The Qin Dynasty (Chinese: 秦朝; pinyin: Qín Cháo; Wade–Giles: Ch'in Ch'ao; IPA: [tɕʰǐn tʂʰɑ̌ʊ̯]) was the first imperial dynasty of China, lasting from 221 to 207 BCE. The Qin state derived its name from its heartland of Qin, in modern-day Gansu and Shaanxi. The strength of the Qin state was greatly increased by the legalist reforms of Shang Yang in the 4th century BC, during the Warring States Period. In the mid and late third century BC, the Qin accomplished a series of swift conquests, first ending the powerless Zhou Dynasty, and eventually destroying the remaining six states of the major states to gain control over the whole of China, resulting in a unified China.

During its reign over China, the Qin Dynasty achieved increased trade, improved agriculture, and military security. This was due to the abolition of landowning lords, to whom peasants had formerly held allegiance. The central government now had direct control of the masses, giving it access to a much larger workforce. This allowed for the construction of ambitious projects, such as a wall on the northern border, now known as the Great Wall of China. The Qin Dynasty also introduced several reforms: currency, weights and measures were standardized, and a better system of writing was established. An attempt to purge all traces of the old dynasties led to the infamous burning of books and burying of scholars incident, which has been criticized greatly by subsequent scholars. The Qin's military was also revolutionary in that it used the most recently developed weaponry, transportation, and tactics, though the government was heavy-handed and bureaucratic.

"The Man" is a slang phrase that may refer to the government or to some other authority in a position of power. In addition to this derogatory connotation, it may also serve as a term of respect and praise.

The phrase "the Man is keeping me down" is commonly used to describe oppression. The phrase "stick it to the Man" encourages resistance to authority, and essentially means "fight back" or "resist", either openly or via sabotage.

The earliest recorded use^{[citation needed]} of the term "the Man" in the American sense dates back to a letter written by a young Alexander Hamilton in September 1772, when he was 15. In a letter to his father James Hamilton, published in the Royal Dutch-American Gazette, he described the response of the Dutch governor of St. Croix to a hurricane that raked that island on August 31, 1772. "Our General has issued several very salutary and humane regulations and both in his publick and private measures, has shewn himself the Man." ^{[dubious – discuss]} In the Southern U.S. states, the phrase came to be applied to any man or any group in a position of authority, or to authority in the abstract. From about the 1950s the phrase was also an underworld code word for police, the warden of a prison or other law enforcement or penal authorities.

Ma Xiaohui (simplified Chinese: 马晓晖; traditional Chinese: 馬曉暉; pinyin: Mǎ Xiǎohuī) is an erhu player and composer from Shanghai, China. She is one China's few first-class traditional artists embracing an international career. Critics have referred to her as "an artist who speaks with the world through Erhu" and "a musician who plays with heart."

Ma is perhaps most readily recognized for her duet with famed cellist Yo-Yo Ma on the Oscar -winning soundtrack for the film Crouching Tiger, Hidden Dragon. The Kennedy Center for the Performing Arts regarded her 1999 Millennium Stage performance among that year's ten finest concerts.

Raised in an academic family and having played erhu since age six, Ma graduated from the Shanghai Conservatory of Music, and served as concert master for the Shanghai Traditional Orchestra before commencing her independent career. Among her diverse associations, Miss Ma is a member of the United Nations Oriental Art Center, guest professor at Southwest Jiaotong University (Chengdu), love envoy of the 2007 World Special Olympics, and Cultural Ambassador to the 2010 World Exposition in Shanghai. She also advises the Hong Kong Youth Music Association and the Ningbo Folk Music Orchestra, as well as directing her own Shanghai Xiaohui Art Center.