- published: 20 Feb 2011
- views: 1004
- author: L1011Widebody
1:38
Castles II: Siege and Conquest (CD) - Concentric Castle
A short video from the CD version of Interplay's Castles II: Siege and Conquest strategy g...
published: 20 Feb 2011
author: L1011Widebody
Castles II: Siege and Conquest (CD) - Concentric Castle
A short video from the CD version of Interplay's Castles II: Siege and Conquest strategy game.
- published: 20 Feb 2011
- views: 1004
- author: L1011Widebody
2:54
Medieval Europe: Design of Castle
This section describes the important protective functions in the design of a castle using ...
published: 13 Mar 2010
author: Blad771
Medieval Europe: Design of Castle
This section describes the important protective functions in the design of a castle using images of surviving castles.
- published: 13 Mar 2010
- views: 58047
- author: Blad771
2:07
Concentric Castle.avi
A defensive strategy....
published: 30 Mar 2012
author: Shane Nelsen
Concentric Castle.avi
A defensive strategy.
- published: 30 Mar 2012
- views: 363
- author: Shane Nelsen
3:47
The real Caerphilly Castle
Gilbert de Clare's magnificent concentric castle in Wales. Filmed by The Gatehouse - Histo...
published: 18 Sep 2011
author: TheGatehouseCraft
The real Caerphilly Castle
Gilbert de Clare's magnificent concentric castle in Wales. Filmed by The Gatehouse - Historical Garden Craft Music by Kate Covington (katethegreat19)
- published: 18 Sep 2011
- views: 1971
- author: TheGatehouseCraft
6:28
Let's Explore Rhuddlan Castle!
Music: 'Brandenburg No 4' Kevin MacLeod (www.incompetech.com) Licensed under Creative Comm...
published: 26 Apr 2011
author: twish1999
Let's Explore Rhuddlan Castle!
Music: 'Brandenburg No 4' Kevin MacLeod (www.incompetech.com) Licensed under Creative Commons "Attribution 3.0" http://creativecommons.org/licenses/by/3.0/ R...
- published: 26 Apr 2011
- views: 1075
- author: twish1999
8:58
Minecraft Concentric Castle Project
This is my riddlesdown school project!!!!! Enjoy.............................................
published: 27 Feb 2013
author: Skillsdills123
Minecraft Concentric Castle Project
This is my riddlesdown school project!!!!! Enjoy............................................. To be continued...................................................
- published: 27 Feb 2013
- views: 97
- author: Skillsdills123
2:09
woodworking in caerphilly castle
Caerphilly Castle (Welsh: Castell Caerfili) is a Norman castle that dominates the centre o...
published: 23 Apr 2007
author: fazzouzi
woodworking in caerphilly castle
Caerphilly Castle (Welsh: Castell Caerfili) is a Norman castle that dominates the centre of the town of Caerphilly in south Wales. It is the largest castle i...
- published: 23 Apr 2007
- views: 13940
- author: fazzouzi
0:44
Concentric castle
I do not own all the pictures or minecraft. The credit for the pictures goes to their owne...
published: 04 Nov 2012
author: JerseyFantage
Concentric castle
I do not own all the pictures or minecraft. The credit for the pictures goes to their owners. ***I DO NOT OWN ANY OF THE MUSIC USED IN THIS VIDEO, IT IS FOR ...
- published: 04 Nov 2012
- views: 28
- author: JerseyFantage
5:47
Concentric Castle
A concentric castle is a castle with two or more concentric curtain walls, such that the i...
published: 21 Apr 2013
author: MrWikiReader
Concentric Castle
A concentric castle is a castle with two or more concentric curtain walls, such that the inner wall is higher than the outer and can be defended from it. The...
- published: 21 Apr 2013
- views: 1
- author: MrWikiReader
3:38
Concentric Castle
My awesome castle....
published: 16 Feb 2013
author: Billster1234XBOX
Concentric Castle
My awesome castle.
- published: 16 Feb 2013
- views: 22
- author: Billster1234XBOX
14:53
Motte and Bailey Castle
How I made a Motte and Bailey Castle for Year 7 History project....
published: 01 Jun 2011
author: MissCess100
Motte and Bailey Castle
How I made a Motte and Bailey Castle for Year 7 History project.
- published: 01 Jun 2011
- views: 15530
- author: MissCess100
5:04
Stone Keep Castles
A short film about stone castles set to the song by Queen - We will rock you....
published: 07 Mar 2008
author: worcesterjonny
Stone Keep Castles
A short film about stone castles set to the song by Queen - We will rock you.
- published: 07 Mar 2008
- views: 33467
- author: worcesterjonny
2:55
Chepstow Castle -Wales UK
Part of Tours By Tape : Wales ( United Kingdom ) narrated and written by Richard Mitchley ...
published: 14 Sep 2008
author: LearnFree2007
Chepstow Castle -Wales UK
Part of Tours By Tape : Wales ( United Kingdom ) narrated and written by Richard Mitchley Richard also runs a walking holiday company in Wales, vist his site...
- published: 14 Sep 2008
- views: 14196
- author: LearnFree2007
Vimeo results:
1:11
40 Seconds of Tickle
Buy The Great Book of BASE: www.base-book.com
Ickle Me, Pickle Me, Tickle Me Trees,
Over ...
published: 18 Jul 2011
author: BASE-Book - Matt Gerdes
40 Seconds of Tickle
Buy The Great Book of BASE: www.base-book.com
Ickle Me, Pickle Me, Tickle Me Trees,
Over the sun and beyond the breeze.
'Have fun!'
'Fly far!'
'Concentrate, don't sneeze!'
Cried Ickle Me, Pickle Me, Tickle Me Trees.
Music: Crystal Castles.
3:54
SILENCE OF DEATH directed by Mani Nasry (16MM FILM) 1ST YEAR RYERSON UNIVERSITY STUDENT FILM
IMDB PAGE
www.imdb.me/maninasry
This Scene expresses- FEAR- noun: an emotion experience...
published: 22 Jun 2009
author: MANI NASRY
SILENCE OF DEATH directed by Mani Nasry (16MM FILM) 1ST YEAR RYERSON UNIVERSITY STUDENT FILM
IMDB PAGE
www.imdb.me/maninasry
This Scene expresses- FEAR- noun: an emotion experienced in anticipation of some specific pain or danger (usually accompanied by a desire to flee or fight). noun: a feeling of anxiety and agitation caused by the presence or nearness of danger, evil, pain, etc.; timidity; dread; terror; fright; apprehension. Terrify not your soul with vain imaginary fears. By realizing that you are the one feeding the fire, you can start to take control of your fears. Panic is a vicious cycle that can be broken. When you start to have irrational fears you need to take action quick. Eleanor Roosevelt once said: "You gain strength, courage, and confidence by every experience in which you really stop to look fear in the face. You must do the thing, which you think you cannot do." We must stop running away from things that frighten us, face our fears head on, and do the thing we fear the most. Most of the time we'll find out that the "thing" was not that scary after all. Our imaginations had behaved like a super fertilizer and grown a grotesque monstrosity in our minds. Remember, our imaginations are incredibly powerful. They can work against us, creating horrible images that leave us paralyzed with fear and they can also work for us, building a world where everything we do is an adventure, a miracle. And the most amazing thing is that we hold the power to control our minds - we allow fear to dominate our lives or we choose to dominate fear. Those are our only two choices.
Links of Interest for Producers and Filmmakers
Canadian Film Exhibiton Listing http://www.aflick.ca
Festival Info - Worldwide
Box Office-theatrical box office figures
film releases - chronologically listing of theatrical releases
Coming Soon- trailer archive and other stuff
Indie WIRE -Independent film and dialy new
Academmy of Canadian Cinema - www.academy.ca
Toronto Film and Television Office (for permits, etc.) - www.toronto.ca
Canadian Filmmaker (great site for producers and independent film development) - canadianfilmmaker.com
Writer's Guild Development Funding link - www/wgc/ca
LIFT Film co-op - - www.lift.on.ca
Jobs-Crews - Indie Access - www.indieaccess.com
Mandy.com - Cast and Crew - www.mandy.com
National Screen Instistute - - www.nsi-canada.ca
Canadian Independent Film and Video Fund - - www.cifvf.ca
Ontario Media Development Corporation (former OFDC) www.omdc.on.ca/
Telefilm Canada http://www.telefilm.gc.ca
Canadian Audio-Visual Certification Office http://www.pch.gc.ca/progs/ac-ca/progs/bcpac-cavco/index_e.cfm
(CAVCO)
Harold Greenberg Fund - - www.astralmedia.com
National Film Board http://www.nfb.ca
National Film Board - Seven week training for docs
BRAVO Fact fund - www.bravofact.com
Canadian Film and Televsion Production Association (CFTPA) http://www.cftpa.ca
Toronto Arts Council http://www.torontoartscouncil.org/
Ontario Arts Council http://www.arts.on.ca/?source=renaissancefaire.ca
Canada Council for the Arts http://www.canadacouncil.ca
Canadian Film Centre http://www.cdnfilmcentre.com
Directors Guild of Canada http://www.dgc.ca
Canadian Society of Cinematographers (CSC)
I.A.T.S.E.- Cameraman http://www.iatse667.com/
I.A.T.S.E.- Technicians http://www.iatse873.com
ACTRA http://www.actra.ca
Writers Guild http://www.writersguildofcanada.com
Canadian Copyright: Infringement, Fair Dealing, Ownership CIPO
Canadian Authors Association CAA
Music Rights and Licenses SOCAN
FilmToronto.com http://www.filmtoronto.com
Women in Film & Television (WIFT) http://www.wift.com
Internet Movie Database (imdb.com) http://www.imdb.com
Playback Magazine http://www.playbackmag.com
My Mediabiz http://www.mymediabiz.com
Links of Interest for Producers and Production Managers
Toronto Film Office - permits, etc.
Film Locations in Toronto
PS Production Services
William F. Whites
Panavision
Cinequip
Sim Video
Video Scope
Digital video supplies
Film Stock - Kodak
Fuji
MANI NASRY FILM AND TELEVISION RESUME Performer Profile Gender: Male Height: 5 feet 7 in Weight: 140 Age Range: 21 - 29 Physique: Athletic Hair Color: Brown Eyes: Brown Film Family Curse (2003 TV movie) Cast-Apr 01, 2003 SHADOW WALKERS PRODUCTIONS LTD Dawn of the Dead (2004) Cast-May 25, 2003/Jul 20, 2003 CORPUS VIVOS PRODUCTIONS INC Beautiful Girl (2003 TV movie) Cast-Aug 31, 2003 NEVER TIME PRODUCTIONS LTD New York Minute (2004/I) Cast-Sep 07, 2003 NY MINUTE FILMS INC Prom Queen: The Marc Hall Story (2004 TV movie) Cast-Oct 18, 2003 ADJUSTMENT BULLOCH Childstar (2004) Cast-Nov 23, 2003/Dec 07, 2003 RHOMBUS MEDIA The Coven (2004 TV movie) Cast-Dec 07, 2003 COVEN PRODUCTIONS CORP Man of the Year (2006) Cast-Feb 14, 2006 AXIUM ENTERTAINMENT SERVICES CANADA HOOKED ON SPEEDMAN Cast-Mar 08, 2006 PLAYING ARMY PRODUCTIONS INC "WHAT DO YOU SEE 1" Cast-Mar 14, 2006 ARNOLD WORLDWIDE CANADA Roa
16:19
GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER ...
published: 13 Aug 2011
author: franklyn wepner
GESTALT WORK ON AWARENESS (HQ) - PART גשטאלט - מודעות - חלק 1
HQ. gestalt work on awareness, part 1. hebrew subtitles added.
BY FRANKLYN WEPNER SEPTEMBER 1, 2006
HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY
GESTALT DREAM WORK AS PREPARATION FOR PERFORMING
Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that.
My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama.
During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm).
Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail.
WORKING OUT FROM YOUR CENTERS
After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using his major Gestalt moments as what Michael Chekhov in his book "To The Actor" labels "psychological gestures". Perls calls them the "essences" of a patient's personality, or we can say he is working from his "centers", stretching those sounds, moves and psychological motivations in as many creative directions as he can. I monitor closely to be sure he is not faking it, the way most actors end up doing since they do not have the centers to begin with.
Before the performer begins working with others doing improvs and scenework, there is an important transitional stage in the work in which I help him get comfortable using his very personal Gestalt material freely as creative material. He needs to shift from seeing himself as a patient to enjoying the role of an artist of the
29:21
GESTALT WORK ON AWARENESS WITH BEL part 3 (HQ)
part 3 of a two hour gestalt session on awareness with actress bel baca. the focus here is...
published: 01 Jan 2011
author: franklyn wepner
GESTALT WORK ON AWARENESS WITH BEL part 3 (HQ)
part 3 of a two hour gestalt session on awareness with actress bel baca. the focus here is "the rhythm of contact and withdrawal", alternating between contact with the environment and withdrawal into the void of "not knowing" to discover what fantasies and new ideas are waiting to emerge into awareness there.
TO VIEW OR DOWNLOAD ALL OF MY VIDEOS, PLUS 1500 PAGES OF MY EXPLANATORY ESSAYS (ALL AT NO CHARGE) PLEASE VISIT MY WEBSITE: franklynwepner.com. ALSO PLEASE NOTE MY NEW EMAIL ADDRESS, IF YOU WOULD LIKE TO SHARE WITH ME ANY COMMENTS ABOUT MY WORK: franklynwepner@gmail.com. IN THE LISTING OF VIDEOS THE LETTERS (HQ) REFER TO A HIGHER QUALITY VERSION OF THE VIDEO, WHICH IS AVAILABLE TO YOU IF YOUR COMPUTER CAN HANDLE IT.
BY FRANKLYN WEPNER SEPTEMBER 1, 2006
HOW I WORK: GESTALT DREAMWORK AS THEATER AND PROPHECY
GESTALT DREAM WORK AS PREPARATION FOR PERFORMING
Since 1975 I have been using Gestalt work on awareness, dreams and personal relationships as a way to train and direct performers. The basic principle is simple. I use the Gestalt work to peel the onion of layer after layer of social cliches, ego games and unfinished personal business, and then I do the reverse process reconstituting the onion in the form of characters or other artist structures. The existential message of the dream becomes the superobjective or action of the tragedy, and then I build up the way the performer handles the characters and the plot around that.
My usual procedure is to begin the training with three Gestalt sessions, one on one. The first session, two hours long, deals with the three zones of awareness. During the first hour I simply let him relate what he aware of, since I want to know how he operates before I start meddling with his life. This is important since overall during the Gestalt sessions we are peeling the onion of cliches and games to get to authentic action, and later we will need all of those layers to rebuild the onion as characters involved in the unfolding action of a drama. We need his cliche and game layers for the beginning of the action in Act One as much as we need his authentic action at the end of the dramatic action for Acts Four and Five of a tragic drama.
During the second hour of the first Gestalt session on awareness I attempt to guide him towards a balance of the zones of awareness: outer zone awareness of the environment, inner zone awareness of his body, and fantasy zone awareness of his daydreams. The second and third Gestalt sessions are each three hours long, and each is a typical Gestalt dreamwork session as presented by Fritz Perls in Gestalt Therapy Verbatim. The performer tells the dream in the here and now, identifies with (play acts) several of the main images of the dream in dialogues with each other, and experiences the rhythm of contact and withdrawal. That is to say, after each major dialogue of polarized sides of himself (the contact part) he is instructed to close his eyes, enter his body awareness and daydream (the withdrawal phase of the rhythm).
Since my goal is theater as well as healing, whenever possible during the Gestalt dreamwork I encourage lots of expression using sound and movements. I work with a palette of about 200 different types of recorded musical excerpts, and whenever appropriate I ask him if that image or emotional state were part of a movie what sort of music might be the sound track. Then I find something close to that in my palette of musical colors and ask him to express the mood using the music along with his vocalizing and expressive movements. While he is doing the entire session I spend most of my time jotting down near verbatim notes and making stick figures of his poses and movements, since later in the work I will feed all this back to him and encourage him to explore using it as creative material for acting, dance or whatever his medium is. Taping the session is less useful, since then I would need to spend too much time replaying the tapes. Taking notes live forces me to sort out the wheat from the chaff very efficiently, even at the cost of not observing or notating every detail.
WORKING OUT FROM YOUR CENTERS
After the three introductory one on one Gestalt sessions, session number four is for feedback and discussion of the results. I show him in my notes and diagrams all of the stages of competed and uncompleted actions, and together we search for characters in the theater literature that have similar patterns of action. Is he a Hamlet type, or an Oedipus type, for example? In contrast to the usual practice in acting classes, his first acting assignment probably will be a monologue from a serious tragedy, since I want him to begin with a dramatic action with which he can identify totally. In this process he is using his major Gestalt moments as what Michael Chekhov in his book "To The Actor" labels "psychological gestures". Per
Youtube results:
7:06
Minecraft Castle Tour
My castle is a cross between a concentric and a stone keep castle. The reasons for this ar...
published: 23 May 2012
author: TrickyTitan
Minecraft Castle Tour
My castle is a cross between a concentric and a stone keep castle. The reasons for this are it has the same curtain wall defence as a concentric castle, but ...
- published: 23 May 2012
- views: 368
- author: TrickyTitan
0:39
Motte and bailey castle project
This is my school project to make a motte and bailey castle....
published: 17 Jan 2011
author: superstarwarsjedi
Motte and bailey castle project
This is my school project to make a motte and bailey castle.
- published: 17 Jan 2011
- views: 6273
- author: superstarwarsjedi
4:11
Castell Rhuddlan Castle
Rhuddlan Castle (Welsh: Castell Rhuddlan) is a castle located in Rhuddlan, Denbighshire, W...
published: 25 Oct 2012
author: ArialVideo
Castell Rhuddlan Castle
Rhuddlan Castle (Welsh: Castell Rhuddlan) is a castle located in Rhuddlan, Denbighshire, Wales. It was erected by Edward I in 1277 following the First Welsh ...
- published: 25 Oct 2012
- views: 128
- author: ArialVideo
4:04
Syria - Krak Des Chevaliers Castle Rebel Tour Some Damage from Assad Shelling
Syria - Krak Des Chevaliers Castle Tour 2-22-13 Some Damage to Castle from Assad Shelling ...
published: 22 Feb 2013
author: Muslim Voice
Syria - Krak Des Chevaliers Castle Rebel Tour Some Damage from Assad Shelling
Syria - Krak Des Chevaliers Castle Tour 2-22-13 Some Damage to Castle from Assad Shelling and Clashes - Homs Region شام حمص قلعة الحصن جولة ميدانية داخل القل...
- published: 22 Feb 2013
- views: 151
- author: Muslim Voice
