Serpentine may refer to:

in music:

Dimmu Borgir ( /ˌdɪmuː ˈbɔrɡɪər/) is a Norwegian black metal band from Oslo, Norway, formed in 1993. Dimmu Borgir means "dark cities" or "dark castles/fortresses" in Icelandic, Faroese and Old Norse. The name is derived from a volcanic formation in Iceland, Dimmuborgir. The band has been through numerous line-up changes over the years; guitarist Silenoz and vocalist Shagrath are the only founding members remaining.

Dimmu Borgir was founded in 1993 by Shagrath, Silenoz, and Tjodalv, the band released an EP in 1993 entitled Inn i evighetens mørke ("Into the Darkness of Eternity" in English). This short EP sold out within weeks, and the band followed up with the 1994 full length album For All Tid ('For All Time' in English) This album featured vocal contributions by Vicotnik of Ved Buens Ende and Dødheimsgard and Aldrahn of Dødheimsgard and Zyklon-B. The initial lineup consisted of Shagrath playing drums with Tjodalv on guitar and Silenoz contributing lead vocals. This line-up changed before the release of Stormblåst (translates to "Storm Blown") on Cacophonous Records in 1996, an album considered by many to be their finest. It is also the last album which features all lyrics written and sung in Norwegian. This album was criticized by Allmusic because of bad sound quality and inaccessibility to wide audience.

Loie Fuller (also Loïe Fuller; (January 15, 1862 – January 1, 1928) was a pioneer of both modern dance and theatrical lighting techniques.

Born Marie Louise Fuller in the Chicago suburb of Fullersburg, now Hinsdale, Illinois, Fuller began her theatrical career as a professional child actress and later choreographed and performed dances in burlesque (as a skirt dancer), vaudeville, and circus shows. An early free dance practitioner, Fuller developed her own natural movement and improvisation techniques. Fuller combined her choreography with silk costumes illuminated by multi-coloured lighting of her own design.

Although Fuller became famous in America through works such as Serpentine Dance (1891), she felt that she was not taken seriously by the public who still thought of her as an actress. Her warm reception in Paris during a European tour persuaded Fuller to remain in France and continue her work. A regular performer at the Folies Bergère with works such as Fire Dance, Fuller became the embodiment of the Art Nouveau movement. An 1896 film of the Serpentine Dance by the pioneering film-makers Auguste and Louis Lumière gives a hint of what her performance was like. (The unknown dancer in the film is often mistakenly identified as Fuller herself.)