The Special Projects of National Significance (often abbreviated to SPNS) program is a United States Department of Health program that helps to "advance knowledge and skills in the health and support services to underserved populations diagnosed with HIV infection." The current SPNS effort began in 1991 with several federal grants; portfolio of 72 grants currently address issues in HIV care.

References[link]

• "Special Projects of National Significance". HIV/AIDS bureau. http://hab.hrsa.gov/programs/factsheets/spnsfact.htm. Retrieved 2007-03-16. 

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An engraving of Robespierre guillotining the executioner after having guillotined everyone else in France.

The Reign of Terror (5 September 1793 – 28 July 1794) (the latter is date 10 Thermidor, year II of the French Revolutionary Calendar),^[1] also known simply as The Terror (French: la Terreur), was a period of violence that occurred after the onset of the French Revolution, incited by conflict between rival political factions, the Girondins and the Jacobins, and marked by mass executions of "enemies of the revolution." The death toll ranged in the tens of thousands, with 16,594 executed by guillotine (2,639 in Paris),^[2] and another 25,000 in summary executions across France.^[3]

The guillotine (called the "National Razor") became the symbol of the revolutionary cause, strengthened by a string of executions: Marie Antoinette, King Louis XVI, the Girondins, Philippe Égalité (Louis Philippe II, Duke of Orléans) and Madame Roland, as well as many others, such as pioneering chemist Antoine Lavoisier, lost their lives under its blade. During 1794, revolutionary France was beset with conspiracies by internal and foreign enemies. Within France, the revolution was opposed by the French nobility, which had lost its inherited privileges. The Roman Catholic Church was generally against the Revolution, which had turned the clergy into employees of the state and required they take an oath of loyalty to the nation (through the Civil Constitution of the Clergy). In addition, the First French Republic was engaged in a series of wars with neighboring powers intent on crushing the revolution to prevent its spread.

The extension of civil war and the advance of foreign armies on national territory produced a political crisis and increased the rivalry between the Girondins and the more radical Jacobins. The latter were eventually grouped in the parliamentary faction called the Mountain, and they had the support of the Parisian population. The French government established the Committee of Public Safety, which took its final form on 6 September 1793 in order to suppress internal counter-revolutionary activities and raise additional French military forces. Through the Revolutionary Tribunal, the Terror's leaders exercised broad dictatorial powers and used them to instigate mass executions and political purges. The repression accelerated in June and July 1794, a period called "la Grande Terreur" (the Great Terror), and ended in the coup of 9 Thermidor Year II (27 July 1794), leading to the Thermidorian Reaction, in which several protagonists of the Reign of Terror were executed, including Saint-Just and Robespierre.

Origins and causes[link]

After the resolution of the foreign wars during 1791–1793, the violence associated with the Reign of Terror increased significantly: only roughly 4% of executions had occurred before November 1793 (Brumaire, Year I), thus signaling to many that the Reign of Terror might have had additional causes.^[4] These could have included inherent issues with revolutionary ideology,^[5] and/or the need of a weapon for political repression in a time of significant foreign and civil upheaval,^[4] leading to many different interpretations by historians.

Many historians have debated the reasons why the French Revolution took such a radical turn during the Reign of Terror of 1793–1794. The public was frustrated that the social equality and anti-poverty measures that the Revolution originally promised were not coming to fruition. Jacques Roux’s “Manifesto of the Enraged” in 25 June 1793 describes the extent to which, four years into the Revolution, these goals were largely unattained by the common people.^[6] The foundation of the Terror is centered on the April 1793 creation of the Committee of Public Safety and its militant Jacobin delegates. The National Convention believed that the Committee needed to rule with “near dictatorial power” and the Committee was delegated new and expansive political powers to quickly respond to popular demands.^[7]

Those in power believed the Committee of Public Safety was an unfortunate, but necessary and temporary reaction to the pressures of foreign and civil war.^[8] Historian Albert Mathiez argues that the authority of the Committee of Public Safety was based on the necessities of war, as those in power realized that deviating from the will of the people was a temporary emergency response measure in order to secure the ideals of the Republic. According to Mathiez, they “touched only with trepidation and reluctance the regime established by the Constituent Assembly” so as not to interfere with the early accomplishments of the Revolution.^[9]

Similar to Mathiez, Richard Cobb introduces the competing circumstances of revolt and reeducation within France as an explanation for the Terror. Counterrevolutionary rebellions taking place in Lyon, Brittany, Vendée, Nantes and Marseille were threatening the Revolution with royalist ideas.^[10] Cobb writes, “the revolutionaries themselves, living as if in combat… were easily persuaded that only terror and repressive force saved them from the blows of their enemies.”^[11] Terror was used in these rebellions both to execute inciters and to provide a very visible example to those who might be considering rebellion. Cobb agrees with Mathiez that the Terror was simply a response to circumstances, a necessary evil and natural defense, rather than a manifestation of violent temperaments or excessive fervor. At the same time, Cobb rejects Mathiez’s Marxist interpretation that elites controlled the Reign of Terror to the significant benefit to the bourgeoisie. Instead, Cobb argues that “social struggles” between the classes were seldom the reason for revolutionary actions and sentiments.^[12]

Francois Furet, however, argues that circumstances could not have been the sole cause of the Reign of Terror because “the risks for the Revolution were greatest” in the middle of 1793 but at that time “the activity of the Revolutionary Tribunal was relatively minimal.”^[13] Widespread terror and a consequent rise in executions came after external and internal threats were vastly reduced. Therefore Furet suggests that ideology played the crucial role in the rise of the Reign of Terror because “man’s regeneration” became a central theme for the Committee of Public Safety as they were trying to instill ideals of free will and enlightened government in the public.^[14] As this ideology became more and more pervasive, violence became a significant method for dealing with counterrevolutionaries and the opposition because for fear of being labeled a counterrevolutionary themselves, “the moderate men would have to accept, endorse and even glorify the acts of the more violent.”^[15]

The Terror[link]

On 2 June 1793, Paris sections – encouraged by the enragés Jacques Roux and Jacques Hébert – took over the Convention, calling for administrative and political purges, a low fixed price for bread, and a limitation of the electoral franchise to sans-culottes alone. With the backing of the National Guard, they persuaded the Convention to arrest 29 Girondist leaders, including Jacques Pierre Brissot.^[16] On 13 July the assassination of Jean-Paul Marat – a Jacobin leader and journalist known for his violent rhetoric – by Charlotte Corday resulted in a further increase in Jacobin political influence.^[17]

Maximilien Robespierre

Georges Danton, the leader of the August 1792 uprising against the King, was removed from the Committee. On 27 July Maximilien Robespierre, known in Republican circles as "the Incorruptible" for his ascetic dedication to his ideals, made his entrance, quickly becoming the most influential member of the Committee as it moved to take radical measures against the Revolution's domestic and foreign enemies.^[18]

Meanwhile, on 24 June the Convention adopted the first republican constitution of France, the French Constitution of 1793. It was ratified by public referendum, but never put into force; like other laws, it was indefinitely suspended by the decree of October that the government of France would be "revolutionary until the peace".^[19]

On 25 December 1793 Robespierre stated:

The goal of the constitutional government is to conserve the Republic; the aim of the revolutionary government is to found it... The revolutionary government owes to the good citizen all the protection of the nation; it owes nothing to the Enemies of the People but death... These notions would be enough to explain the origin and the nature of laws that we call revolutionary ... If the revolutionary government must be more active in its march and more free in his movements than an ordinary government, is it for that less fair and legitimate? No; it is supported by the most holy of all laws: the Salvation of the People.^{[citation needed]}

On 5 February 1794 Robespierre stated, more succinctly that "Terror is nothing else than justice, prompt, severe, inflexible."^[20]

The result was policy through which the state used violent repression to crush resistance to the government. Under control of the effectively dictatorial Committee, the Convention quickly enacted more legislation. On 9 September the Convention established sans-culottes paramilitary forces, the revolutionary armies, to force farmers to surrender grain demanded by the government. On 17 September the Law of Suspects was passed, which authorized the charging of counter-revolutionaries with vaguely defined crimes against liberty. On 29 September the Convention extended price-fixing from grain and bread to other essential goods, and also fixed wages. The guillotine became the symbol of a string of executions: Louis XVI had already been guillotined before the start of the terror; Marie-Antoinette, the Girondists, Philippe Égalité, Madame Roland and many others lost their lives under its blade.^[22] The Revolutionary Tribunal summarily condemned thousands of people to death by the guillotine, while mobs beat other victims to death. Sometimes people died for their political opinions or actions, but many for little reason beyond mere suspicion, or because some others had a stake in getting rid of them.^[23] Among people who were condemned by the revolutionary tribunals, about 8 percent were aristocrats, 6 percent clergy, 14 percent middle class, and 72 percent were workers or peasants accused of hoarding, evading the draft, desertion, rebellion.^[24] Maximilien Robespierre, "frustrated with the progress of the revolution,"^[25] saw politics in a rather tyrannical way because "any institution which does not suppose the people good, and the magistrate corruptible, is evil."^[26]

Another anti-clerical uprising was made possible by the installment of the Revolutionary Calendar on 24 October. Hébert's and Chaumette's atheist movement initiated a religious campaign in order to dechristianise society. The program of dechristianisation waged against Catholicism, and eventually against all forms of Christianity, included the deportation or execution of clergy; the closing of churches; the rise of cults and the institution of a civic religion; the large scale destruction of religious monuments; the outlawing of public and private worship and religious education; the forced abjurement of priests of their vows and forced marriages of the clergy; the word "saint" being removed from street names; and the War in the Vendée.^[27] The enactment of a law on 21 October 1793 made all suspected priests and all persons who harbored them liable to death on sight.^[27] The climax was reached with the celebration of the goddess "Reason" in Notre Dame Cathedral on 10 November. Because dissent was now regarded as counterrevolutionary, extremist enragés such as Hébert and moderate Montagnard indulgents such as Danton were guillotined in the Spring of 1794.^{[citation needed]} On 7 June Robespierre, who favoured deism over Hébert's atheism and had previously condemned the Cult of Reason, recommended that the Convention acknowledge the existence of God. On the next day, the worship of the deistic Supreme Being was inaugurated as an official aspect of the Revolution. Compared with Hébert's somewhat popular festivals, this austere new religion of Virtue was received with signs of hostility by the Parisian public.^{[citation needed]}

The End of the Reign[link]

The execution of Robespierre.

The repression brought thousands of suspects before the Paris Revolutionary Tribunal, whose work was expedited by the Law of 22 Prairial (10 June 1794). As a result of Robespierre's insistence on associating Terror with Virtue, his efforts to make the republic a morally united patriotic community became equated with the endless bloodshed. Finally, after 26 June's decisive military victory over Austria at the Battle of Fleurus, Robespierre was overthrown on 9 Thermidor (27 July).

The fall of Robespierre was brought about by a combination of those who wanted more power for the Committee of Public Safety, and a more radical policy than he was willing to allow, with the moderates who opposed the Revolutionary Government altogether. They had, between them, made the Law of 22 Prairial one of the charges against him, and after his fall, advocating Terror would mean adopting the policy of a convicted enemy of the Republic, endangering the advocate's own head. Before his execution, Robespierre tried unsuccessfully to commit suicide by shooting himself, but the bullet merely shattered his jaw, and Robespierre was guillotined the next day.^[28]

The reign of the standing Committee of Public Safety was ended. New members were appointed the day after Robespierre's execution, and term limits were imposed (a quarter of the committee retired every three months); its powers were reduced piece by piece.

This was not an entirely or immediately conservative period; no government of the Republic envisaged a Restoration, and Marat was reburied in the Pantheon in September.^{[citation needed]}

Gallery[link]

• 

  Mass shootings at Nantes, 1793

• 

  Drownings at Nantes, 1793

• 

  Nine emigrants go to the guillotine, 1793

• 

  "The Last Cart" before the 9th Thermidor, 1794

• 

  Revolutionary Tribunal

See also[link]

• Bals des victimes
• Great Fear
• Tricoteuse
• Use of the Guillotine in Paris

References[link]

Further reading[link]

Primary sources[link]

• Cléry, Jean-Baptiste; Henry Essex Edgeworth (1961) [1798]. Sidney Scott. ed. Journal of the Terror. Cambridge: Cambridge University Press. OCLC 3153946. 

Secondary sources[link]

• Andress, David (2006). The Terror: The Merciless War for Freedom in Revolutionary France. New York: Farrar, Straus and Giroux. ISBN 0-374-27341-3. 
• Beik, William (August 2005). "The Absolutism of Louis XIV as Social Collaboration: Review Article". Past and Present (188): 195–224. 
• Kerr, Wilfred Brenton (1985). Reign of Terror, 1793–1794. London: Porcupine Press. ISBN 0-87991-631-1. 
• Moore, Lucy (2006). Liberty: The Lives and Times of Six Women in Revolutionary France. London: HarperCollins. ISBN 0-00-720601-1. 
• Steel, Mark (2003). Vive La Revolution. London: Scribner. ISBN 0-7432-0806-4. 
  • Reviewed by Adam Thorpe in The Guardian, 23 December 2006.
• Palmer, R. R. (2005). Twelve Who Ruled: The Year of the Terror in the French Revolution. Princeton, New Jersey: Princeton University Press. ISBN 0-691-12187-7. 
• Jordan, David P. (1985). The Revolutionary Career of Maximilien Robespierre. New York: Free Press. pp. 150–164. ISBN 0-02-916530-X. 
• Schama, Simon (1989). Citizens – A Chronicle of the French Revolution. New York: Alfred A. Knopf. pp. 678–847. ISBN 0-394-55948-7. 
• Scott, Otto (1974). Robespierre, The Fool as Revolutionary – Inside the French Revolution. Windsor, New York: The Reformer Library. ISBN 978-1-887690-05-8. 
• Loomis, Stanley (1964). Paris in the Terror. New York: Dorset Press. ISBN 0-88029-401-9. 
• Hibbert, Christopher (1981). The Days of the French Revolution. New York: Quill-William Morrow. ISBN 978-0-688-16978-7. 
• Censer, Jack, and Lynn Hunt (2001). Liberty, Equality, Fraternity: Exploring the French Revolution. University Park, PA: Pennsylvania State University Press. 
• Hunt, Lynn (1984). Politics, Culture, and Class in the French Revolution. Berkeley: University of California Press. 
• Kafker, Frank, James M. Lauz, and Darline Gay Levy (2002). The French Revolution: Conflicting Interpretations. Malabar, FL: Krieger Publishing Company. 
• Popkin, Jeremy D. (2002). A Short History of the French Revolution. Upper Saddle River, NJ: Prentice Hall. 

External links[link]

• The Terror from In Our Time (BBC Radio 4)
• Reign of Terror from Khanacademy

Grandmaster Flash
Background information
Birth name	Joseph Saddler
Born	(1958-01-01) January 1, 1958 (age 54)
Origin	South Bronx, New York
Genres	Hip hop, old school hip hop, funk
Years active	1970–present
Labels	Sugar Hill Records, Enjoy Records, Elektra Records
Associated acts	Grandmaster Flash and the Furious Five The Sugarhill Gang

Joseph Saddler (born January 1, 1958 in Bridgetown, Barbados), better known as King Grandmaster Flash, is an American hip hop musician and DJ—one of the pioneers of hip-hop DJing, cutting, and mixing.

He has been credited with the invention of the first crossfade by sourcing parts from a junkyard in the Bronx. It was initially an On/Off toggle switch from an old microphone that he transformed into a left/right switch which allowed him to switch from one turntable to another; switch from record one to record two.

Before this time DJs, like the first of them all, DJ Kool Herc, and then Afrika Bambaataa, would have to break up the party to pick up the needle and re-drop it on the record, or a new record; until Flash invented a new way to link one record to the other with the cross-fader. After this invention he went from being called Flash to Grandmaster Flash, having made a huge impact on the culture, he was repaid with this honorific name.

Grandmaster Flash and the Furious Five were inducted into the Rock and Roll Hall of Fame in 2007, becoming the first hip hop/rap artists to be so honored.^[1]

Biography[link]

Joseph Saddler's family migrated to the United States from Barbados, in the Caribbean, and he grew up in The Bronx, New York. He attended Samuel Gompers High School, a public vocational school, where he learned how to repair electronic equipment.^[2] Saddler's parents played an important role in his interest in music. His parents came from Barbados and his father was a big fan of Caribbean and black American records. As a child, Saddler was fascinated by his father's record collection. In an interview, he reflected: "My father was a very heavy record collector. He still thinks that he has the stronger collection. I used to open his closets and just watch all the records he had. I used to get into trouble for touching his records, but I'd go right back and bother them."^[3] Saddler's early interest in DJing came from this fascination with his father's record collection as well as his mother's desire for him to educate himself in electronics.^[4] After high school, he became involved in the earliest New York DJ scene, attending parties set up by early luminaries.

He is also a nephew to the late Former Feather Weight Champion of the World Sandy Saddler.^[5]

Innovations[link]

Grandmaster Flash carefully studied the DJing styles and techniques of earlier DJs, particularly Pete Jones, Kool Herc, and Grandmaster Flowers.^[6] As a teenager, he began experimenting with DJ gear in his bedroom, eventually developing and mastering three innovations that are still considered standard DJing techniques today.

• Backspin Technique ("Quick-Mix Theory") a.k.a. Early New York party DJs came to understand that short drum breaks were popular with party audiences. Aiming to isolate these breaks and extend them for longer durations, Grandmaster Flash learned that by using duplicate copies of the same record, he could play the break on one record while searching for the same fragment of music on the other (using his headphones). When the break finished on one turntable, he used his mixer to switch quickly to the other turntable, where the same beat was queued up and ready to play. Using the backspin technique, the same short phrase of music could be looped indefinitely.
• Punch Phrasing ("Clock Theory"): This technique involved isolating very short segments of music, typically horn hits, and rhythmically punching them over the sustained beat using the mixer.
• Scratching: Although the invention of record scratching is generally credited to Grand Wizzard Theodore, Grandmaster Flash perfected the technique and brought it to new audiences. Scratching, along with punch phrasing, exhibited a unique performative aspect of party DJing: instead of passively spinning records, he manipulated them to create new music.^[7]

Grandmaster Flash and the Furious Five[link]

Grandmaster Flash played parties and collaborated with rappers such as Kurtis Blow and Lovebug Starski. In the mid 1970s, he formed his own group. The original lineup consisted of Cowboy (Keith Wiggins), Melle Mel (Melvin Glover) and Kid(d) Creole (Nathaniel Glover), and the ensemble went by the name "Grandmaster Flash & the 3 MCs". Two other rappers briefly joined, but they were replaced more permanently by Rahiem (Guy Todd Williams, previously in the Funky Four) and Scorpio (Eddie Morris, a.k.a. Mr. Ness) to make Grandmaster Flash and the Furious Five. Quickly gaining recognition for their skillful raps, Grandmaster Flash and the Furious Five pioneered MCing and freestyle battles. Some of the staple phrases in MCing have their origins in the early shows and recordings of the group. In 1977, the new group began performing regularly at Disco Fever in the Bronx, one of the first times a hip-hop group was given a weekly gig at a well-known venue.^[8] In fact, it is claimed that Cowboy created the term "Hip hop" while teasing a friend who had just joined the U.S. Army by scat singing the words "hip/hop/hip/hop" in a way that mimicked the rhythmic cadence of marching soldiers.^[9]

Grandmaster Flash and the Furious Five were signed to Bobby Robinson's Enjoy Records and in 1979 released their first single, "Superrappin'." The following year they signed to Sugar Hill Records and began touring and releasing numerous singles. The seminal "The Adventures of Grandmaster Flash on the Wheels of Steel", released in 1981, is a 7-minute solo showcase of Grandmaster Flash's virtuosic turntable skills, combining elements of Blondie's "Rapture," Michael Viner's Incredible Bongo Band's "Apache," Queen's "Another One Bites the Dust," Chic's "Good Times," and the group's own "Freedom." It is also the first documented appearance of record scratching on a record. That year, the group opened for The Clash and were poorly received by an audience unaccustomed to the new style.^[10] The group's most significant hit was "The Message" (1982), which was produced by in-house Sugar Hill producer Clifton "Jiggs" Chase and featured session musician Duke Bootee. Unlike earlier rap tunes, "The Message" featured a grim narrative about inner city violence, drugs, and poverty. In 2002, its first year of archival, it was one of 50 recordings chosen by the Library of Congress to be added to the National Recording Registry, the first hip hop recording ever to receive this honor. Critics praised the song's social awareness, calling the chorus "a slow chant seething with desperation and fury."^[11] Other than Melle Mel, however, no members of the group actually appear in the song. Rahiem lip-synced Duke Bootee's vocal in the music video. The same year, Grandmaster Flash appeared in the movie "Wild Style" and sued Sugar Hill over the non-payment of royalties. Tensions mounted as "The Message" gained in popularity, eventually leading to a rupture between Melle Mel and Grandmaster Flash. Soon the group disintegrated entirely. Grandmaster Flash, Kid Creole, and Rahiem left Sugar Hill, signed with Elektra Records, and continued on as simply "Grandmaster Flash", while Melle Mel and the others continued on as "Grandmaster Melle Mel & the Furious Five".

Although frequently credited on the records, Grandmaster Flash doesn't actually appear on "The Message," "Freedom," or many of the other Furious Five songs.^[7] Although Grandmaster Flash provided the central element of the group's sound when performing live (in addition to giving the group its name), there was little room for his turntablism in early singles driven by the grooves of live session musicians. Grandmaster Flash and The Furious Five reformed in 1987 for a charity concert, and in 1988 they released a new album. The group reunited again in 1994, although Cowboy died in 1989.

Today, Grandmaster Flash is the owner of a clothing line, "G.Phyre."^[12] In 2008 he released a memoir, The Adventures of Grandmaster Flash: My Life, My Beats.^[13] He hosts a weekly show on Sirius Satellite Radio (Friday Night Fire with Grandmaster Flash)^[14] and was presented with the BET "I Am Hip Hop Icon" award in 2006.^[15]

Grandmaster Flash and the Furious Five were the first hip-hop/rap group inducted into the Rock & Roll Hall of Fame on March 12, 2007 by Jay-Z.^[16] In 2008, he remixed the single "Into the Galaxy" by the Australian group, Midnight Juggernauts.^[17]

It has been said that "his pioneering mixing skills transformed the turntable into a true 'instrument', and his ability to get a crowd moving has made his DJ sets legendary." ^[18]

Grandmaster Flash appears in the video game DJ Hero as a playable character along with original mixes created for the game.^[19]

On his last album, The Bridge, appears the Spanish hip hop group Violadores del Verso.

Grandmaster Flash is currently working on his 12th album, set for release this spring.^[20]

Awards[link]

Grammys

• 2012 Hall of Fame for Grandmaster Flash & The Furious Five single “The Message.”

Urban Music Awards

• 2009, Lifetime Achievement Award

Rock and Roll Hall of Fame

• 2007, Inductee

BET Hip Hop Awards

• 2006, I Am Hip Hop Icon Award

Discography[link]

Albums[link]

Singles[link]

• 1979 - Superappin' (Enjoy 6001) Side A - Superappin'; Side B - Superappin' Theme
• 1980 - Freedom (Sugar Hill SH-549) Side A - vocal; Side B - instrumental
• 1981 - The Adventures of Grandmaster Flash on the Wheels of Steel (Sugar Hill SH-557)
• 1981 - Scorpio (Sugar Hill SH 118) Side A - vocal; Side B - instrumental
• 1982 - Flash To The Beat (Sugar Hill SH 574)
• 1984 - Jesse (Sugar Hill SH 133) Side A - vocal; Side B - instrumental
• 1984 - We Don't Work For Free (Sugar Hill SH 136) Side A - vocal; Side B - instrumental
• 1988 - Gold (edit) (Elektra EKR 70)
• 1996 - If U Wanna Party (feat. Carl Murray) (JAM 1002-8)

^{[21] [22]}

References[link]

External links[link]

This article's use of external links may not follow Wikipedia's policies or guidelines. Please improve this article by removing excessive or inappropriate external links, and converting useful links where appropriate into footnote references. (May 2012)

• Grandmaster Flash Official Page
• Official website of 2009 album The Bridge
• Grandmaster Flash on Myspace
• Grandmaster Flash Biography
• Grandmaster Cuts Faster
• Grandmaster Flash interview from Chaos Control Digizine
• Davey D of Hard Knock Radio Interviews Grandmaster Flash
• Grandmaster Flash interview on Fresh Air
• Grandmaster Flash interview April 2009
• Interview
• Article
• Pop Matters: interview
• Brian S Redd Interview
• DJ Tutor Interview