Wh-movement (or wh-fronting or wh-extraction or A'-movement) is a syntactic phenomenon found in many languages around the world, in which interrogative words (sometimes called wh-words) or phrases show a special word order. Unlike ordinary phrases, such wh-words appear at the beginning of an interrogative clause. The term wh-movement is used because most English interrogative words start with wh-, for example, who(m), whose, what, which, when, where, why, etc. (though how is an exception). The term wh-movement tends to be applied to similar word order permutations in languages other than English as well, even when the interrogative words of a given language do not start with wh- (though some authors use the term A'-movement to avoid confusion).

Because of variation in analyses and terminology, wh-movement constructions are sometimes referred to as long-distance dependencies, unbounded dependencies, discontinuities, or projectivity violations. These names are most commonly used by linguists who work with non-transformational approaches like lexical functional grammar, head-driven phrase structure grammar, or dependency grammar.

Sir Edward William Elgar, 1st Baronet OM, GCVO (2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies. He also composed choral works, including The Dream of Gerontius, chamber music and songs. He was appointed Master of the King's Musick in 1924.

Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England but from continental Europe. He felt himself to be an outsider, not only musically, but socially. In musical circles dominated by academics, he was a self-taught composer; in Protestant Britain, his Roman Catholicism was regarded with suspicion in some quarters; and in the class-conscious society of Victorian and Edwardian Britain, he was acutely sensitive about his humble origins even after he achieved recognition. He nevertheless married the daughter of a senior British army officer. She inspired him both musically and socially, but he struggled to achieve success until his forties, when after a series of moderately successful works his Enigma Variations (1899) became immediately popular in Britain and overseas. He followed the Variations with a choral work, The Dream of Gerontius (1900), based on a Roman Catholic text that caused some disquiet in the Anglican establishment in Britain, but it became, and has remained, a core repertory work in Britain and elsewhere. His later full-length religious choral works were well received but have not entered the regular repertory. The first of his Pomp and Circumstance Marches (1901) is well known in the English-speaking world.