Titus Maccius Plautus (c. 254–184 BC), commonly known as "Plautus", was a Roman playwright of the Old Latin period. His comedies are the earliest surviving intact works in Latin literature. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus. The word Plautine ( /ˈplɔːtaɪn/) refers to both Plautus's own works and works similar to or influenced by his.

Not much is known about Titus Maccius Plautus' early life. It is believed that he was born in Sarsina, a small town in Umbria in central Italy, in around 254 BC. According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years. It is from this work, perhaps, that his love of the theater originated. His acting talent was eventually discovered; and he adopted the names "Maccius" (a clownish stock-character in popular farces) and "Plautus" (a term meaning either "flat-footed" or "flat-eared," like the ears of a hound). Tradition holds that he made enough money to go into the nautical business, but that the venture collapsed. He is then said to have worked as a manual laborer and to have studied Greek drama—particularly the New Comedy of Menander—in his leisure. His studies allowed him to produce his plays, which were released between c. 205 and 184 BC. Plautus attained such a popularity that his name alone became a hallmark of theatrical success.

Edmund Kean (4 November 1787 – 15 May 1833) was an English actor, regarded in his time as the greatest ever.

Kean was born in London. His father was probably Edmund Kean, an architect’s clerk, and his mother was an actress, Anne Carey, daughter of the 18th century composer and playwright Henry Carey. Kean made his first appearance on the stage, aged four, as Cupid in Jean-Georges Noverre’s ballet of Cymon. As a child his vivacity, cleverness and ready affection made him a universal favourite, but his harsh circumstances and lack of discipline, both helped develop self-reliance and fostered wayward tendencies. About 1794 a few benevolent persons paid for him to go to school, where he did well; but finding the restraint intolerable, he shipped as a cabin boy at Portsmouth. Finding life at sea even more restricting, he pretended to be both deaf and lame so skillfully that he deceived the doctors at Madeira.

On his return to England he sought the protection of his uncle Moses Kean, mimic, ventriloquist and general entertainer, who, besides continuing his pantomimic studies, introduced him to the study of Shakespeare. At the same time Miss Charlotte Tidswell, an actress who had been especially kind to him from infancy, taught him the principles of acting.