Telstar is the name of various communications satellites, including the first such satellite to relay television signals.

The first two Telstar satellites were experimental and nearly identical. Telstar 1 was launched on top of a Thor-Delta rocket on July 10, 1962. It successfully relayed through space the first television pictures, telephone calls, fax images and provided the first live transatlantic television feed. Telstar 2 was launched May 7, 1963.

Belonging to AT&T, the original Telstar was part of a multi-national agreement between AT&T, Bell Telephone Laboratories, NASA, the British General Post Office, and the French National PTT (Post, Telegraph & Telecom Office) to develop experimental satellite communications over the Atlantic Ocean. Bell Labs held a contract with NASA, reimbursing the agency three million pounds for each launch, independent of success. The US ground station was Andover Earth Station in Andover, Maine, built by Bell Labs. The main British ground station was at Goonhilly Downs in southwestern England, and it was used by the BBC. It was the international coordinator and the standards 525/405 conversion equipment (filling a large room) was researched and developed by the BBC and located in the BBC Television Centre, London. The French ground station was at Pleumeur-Bodou (48°47′10″N 3°31′26″W / 48.78611°N 3.52389°W / 48.78611; -3.52389) in north-western France.

Martin Cilia (born 1958, Rochford, Essex, England) moved to Perth, Western Australia with his family in January 1968. Cilla is best known for his songwriting skills, and his membership in The Atlantics, where he performs on the guitar. Cilia played his first gig in a school hall in Morley High in 1972 with fellow students. He remembered playing songs by The Shadows, The Monkees, The Beatles, and Cat Stevens songs.

At age 14, Cilla became a professional musician. He played in various bands in and around Perth before spending a year in London in 1979. In 1982 Cilia joined Invasion Force where he met locals Alf Demasi and Lloyd Allanson. Together they formed the Perth band The Flying Fonzarellis. The Flying Fonzarellis released several recordings and toured Sydney in 1984. The band had some chart success holding the number one spot in Perth for a few weeks.

After the Fonzarellis, he went on to play in Dave Warner's Sensational Sixties and then with Midget and the Farrellys who were extremely popular in Fremantle throughout the Americas Cup. Already his passion for that stinging surf music guitar sound was obvious.

William Richard "Bill" Frisell (born March 18, 1951) is an American guitarist, composer and arranger.

One of the leading guitarists in jazz since the late 1980s, Frisell's eclectic music touches on progressive folk, classical music, country music, noise and more. He is known for using an array of effects to create unique sounds from his instrument.

Frisell was born in Baltimore, Maryland, but spent most of his youth in the Denver, Colorado area. He studied clarinet with Richard Joiner of the Denver Symphony Orchestra as a youth, graduated from Denver East High School, and went to the University of Northern Colorado to study music.

His original guitar teacher in the Denver-Aurora metropolitan area was Dale Bruning, with whom Frisell released the 2000 duo album Reunion. After graduating from Northern Colorado, where he studied with Johnny Smith, Frisell went to the Berklee College of Music in Boston where he studied with Jon Damian and Jim Hall.

Frisell's major break came when guitarist Pat Metheny was unable to make a recording session, and recommended Frisell to Paul Motian who was recording Psalm (1982) for ECM Records. Frisell became ECM's in-house guitar player, and worked on several albums, most notably Jan Garbarek's 1981 Paths, Prints. Frisell's first solo release was In Line featured solo guitar and duets with bassist Arild Andersen.

Robert George "Joe" Meek (5 April 1929 Newent, Gloucestershire – 3 February 1967 in London) was a pioneering English record producer and songwriter.

His most famous work was The Tornados' hit "Telstar" in 1962, which became the first record by a British group to hit #1 in the US Hot 100. It also spent five weeks atop the UK singles chart, with Meek receiving an Ivor Novello Award for this production as the "Best-Selling A-Side" of 1962.

Meek's other notable hit productions include "Don't You Rock Me Daddy-O" and "Cumberland Gap" by Lonnie Donegan (as engineer), "Johnny Remember Me" by John Leyton, "Just Like Eddie" by Heinz, "Angela Jones" by Michael Cox, "Have I the Right?" by The Honeycombs, and "Tribute to Buddy Holly" by Mike Berry. Meek's concept album I Hear a New World is regarded as a watershed in modern music for its innovative use of electronic sounds.

Joe Meek was also producing music for films, most notably Live It Up! (US title Sing and Swing), a 1963 pop music film starring Heinz Burt, David Hemmings and Steve Marriott, also featuring Gene Vincent, Jenny Moss, The Outlaws, Kim Roberts, Kenny Ball, Patsy Ann Noble and others. Meek wrote most of the songs and incidental music, much of which was recorded by The Saints and produced by Meek.