Camp Nou (Catalan pronunciation: [kamˈnɔw], New Field) is a football stadium in Barcelona, Catalonia, Spain which has been the home of Futbol Club Barcelona since 1957.

The Camp Nou seats 98,787, reduced to 96,336 in matches organised by UEFA, making it the largest stadium in Europe and the 11th largest in the world in terms of capacity. It has hosted numerous international matches at a senior level, including two UEFA Champions League finals and the football competition at the 1992 Summer Olympics.

The construction of Camp Nou started on 28 March 1954 as Barcelona's previous stadium, Camp de Les Corts, had no room for expansion. Although originally planned to be called Estadi del FC Barcelona, the more popular name Camp Nou was used. The June 1950 signing of László Kubala, regarded as one of Barcelona's greatest players, provided further impetus to the construction of a larger stadium.

Construction of Camp Nou began on 28 March 1954 before a crowd of 60,000 Barça fans. The civil governor of Barcelona, Felipe Acedo Colunga, presided at the laying in place of the first stone, with a blessing from the Archbishop of Barcelona, Gregorio Modrego. Construction took three years, going 336% over budget for a final cost of 288 million pesetas. The stadium was officially opened on 24 September 1957. Handel's Messiah was performed at the opening of the stadium.

Camp or encampment may refer to:

Noh (能, Nō^?), or Nogaku (能楽, Nōgaku^?)—derived from the Sino-Japanese word for "skill" or "talent"—is a major form of classical Japanese musical drama that has been performed since the 14th century. Many characters are masked, with men playing male and female roles. Traditionally, a Noh "performance day" lasts all day and consists of five Noh plays interspersed with shorter, humorous kyōgen pieces. However, present-day Noh performances often consist of two Noh plays with one Kyōgen play in between.

While the field of Noh performance is extremely codified, and regulated by the iemoto system, with an emphasis on tradition rather than innovation, some performers do compose new plays or revive historical ones that are not a part of the standard repertoire. Works blending Noh with other theatrical traditions have also been produced.

Together with the closely related kyōgen farce, Noh evolved from various popular, folk and aristocratic art forms, including Dengaku, Shirabyoshi, and Gagaku.

Kan'ami and his son Zeami Motokiyo brought Noh to what is essentially its present-day form during the Muromachi period (1336 to 1573) under the patronage of the powerful Ashikaga clan, particularly the third shogun, Ashikaga Yoshimitsu. It would later influence other dramatic forms such as Kabuki and Butoh. During the Meiji era, although its governmental patronage was lost, Noh and kyōgen received official recognition as two of the three national forms of drama.