13:00
England - Three-Piece Suite
...
published: 10 Dec 2010
author: Carlos Escobedo
England - Three-Piece Suite
13:02
ENGLAND 1976 three piece suite
...
published: 09 Feb 2013
author: Al. Ibikus
ENGLAND 1976 three piece suite
12:47
England - Garden shed - Three piece suite (HD, Original lyrics, Download links)
"Three piece suite" by progressive rock band: England, from their album: "Garden shed".
© ...
published: 02 Jan 2014
England - Garden shed - Three piece suite (HD, Original lyrics, Download links)
England - Garden shed - Three piece suite (HD, Original lyrics, Download links)
"Three piece suite" by progressive rock band: England, from their album: "Garden shed". © 1977 BMG Download links: Help me and download from one of these links: http://adf.ly/bWz5F http://adf.ly/bWz7K Or don't waste time and download from this one: http://adf.ly/bWzBx Lyrics: "Follow me round" is the cry of the Mare with each pull of the plough Rhythmic sound in the swing of the Chains that are dragging her down And the morning call of the wind brings The sun from afar "Take me up high" in the voice of the Lark singing high in the sky Wandering eye of the farmer below is The only reply And the changing relief of the land is Exposed to the light The break of the dawn is changed by the Presence of a stream Weaving its path through a bed Of green The windows of the forest bring Very little light The sound of river water flowing by Although the woods may seem Bereft of any life No man can see of sin or strife The creatures of the forest receiving Their first light Come out and join the woodland Company Clinging into time of disentangled Broken vine Come show me this is mine to Breath and hold Throughout abandoned hill a Stillness set unreal By image not by two you grew Summer day will shine ... Carry on your way decide at which You want to play Sentimental reason, con, or game? To take you further on would only Spoil the fun Can't you feel it higher, growing, Never knowing? Sometimes a laugh in a show That's cold When the legend is burning yet not Quite sold To the man in the middle It's only a riddle come out of a local rag When they hand you a thing and ex- Pect you to sing To the tune of The Groom and his Flying Balloon Till the only resort is the flu that You caught While preparing a dish for someone Called En Blue Soak up the flakes of an emptying Bowl and go Down river, down reverse, Downing in one below Hot on the trail let the wind fill the sail And be leaving from where you are Left to uncover a scene unseen Though the wing of the plover is Seldom seen I may open my hands when the Garden expands Taking part with an individuality Leg after leg in the line surround All are touching the toes of Adjacent ground Low can nature resist to make Any seed twist Move along, run a long, long way So you turn and resist from this Windy place Oh but is it from me that you hide I am now to return to my natural pace And remember today as I walk Through my way But the farmer forlorn And the break of dawn will go fading, Fading away Musicians: - Martin Henderson - Franc Holland - Robert Webb - Jode Leich- published: 02 Jan 2014
- views: 4
15:02
England - All Alone/Three-Piece Suite (1977) (vinyl rip)
From "Garden Shed"...
published: 14 Jun 2013
author: Lynx Poing
England - All Alone/Three-Piece Suite (1977) (vinyl rip)
England - All Alone/Three-Piece Suite (1977) (vinyl rip)
From "Garden Shed"- published: 14 Jun 2013
- views: 15
- author: Lynx Poing
9:23
Three Piece Suite @ The Brewer's Arms Brightlingsea
Sh*t kicking down and dirty blues rock band, really tight and talented, playing a small pu...
published: 29 Jan 2011
author: ChimneyBen
Three Piece Suite @ The Brewer's Arms Brightlingsea
Three Piece Suite @ The Brewer's Arms Brightlingsea
Sh*t kicking down and dirty blues rock band, really tight and talented, playing a small pub in Brightlingsea.- published: 29 Jan 2011
- views: 673
- author: ChimneyBen
2:03
Three Piece Suite - Cambidge Rock Festival 2011
Three Piece Suite http://cambridgerockfestival.co.uk/#/three-piece at the 2011 Cambidge Ro...
published: 11 Aug 2011
author: Trevor Ridvidd
Three Piece Suite - Cambidge Rock Festival 2011
Three Piece Suite - Cambidge Rock Festival 2011
Three Piece Suite http://cambridgerockfestival.co.uk/#/three-piece at the 2011 Cambidge Rock Festival http://cambridgerockfestival.co.uk More vids from Trevo...- published: 11 Aug 2011
- views: 185
- author: Trevor Ridvidd
4:59
Three Piece Suit
From Battle of the Bands in Somerset KY. This is from the finals....
published: 12 Jan 2009
author: 12SetProductions
Three Piece Suit
Three Piece Suit
From Battle of the Bands in Somerset KY. This is from the finals.- published: 12 Jan 2009
- views: 1183
- author: 12SetProductions
16:20
England - Garden shed - Poisoned youth (HD, Original lyrics, Download links)
"Poisoned youth" by progressive rock band: England, from their album: "Garden shed".
© 197...
published: 02 Jan 2014
England - Garden shed - Poisoned youth (HD, Original lyrics, Download links)
England - Garden shed - Poisoned youth (HD, Original lyrics, Download links)
"Poisoned youth" by progressive rock band: England, from their album: "Garden shed". © 1977 BMG Download links: Help me and download from one of these links: http://adf.ly/bX0M1 http://adf.ly/bX0N5 Or don't waste time and download from this one: http://adf.ly/bX0YO Lyrics: "Capture youth as youth retains Its place" Thought the painter as he looked Upon his face To taste all wondrous gift ... Save no expense My feet to take all paths ... Filled rich incense To breathe the pleasures of the earth ... Discarding nothing His passion he gave to an actress Played Imogen and Juliet, She was perfect Silk thread curls on cool white Ivory skin A goddess so distant had enraptured him The love that I found on theatre's Stage is dead This prince so charming leads my Heart instead But no, to me you are the loves You've played If fantary is dead, the age decays Parting poison make up falling Tears like rain The wilting helpless snowflake melts Inside its grave Reflected conscience slips away Away, away A dream of form in days of thought My lost creation rich restored We'll paint your form with every Care and grace You are perfect in every thing As a flower blooms in spring Releasing madness from within Beneath this work our very sould do hide Me of my brish, you of your youth Are tied to canvas forever Fading never But evil thoughts turn into twisted life Resounding through his years And the portrait sits and now those Scarlet lips have suffered changes Does my eye speak the truth, my Wondrous youth No winter marred his face or stained The flower-like bloom Of his skin through sunner's vine But wine like fragrance it fades And it dies He gazed in the glass and sigher his Thoughts drifted by How I wish that I could steal my youth And the pircture base the age uncouth (Peter Pan on rooftops dancing ever Soaked in youth Adonis plays innocence in Unrevealed truth) My soul to art I did then betroth My body left alive unmoved I can stay youthful for all my life And the picture I'll keep from the World's peering eyes My sins it will hold, its face Will grow old And all the people will know not Why my face is young till the day That I die The gates if the saeasons they Open and close And the pathways perfection a Faltered respose An age elf slips free ascending this tree He sneaks up with ease outstretched Arms reaching high So small but so vital his glistening smile The face as with fever is stricken A red bead of dew sickly thickens Scorching his eyesight the charred Wrinkled skin His mirror of conscience that Burdens the sins "Heaven, helpless, drowned confusion" A satyr looks down From the frame, illusion The blade shines brightly it fills his Fingers with hate A veil of darkness descends it bends To his feet A life of lust, mistrust decreasing Visions varnished, stripped unseen Does the eye speak the truth, his Wondrous youth Musicians: - Martin Henderson - Franc Holland - Robert Webb - Jode Leich- published: 02 Jan 2014
- views: 2
6:22
Autumn 2011 Trends with Topman
Don't forget to subscribe... Or I'll get my new friend to hurt you! Blog/Website: http://j...
published: 23 Oct 2011
author: Jim Chapman
Autumn 2011 Trends with Topman
Autumn 2011 Trends with Topman
Don't forget to subscribe... Or I'll get my new friend to hurt you! Blog/Website: http://jimchapman.co.uk Twitter: @j1mmyb0bba Facebook: http://www.facebook....- published: 23 Oct 2011
- views: 66842
- author: Jim Chapman
1:13
Bespoke Suit: The Three Piece by Henry Herbert Tailors
When you think of a three-piece-suit, do you think of yourself in one? A Three Piece Suits...
published: 17 Jul 2010
author: HenryHerbertTailors
Bespoke Suit: The Three Piece by Henry Herbert Tailors
Bespoke Suit: The Three Piece by Henry Herbert Tailors
When you think of a three-piece-suit, do you think of yourself in one? A Three Piece Suits today suggests that you have style! Henry Herbert Tailors are besp...- published: 17 Jul 2010
- views: 14745
- author: HenryHerbertTailors
Vimeo results:
59:46
Road Back to the Frozen Four (69 minutes)
History
[edit]Partridge and his academy
The university was founded in 1819 at Norwich by ...
published: 06 May 2011
author: Norwich Television
Road Back to the Frozen Four (69 minutes)
History
[edit]Partridge and his academy
The university was founded in 1819 at Norwich by military educator and former superintendent of West Point, Captain Alden B. Partridge. Captain Partridge believed in the "American System of Education," a traditional liberal arts curriculum with instruction in civil engineering and military science. After leaving West Point because of congressional disapproval of his system, he returned to his native state of Vermont to create the American Literary, Scientific and Military Academy. Captain Partridge, in founding his academy, rebelled against the reforms of Sylvanus Thayer to prevent the rise of what he saw as the greatest threat to the security of the young republic: a professional officer class. He believed that a well-trained militia was an urgent necessity and developed the American system around that idea. His academy became the inspiration for a number of military colleges throughout the nation, including both the Virginia Military Institute and The Citadel, and later the land grant colleges created through the Morrill Act of 1862.[4]
Partridge's educational beliefs were considered radical at the time, and this led to his conflicting views with the federal government while he was the superintendent of West Point. Upon creation of his own school, he immediately incorporated classes of agriculture and modern languages in addition to the sciences, liberal arts, and various military subjects. Field exercises, for which Partridge borrowed cannon and muskets from the federal and state governments, supplemented classroom instruction and added an element of realism to the college’s program of well-rounded military education.
Partridge founded six other military institutions during his quest to reform the fledgling United States military. They were the Virginia Literary, Scientific and Military Academy at Portsmouth, Virginia (1839–1846), Pennsylvania Literary, Scientific, and Military Academy at Bristol, Pennsylvania (1842–1845), Pennsylvania Military Institute at Harrisburg, Pennsylvania (1845–1848), Wilmington Literary, Scientific and Military Academy at Wilmington, Delaware (1846–1848), the Scientific and Military Collegiate Institute at Reading, Pennsylvania (1850–1854), Gymnasium and Military Institute at Pembroke, New Hampshire (1850–1853) and the National Scientific and Military Academy at Brandywine Springs, Delaware (1853).[5]
[edit]Fire and hardship: Norwich in the 19th century
In 1825 the academy moved to Middletown, Connecticut, to provide better naval training to the school's growing corps of cadets. In 1829, the state of Connecticut declined to grant Captain Partridge a charter and he moved the school back to Norwich (the Middletown campus became Wesleyan University in 1831). Beginning in 1826, the college offered the first program of courses in civil engineering in the US. In 1834 Vermont granted a charter and recognized the institution as Norwich University. During the 1856 academic year, the first chapter of the Theta Chi Fraternity was founded by cadets Frederick Norton Freeman and Arthur Chase. With the beginning of the Civil War in 1861, Norwich cadets served as instructors of the state militias throughout the Northeast and the entire class of 1862 enlisted upon its graduation. Norwich turned out hundreds of officers and soldiers who served with the federal armies in the American Civil War, including four recipients of the Medal of Honor. One graduate led a corps, seven more headed divisions, 21 commanded brigades, 38 led regiments, and various alumni served in 131 different regimental organizations. In addition, these men were eyewitnesses to some of the war's most dramatic events, including the bloodiest day of the conflict at Antietam, the attack up Marye's Heights at Fredericksburg, and the repulse of Pickett's Charge at Gettysburg. Seven hundred and fifty Norwich men served in the Civil War, of whom sixty fought for the Confederacy.[6] Because of the university's participation in the struggle, the number of students dwindled to seven in the class of 1864 alone.
The Confederate raid on St. Albans, Vermont precipitated fear that Newport, Vermont was an imminent target. The corps quickly boarded an express train for Newport, the same day, October 19, 1864, to the great relief of the inhabitants.
After a catastrophic fire in 1866 which devastated the entire campus, the town of Northfield welcomed the struggling school. The Civil War, the fire, and the uncertainty regarding the continuation of the University seriously lowered the attendance, and the school opened in the fall of 1866 with only 19 students. The 1870s and 1880s saw many financially turbulent times for the institution and the renaming of the school to Lewis College in 1880. In 1881 the student body was reduced to only a dozen men. Later, by 1884, the Vermont Legislature had the name of the school changed back to Norwich. In 1898 the university was designated as the Military
78:24
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. Th...
published: 22 Sep 2009
author: Victoria and Albert Museum
The Inaugural Henry Cole Lecture: Sir Christopher Frayling, 30 October 2008
The inaugural Henry Cole Lecture, held at the V&A; Museum in London on 30 October 2008. The purpose of the lecture is to celebrate the legacy of the Museum’s founding director, and explore its implications for museums, culture and society today.
The lecture, entitled 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum' was delivered by Professor Sir Christopher Frayling. He presented new research on the “chamber of horrors” (a contemporary nickname for one of the V&A;'s earliest galleries, 'Decorations on False Principles', that opened in 1852) and the myths and realities of its reception, then opened up a wider debate on design education and museums from the nineteenth century to the present day.
Transcript:
Mark Jones: The annual Henry Cole lecture has been initiated to celebrate Henry Cole's legacy and to explore the contribution that culture can make to education and society today. It has also been launched to celebrate the opening of the Sackler Centre for arts education, including the Hochhauser Auditorium in which we sit tonight. There could be no one better than Professor Sir Christopher Frayling to give the inaugural Henry Cole Lecture. Christopher is a rare being: an intellectual who is a great communicator; a theorist who has a firm grip on the practical realities of life: a writer who truly and instinctively understands the words of making design and visual communication. As an enormously successful and respected Rector of the Royal College of Art, as Chairman of the Arts Council, and as a member and chair of boards too numerous to mention - but not forgetting the Royal Mint Advisory Committee which has recently been responsible for redesigning the coinage (personal interest) and as by far the longest-serving Trustee of the V&A;, he brings together culture, education and public service in a way which Henry Cole would have approved and admired. So it's more than fitting that he should be giving this first Henry Cole Lecture, 'We Must Have Steam: Get Cole! Henry Cole, the Chamber of Horrors, and the Educational Role of the Museum'.
CHRISTOPHER FRAYLING:
Thank you very much indeed Mark and thank you very much for inviting me to give this first Henry Cole Lecture. Just how much of an honour it is for me will I hope become clear as the lecture progresses.
Mark, Chairpeople, ladies and gentlemen:
Hidden away in the garden of the South Kensington Museum - now the Madejski Garden of the V&A; - there is a small and easily overlooked commemorative plaque that doesn't have a museum number. It reads: 'In Memory of Jim Died 1879 Aged 15 Years, Faithful Dog of Sir Henry Cole of this Museum'. Jim had in fact died on 30 January 1879. He was with Henry Cole in his heyday, as the king of South Kensington - its museums and colleges - and saw him through to retirement from the public service and beyond. And next to this inscription there's another one dedicated to Jim's successor, Tycho, and dated 1885. The dogs are actually buried in the garden. Now we know from Henry Cole's diary that between 1864 and 1879 Jim, who was a cairn terrier, was often to be seen in public at his master's side. In 1864 they were together inspecting the new memorial to the Great Exhibition of 1851 just behind the Albert Hall - a statue of Prince Albert by Joseph Durham on a lofty plinth covered in statistics about the income, expenditure and visitor numbers to the Great Exhibition: 6,039,195 to be exact. Cole had been a tireless champion of Prince Albert and according to the Princess Royal (later Empress of Prussia) there was a family saying in Buckingham Palace at the time, invented by Albert himself, that when things needed doing 'when we want steam we must get Cole'. We may therefore assume that when looking at the memorial, Cole was interested in the inscription, the statistics and the likeness of Prince Albert, while Jim was more interested in the possibilities of the plinth. In early 1866 - these are five studies of Jim, an etching by Henry Cole himself of 1864. In early 1866, first thing in the morning, soon after the workmen's bell had rung, Henry and Jim would set forth together from Cole's newly constructed official residence in the Museum (where he moved in July 1863) to tour the building sites of South Kensington - a name which was first invented by Cole when he re-named the museum The South Kensington Museum to describe the new developments happening around Brompton Church. According to 'The Builder' magazine, these two well-known figures would 'be seen clambering over bricks, mortar and girders up ladders and about scaffolding'. Several buildings in the South Kensington Renaissance Revival style were springing up all around them: The Natural History Museum, The College of Science, the extension to this Museum. And on the morning the Bethnal Green Museum opened - 24 June 1872 - Jim showed a healthy distaste for his master's well-known predilection for pomp and
9:44
DILEMMA for Solo Viola: Karen Bentley Pollick, viola; Sheri Wills, video; Jan Jirásek, composer
Violin, Viola & Video Virtuosity
Recorded During a Live Webcast from Evergroove Studio, Th...
published: 15 Jun 2012
author: sheri wills
DILEMMA for Solo Viola: Karen Bentley Pollick, viola; Sheri Wills, video; Jan Jirásek, composer
Violin, Viola & Video Virtuosity
Recorded During a Live Webcast from Evergroove Studio, Thursday, April 26, 2012.
Next in program: RED CURTAIN DANCE https://vimeo.com/44128213
"The title of the piece describes its content. Four basic musical ideas representing four basic emotions are confronted in order to express the feeling of a dilemma. Dilemma was originally composed for solo cello and recorded on the BMG/Ariola “Jan Jirásek: Bread and Circuses“ CD." (Jan Jirásek)
Biographies:
Born during January in Rychnov nad Kneznou, Czech Republic, JAN JIRASEK graduated from the Janácek Academy of Musical Art in Brno (JAMU), where he studied composition with Prof. Zdenek Zouhar as well as electro-acoustic, computer and electronic music and music theory.
After the fall of the Iron Curtain, Jirásek’s music was widely performed at the following festivals: “Synthese 90” Festival in Bourges; “Elektronmusik Festival” Stockholm; “ler Colloque International des jeunes Compositeurs de Musique Electro-accoustique 1991,” UNESCO in Paris; Prague Spring Festival; Schleswig - Holstein Festival; “Czechoslovak Night” Munich 1990; twice at Munich Biennale; Plymouth Music Series in Minneapolis and Summer Music Symposium Colorado Springs.
Jan Jirásek has composed for numerous renowned institutions and performers: Kulturkreis Gasteig e.V. commissioned “Bread and Circuses” for six percussionists for the Munich Biennale 1992; Kulturkreis Gasteig e.V. commissioned the reconstruction Carl Orff’s “St. Luke Passion” according to the manuscript of J.S.Bach, which was destroyed during World War II; Duo Quattro Mani commissioned a piece for 2 pianos; Lehigh Valley Chamber Orchestra commissioned a piece for chamber orchestra, Festival “Voor de Vind” commissioned a piece “Viribus unitis” (for organ and tuba).
Jan Jirásek is a frequent guest on international radio and television discussions and interviews: Hessen Radio, Bavarian Radio, Czech Radio Prague, Radio Free Europe, Czech Television Prague, Spanish Television Madrid, Ars Electronica Linz, UNESCO Paris, and Minnesota Public Radio.
Mr. Jirásek’s music is recorded on BMG Classics (the CD “Renaissance of Humanity” with music by Jan Jirásek, Arvo Pärt and Hildegard von Bingen), and BMG-Ariola (the CD “Bread and Circuses”).
Jan Jirásek received a Fulbright Fellowship and spent the academic year 1996-97 as a visiting Professor of Composition in the USA at the Hartt School of Music and University of Colorado at Boulder.
Mr. Jirásek writes prolifically for films. He was awarded with the prestigious film music prize “The Czech Lion” for movie “An Ambiguous Report About the End of the World” (dir. Juraj Jakubisko) and for movie “Kytice” (Wild Flowers), directed by F.A.Brabec.
KAREN BENTLEY POLLICK has performed as violinist with Paul Dresher’s Electro-Acoustic Ensemble since 1999 and performs a wide range of solo repertoire and styles on violin, viola, piano and Norwegian hardangerfele. A native of Palo Alto, California, she studied with Camilla Wicks in San Francisco and with Yuval Yaron, Josef Gingold and Rostislav Dubinsky at Indiana University where she received both Bachelors and Masters of Music Degrees in Violin Performance. She has several recordings of original music, including Electric Diamond, Angel, Konzerto and Succubus and Ariel View, for which she has received three music awards from Just Plain Folks, including Best Instrumental Album and Best Song. On her own record label Ariel Ventures she has produced Dancing Suite to Suite, , and Homage to Fiddlers and Bebop for Beagles. She filmed Dan Tepfer’s Solo Blues for Violin and Piano in Shoal Creek, Alabama, in June 2009.
Pollick was concertmaster of the New York String Orchestra at Carnegie Hall in 1984 and has participated in the June in Buffalo and Wellesley Composers Conferences. She has appeared as soloist with Redwood Symphony in the world premiere of Swedish composer Ole Saxe’s Dance Suite for Violin and Orchestra, the Alabama Symphony, and orchestras in Panama, Russia, Alaska, New York and California. She has performed in recital with Russian pianist/composer Ivan Sokolov at the American Academy of Rome, Seattle, New York City and Colorado, throughout the Czech Republic with cellist Dennis Parker at the American Spring Festival, and in England at the Huddersfield Contemporary Music Festival. Along with choreographer Teri Weksler and percussionist John Scalici, Pollick received a Cultural Alliance of Greater Birmingham 2008 Interdisciplinary Grant to Individual Artists. Pollick received a grant from the Alabama State Council for the Arts and the National Endowment for the Arts for her March 2010 Solo Violin and Alternating Currents concerts in Birmingham, Seattle and at Music Olomouc 2011. With Australian pianist Lisa Moore, Pollick formed the duo Prophet Birds in spring 2009 and the Double Duo with Paul Dresher and Joel Davel. Polli
6:01
Kadhafi’s Africa: The Untold Story
THE MANY LIES TOLD BY THE WEST IN THEIR WAR AGAINST LIBYA
*A- THE REAL REASONS FOR THE WA...
published: 30 Jun 2012
author: UN_ilateral
Kadhafi’s Africa: The Untold Story
THE MANY LIES TOLD BY THE WEST IN THEIR WAR AGAINST LIBYA
*A- THE REAL REASONS FOR THE WAR IN LIBYA*
1- The first African satellite RASCOM 1
It was Libya’s Kadhafi who gave all of Africa its first real revolution in modern times: by ensuring universal coverage of
the continent via telephone, television, radio-broadcast and the many other applications such as telemedicine and
long-distance learning; for the first time in history, a low-cost connection became available across the continent, and
even into rural areas thanks to a bridging WMAX system.
The story begins in 1992 when 45 African countries created the RASCOM organization to acquire an African satellite in
order to bring down the cost of communications across the continent.
At that time, calling from or to Africa had the most expensive call rates in the world, since there was a surcharge of
500 million dollars which Europeans collected annually on telephone conversations even within some African countries,
just to transmit voice messages via European satellites like Intelsat. An African satellite would barely cost 400 millions
dollars payable once and thus avoiding the 500 million annual rental fees. Which banker wouldn’t finance such a
project?
But the difficult part of the equation remained unsettled: how does a beggar gain their freedom from exploitation by
their master by borrowing money from this same master to achieve this?
And so, the World Bank, the IMF, USA, the European Union had needlessly been bilking these countries for over 14
years.
It was in 2006 that Kadhafi put an end to the agony of senseless begging from those supposed benefactors in the West
who only grant loans at predatory rates; the Libyan leaders put 300 million dollars on the table, the African
Development Bank put 50 million, the West African Development Bank contributed 27 million and it is thus, Africa has
owned its very own communications satellite since December 26th 2000;
The very first communications satellite in its history. In the meantime, China and Russia have jumped in, this time by
donating their own technology which allowed the launching of more new satellites; South-Africa, Nigeria, Angola,
Algerian and even a second African satellite was launched in July of 2010.
And by 2020, we are expecting the very first satellite which would be 100% African and built on African soil,
specifically in Algeria. This satellite is expected to be amongst the best in the world, but would cost ten times
cheaper, a true achievement.
This is how a simple gesture worth 300 millions dollars can change the lives on an entire continent.
Kadhafi’s Libya had cost the West not only the 500 million dollars annually but billions of dollars from debt and interest
which this debt would have generated ad infinitum and exponentially, and contributed towards sustaining the obscure
system which continues to rob Africa blind.
2- African Monetary Fund, African Central Bank, African Investment Bank
The 30 billion dollars which M. Obama confiscated belongs to the Libyan Central Bank and was earmarked as the Libyan
contribution toward the finalization of the African Federation in its three keystone phases:
The African Investment Bank to be based in Sitre-Libya, The creation in 2011 of the African Monetary Fund with a
startup capital of 42 billion dollars with Yaoundé as its headquarters, the African Central Bank with its headquarters in
Abuja-Nigeria from which, the first issuance of legal tender would signal the end of the CFA Franc through which Paris
has been able to pillage some African countries for over 50 years. From this we can understand France’s grudge against
Kadhafi.
The African Monetary Fund would supplant in each and every way the activities of the International Monetary Fund on
African soil – a role which, using barely 25 billion dollars in capital, the IMF had been able to bring an entire continent
to its knees through questionable privatization policies, as witnessed by the reality of forcing African countries to
trade-in one public monopoly for a private monopoly.
It was these same Western countries which came knocking at the door trying to become members of the African
Monetary Fund (AMF) and its was via a unanimous vote of 16-17 in December 2010 in Yaoundé that Africans rejected
this proposition, enshrining that only African countries would be members of the AMF.
It therefore seems obvious that after Libya, the Western coalition will declare its next war against Algeria, since, in
addition to its enormous energy resources, that country has financial reserves exceeding 150 Billion Euros.
This is much coveted by all the countries which are now bombing Libya all of whom have the same things in common,
they are all practically bankrupt, the USA alone has 14.000 billion dollars in debt, France, Great Britain and Italy each
have 2.000 Billion in public debt while all the 46 countries of Sub
Youtube results:
1:53
England - Garden shed - All alone (HD, Original lyrics, Download links)
"All alone" by progressive rock band: England, from their album: "Garden shed".
© 1977 BMG...
published: 02 Jan 2014
England - Garden shed - All alone (HD, Original lyrics, Download links)
England - Garden shed - All alone (HD, Original lyrics, Download links)
"All alone" by progressive rock band: England, from their album: "Garden shed". © 1977 BMG Download links: Help me and download from one of these links: http://adf.ly/bWyZT http://adf.ly/bWyal Or don't waste time and download from this one: http://adf.ly/bWyXb Lyrics: (Not found yet) Musicians: - Martin Henderson - Franc Holland - Robert Webb - Jode Leich- published: 02 Jan 2014
- views: 13
2:21
The King Blues -08- Chimp In A Three Piece Suit
The King Blues are a protest band accredited for fusing ska and folk rock together with in...
published: 17 Aug 2010
The King Blues -08- Chimp In A Three Piece Suit
The King Blues -08- Chimp In A Three Piece Suit
The King Blues are a protest band accredited for fusing ska and folk rock together with influences from punk rock and hardcore punk. They originate from London, England. Influences include Public Enemy, The Clash, The Specials and Minor Threat. The King Blues started off as a two man ska outfit, consisting of Itch playing ukulele/vocals and Jamie Jazz playing acoustic guitar and contributing vocals. Current member Jamie Jazz used to work in a music/guitar shop called Rock Around the Clock up in north London in Crouch End/Muswell Hill, however Jamie realised that in order to put The King Blues at the top, he had to leave his job. Whilst this was going on they then expanded to include a second acoustic guitar and a bassist, before again expanding to include two full-time percussion members. Their sound was initially described as "soulful ska with raw folk and a punk rock attitude" or "conscious rude boy ska"- published: 17 Aug 2010
- views: 333
