‌&
Ampersand
Punctuation apostrophe ( ’ ' ) brackets ( [ ], ( ), { }, ⟨ ⟩ ) colon ( : ) comma ( , ، 、 ) dash ( ‒, –, —, ― ) ellipsis ( …, ..., . . . ) exclamation mark ( ! ) full stop/period ( . ) guillemets ( « » ) hyphen ( ‐ ) hyphen-minus ( - ) question mark ( ? ) quotation marks ( ‘ ’, “ ”, ' ', " " ) semicolon ( ; ) slash‌/stroke‌/solidus ( /,  ⁄  ) Word dividers space ( ) ( ) ( ) interpunct ( · ) General typography ampersand ( & ) at sign ( @ ) asterisk ( * ) backslash ( \ ) bullet ( • ) caret ( ^ ) dagger ( †, ‡ ) degree ( ° ) ditto mark ( 〃 ) inverted exclamation mark ( ¡ ) inverted question mark ( ¿ ) number sign‌/pound‌/hash ( # ) numero sign ( № ) obelus ( ÷ ) ordinal indicator ( º, ª ) percent, per mil ( %, ‰, ‱ ) pilcrow ( ¶ ) prime ( ′, ″, ‴ ) section sign ( § ) tilde ( ~ ) underscore‌/understrike ( _ ) vertical bar‌/broken bar‌/pipe ( ¦, | ) Intellectual property copyright symbol ( © ) registered trademark ( ® ) service mark ( ℠ ) sound recording copyright ( ℗ ) trademark ( ™ ) Currency currency (generic) ( ¤ ) currency (specific) ( ₳ ฿ ₵ ¢ ₡ ₢ ₠ $ ₫ ৳ ₯ € ƒ ₣ ₲ ₴ ₭ ℳ ₥ ₦ ₧ ₱ ₰ £ ₹ ₨ ₪ ₸ ₮ ₩ ¥ ៛ ) Uncommon typography asterism ( ⁂ ) tee ( ⊤ ) up tack ( ⊥ ) index/fist ( ☞ ) therefore sign ( ∴ ) because sign ( ∵ ) interrobang ( ‽ ) irony punctuation ( ؟ ) lozenge ( ◊ ) reference mark ( ※ ) tie ( ⁀ ) Related diacritical marks whitespace characters non-English quotation style ( « », „ ” ) In other scripts Chinese punctuation
Book  · Category  · Portal
This template: view talk edit

An ampersand (or epershand; "&") is a logogram representing the conjunction word "and". This symbol is a ligature of the letters in et, Latin for "and".

Etymology[link]

The word ampersand is a conflation of the phrase "and per se and", meaning "and [the symbol which] by itself [is] and".^[1]

Traditionally, in English-speaking schools when reciting the alphabet, any letter that could also be used as a word in itself ("A", "I", and, at one point, "O") was preceded by the Latin expression per se (Latin for "by itself"). Also, it was common practice to add at the end of the alphabet the "&" sign as the 27th letter, pronounced and. Thus, the recitation of the alphabet would end in: "X, Y, Z and per se and". This last phrase was routinely slurred to "ampersand" and the term crept into common English usage by around 1837.^[2][3]

Through popular etymology, it has been falsely claimed that André-Marie Ampère used the symbol in his widely read publications, and that people began calling the new shape "Ampère's and".^[4]

History[link]

Evolution of the ampersand

The modern ampersand is virtually identical to that of the Carolingian minuscule. The italic ampersand, to the right, is originally a later et-ligature.

Et ligature in Insular script

Some modern fonts, like Trebuchet MS or Myriad Web Pro, employ ampersand characters that are revealing of its origin

The ampersand can be traced back to the 1st century A.D. and the Old Roman cursive, in which the letters E and T occasionally were written together to form a ligature (figure 1). In the later and more flowing New Roman Cursive, ligatures of all kinds were extremely common; figures 2 and 3 from the middle of 5th century are both examples of how the et-ligature could look in this script. However, during the following development of the Latin script that led up to the Carolingian minuscule (7th century), while the use of ligatures in general diminished, the et-ligature continued to be used and gradually became more stylized and less revealing of its origin (figures 4–6).^[5]

The modern italic type ampersand is a kind of et-ligature that goes back to the cursive scripts developed during the Renaissance. After the advent of printing in Europe in 1455, printers made extensive use of both the italic and Roman ampersands. Since the ampersand's roots go back to Roman times, many languages that use a variation of the Latin alphabet make use of it.

The ampersand often appeared as a letter at the end of the Latin alphabet, as for example in Byrhtferð list of letters from 1111.^[6] Similarly, & was regarded as the 27th letter of the English alphabet, as used by children (in the USA). An example may be seen in M. B. Moore's 1863 book The Dixie Primer, for the Little Folks.^[7] In her 1859 novel Adam Bede, George Eliot refers to this when she makes Jacob Storey say: "He thought it [Z] had only been put to finish off th' alphabet like; though ampusand would ha' done as well, for what he could see."^[8]

The ampersand should not be confused with the Tironian "et" (“⁊”), which is a symbol similar to the numeral 7. Both symbols have their roots in the classical antiquity, and both signs were used up through the Middle Ages as a representation for the Latin word "et" ("and"). However, while the ampersand was in origin a common ligature in the everyday script, the Tironian "et" was part of a highly specialised stenographic shorthand.^[9]

Writing the ampersand[link]

In everyday handwriting, the ampersand is sometimes simplified as an ε superimposed by a vertical line.

Alternatively, it is sometimes written as a t or a + sign with an added loop, resembling the phonetic symbol for a voiceless alveolar lateral fricative [ɬ]. This type of ampersand may actually be a rendering of the + sign or of the Tironian "et".

Usage[link]

The ampersand is now less common in formal writing.^{[citation needed]} The main surviving use of the ampersand is in the formal names of businesses (especially firms and partnerships, particularly law firms, architectural firms, and stockbroker firms).^{[citation needed]} In such names, a comma never follows the word just before the ampersand. When the ampersand forms part of a registered name (e.g. Brown & Watson), it should not be replaced with and.

The ampersand is also often used when addressing a couple in writing: "Mr. & Mrs. Smith" or "Jane & John".

The ampersand is also used for book and movie titles, such as Harry & Tonto, and in some other proper names.^{[citation needed]} In these cases, & is interchangeable with the word and; the distinction between them is mostly aesthetic.^{[citation needed]} However, in film credits for story, screenplay, etc., & indicates a closer collaboration than and. The ampersand is used by the Writers Guild of America to denote when two writers collaborated on a specific script, rather than having rewritten another writer's work. In screenplays, two authors joined with & collaborated on the script, while two authors joined with and worked on the script at different times and may not have consulted each other at all.^[10] In the latter case, they both contributed enough significant material to the screenplay to receive credit but did not work together (more than likely one was hired to rewrite the previous writer's script).

In APA style, the ampersand is used when citing sources in text such as (Jones & Jones, 2005). In the list of references, an ampersand precedes the last author's name when there is more than one author.^[11] (This does not apply to MLA style, which calls for the "and" to be spelled.^[12])

The phrase et cetera ("and so forth"), usually written as etc. can be abbreviated &c. representing the combination et + c(etera).

The ampersand can be used to indicate that the "and" in a listed item is a part of the item's name and not a separator (e.g. "Rock, pop, rhythm & blues, and hip hop").

Computing[link]

Encoding and display[link]

The character is Unicode U+0026 & ampersand (HTML: & &), this is inherited from the same value in ASCII. Apart from this, Unicode also has the variants:

• U+FE60 ﹠ small ampersand (HTML: ﹠)
• U+FF06 ＆ fullwidth ampersand (HTML: ＆ in block Halfwidth and Fullwidth Forms)
• U+214B ⅋ inverted ampersand (HTML: ⅋)

On the QWERTY keyboard layout it is ⇧ Shift+7. It is almost always available on any keyboard layout, sometimes on ⇧ Shift+6. On the AZERTY keyboard layout it is just &.

Programming languages[link]

In the 20th century, following the development of formal logic, the ampersand became a commonly used logical notation for the binary operator or sentential connective AND. This usage was adopted in computing.

Many languages with syntax derived from C, including C++, Perl,^[13] and more differentiate between:

• & for bitwise AND. (4 & 2) is zero, (4 & 5) is 4.
• && for short-circuit logical AND. (4 && 2) is true.

In C, C++, and Go, a prefix "&" is a unary operator denoting the address in memory of the argument, e.g. &x, &func, &a[3].

In C++ and PHP, unary prefix & before a formal parameter of a function denotes pass-by-reference.

In Fortran, the ampersand forces the compiler to treat two lines as one. This is accomplished by placing an ampersand at the end of the first line and at the beginning of the second line.

In Common Lisp, the ampersand is the prefix for lambda list keywords.^[14]

Ampersand is the string concatenation operator in many BASIC dialects, AppleScript, HyperTalk, and FileMaker. In the Ada it applies to all one-dimensional arrays, not just strings.

BASIC-PLUS on the DEC PDP-11 uses the ampersand as a short form of the verb PRINT.

Applesoft BASIC used the ampersand as an internal command, not intended to be used for general programming, that invoked a machine language program in the computer's ROM.

In some versions of BASIC, unary suffix & denotes a variable is of type long, or 32 bits in length.

The ampersand is occasionally used as a prefix to denote a hexadecimal number, such as &FF for decimal 255, for instance in BBC BASIC. Some other languages, such as the Monitor built into ROM on the Commodore 128, used it to indicate octal instead, a convention that spread throughout the Commodore community and is now used in the VICE emulator.

In MySQL the '&' has dual roles. As well as a logical AND, it additionally serves as the bitwise operator of an intersection between elements.

The ampersand character is used as a special character in at least some versions of the database software originally created in Denmark under the name Navision (the software has since been acquired by Microsoft). Using this character in either "Text" or "Code" fields could create difficulties for performing certain tasks in Navision, such as filtering records (either by the user or by programming). It is also used as described below to indicate shortcuts in menu items and labels.

Perl uses the ampersand as a sigil to refer to subroutines:

• In Perl 4 and earlier, it was effectively required to call user-defined subroutines^[15]
• In Perl 5, it can still be used to modify the way user-defined subroutines are called^[16]
• In Perl 6, the ampersand sigil is only used when referring to a subroutine as an object, never when calling it^[17]

Text markup[link]

In SGML, XML, and HTML, the ampersand is used to introduce an SGML entity. The HTML and XML encoding for the ampersand character is the entity "&"^[18] (pronounced "amper-amp"). This creates what is known as the ampersand problem. For instance, when putting URLs or other material containing ampersands into XML format files such as RSS files the amp; has to be added to the & or they are considered not well formed and computers will be unable to read the files correctly. SGML derived the use from IBM Generalized Markup Language, which was one of many IBM-mainframe languages to use the ampersand to signal a text substitution, eventually going back to System/360 macro assembly language.

In the plain TeX markup language, the ampersand is used to mark tabstops. The ampersand itself can be applied in TeX with \&. The Computer Modern fonts replace it with an "E.T." symbol in the cmti#(text italic) fonts, so it can be entered as {\it\&} in running text when using the default (Computer Modern) fonts.^[19]

In Microsoft Windows menus, labels and other captions, the ampersand is used to denote the keyboard shortcut for that option (Alt + that letter, which appears underlined). A double ampersand is needed in order to display a real ampersand. This convention originated in the first WIN32 api, and is used in Windows Forms,^[20] and is also copied into many other tookits on multiple operating systems.

Unix shells[link]

Some Unix shells use the ampersand as a metacharacter:

Some Unix shells, like the POSIX standard sh shell, use the ampersand to execute a process in the background and to duplicate file descriptors.

• In Bash, the ampersand can separate words, control the command history, duplicate file descriptors, perform logical operations, control jobs, and participate in Regular expressions.^[21]

Web standards[link]

The generic URL (Uniform Resource Locator) syntax allows for a query string to be appended to a file name in a web address so that additional information can be passed to a script; the question mark, or query mark, ?, is used to indicate the start of a query string. A query string is usually made up of a number of different name–value pairs, each separated by the ampersand symbol, &. For example, www.example.com/login.php?username=test&password=blank. But see also "Ampersands in URI attribute values".

See also[link]

• And (disambiguation)
• Kai (abbreviation)
• Tironian notes

References[link]

External links[link]

Wikimedia Commons has media related to: Ampersand

Look up ampersand or epershand in Wiktionary, the free dictionary.

• The Hot Word at Dictionary.com: How ampersand came from a misunderstanding

Amanda Palmer
Palmer playing at the Music Box Theatre, Hollywood, California; December 2008.
Background information
Birth name	Amanda MacKinnon Palmer
Also known as	Amanda Fucking Palmer[1][2]
Born	(1976-04-30) April 30, 1976 (age 36) New York City
Genres	Alternative rock, punk cabaret
Occupations	Artist, performer, musician, songwriter
Instruments	Vocals, keyboard, piano, ukulele
Years active	1989–present
Labels	8ft Records / Formerly Roadrunner Records (until April 2010)[3]
Associated acts	The Dresden Dolls Evelyn Evelyn
Website	Amanda Palmer.net

Amanda MacKinnon Gaiman Palmer^[4] (born April 30, 1976), sometimes known as Amanda Fucking Palmer,^[1][2] is an American performer who first rose to prominence as the lead singer, pianist, and lyricist/composer of the duo The Dresden Dolls.^[5] She has since started a solo career, and is also one half of the duo Evelyn Evelyn.

Biography[link]

Palmer was born in New York City's Mount Sinai Hospital,^[6] and grew up in Lexington, Massachusetts.^[7] She attended Lexington High School, where she was involved in the drama department,^[8] and attended Wesleyan University^[9] where she was a member of the Eclectic Society.^[10] She staged performances based on work by the Legendary Pink Dots, an early influence, and was involved in the Legendary Pink Dots electronic mailing list, Cloud Zero.^{[citation needed]} She then formed the Shadowbox Collective, devoted to street theatre and putting on theatrical shows (such as the 2002 play, Hotel Blanc,^[11] which she directed).

With an interest in the performing arts, both in music and in theatre, Palmer spent time busking as a living statue called "The Eight Foot Bride" in Harvard Square, Cambridge; Edinburgh, Scotland; Australia (where she met Jason Webley);^[12] as well as many other locations. She references this line of work on The Dresden Dolls' self-titled CD, with the song "The Perfect Fit":

"I can paint my face
And stand very, very still
It's not very practical
But it still pays the bills"

as well as on the A is for Accident track "Glass Slipper":

"I give out flowers
To curious strangers
who throw dollars at my feet."

The Dresden Dolls[link]

Amanda Palmer performing with The Dresden Dolls at Kings Arms Tavern in Auckland, New Zealand, September 2006

At a Halloween party in 2000, Palmer met drummer Brian Viglione and afterwards they formed The Dresden Dolls. In an effort to expand the performance experience and interactivity, Palmer began inviting Lexington High School students to perform drama pieces at her live shows. The Dirty Business Brigade, a troupe of seasoned and new artists, performed at many gigs. The invited costumed characters mingled with the crowd before and during the show, and veteran groups sometimes joined in with a choreographed stage act. Life-sized marionettes, coin-operated boys, living statues, and other undergroundlings greeted fans while circus and burlesque drew the audience into the Dolls' music, creating a participatory atmosphere that allowed the audience to experience numerous types of art simultaneously.

After developing a cult following, the band recorded their eponymous debut album, The Dresden Dolls in 2002 with producer Martin Bisi (of Indie, Brooklyn, New York fame). They produced the album before being picked up by Roadrunner Records.

In 2006, The Dresden Dolls Companion,^[13] was published, with words, music & artwork by Amanda Palmer.^[13] In it she has written a history of the album The Dresden Dolls and of the duo, as well as a partial autobiography. The book also contains the lyrics, sheet music, and notes on each song in the album, all written by Palmer, as well as a DVD with a 20 minute interview of Amanda about making the book.

In June 2007, as part of the Dresden Dolls, she toured with the True Colors Tour 2007,^[14] including her debut in New York City's Radio City Music Hall,^[15] and her first review in the New York Times.^[15]

July 2008 saw the release of the second Dresden Dolls book, the Virginia Companion.^[16] It is a follow-up to The Dresden Dolls Companion, featuring the music and lyrics from the Yes, Virginia...(2006) and No, Virginia... (2008) albums.

The Onion Cellar and Cabaret[link]

Palmer conceived the musical/production The Onion Cellar, based on a short story from The Tin Drum by Günter Grass. From December 9, 2006 through January 13, 2007, The Dresden Dolls performed the piece in conjunction with the American Repertory Theater at the Zero Arrow Theatre in Cambridge, Massachusetts. While Palmer was openly frustrated with the direction of the show, fan and critical reviews were very positive.^[17][18]

Palmer, as part of her solo career, returned to the A.R.T. in fall 2010 for a two-month run of Cabaret, starring as the Emcee.^{[citation needed]}

2010 Reunion Tour[link]

In 2010, a reunion tour to selected venues in the United States occurred. It started on Halloween in New York City and ended in San Francisco on New Years Eve.^[19]

Solo career[link]

Palmer (left) as one half of Evelyn Evelyn, with Jason Webley.

Palmer's solo album, Who Killed Amanda Palmer, was released on September 16, 2008.^[20] Ben Folds produced and also played on the album.^[21][22] The title is a play on an expression used by fans during Twin Peaks' original run, "Who killed Laura Palmer?" A companion book of photos of Palmer looking as if she were murdered was released in July 2009 featuring photography by Kyle Cassidy and accompanying writing by Neil Gaiman.

August Strindberg was indirectly referenced in a song by Palmer titled "Strength Through Music," which contains an audio clip of a web cartoon called Strindberg and Helium. The cartoon almost exclusively quotes Strindberg's work.

In July 2007, Palmer played three sold out shows (in Boston, Hoboken, and NYC) in a rare "with band" format. Her backing band was Boston alternative rock group Aberdeen City, who also opened along with Dixie Dirt. In August 2007, Amanda traveled to perform in the Spiegeltent and other venues at the Edinburgh Festival Fringe in Scotland, and also performed on BBC Two's The Edinburgh Show. She collaborated with Australian theater company, The Danger Ensemble; both again appeared at the Spiegeltent in Melbourne and at other venues around Australia in December 2007. In September 2007 Palmer collaborated with Jason Webley to release Evelyn Evelyn's debut EP "Elephant Elephant" via Jason's Eleven Records. In June 2008, Palmer established her solo career with two well-received performances with the Boston Pops.^[23][24][25] In Autumn 2008, she toured Europe with Jason Webley, Zoe Keating and The Danger Ensemble, performing songs mostly from her debut solo album. She did most of the shows with a broken foot she had sustained in Ireland when a car ran over her foot as she stepped out into a street.^[26] In April 2009, she played at the Coachella Valley Music and Arts Festival.^[15]

In 2009, Palmer went back to her alma mater, Lexington High School in Massachusetts to collaborate with her old director and mentor Steven Bogart on a workshop piece for the department's spring production. The play, With The Needle That Sings In Her Heart was inspired by Neutral Milk Hotel's album, In the Aeroplane Over the Sea and The Diary of Anne Frank.^[27] It received an overwhelmingly positive response from the Lexington community and abroad. NPR's Avishay Artsy interviewed the cast in a piece featured on All Things Considered on closing night of the production.^[28] Amanda described this process as "what it's all about" in her blog.^{[citation needed]}

From August to October 2010, she performed in Cabaret at the A.R.T. in Boston, Massachusetts. She played the emcee, collaborating with long-time associates Lance Horne (music director), Steven Mitchell Wright of The Danger Ensemble ("movement master/choreographer"), and Steven Bogart (director, Amanda's high school drama teacher who directed the Lexington High School production of the Neutral Milk Hotel-inspired "With the Needle That Sings In Her Heart").^[29][30][31]

Palmer has increasingly used the ukulele in her career,^[32] including free ninja gigs in public locations, that are open to all ages.^{[citation needed]}

On February 9, 2012, Palmer announced on her blog^[33] that she will begin recording a new solo album in collaboration with The Grand Theft Orchestra, under the name of 'Amanda Palmer & The Grand Theft Orchestra'. Palmer stated that there are "20+ songs" ready to record, and that "almost all of them have never been heard". The album is to be recorded in Melbourne with John Congleton producing.^[33]

Use of the Internet[link]

Palmer is noted for her use of the Internet, regularly using the latest innovations to make new fans and connect with old ones. This includes her forum,^[34] her blog,^[35] use of many free music and social networking sites, fund raising, and direct-to-fan marketing.^[36]

Controversies[link]

Dispute with Roadrunner Records, fans' "ReBellyon"[link]

Photo taken during her 2008 tour promoting Who Killed Amanda Palmer?

After the release of her music video for the song "Leeds United," Palmer sparked controversy with a post in her blog. She claimed Roadrunner Records had wanted to pull certain shots from the video that exposed her stomach, because "...they thought I looked fat." After her fans read about this, they posted pictures of their stomachs online with messages to Roadrunner, lyrics, and words of comfort. They then sent their pictures to the record label, and started a web site.^{[citation needed]} The fans coined a term for the movement: The ReBellyon, and put together a book, "The Belly Book," of over 600 pictures and stories from fans. The book was sold over the internet to fans all over the world.^[37] Pitchfork Magazine^[38] and The Guardian^[39] were among publications reporting on the controversy.

Partly because of the Leeds video controversy,^{[citation needed]} Palmer attempted to disengage from her contract with Roadrunner Records, going as far as composing and performing a song called "Please Drop Me," which asked the label to free her from the contract.^[40][41]

After a long legal battle between Palmer and Roadrunner, and her repetitive pleas to discontinue her contract with Roadrunner, Palmer announced^[3] that Roadrunner Records finally released her from their label. Her appreciation was punctuated with another new song: "Do You Swear to Tell the Truth the Whole Truth and Nothing but the Truth So Help Your Black Ass" as a free download to celebrate her new freedom. She repeated the announcement during an appearance on the Australian music quiz show Spicks and Specks.^[42]

"Oasis" controversy[link]

Palmer's song "Oasis" and its follow-up video sparked more controversy. The song's fictional story deals with an Oasis fan and rape victim who has an abortion. Despite these tragic events, she states that "I've seen better days, but I don't care", and directly after, informs the listener what just happened involving her process of communicating to Oasis through fan mail, first, "I just sent a letter in the mail", then, "Oasis got my letter in the mail", and finally, toward the end of the song, "I just got a letter in the mail."^[43] Palmer received an e-mail while she was in the United Kingdom from her label there explaining that "all" of the TV outlets in the country had refused to play the video due to its "making light of rape, religion, and abortion." Palmer, in response, wrote on her blog "I suggested that I might be allowed to play it if I just slowed it way down and played it in a minor key. Think about it. If they heard the same lyrics against the backdrop of a very sad and liliting [sic] piano, maybe with some tear-jerking strings thrown in for good measure, would they take issue?"^[44]

"I Kissed a Girl" skit[link]

In December 2008, Palmer performed an Anti Proposition 8 agitprop skit at the Henry Fonda Theatre in Los Angeles where a Katy Perry look-alike came onstage and began singing her controversial song "I Kissed a Girl," only to be interrupted, kissed, and fondled by Palmer and comedian Margaret Cho. The skit ended with the two binding and gagging "Perry," who is forced into a mock wedding with Palmer, followed by the raising of an anti Proposition 8 banner. Palmer mentioned, on her blog, the discontent some in the LGBT community had with Perry over her exploitation of their identity in her song "I Kissed a Girl," and said she meant the piece as a protest against Proposition 8.^[45][46]

Personal life[link]

Palmer resides in Boston, Massachusetts.

She has identified as bisexual,^[47] telling afterellen.com in 2007: "I'm bisexual, but it's not the sort of thing I spent a lot of time thinking about," Palmer said. "I've slept with girls; I've slept with guys, so I guess that's what they call it! I'm not anti trying to use language to simplify our lives."^[48] On her blog, Palmer has stated that she had an abortion at age 17. In the same blog post, she stated that she was date raped when she was 20 years old.^[49]

Amanda Palmer and Neil Gaiman (Vienna 2011)

On January 1, 2010, she stated on her Twitter feed that she "might have told [Neil Gaiman] [she]'d marry him but also might have been drunk."^[50] On January 15, 2010, Neil Gaiman and Palmer confirmed their engagement in an announcement made to their respective websites.^[51][52] On November 16, 2010, Amanda Palmer hosted a flash mob wedding (not legally binding) for Gaiman's birthday in New Orleans.^[53] On January 3, 2011, the couple announced, via Twitter, that they had legally married in a private ceremony.^[54] The wedding took place in the parlour of writers Ayelet Waldman and Michael Chabon.^[55]

Palmer practices meditation and wrote an article titled "Melody vs. Meditation"^[56] for the Buddhist publication Shambhala Sun, that described the struggle between songwriting and being able to clear the mind to meditate. Palmer has also mentioned her pescetarianism on her blog.^[57] She has many friends who are fellow musicians, and frequently performs alongside them, either accompanying them in their performances, or featuring them in her live shows.^{[original research?]} These performers include: Jason Webley, Kim Boekbinder, The Jane Austen Argument, Reggie Watts, Tim Minchin, Mikelangelo, Meow Meow and Neil Gaiman.^{[citation needed]}

Awards & honors[link]

• 2012 – Twitter Feed @amandapalmer in the Boston Phoenix's Best 2012 ^[58]
• 2011 – Actress in a local production: Cabaret – Boston's Best, Improper Bostonian^[59]
• 2010 – Artist of the Year – Boston Music Awards^[60][61][62]
• 2010 – Cover of Fake Plastic Trees (Radiohead) named 13th of Paste Magazine's 20 Best Cover Songs of 2010^[63]
• 2009 – No. 100 on After Ellen's Hot 100 of 2009.^[64]
• 2008 – No. 6 on the Best Solo artist list in The Guardian's Readers' Poll of 2008.^[65]
• 2007 – No. 6 on Spinner.com's Women Who Rock Right Now.^[66]
• 2006 – the Boston Globe named her the most stylish woman in Boston.^[67]
• 2006 – listed in Blender Magazine's hottest women of rock.^[68]
• 2005 – Best Female Vocalist in the WFNX/Boston Phoenix Best Music Poll.^[69][70]

Discography[link]

Solo artist[link]

Demos[link]

• Songs from 1989–1995... (1996)
• Summer 1998 Five Song Demo (1997)

Studio albums[link]

• Who Killed Amanda Palmer (2008) No. 77 US^[71]
• Amanda Palmer Goes Down Under (2011)^[72]
• Amanda Palmer & The Grand Theft Orchestra (2012)^[73]

EPs[link]

• Amanda Palmer Performs the Popular Hits of Radiohead on Her Magical Ukulele (2010)^[74][75][76]

Singles[link]

• "Do You Swear to Tell the Truth the Whole Truth and Nothing but the Truth So Help Your Black Ass" (April 6, 2010)
• "Idioteque" (June 10, 2010)
• "Map of Tasmania" (December 2010)^[77]

DVDs[link]

• Who Killed Amanda Palmer: A Collection of Music Videos (2009)

As part of The Dresden Dolls[link]

• The Dresden Dolls EP (2002)
• A Is for Accident (2003)
• The Dresden Dolls (2003, reissued 2004)
• Yes, Virginia... (2006)
• No, Virginia... (2008)

As part of Evelyn Evelyn[link]

• Elephant Elephant (2007)^[78][79]
• Evelyn Evelyn (2010)

Other collaborations[link]

• "Trudy" (with Ad Frank and the Fast Easy Women on In Girl Trouble) (2003)
• "Circus Freak Love Triangle" (with Hierosonic on Pornos and Razorblades) (2005)
• "Warsaw Is Khelm" (with Golem on Fresh Off Boat) (2006)
• "Life", "Eight Days of Hell" and "Witch's Web" (with ...And You Will Know Us by the Trail of Dead on So Divided) (2006)
• "The Lovers" (with Meredith Yayanos on Brainwaves) (2006)
• "Stuck with You" (with Voltaire on Ooky Spooky) (2007)
• "Everybody Hurts" (with Cormac Bride on Stereogum Presents... Drive XV: A Tribute to Automatic For the People) (2007)
• "Black Versus White" (with Apoptygma Berzerk on Rocket Science) (2009)
• Murder By Death/Amanda Palmer Split 7" (2009)
• "Living in Misery" (with Kill Hannah on Wake Up the Sleepers) (2009)
• "János vs Wonderland" (with Tristan Allen on Tristan Allen EP) (2010)
• "The Little Prince" (with Lance Horne on First Things Last) (2011)^[80]
• Nighty Night (with Damian Kulash of OK Go, Neil Gaiman and Ben Folds as 8in8) (2011)^[81][82]
• "Such Great Heights" (with Kim Boekbinder on Such Great Heights single) (2011)^[83][84][85]

Cameo appearances[link]

• "Let Me Borrow That Top" (by Liam Kyle Sullivan aka. "Kelly") (2004) appearing briefly in the mall scene.
• "With the Needle That Sings in Her Heart" (Lexington High School's 2009 Spring Production) appearing as "The Ringmaster"

Bibliography[link]

• Palmer, Amanda (2006). The Dresden Dolls Companion. New York, NY: Eight Foot Music. ISBN 978-1-57560-888-4. 
• Palmer, Amanda; Viglione, Brian (2008). The Dresden Dolls – The Virginia Companion. Cherry Lane Music Company. ISBN 1-60378-079-3. 
• Palmer, Amanda; Gaiman, Neil; Cassidy, Kyle; Hommel, Beth (2009). Who Killed Amanda Palmer: A Collection of Photographic Evidence. New York, NY: Eight Foot Books. ISBN 0-615-23439-9. 
• Palmer, Amanda (2009). Amanda Palmer - Who Killed Amanda Palmer?. Cherry Lane Music Company. p. 112. ISBN 978-1-60378-123-7. "A songbook with the chords and lyrics to the album Who Killed Amanda Palmer" 
• Cynthia, Von Buhler; Palmer, Amanda; Webley, Jason (2011). Evelyn Evelyn (illustrated ed.). Diamond Comic Distributors. p. 144. ISBN 978-1-59582-578-0. 

Notes[link]

External links[link]

Wikimedia Commons has media related to: Amanda Palmer

Wikiquote has a collection of quotations related to: Amanda Palmer

• Amanda Palmer's official site
• Live Webcast & Ustream archive
• Amanda Palmer's autobiography on The Dresden Dolls' website
• Amanda Palmer discography at MusicBrainz
• Amanda Palmer discography at Discogs

Interviews[link]

• Conversation with Amanda Palmer and Henry Rollins – July 7, 2007

Features[link]

• "Art Endures, Capitalism Degenerates: The Evolving Career of Amanda Palmer", by Sean Bell, PopMatters, October 28, 2011