first EP Paul Mauriat, a four track RGM release. Between 1959–1964 Mauriat recorded several albums on the Bel-Air record label under the name Paul Mauriat et Son Orchestre, as well as using the various pseudonyms of Richard Audrey, Nico Papadopoulos, Eduardo Ruo and Willy Twist, to better reflect the international flavour of his recordings. During this period, Mauriat also released several recordings with Les Satellites, where he creatively arranged vocal backing harmony for such albums as Slow Rock and Twist, (1961), A Malypense (1962) and Les Satellites Chantent Noel (1964).

Nicolai Gedda (born 11 July 1925) is a Swedish operatic tenor. Having made some two hundred recordings, Gedda is said to be the most widely recorded tenor in history. Gedda's singing is best known for his beauty of tone, vocal control, and musical perception.

Nicolai Harry Gustav Gedda (gedda [written as 'gädda'] means 'pike' in Swedish) was born in Stockholm to a Swedish mother and a half-Russian father. Gedda was raised by his aunt Olga Gedda and his adoptive father Mihail Ustinov (a distant relative of Peter Ustinov), who sang bass in Serge Jaroff's Don Cossack Choir and was cantor in a Russian Orthodox church. Gedda grew up bilingual in Swedish and Russian. From 1929 to 1934 they lived in Leipzig, Germany, where young Nicolai learned German. They returned to Sweden after Hitler came to power. In school he later learned English, French and Latin. After leaving school he learned Italian by himself.

Gedda began his professional career as a bank teller in a local bank in Stockholm. One day he told a client that he was searching for a good singing teacher, and the client recommended Carl Martin Öhman, a well known Wagnerian tenor from the 1920s, who is also credited with discovering Jussi Björling. Later he also taught the Finnish bass Martti Talvela. Öhman was enthusiastic about Gedda and took him as a pupil, at the beginning without payment, because Gedda had to support his parents with his pay. After a few months he obtained a scholarship and was later able to pay for Öhman's lectures.