Benoît Lamy (19 September 1945 – 15 April 2008) was a Belgian motion picture writer-director.

Lamy was born in Arlon, Luxembourg, Belgium and died in Braine-l'Alleud, Walloon Brabant, Belgium.

His film debut Home Sweet Home starring Claude Jade and Jacques Perrin won a Diploma award at the Moscow Film Festival. It was also nominated for a Golden Prize award and received 14 international awards from Montréal to Tehran: The residents of the old-age home have had altogether enough. Enough of unreasonable rules, regulations and restrictions which wreak havoc on their dignity and self-respect. Taking matters into their own hands, they stage - supported by the nurse Claire (Claude Jade) and social worker Jacques (Jacques Perrin) - a revolt which comes to the attention of the police.

Along with Gabrielle Borile, their picture Combat de fauves (1997) won a Golden Bayard award at the Namur International Festival of French-Speaking Film.

Claude Marcelle Jorré, better known as Claude Jade (French: [klod ʒad]; 1948–2006), was a French actress, known for starring as Christine in François Truffaut's three films Stolen Kisses (1968), Bed and Board (1970) and Love on the Run (1979). Jade acted in theatre, film and television. Her film work outside of France included the Soviet Union, the United States, Italy and Japan.

The daughter of university professors, Jade spent three years at Dijon's Conservatory of Dramatic Art, where in 1964 she won a best actress prize for her portrayal of Agnès in Molière's L'école des femmes. In 1966 she won the Prix de Comédie for Jean Giraudoux's stage play Ondine, performed at the Comédie Boulogne. She moved to Paris and became a student of Jean-Laurent Cochet at the Edouard VII theater, and began acting in television productions, including the TV series Les oiseaux rares.

While performing as Frida in Pirandello's Henri IV, in a production by Sacha Pitoëff at the Théâtre Moderne, Jade was discovered by New Wave film director François Truffaut. He was "completely taken by her beauty, her manners, her kindness, and her joie de vivre", and cast her in the role of Christine Darbon in Stolen Kisses (1968). During the filming, Jade and Truffaut were engaged at one point. Stolen Kisses won great acclaim and put Jade in the international spotlight for her strong performance. In her role as Christine she taught her lover Antoine the best way to butter toast in the morning, and engaged in other amusing scenes with him. The American critic Pauline Kael wrote that Jade "seems a less ethereal, more practical Catherine Deneuve". Playing the same character, Jade appeared in two more movies by Truffaut, Bed and Board (1970), Love on the Run (1979).

Kendrick Jeru Davis, known as Jeru the Damaja (born February 14, 1972) is an American rapper and recording artist who has worked extensively with Guru and DJ Premier of Gang Starr, whom he has known since high school. He is best-known for his 1994 debut album, The Sun Rises in the East, which was ranked as one of the 100 greatest hip-hop albums of all time by the editors of About.com, calling it "one of the quintessential '90s hip-hop albums."

Jeru the Damaja was born February 14, 1972, in Brooklyn, New York, and spent his early years in that borough's East New York neighborhood, where he began rhyming at block parties as a youth. He first showcased his hardcore Brooklyn style to audiences on "I'm the Man," a track from Gang Starr's 1992 album Daily Operation. The following year he released his first single, "Come Clean," which was produced by DJ Premier and became an instant underground hit.

His first album, The Sun Rises in the East, was released in 1994 and produced entirely by DJ Premier. The album was well-received but Jeru was criticized by the Fugees for his lyrics, particularly for the song "Da Bitchez". Fugees member Pras lightly mentioned Jeru on the track "Zealots," from the group's landmark 1996 album The Score, with the line "No matter who you damage, you're still a false prophet," referencing Jeru's single "You Can't Stop the Prophet." Jeru responded lightly in the intro of the track "Me or the Papes" and also on the track "Black Cowboys."