- published: 01 Oct 2012
- views: 128722
- author: Holistic Theory
![UB40 - Labour Of Love II [Full Album]](http://web.archive.org./web/20131202045139im_/http://i.ytimg.com/vi/ojgiZurjB1E/0.jpg "UB40 - Labour Of Love II [Full Album]")
11:17
Labour Video to Inspire Expecting Moms & Dads: From Birth to Placenta Delivery
This is the actual birth video of my daughter so, please keep that in mind when you watch ...
published: 01 Oct 2012
author: Holistic Theory
Labour Video to Inspire Expecting Moms & Dads: From Birth to Placenta Delivery
Labour Video to Inspire Expecting Moms & Dads: From Birth to Placenta Delivery
This is the actual birth video of my daughter so, please keep that in mind when you watch it. I forgot to mention in the video that we used organic extra vir...- published: 01 Oct 2012
- views: 128722
- author: Holistic Theory
5:47
My labour of son..my second baby and he came out very fast!
Here's a video of what I could record..it all happens so fast it was amazing. 7 pm I arriv...
published: 10 Jan 2013
author: Amina Nawaz
My labour of son..my second baby and he came out very fast!
My labour of son..my second baby and he came out very fast!
Here's a video of what I could record..it all happens so fast it was amazing. 7 pm I arrive at hospital and 7:12 he was born to my delight a son..I never kne...- published: 10 Jan 2013
- views: 41961
- author: Amina Nawaz
4:09
Labour's declining share: A spectre to worry about?
One old rule suggests that gains from growth should be split, with two thirds going to lab...
published: 06 Nov 2013
Labour's declining share: A spectre to worry about?
Labour's declining share: A spectre to worry about?
One old rule suggests that gains from growth should be split, with two thirds going to labour and the rest to capital. Today, it is a rule true only in textbooks of economics- published: 06 Nov 2013
- views: 795
11:45
Our Labour And Delivery!
This video is of my labour and the delivery of our beautiful baby girl. While there were a...
published: 22 Dec 2011
author: AshandJ2011
Our Labour And Delivery!
Our Labour And Delivery!
This video is of my labour and the delivery of our beautiful baby girl. While there were a few major hiccups, we are ecstatic to have such a healthy and gorg...- published: 22 Dec 2011
- views: 1035640
- author: AshandJ2011
2:21
inside pregnancy labour & birth
Clip animation of how the baby develops gods amazing miracle....
published: 22 Feb 2009
author: godsmiracle123
inside pregnancy labour & birth
inside pregnancy labour & birth
Clip animation of how the baby develops gods amazing miracle.- published: 22 Feb 2009
- views: 706369
- author: godsmiracle123
7:38
NEWSNIGHT: Labour Shadow Education Secretary Tristram Hunt on qualified teachers
Interview with Labour's Shadow Education Secretary tells Newsnight's Jeremy Paxman that te...
published: 30 Oct 2013
NEWSNIGHT: Labour Shadow Education Secretary Tristram Hunt on qualified teachers
NEWSNIGHT: Labour Shadow Education Secretary Tristram Hunt on qualified teachers
Interview with Labour's Shadow Education Secretary tells Newsnight's Jeremy Paxman that teachers in state schools should all be qualified- published: 30 Oct 2013
- views: 9886
2:50
Labour pain symptoms
TO DOWNLOAD FULL DVD visit http://www.garbhsanskar.in How do you know whether that sudden ...
published: 12 Mar 2012
author: garbhsanskarcd
Labour pain symptoms
Labour pain symptoms
TO DOWNLOAD FULL DVD visit http://www.garbhsanskar.in How do you know whether that sudden ache is normal or warrants a 2 a.m. call to your doctor or midwife?...- published: 12 Mar 2012
- views: 109377
- author: garbhsanskarcd
3:34
Finale départementale de labour à Feldbach
Dimanche 18 août 2013, se déroulait à Feldbach, la soixantième finale départementale du co...
published: 19 Aug 2013
Finale départementale de labour à Feldbach
Finale départementale de labour à Feldbach
Dimanche 18 août 2013, se déroulait à Feldbach, la soixantième finale départementale du concours de labour, organisée par les JA du Sundgau. Les gagnants des deux catégories, labour en planche et labour à plat, sont qualifiés pour la finale de la région Grand'Est qui se tiendra à Quevillloncourt les 31 et 1er septembre prochains.- published: 19 Aug 2013
- views: 610
13:38
My Labour & Delivery Experience! (Induced To Labour)
This video is finally up here! I've been delaying on editing this because it takes such a ...
published: 29 May 2013
author: Camil C
My Labour & Delivery Experience! (Induced To Labour)
My Labour & Delivery Experience! (Induced To Labour)
This video is finally up here! I've been delaying on editing this because it takes such a huge amount of space in my computer but it's here. Hope you find th...- published: 29 May 2013
- views: 3668
- author: Camil C
4:30
Celebrate the Labour Victory - Malta Election 2013 - Sliema, The Strand
Public celebration of Joseph Muscat's victory for the Malta Election 2013 (Labour Party) L...
published: 10 Mar 2013
author: timath42
Celebrate the Labour Victory - Malta Election 2013 - Sliema, The Strand
Celebrate the Labour Victory - Malta Election 2013 - Sliema, The Strand
Public celebration of Joseph Muscat's victory for the Malta Election 2013 (Labour Party) Live from the Strand between Il-Gzira and Tas-Sliema.- published: 10 Mar 2013
- views: 14600
- author: timath42
4:32
Contractions, Labour, Baby. The signs of labour from a Dads point of view.
My wife recently gave birth to our beautiful baby boy Joshua. As part of the How To Be A D...
published: 05 Oct 2010
author: how2beadad
Contractions, Labour, Baby. The signs of labour from a Dads point of view.
Contractions, Labour, Baby. The signs of labour from a Dads point of view.
My wife recently gave birth to our beautiful baby boy Joshua. As part of the How To Be A Dad series, I tried to document what the signs of labour are, and wh...- published: 05 Oct 2010
- views: 77153
- author: how2beadad
10:28
labour et semis avec 3 tracteurs !!!
labour avec 2 tracteurs new holland t 6030 et t 7.170. semis avec fendt 116 vario.abonnez ...
published: 16 Nov 2012
author: paysansdu50
labour et semis avec 3 tracteurs !!!
labour et semis avec 3 tracteurs !!!
labour avec 2 tracteurs new holland t 6030 et t 7.170. semis avec fendt 116 vario.abonnez vous a ma chaine.- published: 16 Nov 2012
- views: 1738
- author: paysansdu50
4:10
Labour 2011 CAT Challenger MT 865 C, charrue G&B; 13 corps - big ploughing
Labour avec un Challenger MT 865 C et une charrue semi-portée Grégoire-Besson 13 corps. La...
published: 13 Feb 2013
author: farmer28290
Labour 2011 CAT Challenger MT 865 C, charrue G&B; 13 corps - big ploughing
Labour 2011 CAT Challenger MT 865 C, charrue G&B; 13 corps - big ploughing
Labour avec un Challenger MT 865 C et une charrue semi-portée Grégoire-Besson 13 corps. La suite avec le semis/After the seedlings: https://www.youtube.com/w...- published: 13 Feb 2013
- views: 53653
- author: farmer28290
Vimeo results:
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let\'s feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
3:30
FUTURE PROOF
FUTURE PROOF - SHORT FILM
FUTURE PROOF is a short film developed for the 2011 A/NZ Promax...
published: 24 Oct 2011
author: The DMCI
FUTURE PROOF
FUTURE PROOF - SHORT FILM
FUTURE PROOF is a short film developed for the 2011 A/NZ PromaxBDA Conference. Essentially a labour of love for DMCI creative director Nathan Drabsch, this performance piece continues to be admired throughout the world.
The response to this emotive piece, still amazes us. Since launch FUTURE PROOF has been selected for various film and digital media festivals and showcases throughout the world.
The only boundary to the project was the theme of FUTURE PROOF. The development of the film started with an approach that aimed to focus not on futuristic notions but consideration of that which is timeless. People, the expression of self and the interactions between each other are timeless qualities relevant to creativity, no matter what the future holds.
The concept started quite fluidly, by briefing a variety of dancers, with individual performance styles, to develop choreography based on the concepts of growth, sharing, sending and receiving.
Directed by Nathan Drabsch, the performances were shot over one day using two RED Epic cameras, capturing the action at high speed. All design, editing and post production was done in-house by The DMCI team. We worked closely with composers and audio designers Mark Brandis & Jeff Black from ism studios, to create a unique score that perfectly compliments the performances.
As a whole, the focus is on the dancers as they create and interact with abstract forms in a vast unknown world. Their own movements determine the creation and final destruction of these elements. Their own paths of communication and creative expression have come full circle, and all that remains is the individual.
ACCOLADES
TAAFI Awards - Stash Magazine Presents: VFX Highlights of 2011-2012
Pause Fest - Best in Show
Circuitto OFF 2012
Prix Ars Electronica 2012
Pixellerie Fine 2 – Paris, France
Stash 87
Screening At London Olympics ICCI 360 Visual Arena – Arts Festival In Dorset
IDN Feature: Issue 19 Sexual Graphics
International Melzo File festival 2012
Liberarti Film Festival
Inclusion in Nasjonalgalleriet / Norwegian Arts
CREDITS
Director: Nathan Drabsch
Design, Edit, 3D & Compositing: The DMCI - Brecon Littleford, Bernard Tan, Nathan Drabsch
Produced by The DMCI
AUDIO
Composition & Sound Design: Mark Brandis and Jeff Black @ ism studios
Contact: info@ismstudios.com.au
CREW
Director: Nathan Drabsch
DOP: Simon Chapman
Camera Operators: Aaron Haberfield & Glen Cogan (Enigma)
Producer: Amy Nguyen
Talent Co-Ordinator/Production: Briony Luschwitz (Motion Picture Company)
Gaffa/Lighting: Steve Scholfield
Best Boy: Andrew Ward
Hair Stylist: Elizabeth Vo
Make Up Artist: Angela Vien-Debetaz
Cameras supplied by Lemac and Enigma
DANCERS
Sarah Seville
Natasha Marconi
William Sanchez
Christopher Van Doren
Amy Campbell
Charles Bartley
Thi Nguyen
Contact:
hello@thedmci.com.au
+61 2 9439 4111
www.thedmci.com.au
6:22
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this yea...
published: 09 Jun 2011
author: PostPanic
Year Zero - OFFF Barcelona 2011 Main Titles
Following in the footsteps of Prologue Films and The Mill, PostPanic have created this year’s prestigious opening titles 'Year Zero' for OFFF Festival 2011 in Barcelona http://offf.ws/bcn2011/
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
DIRECTOR'S NOTES (By Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully, an uncomfortable feeling and lots of questions - some might feel unsatisfied and wondering why. Just like a nightmare.
We also wanted the actual titles to be different this time. Most of the time festival titles are driven by the idea on how to show titles. A mechanism that displays titles in a creative way. We actually thought to bring the festival theme to the foreground and have the titles play a part in it. Incorporate them so they become the actual fiber/texture of the
3:46
ADBNE 2013 – Opening Titles
Double-exposures in motion.
-
WINNER of Desktop Magazine's Create Design Award 2013 for M...
published: 19 May 2013
author: BREEDER
ADBNE 2013 – Opening Titles
Double-exposures in motion.
-
WINNER of Desktop Magazine's Create Design Award 2013 for Motion
-
Breeder was invited back to create the opening titles for Analogue/Digital, so once again, we threw ourselves into the project and didn't hold back. This year, we developed an ambitious aesthetic based upon the idea of double exposure, inspired by Alabaster's amazing track and the conference's program design. We worked around the theme of binary, juxtaposing the urban sprawl and nature, black and white, flight and fall, and unification and disintegration. It was a labour of love and we couldn't be prouder with the end result.
BREAKDOWN VIDEO: http://vimeo.com/breeder/adbne2013-breakdown
http://analoguedigital.com.au
http://www.studiobreeder.com
http://iamalabaster.bandcamp.com
Credits
Creative Direction: Joyce Ho
Producer: Adam Sebastian West
Cinematography: Chris Morris, Alex Gee, Adam Sebastian West
Editing: Alex Gee
Design Lead: Joyce Ho
Design: Alex Gee, Timothy Lovett, Jai Mitchell
Compositing: Chris Morris
Animation: Alex Gee, Joyce Ho, Grayson Huddart
Starring: Abagail Pirie, Anthony Trojman
Sound by ALABASTER
Youtube results:
4:01
Jaytech feat. Nathan Grainger - Labour Of Love (Matt Fax Remix)
iTunes: http://bit.ly/labour-of-love Beatport: http://bit.ly/bp-labour-of-love LIKE Anjuna...
published: 12 Jul 2013
author: anjunabeats
Jaytech feat. Nathan Grainger - Labour Of Love (Matt Fax Remix)
Jaytech feat. Nathan Grainger - Labour Of Love (Matt Fax Remix)
iTunes: http://bit.ly/labour-of-love Beatport: http://bit.ly/bp-labour-of-love LIKE Anjunabeats on Facebook: http://on.fb.me/anjunabeats Release Date: 29th...- published: 12 Jul 2013
- views: 8736
- author: anjunabeats
1:39
Valley Boys Fanfare Labour Day 2013
The Valley Boys came to the newly named Sir Randol Fawkes Labour Day Parade with broken he...
published: 08 Jun 2013
author: MrTopclass23
Valley Boys Fanfare Labour Day 2013
Valley Boys Fanfare Labour Day 2013
The Valley Boys came to the newly named Sir Randol Fawkes Labour Day Parade with broken hearts after the loss of a long standing member Yorick Joe Blacks Bri...- published: 08 Jun 2013
- views: 7454
- author: MrTopclass23
1:40
Saxons Labour Day 2013 prt1
...
published: 08 Jun 2013
author: MrTopclass23
Saxons Labour Day 2013 prt1
58:18
labour - cast into the wilderness
episode 1 of the 4 part documentary on the labour partys troubles during the 80s and 90s e...
published: 25 Sep 2012
author: thatcheritescot
labour - cast into the wilderness
labour - cast into the wilderness
episode 1 of the 4 part documentary on the labour partys troubles during the 80s and 90s episode 1 - cast into the wilderness episode 2 - comrades at war epi...- published: 25 Sep 2012
- views: 3111
- author: thatcheritescot
