A big band is a type of musical ensemble associated with jazz and the Swing Era typically consisting of rhythm, brass, and woodwind instruments totaling approximately twelve to twenty-five musicians. The terms jazz band, jazz ensemble, jazz orchestra, stage band, society band, and dance band may describe this type of ensemble in particular contexts.

A standard 17-piece instrumentation evolved in the big-bands, for which many commercial arrangements are available. This instrumentation consists of five saxophones (most often two altos, two tenors, and one baritone), four trumpets, four trombones (often including one bass trombone) and a four-piece rhythm section (composed of drums, acoustic bass or electric bass, piano and guitar).

However, variants to this instrumentation are common. Composers, arrangers, and bandleaders have used sections with more or fewer players, and additional instruments, such as valve trombone, baritone horn/euphonium (both of which are usually used in place of or with trombones), vibes, bass clarinet, French horn, tuba, banjo, accordion and strings (violin, viola, cello). Male and female vocalists have also joined big bands to perform particular arrangements. In recent years synthesizers and / or electronic keyboards have been added, often replacing the piano.

Lalo Schifrin (born June 21, 1932) is an Argentine composer, pianist and conductor. He is best known for his film and TV scores, such as the "Theme from Mission: Impossible". He has received four Grammy Awards and six Oscar nominations. Schifrin, associated with the jazz music genre, is also noted for work with Clint Eastwood in the late 1960s, 1970s and 1980s, particularly the Dirty Harry films.

Schifrin was born Boris Claudio Schifrin in Buenos Aires to Jewish parents. His father, Luis Schifrin, led the second violin section of the orchestra at the Teatro Colón for three decades. At the age of six, Schifrin began a six-year course of study on piano with Enrique Barenboim, the father of the pianist and conductor Daniel Barenboim. At age 16, Schifrin began studying piano with the Greek-Russian expatriate Andreas Karalis, former head of the Kiev Conservatory, and harmony with Argentine composer Juan Carlos Paz. During this time, Schifrin also became interested in jazz.

Although Schifrin studied sociology and law at the University of Buenos Aires, it was music that captured his attention. At age 20, he successfully applied for a scholarship to the Paris Conservatoire. While there, he attended Olivier Messiaen's classes and formally studied with Charles Koechlin, a disciple of Maurice Ravel. At night he played jazz in the Paris clubs. In 1955, Schifrin played piano with Ástor Piazzolla and represented his country at the International Jazz Festival in Paris.

Maceo Parker ( /ˈmeɪsiːoʊ/; born February 14, 1943) is an American funk and soul jazz saxophonist, best known for his work with James Brown in the 1960s, as well as Parliament-Funkadelic in the 1970s. Parker was a prominent soloist on many of Brown's hit recordings, and a key part of his band, playing alto, tenor and baritone saxophones. He is now just as well known for his own shows, as he has toured continuously under his own name since the early 1990s and has built up a strong fan base.

Parker was born in Kinston, North Carolina. His father played piano and drums; his mother and father both sang in church. His brother Melvin played drums and his brother Kellis trombone. He and his brother, Melvin, joined James Brown in 1964; in his auto-biography, Brown says that he originally wanted Melvin as his drummer, but agreed to take Maceo under his wing as part of the deal. In 1970 Parker, his brother Melvin, and a few of Brown's band members left to found Maceo & All the King's Men which toured for two years.

Ray Charles Robinson (September 23, 1930 – June 10, 2004), known by his shortened stage name Ray Charles, was an American musician. He was a pioneer in the genre of soul music during the 1950s by fusing rhythm and blues, gospel, and blues styles into his early recordings with Atlantic Records. He also helped racially integrate country and pop music during the 1960s with his crossover success on ABC Records, most notably with his Modern Sounds albums. While with ABC, Charles became one of the first African-American musicians to be given artistic control by a mainstream record company.Frank Sinatra called Charles “the only true genius in show business.”

The influences upon his music were mainly jazz, blues, rhythm and blues and country artists of the day such as Art Tatum, Nat King Cole, Louis Jordan, Charles Brown, Louis Armstrong. His playing reflected influences from country blues and barrelhouse, and stride piano styles.

Rolling Stone ranked Charles number ten on their list of "100 Greatest Artists of All Time" in 2004, and number two on their November 2008 list of "100 Greatest Singers of All Time". In honoring Charles, Billy Joel noted: "This may sound like sacrilege, but I think Ray Charles was more important than Elvis Presley. I don't know if Ray was the architect of rock & roll, but he was certainly the first guy to do a lot of things . . . Who the hell ever put so many styles together and made it work?"

Baby M (born March 27, 1986) was the pseudonym used In re Baby M, 537 A.2d 1227, 109 N.J. 396 (N.J. 02/03/1988) for the infant whose legal parentage was in question.

"In re Baby M" was a custody case that became the first American court ruling on the validity of surrogacy. William Stern and his wife, Elizabeth Stern, entered into a surrogacy agreement with Mary Beth Whitehead, whom they found through a newspaper advertisement. According to the agreement, Mary Beth Whitehead would be inseminated with William Stern's sperm (making her a traditional, as opposed to gestational, surrogate), bring the pregnancy to term, and relinquish her parental rights in favor of William's wife, Elizabeth. After the birth, however, Mary Beth decided to keep the child. William and Elizabeth Stern then sued to be recognized as the child's legal parents.

The New Jersey court ruled that the surrogacy contract was invalid according to public policy, recognized Mary Beth Whitehead as the child's legal mother, and ordered the Family Court to determine whether Whitehead, as mother, or Stern, as father, should have legal custody of the infant, using the conventional 'best interests of the child' analysis. Stern was awarded custody, with Whitehead having visitation rights.