Kan may refer to:

Pedro Herrera III (born September 5, 1979 in Houston, Texas), better known by his stage name Chingo Bling, is an American rapper and producer of Mexican descent. Chingo earned a scholarship to attend the Peddie School in Hightstown, New Jersey, part of an effort by his parents to keep him away from the corrupting influences of the urban environment.

In early 2006, Chingo Bling made headlines when he drew the attention of major record labels eager to sign him because of his unique lyrical abilities, notably Bad Boy Latino, Thizz Latin Records, Universal Records, Asylum (owned by Warner Music Group), Capitol Records, and Atlantic Records. On April 1, 2006, he made the announcement on Chicano Radio Network that he has signed a distribution deal with Asylum Records. While he still maintains his independent status from the label, his distribution deal will manage to give him major financial backing for his upcoming projects.

Chingo Bling had been criticized for the title of his second album They Can't Deport Us All. He was interviewed on CW39 News and said his family tamale truck has been shot at, vandalized and eventually on one occasion stolen. He also stated he has been receiving extreme racist threats from many Latinos, but still does not wish to change his album's title. Chingo also alleges that he was refused the opportunity to appear at a scheduled in-store album signing at a Dallas shopping mall as a direct result of the controversy surrounding his clothing and album name. He also asserts that he is the target of numerous Conservative journalists and right wing bloggers who criticize him because of his music and marketing concepts related to immigration.

Crooked Stilo is a hip-hop duo formed by brothers Victor and Johnny Lopez.

The duo spent their early years in El Salvador, a Central American nation that was torn apart by civil war. In their youth, they immigrated with their parents to the United States in search of a new beginning and a better future. They settled in a housing project in East Los Angeles, a new environment that came with its own unique challenges.

In East Los Angeles, the brothers faced difficulties of gang warfare, drugs, alcohol, and criminal elements. They focused on their music as a protection from the gangs and fights that occurred outside of their home. The confrontations between other young immigrants and the police turned into music and the stories of their lives became their lyrics.

The boys were ambitious and planned a future for themselves that would help them get out of their poor neighborhood. They wanted to become music stars, so the brothers began to toy with a musical style of their own. They quickly found that their musical interests differed; Victor had always preferred the music of his roots, with lyrics in Spanish while Johnny loved American rap music. Representing their new reality as Salvadorans living in Los Angeles, they developed a fusion of their two musical interests.