Keeping the Rabble in Line

Banging on about representation: The would be media lens

Saturday, January 14, 2006

BBC 10 O'clock news: Iran the naughty school child



Just a short response to the risible BBC 10 O'clock news from Thursday night [12th January 2006]. Iran tops the bill. "Fears grow as talks with Iran collapse" In reporting this story the BBC reporters and anchor [Huw Edwards] e use of language was reprehensible, though tragically, not surprising. Iran is to be "reported to the UN council" like the naughty school child it is. This infantilization of an entire nation continues with pictures of Jack Straw and other European foreign ministers emerging from their "high level meeting", solemn expressions, heads shaking, 'we've done our best' looks on their faces to face the waiting media. Apparently it is "with great regret" that Iran is refusing to "fall into line" - a line the permanent members of the UN Security Council regularly breach with impunity. So the scolded child must be reported to the head master. Naughty Iran!

All the language used by the "high level ministers" and the people doing the reporting signifies Iran as a deviant threat to the social order. "Ministers worry that their development of nuclear technology will result in an increased threat of weapons of nuclear capability" So the ministers are "worried" that this deviant other poses a "threat". Huw Edwards then crosses live to Caroline Hawley outside the Foreign Office who exclaims "the diplomatic efforts having failed, and Iran digging its heels in, it appears now that the pressure will be stepped up a level ...in a bid to halt the development of weapons of mass destruction..." Western ministers are involved in "diplomatic efforts", Iran "digs its heels in" [perhaps like a child stamping its feet, refusing to budge] it's pretty transparent that this [no] language is not neutral, "we" are represented as the conciliatory, diplomatic, reasonable ones, making strenuous efforts. Whilst Iran is the intransigent child, in need of admonishment, reporting to the UN for "failure to fall into line". At the same time as this childlike representation, Iran is also considered a "threat". The opening lines of the broadcast mentioned "fears grow". The term weapons of mass destruction is only applied to the deviant [be it Iran, Iraq or North Korea]. Here in the west they're called a "nuclear deterrent"...that which deters the "threat" from the rule breaking, perhaps malevolent, untrustworthy, intransigent child-like 'Other', with their weapon of "mass destruction". Notably, the “refusal to fall in to line” by Iran is a refusal, so ‘they’ are the agents of disruption, but this is then referred to as a “new threat” to develop weapons of mass destruction – with the requisite pictures of the messianic Mullahs. Just in case we're in any doubt what that threat might look like, the broadcast then clumsily inserts a clip of a mushroom cloud, followed by a clip of Mahmoud Ahmadinejad, ranting at a crowd in Tehran. To sustain the dichotomy further, the “regret” expressed by the west signifies sadness but this results in a “new stage” in the diplomatic efforts. We don’t threaten, just move on to a “new stage” – this new stage is accompanied by shots of troubled looking European ministers and pictures of Whitehall

The narrative of this news broadcast also requires some scrutiny. The next story in Thursday's 10 O'clock bulletin is of the stampede in Mecca This is significant in the continuing circuitry of representation. "Cor, what they been up to now?" Its position in the bulletin is telling and symbolic of an exercise in encoding the Middle East as mysterious and *almost* beyond comprehension. The only thing lacking is Huw Edwards introducing the sequence with a wry smile to camera in the mode of "Tarrant on TV ["look at those crazy Japanese"]...Huw: "look at those 'mad Muslims'" Again, I realise this stuff happened, needs to be reported and given due prominence, but their position in the narrative, selection of images and choice of language is constructed around othering, infantilizing, patronising and dehumanizing.

5 Comments:

  • At 12:21 AM, Blogger B said…

    I have long been interested in the push/pull struggle over nuclear weapons (having familial interests in the matter) and often sat lost for words when watching/reading news coverage of the latest state hand slapping.

    I know I should be beyond surprise as far as international relations are concerned but it never ceases to amaze me that politicians (the so called leaders of the "free" or "developed" world) can honestly, and with a straight face, denounce their [insert Middle/Far Eastern country] counterpart for wanting to develop what Western governments have in abundance and build at their own whim.

    Nobody should have them, they are horrible, brutal, indiscriminating weapons to ruin our whole world. But people do have them and will continue to have them. they are not going to be magically "uninvented" and it is a disgrace that all coverage of the matter sets out to demonise the "have-nots".

     
  • At 5:07 PM, Blogger Rob said…

    I'm not entirely convinced that these representations are gathering themselves under the sign of "infantalization". Don't know why; just a general unease. I thought that there was more a bastard hybrid of "mad mullahs" with "mad scientisits". Mahmoud Ahmadinejad lubricates this transfer of mad-Islam onto mad-science by providing, in his suit and shirt and with his technologists and factories, a definitively secular image that makes the madness even more dangerous. I guess that in that sense the fear of Sadammy displaces that of sodomy in the new orientalist discourse?

    Also, "infantilization of an entire nation" - really? Or just "infantilization" of the ruling class? After all, the notion of the "people," repressed by totalitarian mind-benders, who secretly yearn for democracy (a different type of infantlization, if we're calling it that) is the dominant idea in the representative vocabulary of neoliberal imperialism. Were images of public protest shown? If so I could see your point better.

    "Iran digging its heels in"

    Although this is used in positive contexts too; I recall it being said of Blair during an EU negotiation. Nevertheless, obviously "standing firm" is the closest, clearest and commonest metaphorical partner.

    but their position in the narrative, selection of images and choice of language is constructed around othering, infantilizing, patronising and dehumanizing.

    I'm sceptical that its "position in the narrative" can carry out all these processes by itself, so how were the language and images doing this, I'd be interested to know?

     
  • At 12:01 AM, Blogger Chris R said…

    Ah Rob, Lovely to see your comments as ever. I think you raise some prescient issues:

    "I thought that there was more a bastard hybrid of "mad mullahs" with "mad scientisits". Mahmoud Ahmadinejad lubricates this transfer of mad-Islam onto mad-science by providing, in his suit and shirt and with his technologists and factories, a definitively secular image that makes the madness even more dangerous."

    ...on this point you articulate a particularly interesting issue. It's in the "mix" that the danger is encoded/decoded. The representations of Iran/Islam being as they are, [pretty simplistic monolithic representations in the news discourse] the technocrat's ability to embody, harness and encourage the populace into a raging mass of nationalist fervour, of semi advanced ability [advanced enough to create nuclear fuel], whilst still embodying the unknown is the thing that is *supposed* to scare "us"

    "Also, "infantilization of an entire nation" - really? Or just "infantilization" of the ruling class?"

    Well perhaps not, BUT in the 3 minute news item there is not the time - certainly no space is ever provided - to conduct a systemic dismatling of the structure of Iranian society. Iran IS the image presented to us...this image is most often simplistic and, again, pretty monolithic. Of course alert and interested consumers of news can and do perform a dismantling and analysis, but the repetition of images has a certain *irrefutable* function wouldn't you agree? And yes, of course images of protest were shown...they always are but they are cut against the "rational" high level diplomacy of western politicians.

    "Although this is used in positive contexts too;"

    Again, you are right. However, when inserted into an already constructed image of Iran the intransigent, distrustful 'Other' the words assume a negative connotation. The associations of the term are not wholly positive in this context. Perhaps I am guilty of a lack of context [although I am not sure about this - maybe more rigour is required] but the acculmulation of signifiers is important.

    Finally:

    "I'm sceptical that its "position in the narrative" can carry out all these processes by itself, so how were the language and images doing this, I'd be interested to know?"

    ...They don't carry this out process[es] on their own. In the context of the already assumed version of Iran, it only takes a few visual images of "raging, angry" Iranians with the requisite use of inflamatory language, cut against the "normal, rational, quiet, diplomatic, studied" westerners to carry out this process - or at least help it on its way.

    Thanks for the comment Rob, really useful and they encourage me to be more rigorous in my writing - i hope :-)

    Chris

     
  • At 3:47 PM, Blogger Rob said…

    the repetition of images has a certain *irrefutable* function wouldn't you agree?

    Yes. Although I think the most common representation of the Iranian populus I see is students interviewed about opposition to the regime, women running secret clubs or dancing illegally in parks, or the celebrations of Iranian blogging. But I see what I want to see. And maybe these are confined to 'marginal' (haha!) programmes like Dispatches, Unreported World, Newsnight special reports, etc. Still, I'd hold that the images of violent Iranians emphatically coexist with others of a different, although similarly imperialistic (fertile 'soil' on the historicist route to democracy), flavour.

    It's in the "mix" that the danger is encoded/decoded. The representations of Iran/Islam being as they are, [pretty simplistic monolithic representations in the news discourse]

    I like this a lot. I think there is definitely a case to be made for how much the modernity of contemporary representations of the Middle East forms an essential part of its character. The New Orientalism is not the Old. If we wanted to really sex it up we might talk about miscegneation, pollution; the threats of hybridisation were all the rage in Bhabha, RJC Young. And I thinm we might turn to Mary Douglas too. But enough name-dropping! We're doing well enough on our own.

    When I mentioned "position in the narrative" I was thinking mainly -- in fact *entirely* -- of your argument about the stampede, not Iran at all really. Which is to say that while your Huw Edwards - Tarrant link was BLOODY inspired, I wasn't entirely convinced that it was the reality of the situation more than a *possible* reality of the situation. But maybe I'm too generous to the Beeb...

     
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