Gigi (musical)

Gigi is a musical with a book and lyrics by Alan Jay Lerner and music by Frederick Loewe. It is based on the novella Gigi by Colette and 1958 hit musical film of the same name. The story concerns Gigi, a free-spirited teenaged girl living in Paris at the turn of the 20th century. She is being groomed as a courtesan in her family's tradition. Before she is deemed ready for her social debut, she encounters the bon vivant bachelor Gaston Lachaille, whom she captivates as she is transformed into a charmingly poised young lady.

The original Broadway production, produced by Edwin Lester in 1973, ran for a disappointing 103 performances but won the Tony Award for Best Score. A West End production played in 1985.

A new production of the musical, adapted by Heidi Thomas and directed by Eric D. Schaeffer, premiered at the Kennedy Center (Washington, DC) in January 2015, and opened on Broadway April 8, 2015 at the Neil Simon Theatre. The revival production closed on June 21, 2015.

Background

Gigi (1949 film)

Gigi is a 1949 French comedy film directed by Jacqueline Audry and starring Gaby Morlay, Jean Tissier and Yvonne de Bray. A young lady (Daniélle Delorme) who is coming of age and realises she not only adores the debonair, close family fiend Gaston, who has spoiled her with attention and care for most of her life (played beautifully by Franck Villard), but that she is in love with him. Gaston realises the same thing, and despite efforts of Gigi´s down-to-earth, doting Grandmother and charming, socialite Aunt to bring the couple together by the then socially accepted practice, it is the undeniable and compelling love between Gigi and Gaston that triumphs above all. Beautifully directed by Jacqueline Audry, who accentuates the brilliant humor of this piece without losing the utterly remarkable sensitivity of the young love that takes center stage. The film was based on the novella Gigi written by Colette.

A better-known version of the Gigi story, starring Leslie Caron, was filmed in 1958. The 1949 film is included as an extra on the 2008 2-disc DVD and 2009 Blu-ray Disc versions of the 1958 film.

Gigi (song)

"Gigi" is the title song from the 1958 Academy Award-winning film, directed by Vincente Minnelli. It was written by Frederick Loewe (music) and Alan Jay Lerner (words), sung by Louis Jourdan in the film. It then went on to win the Academy Award for Best Original Song in 1958.

A cover version by Billy Eckstine peaked at #8 in the UK Singles Chart in 1959. Instrumental version was recorded on March 21, 1962, for the LP There Is Nothing Like a Dame with Pete Candoli and Conte Candoli on trumpets, Shelly Manne on drums, Jimmy Rowles on piano, Howard Roberts on guitar and Gary Peacock on bass. Sergio Franchi recorded the song in England with Wally Stott on his 1964 RCA Victor Red Seal album Women in My Life.

References

Gigi (1958 film)

Gigi is a 1958 American Metrocolor musical romantic comedy film directed by Vincente Minnelli. The screenplay by Alan Jay Lerner is based on the 1944 novella of the same name by Colette. The film features songs with lyrics by Lerner; music by Frederick Loewe, arranged and conducted by André Previn.

In 1991, Gigi was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The American Film Institute ranked it #35 in AFI's 100 Years...100 Passions. The film is considered the last great MGM musical and the final great achievement of the Freed Unit, headed by producer Arthur Freed, although he would go on to produce several more films, including the musical Bells Are Ringing in 1960.

Plot

Musical film

The musical film is a film genre in which songs sung by the characters are interwoven into the narrative, sometimes accompanied by dancing.

The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers".

The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it.

Musical films in the Western world

The classical sound era

The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world.

Musical theatre

Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting, and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through the words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals.

Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre works of American creators like George M. Cohan. The Princess Theatre musicals and other smart shows like Of Thee I Sing (1931) were artistic steps forward beyond revues and other frothy entertainments of the early 20th century and led to such groundbreaking works as Show Boat (1927) and Oklahoma! (1943). Some of the most famous and iconic musicals through the decades that followed include West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1985), The Phantom of the Opera (1986), Rent (1996), The Producers (2001) and Wicked (2003).

1776 (musical)

1776 is a musical with music and lyrics by Sherman Edwards and a book by Peter Stone. The story is based on the events surrounding the signing of the Declaration of Independence. It dramatizes the efforts of John Adams to persuade his colleagues to vote for American independence and to sign the document.

It premiered on Broadway in 1969, earning warm reviews, and ran for 1,217 performances. The production was nominated for five Tony Awards and won three, including the Tony Award for Best Musical. In 1972 it was made into a film adaptation. It was revived on Broadway in 1997.

History

In 1926, Rodgers and Hart had written a musical about the American Revolution, called Dearest Enemy. Additionally, in 1950, a musical about the Revolution had been presented on Broadway, titled Arms and the Girl, with music by Morton Gould, lyrics by Dorothy Fields, and a book by Herbert Fields, Dorothy Fields, and Rouben Mamoulian, the show's director.

Sherman Edwards, a writer of pop songs with several top ten hits in the late fifties and early sixties, spent several years developing lyrics and libretto for a musical based on the signing of the Declaration of Independence. Edwards recounted that, "I wanted to show [the founding fathers] at their outermost limits. These men were the cream of their colonies... They disagreed and fought with each other. But they understood commitment, and though they fought, they fought affirmatively." Producer Stuart Ostrow recommended that librettist Peter Stone collaborate with Edwards on the book of the musical. Stone recalled,