A peasant is an agricultural worker who generally works land owned or rented by/from a noble, with regards to the era. The peasant was bound to the land and could not move or change their occupation unless they became a yeoman (free person), which generally happened by buying their freedom. The peasant also generally had to give most of their crops to the nobles.

The word is derived from 15th century French païsant meaning one from the pays, or countryside, ultimately from the Latin pagus, or outlying administrative district.

Peasants typically make up the majority of the agricultural labour-force in a pre-industrial society, dependent on the civilization of their land: without stockpiles of provisions they thrive or starve according to the most recent harvest. The majority of the people in the Middle Ages were peasants. (Pre-industrial societies have diminished with the advent of industrialization.)

Though "peasant" is a word of loose application, once a market economy has taken root the term peasant proprietors is frequently used to describe the traditional rural population in countries where smallholders farm much of the land. It is sometimes used by people who consider themselves of higher class, more precisely the second and first Estate - these were the Nobility and the Clergy and right at the top was the monarch. As slang to refer pejoratively to those of poorer education who come from a lower income background.

Terence Graham Parry Jones (born 1 February 1942) is a Welsh comedian, screenwriter, actor, film director, author, political commentator, and TV host. He is best known as a member of the Monty Python comedy team.

Jones was born in Colwyn Bay, Wales. The family home was named "Bodchwil". His father was stationed with the RAF in India. When Jones was four-and-a-half, the family moved to Surrey.

Jones was educated at the Royal Grammar School in Guildford, where he was head boy in the 1960-61 academic year. He read English at St Edmund Hall, Oxford, but "strayed into history". He graduated with a 2:1. While there, he performed comedy with future Monty Python castmate Michael Palin in The Oxford Revue.

Jones appeared in Twice a Fortnight with Palin, Graeme Garden, Bill Oddie and Jonathan Lynn, as well as the television series The Complete and Utter History of Britain (1969). He appeared in Do Not Adjust Your Set (1967–69) with Palin, Eric Idle and David Jason. He wrote for The Frost Report and several other David Frost programmes on British television. Along with Palin, he wrote lyrics for the 1968 Barry Booth album "Diversions".

Chris Carey is Professor of Greek at University College London (UCL). In April 2000 The Independent named him as one of the "stars of modern classical scholarship".

Carey began his career at Cambridge University, as a research fellow at Jesus College, before moving to St Andrews University, where he taught from 1977 to 1991 except for a visiting professorship at University of Minnesota in 1987-8. While in Minnesota he also taught at Carleton College. In 1991 he was elected Professor of Classics at Royal Holloway, University of London before moving to UCL to take up the Chair of Greek in 2003.

At UCL he teaches Ancient Greek, Greek tragedy and comedy, Athenian law and Homer.

Carey's PhD was on Pindar and was supervised by P. E. Easterling, John Killen and the late Sir Denys Page. Over the years he has also published on lyric poetry, Homer and Athenian law. He recently completed the Oxford Text of the orator Lysias.

He is currently under contract to produce a Cambridge University Press commentary on Book 7 of Herodotus.

Franz von Suppé or Francesco Suppé Demelli (April 18, 1819 – May 21, 1895) was an Austrian composer of light operas who was born in what is now Croatia during the time his father was working in this outpost of the Austro-Hungarian Empire. A composer and conductor of the Romantic period, he is notable for his four dozen operettas.

Franz von Suppé's parents named him Francesco Ezechiele Ermenegildo Cavaliere di Suppé-Demelli when he was born on April 18, 1819, in Split, Dalmatia, Austrian Empire. His Belgian ancestors may have emigrated there in the 18th century. His father – a man of Italian and Belgian ancestry – was a civil servant in the service of the Austrian Empire, as was his father before him; Suppé's mother was Viennese by birth. He was a distant relative of Gaetano Donizetti. He simplified and Germanized his name when in Vienna, and changed "cavaliere di" to "von". Outside Germanic circles, his name may appear on programs as Francesco Suppé-Demelli.

He spent his childhood in Zadar, where he had his first music lessons and began to compose at an early age. As a boy he had no encouragement in music from his father, but was helped by a local bandmaster and by the Spalato cathedral choirmaster. His Missa dalmatica dates from this early period. As a teenager in Cremona, Suppé studied flute and harmony. His first extant composition is a Roman Catholic Mass, which premiered at a Franciscan church in Zadar in 1832. At the age of 16, he moved to Padua to study law – a field of study not chosen by him – but continued to study music. Suppé was also a singer, making his debut as a basso profundo in the role of Dulcamara in Donizetti's L'elisir d'amore at the Sopron Theater in 1842.

Arturo Toscanini (Italian pronunciation: [arˈtuːro toskaˈniːni]; March 25, 1867 – January 16, 1957) was an Italian conductor. One of the most acclaimed musicians of the late 19th and 20th century, he was renowned for his intensity, his perfectionism, his ear for orchestral detail and sonority, and his photographic memory. As music director of the NBC Symphony Orchestra he became a household name (especially in the United States) through his radio and television broadcasts and many recordings of the operatic and symphonic repertoire.

Toscanini was born in Parma, Emilia-Romagna, and won a scholarship to the local music conservatory, where he studied the cello. He joined the orchestra of an opera company, with which he toured South America in 1886. While presenting Aida in Rio de Janeiro, Leopoldo Miguez, the locally hired conductor, reached the summit of a two-month escalating conflict with the performers due to his rather poor command of the work, to the point that the singers went on strike and forced the company's general manager to seek a substitute conductor. Carlo Superti and Aristide Venturi tried unsuccessfully to finish the work. In desperation, the singers suggested the name of their assistant Chorus Master, who knew the whole opera from memory. Although he had no conducting experience, Toscanini was eventually convinced by the musicians to take up the baton at 9:15 P.M., and led a performance of the two-and-a-half hour opera. The public was taken by surprise, at first by the youth and sheer aplomb of this unknown conductor, then by his solid mastery. The result was astounding acclaim. For the rest of that season Toscanini conducted eighteen operas, all with absolute success. Thus began his career as a conductor, at age 19.