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A stiltwalker and a doorman on Avenue B.

Avenue B runs from south to north and is two blocks east of 1st Avenue in Alphabet City, a district within the East Village. Avenue B runs from Houston Street to 14th Street, where it continues into a loop road in Stuyvesant Town, to be connected with Avenue A. Below Houston Street, Avenue B continues as Clinton Street. It is the eastern border of Tompkins Square Park.

Transportation[link]

Currently, there is no bus that travels on Avenue B. The former M9 bus used this street from E Houston Street to 14 Street. The M9 now travels on Avenue C from Houston to 23 streets.

Trivia[link]

• In Jonathan Larson's musical Rent, most of the characters live on Avenue B and 11th Street.
• In 1983 Pierce Turner, Larry Kirwan and Thomas Hamlin wrote "Avenue B (is the place to be)" that was recorded by their band Major Thinkers for Epic-Portrait Records.
• A 1999 Iggy Pop album is entitled Avenue B, written while he was living at Christodora House.
• Gogol Bordello wrote a song called "Avenue B".
• The Christodora House, a former women's Settlement House and now a condominium, is located on Avenue B at 9th Street.

External links[link]

• New York Songlines: Avenue B, a virtual walking tour

Coordinates: 40°43′31.33″N 73°58′51.58″W / 40.7253694°N 73.9809944°W / 40.7253694; -73.9809944

This article relating to roads and streets in New York City is a stub. You can help Wikipedia by expanding it. v t e

Iggy Pop
Iggy Pop performing at Parkenfestivalen 2011, Bodø, Norway
Background information
Birth name	James Newell Osterberg, Jr.
Born	(1947-04-21) April 21, 1947 (age 65) Muskegon, Michigan, U.S.
Genres	Punk rock, protopunk, garage rock, glam punk, shock rock, glam rock, hard rock
Occupations	Singer-songwriter, musician, producer, actor
Instruments	Vocals, guitar, keyboards, drums
Years active	1960–present
Labels	Virgin, RCA, Elektra
Associated acts	The Stooges, The Trolls, The Nymphs, The Iguanas, Slash, David Bowie, Deborah Harry, Blondie, Sum 41
Website	www.iggyandthestoogesmusic.com

Iggy Pop (born James Newell "Jim" Osterberg, Jr.; April 21, 1947) is an American singer, songwriter, musician, and actor.^[1] Though considered an innovator of punk rock,^[1] Pop's music has encompassed a number of styles over the years, including pop, metal, jazz and blues.^[2] Pop became known as 'Iggy' in high school, during which time he served as drummer for local blues band The Iguanas. He is vocalist of influential protopunk band The Stooges (Pop and the other surviving members of the group reunited in 2003),^[3] having become known, since the late 1960s, for his outrageous and unpredictable stage antics.^[4][5]

Though the singer's popularity has waned and waxed throughout his career, Pop has recorded a number of well-known songs, including "Lust for Life", "Real Wild Child", "I Wanna Be Your Dog," "Candy" (a duet with Kate Pierson of The B-52's),^[6] "China Girl", "Nightclubbing", "Search and Destroy", and "The Passenger". The Stooges were inducted into the Rock and Roll Hall of Fame in 2010

Early life[link]

Iggy Pop (AKA Iggy Stooge)^[7] was born in Ann Arbor, Michigan, the son of Louella (née Christensen) and James Newell Osterberg, Sr., a former high school English teacher and baseball coach at Fordson High School in Dearborn, Michigan.^[8] Osterberg was raised in a trailer park in Ypsilanti, Michigan.^[9] He is of Irish and English descent on his father's side, and of Norwegian and Danish ancestry on his mother's.^[10] His father was adopted by a Swedish American family and took on their surname (Österberg).^[10]

Music career[link]

Early days: 1960 to 1967[link]

The Prime Movers featuring Pop on drums

Osterberg began his music career as a drummer in different high school bands in Ann Arbor, Michigan. One band was the Iguanas, from the name of which he adopted his future moniker Iggy. After exploring local blues-style bands such as the Prime Movers (with brothers Dan and Michael Erlewine), he eventually dropped out of the University of Michigan^{[citation needed]} and moved to Chicago to learn more about blues. While in Chicago, he played drums in blues clubs, helped by Sam Lay (formerly of the Paul Butterfield Blues Band) who shared his connections with Iggy.^[11] Inspired by Chicago blues as well as bands like The Sonics and The MC5, he formed the Psychedelic Stooges and began calling himself Iggy. The band was composed of Iggy on vocals, Ron Asheton on guitar, Asheton's brother Scott on drums, and Dave Alexander on bass.

The Stooges era: 1968 to 1975[link]

The seeds of Iggy Pop's stage persona were sown when he saw The Doors perform in 1967 at the University of Michigan and was amazed by the stage antics and antagonism displayed by singer Jim Morrison.^[9] Morrison's extreme behavior, while performing in a popular band, inspired the young Pop to push the boundaries of stage performance. Pop was the first performer to do a stage-dive, which he started at a concert in Detroit.^[9] Other exploits of Pop include rolling around in broken glass, exposing himself to the crowd and vomiting on stage.^{[citation needed]}

In 1968, one year after their live debut and now dubbed The Stooges, the band signed with Elektra Records, again following in the footsteps of The Doors, who were Elektra's biggest act at the time (reportedly, Pop called Moe Howard to see if it was all right to call his band "The Stooges," to which Howard responded by merely saying "I don't care what they call themselves, as long as they're not the Three Stooges!" and hung up the phone). The Stooges' first two albums The Stooges, (on which Iggy was credited, much to his displeasure,^{[citation needed]} as "Iggy Stooge"), produced by John Cale; and Fun House, sold poorly. Shortly after the new members joined, the group disbanded because of Pop's growing heroin addiction.

In 1971, Iggy Pop and David Bowie met at Max's Kansas City, a nightclub and restaurant in New York City.^[12] Pop's career received a boost from his relationship with Bowie when Bowie decided in 1972 to produce an album with Pop in England. With James Williamson signed on as guitarist, the search began for a rhythm section. However, since neither Pop nor Bowie was satisfied with any players in England, they decided to re-unite The Stooges. It would not be a true reunion insofar as Dave Alexander, due to alcoholism, was unable to play on the record (he later died in 1975). Also, Ron Asheton grudgingly moved from guitar to bass to make way for Williamson to play guitar. The recording sessions produced the rock landmark Raw Power. After its release Scott Thurston was added to the band on keyboards/electric piano and Bowie continued his support, but Iggy's drug problem persisted. The Stooges' last show ended in a fight between the band and a group of bikers, documented on the album Metallic K.O. Drug abuse stalled his career again for several years.

Bowie and Berlin: 1976 to 1978[link]

Iggy Pop, October 25, 1977 at the State Theatre in Minneapolis

After the second breakup of The Stooges, Iggy Pop made some recordings with James Williamson, but these were not released until 1977 (as Kill City, credited jointly to Iggy Pop and Williamson). Pop was unable to control his drug use and checked himself into a mental institution, UCLA’s neuropsychiatric institute, to try to clean up. David Bowie was one of his few visitors there, and he continued to support his friend and collaborator. It was also rumored that Bowie would smuggle in cocaine to give to Pop.^[13] In 1976, Bowie took him along as his companion on the Station to Station tour. This was Iggy Pop's first exposure to large-scale professional touring and he was impressed, particularly with Bowie's work rate.

Bowie and Pop relocated to West Berlin to wean themselves off their addictions. In 1977, Pop signed with RCA and Bowie helped write and produce The Idiot and Lust for Life, Pop's two most acclaimed albums as a solo artist, the latter with another team of brothers, Hunt and Tony Sales, sons of comedian Soupy Sales. Among the songs Bowie and Pop wrote together were "China Girl", "Tonight", and "Sister Midnight", all of which Bowie performed on his own albums later on (the last being recorded with different lyrics as "Red Money" on the album Lodger). Bowie also played keyboards in Pop's live performances, some of which are featured on the album TV Eye in 1978. In return, Pop contributed backing vocals on Bowie's Low.

The Arista albums: 1979 to 1981[link]

Iggy Pop had grown dissatisfied with RCA, later admitting that he had made TV Eye as a quick way of fulfilling his three-album RCA contract. He moved to Arista Records, under whose banner he released New Values in 1979. This album was something of a Stooges reunion, with James Williamson producing and latter-day Stooge Scott Thurston playing guitar and keyboards. Not surprisingly, the album's style harked back to the guitar sound of the Stooges. Although highly regarded by many Iggy fans (some preferring it to the Bowie collaborations), New Values was not a popular success, despite some strong material including "Five Foot One" and "I'm Bored."

Iggy Pop, Cardiff, 1979

The album was moderately successful in Australia and New Zealand, however, and this led to Iggy Pop's first visit there to promote it. While in Melbourne, he made a memorable appearance on the Australian Broadcasting Corporation's nationwide pop show Countdown. During his anarchic performance of I'm Bored, Pop made no attempt to conceal the fact that he was lip-synching, and he even tried to grab the teenage girls in the audience. He was also interviewed by host Ian "Molly" Meldrum, an exchange which was frequently punctuated by the singer jumping up and down on his chair and making loud exclamations of "G'day mate" in a mock Australian accent. His Countdown appearance is generally considered one of the highlights of the show's history and it cemented his popularity with Australian punk fans; since then he has often toured there. While visiting New Zealand, Iggy Pop recorded a music video for "I'm Bored", and attended a record company function where he appeared to slap a woman and throw wine over a photographer.^[14] While in Australia, Iggy Pop was also the guest on a live late-night commercial TV interview show on the Ten Network. It is not known whether a recording of this interview exists, but the famous Countdown appearance has often been re-screened in Australia.

During the recording of Soldier (1980), Iggy Pop and Williamson quarrelled over production (the latter apparently wanted a big, Phil Spector-type sound) and Williamson was fired. Bowie appeared on the song Play it Safe, performing backing vocals with the group Simple Minds. The album and its follow-up Party (1981) were both commercial failures, and Iggy Pop was dropped from Arista. His drug habit varied in intensity, but persisted.

The 1980s[link]

In 1980, Iggy Pop published his autobiography I NEED MORE, co-written with Anne Weher, an Ann Arbor arts patron. The book, which includes a selection of black and white photographs, features a foreword by Andy Warhol. Warhol says that he met Iggy when he was Jim Osterberg, at the Ann Arbor Film Festival in 1966. "I don't know why he hasn't made it really big," wrote the one Pop artist about the other. "He is so good."

Pop at Pinkpop, 1987.

The 1982 album Zombie Birdhouse on Chris Stein's Animal label, with Stein himself producing, was no more commercially successful than his Arista works, but again, in 1983, Iggy Pop's fortunes changed when David Bowie recorded a cover of the song "China Girl". The song had originally appeared on The Idiot, and was a major hit on Bowie's blockbuster Let's Dance album. As co-writer of the song, Pop received substantial royalties. On Tonight in 1984, Bowie recorded two more of their co-written songs, this time from the Lust for Life album, "Tonight" and "Neighborhood Threat", assuring Iggy Pop financial security, at least for the short term. The support from Bowie enabled Pop to resolve problems and permitted him to take a three-year break during which he overcame his heroin addiction and took acting classes.

Additionally, Iggy Pop contributed the title song to the 1984 film Repo Man (with Steve Jones, previously of the Sex Pistols, on guitar) as well as an instrumental called "Repo Man Theme" that was played during the opening credits.

In 1985, Pop recorded some demos with Jones. He played these demos to Bowie, who was sufficiently impressed to offer to produce an album for Pop: 1986's New Wave-influenced Blah Blah Blah, featuring the single "Real Wild Child", a cover of "The Wild One" originally written and recorded by Australian rock 'n' roll pioneer Johnny O'Keefe in 1958. The single was a Top 10 hit in the UK and was successful around the world, especially in Australia, where for the last twenty years it has been used as the theme music for the ABC's late-night music video show Rage. It remains Pop's solitary brush with major commercial success. Blah Blah Blah was Pop's highest-charting album in the U.S. since The Idiot in 1977, peaking at No. 75 on the Billboard Top 200 albums chart.

Also in 1985, the movie Rock & Rule was released featuring performances by Iggy Pop and Lou Reed for the character Mok. Pop's song in the film was "Pain & Suffering" from the final sequence of the film.^[15]

In 1987, Pop appeared (along with Bootsy Collins) on a mostly instrumental album, Neo Geo, by Japanese composer Ryuichi Sakamoto. The music video for "Risky", written and directed by Meiert Avis, won the first ever MTV Breakthrough Video Award. The groundbreaking video explores transhumanist philosopher FM-2030's ideas of Nostalgia for the Future in the form of an imagined love affair between a robot and one of Man Ray's models in Paris in the late 1930s. Additional inspiration was drawn from Jean Baudrillard, Edvard Munch's 1894 painting Puberty, and Roland Barthes Death of the Author. The surrealist black-and-white video uses stop motion, light painting, and other retro in-camera effects techniques. Meiert Avis recorded Sakamoto while at work on the score for The Last Emperor in London. Sakamoto also appears in the video painting words and messages to an open shutter camera. Iggy Pop, who performs the vocals on "Risky", chose not to appear in the video, allowing his performance space to be occupied by the surrealist era robot.

Pop's follow-up to Blah Blah Blah, Instinct (1988), was a turnaround in musical direction. Its stripped-back, guitar-based sound leaned further towards the sound of the Stooges than any of his solo albums to date. His record label, which had most likely been expecting another Blah Blah Blah, dropped him. Nevertheless, the King Biscuit radio show recording of the Instinct tour (featuring guitarist Andy McCoy and Alvin Gibbs on bass) reaching Boston on July 19, 1988, remains one of punk-rock's most enduring live albums.^{[citation needed]} Working with rock attorney Stann Findelle, Pop scored more movie soundtrack inclusions in 1989, "Living on the Edge of the Night" in the Ridley Scott Michael Douglas thriller, Black Rain and "Love Transfusion" in Wes Craven's Shocker.

The 1990s[link]

In 1990, Pop recorded Brick by Brick, produced by Don Was, with members of Guns N' Roses and The B-52's as guests, as well as backup vocals by many local Hollywood groups, two of whom (Whitey Kirst and Craig Pike) would create his band to tour and perform on his Kiss My Blood video (1991), directed by world-famous director Tim Pope and filmed at the Olympia in Paris. The video attracted much controversy, as it featured much footage of Pop performing with his penis exposed to the audience. The album was his first Gold-certified album in the U.S. (denoting sales of over 500,000 copies) and featured his first Top 40 U.S. hit, "Candy", a duet with B-52's singer Kate Pierson.

Also in 1990, Pop starred in the controversial opera The Manson Family by composer John Moran, released on Point Music/Phillip Classics, where he sang the role of prosecutor Vincent Bugliosi. That year he was also contributed to the Red Hot Organization's AIDS benefit album Red Hot + Blue project, singing a version of "Well Did You Evah!" in a duet with Deborah Harry.

In 1991, Pop and Kirst contributed the song "Why Was I Born (Freddy's Dead)" to the soundtrack of the film Freddy's Dead: The Final Nightmare. The song also plays over the end credits of the film, with a compilation of clips from the A Nightmare on Elm Street series running alongside the end credits.

In 1992, he collaborated with Goran Bregović on the soundtrack for the movie Arizona Dream by Emir Kusturica. Pop sang four of the songs: In the Deathcar, TV Screen, Get the Money, and This is a Film. Also in 1992, he collaborated with the New York City band White Zombie. He recorded spoken word vocals on the intro and outro of the song "Black Sunshine" as well as playing the character of a writer in the video shot for the song. He is singled out for special thanks in the liner notes of the band's album La Sexorcisto: Devil Music, Vol. 1.

In 1993, Pop released American Caesar, including two successful singles, "Wild America" and "Beside You." The following year Pop contributed to Buckethead's album Giant Robot, including the songs "Buckethead's Toy Store" and "Post Office Buddy". He appears also on the Les Rita Mitsouko album Système D where he sings the duet "My Love is Bad" with Catherine Ringer.

In 1996, Pop again found mainstream fame when his 1977 song "Lust for Life" was featured in the film Trainspotting. A new video was recorded for the song, with clips from the film and studio footage of Iggy dancing with one of its stars, Ewen Bremner. An Iggy Pop concert also served as a plot point in the film. The song has also been used in TV commercials for Royal Caribbean Cruise Lines (with many music critics denouncing the usage of the song to promote peppy cruises) and as the theme music to The Jim Rome Show, a nationally-syndicated American sports talk show.

In 1996, Pop released Naughty Little Doggie, with Whitey Kirst returning on guitar, and the single "I Wanna Live". In 1997, he remixed Raw Power to give it a rougher, more hard-edged sound; fans had complained for years that Bowie's official "rescue effort" mix was muddy and lacking in bass. Pop testified in the reissue's liner notes that on the new mix, "everything's still in the red". He co-produced his 1999 album Avenue B with Don Was, releasing the single "Corruption." Pop produced 2001's Beat 'Em Up, which gave birth to The Trolls, releasing the single "Football" featuring Trolls alumni Whitey Kirst and brother Alex.

In 1997, Pop was credited with the soundtrack to the film The Brave.

In the early to middle 1990s, Pop would make several guest appearances on the Nickelodeon show The Adventures of Pete and Pete. He played James Mecklenberg, Nona Mecklenberg's father.

The Stooges reunion: 2003 to present[link]

Pop's 2003 album Skull Ring featured collaborators Sum 41, Green Day, Peaches, and The Trolls, as well as Ron and Scott Asheton, reuniting the three surviving founding members of The Stooges for the first time since 1974. Pop made a guest appearance on Peaches's song Kick It as well as the video. Also in 2003, his first full-length biography was published. Gimme Danger – The Story of Iggy Pop was written by Joe Ambrose; Pop did not collaborate on the biography or publicly endorse it. Having enjoyed working with the Ashetons on Skull Ring, Pop reformed The Stooges with bassist Mike Watt (formerly of the Minutemen) filling in for Dave Alexander, and Fun House saxophonist Steve Mackay rejoining the lineup. They have toured regularly since 2004. That year, Pop opened Madonna's Reinvention World Tour in Dublin.

Iggy and The Stooges played the Glastonbury Festival in June 2007. Their set included material from the 2007 album The Weirdness and classics such as "No Fun and "I Wanna Be Your Dog." Pop also caused controversy in June 2007 when he was interviewed on the BBC's coverage of the Glastonbury Festival. He used the phrase "paki shop", apparently unaware of its racist connotations, prompting three complaints and an apology from the BBC.^[16]

On March 10, 2008 Pop appeared at Madonna's induction into the Rock and Roll Hall of Fame at the Waldorf Astoria Hotel in New York. Together with The Stooges he sang raucous versions of two Madonna hits "Burning Up" and "Ray of Light." Before leaving the stage he looked directly at Madonna, quoting "You make me feel shiny and new, like a virgin, touched for the very first time.", from Madonna's hit song "Like A Virgin". According to guitarist Ron Asheton, Madonna asked The Stooges to perform in her place, as a protest to the Rock and Roll Hall of Fame for not inducting The Stooges despite six appearances on the nomination ballot.^[17] Pop also sang on the "No Fun" cover by Asian Dub Foundation on their 2008 album Punkara.

On June 1, 2008, The Stooges were voted into the Michigan Rock and Roll Legends online Hall of Fame.^[18]

On January 6, 2009, original Stooges guitarist, and Iggy's self-described best friend Ron Asheton, was found dead from an apparent heart attack. He was 60 years old.

In 2009 James Williamson rejoined the band after 29 years.^[19]

On December 15, 2009 it was announced that The Stooges would be inducted into The Rock and Roll Hall of Fame on March 15, 2010. Pop had "about two hours of a strong emotional reaction" to the news.^[20]

In March 2010 the Stooges and Iggy Pop were inducted into the Rock and Roll Hall of Fame.^[21]

In 2011, "I Wanna Be Your Dog" by The Stooges was voted a Legendary Michigan Song.^[22]

Recent career[link]

Pop supplied vocals for the 1999 Death in Vegas UK Top-10 single Aisha. The same year he appeared on Hashisheen, The End Of Law, a collaborative effort by Bill Laswell, reading on the tracks The Western Lands and A Quick Trip to Alamut. He also sang on the tracks Rolodex Propaganda and Enfilade by At the Drive-In in 2000.

For New Year's Eve 1997, Iggy was the headliner for the annual Australian three-day concert the Falls Festival. He gave one of the most memorable performances in the history of the festival. A member of the audience got to do the countdown for the new year with Pop as part of a competition to guess Pop's new year's resolution. (It was "To do nothing and make a lot of money!")

Pop at Beale Street Music Festival, Memphis in May 2007.

In 2005 Pop appeared, along with Madonna, Little Richard, Bootsy Collins, and The Roots' Questlove, in an American TV commercial for the Motorola ROKR phone. In early 2006, Iggy and the Stooges played in Australia and New Zealand for the Big Day Out. They also began work on a new album, The Weirdness, which was recorded by Steve Albini and released in March 2007. In August 2006 Iggy and the Stooges performed at the Lowlands pop festival in the Netherlands, Hodokvas in Slovakia and in the Sziget Festival in Budapest.

Author Paul Trynka completed a biography of Iggy Pop (with his blessing) called Open Up and Bleed, published in early 2007. More recently^[when?], Iggy and the Stooges played at Bam Margera's wedding and Pop appeared on the single "Punkrocker" with the Teddybears in a Cadillac television commercial. Pop was also the voice of Lil' Rummy on the Comedy Central cartoon Lil' Bush and confirmed that he has done voices for American Dad and Grand Theft Auto IV,^[23] which also included The Stooges song "I Wanna Be Your Dog" (though the game's manual credited Iggy Pop as the artist).

Pop guested on Profanation (Preparation for a Coming Darkness), the new album by the Bill Laswell-helmed group Praxis, which was released on January 1, 2008.^[24]

He fronts (from January 2009) a £25 million TV ad campaign for Swiftcover, using the strapline "Get a Life".^[25]

Pop collaborated with Danger Mouse and Sparklehorse on the album "Dark Night of the Soul", singing the track "Pain."

Pop's new solo album, Préliminaires, was released on June 2, 2009. Inspired by a novel by French author Michel Houellebecq (born Michel Thomas) called La Possibilité d'une île (2005; Trans. as The Possibility of an Island by Gavin Bowd, 2006), Iggy was approached to provide the soundtrack for a documentary film on Michel and his attempts to make a film from his novel. Iggy's favourite character from Michel's novel is a little white dog named Fox. Iggy describes this new release as a "quieter album with some jazz overtones", the first single off the album, "King of the Dogs", bearing a sound strongly influenced by New Orleans jazz musicians such as Louis Armstrong and Jelly Roll Morton. Iggy also admits that it's his response to being "sick of listening to idiot thugs with guitars banging out crappy music". The album is available on legal download sites, CD, and a Deluxe Boxset is available at only 6000 units worldwide. This boxset contains the Préliminaires album, a collector "Les Feuilles Mortes" b/w "King Of The Dogs" 7 inch, the cover of which is Iggy's portrait by Marjane Satrapi, and a 38 page booklet of drawings also by Marjane Satrapi.

Iggy sings on "We're All Gonna Die" on Slash's first solo album Slash which was released in April 2010.^[26]

Iggy appeared as a character in the video game Lego Rock Band to sing his song The Passenger and also lent his voice for the in game tutorial.^[27]

With reference to the song The Passenger, Iggy Pop has appeared on NZ television advertising phone networks to show how he can get a band to play together by conference call.

After a March 2010 stage diving accident, Pop claimed he would no longer stage dive. However, he did so on three occasions at a concert in Madrid, Spain on April 30, 2010.^[28] And it was much the same in London at the Hammersmith Apollo on May 2, 2010.^[29] On July 9, 2010 he again stage dived in Zottegem, Belgium, causing Iggy to bleed from the face.^[30]

In June 2010, Iggy Pop appeared at Yonge and Dundas Square in Toronto with the reformed Stooges on the NXNE main stage. The sheer size of the audience closed a central artery of Yonge Street.

In 2011 he teamed up with The Lilies, a collaboration between Sergio Dias of Os Mutantes and French group Tahiti Boy & The Palmtree Family to record the single 'Why?'.

Pop at the UK Hop Farm Festival, July 2011

On April 7, 2011, at age 63, Pop performed "Real Wild Child" on the tenth season of American Idol; the Los Angeles Times music blog "Pop & Hiss" described Pop as being "still magnetic, still disturbing."^[31]

Film career[link]

Iggy Pop, Harvard Square March 1977

Pop has had a limited career as an actor. He has appeared in sixteen movies, including Sid and Nancy (a non-speaking cameo role), The Color of Money, Hardware (voice only), The Crow: City of Angels, The Rugrats Movie, Snow Day, Coffee and Cigarettes (opposite Tom Waits, in the third segment of the film, "Somewhere in California"), Cry-Baby, Dead Man, Tank Girl and Atolladero, a Spanish science fiction Western. Pop also sings the main theme for Atolladero, he is the voice of The Beast From Another Dimension in the cult animated film Rock & Rule and also sings its song, "Pain and Suffering".

He has been featured in five television series, including Tales from the Crypt, The Adventures of Pete & Pete, where he played Nona's dad in the second and third season, and Star Trek: Deep Space Nine, in which he played Yelgrun in "The Magnificent Ferengi" episode. With The Stooges, he was also featured in an episode of MTV's Bam's Unholy Union as the main band performing at Bam's wedding. Additionally, a portion of the music video for Iggy's Butt Town was featured on an episode of Beavis and Butthead.

Pop has been profiled in four rockumentaries and has had songs on eighteen soundtracks, including Crocodile Dundee 2, Trainspotting, Lock, Stock and Two Smoking Barrels, Haggard, Arizona Dream, Repo Man, Black Rain, Freddy's Dead: The Final Nightmare, Shocker, and Kurt Cobain: About a Son.

In the movie Velvet Goldmine, Ewan McGregor portrays Curt Wilde, a character loosely based on Iggy Pop. McGregor performs Pop's songs "TV Eye" and "Gimme Danger" in the film.

Pop voiced Lil' Rummy on the Comedy Central show Lil' Bush.

Iggy Pop played himself as the DJ of the fictional rock station Liberty Rock Radio 97.8 in the video game Grand Theft Auto IV.

Pop provided the voice for a character in the English language version of the 2007 animated film Persepolis.

Iggy Pop also voiced a cameo in the American Dad! episode American Dream Factory as Jerry, the drummer, in Steve's band.

Iggy makes an appearance in the 2008 feature documentary by Nik Sheehan about Brion Gysin and the Dreamachine entitled 'FLicKeR'.

In 2008, Iggy's music was featured in a movie adaption of Irvine Welsh's best-selling novel Ecstasy: Three Tales of Chemical Romance.

In January 2009, Iggy was signed up as the face of Swiftcover, the UK-based online insurance company.^[32] The advert was then banned by the Advertising Standards Authority on April 28, 2009 for being misleading – it implied that Iggy Pop himself had an insurance policy with Swiftcover when at the time the company did not insure musicians.^[33]

Iggy Pop featured alongside indie starlet Greta Gerwig (Noah Baumbach's Greenberg, Baghead, Nights and Weekends) in the film "Art House" which will world premiere at the Nashville Film Festival in April 2010.

Iggy Pop also featured as a voice talent in the 2004 ATARI video game DRIV3R, which was produced by Reflections Interactive.

In 2010, the Stooges song "Search and Destroy" was featured in the Lost: Final Chapter episode 04, The Substitute.^[34]

Iggy's cover of the Richard Berry song Louie Louie is used during the opening credits of Michael Moore's 2009 film Capitalism: A Love Story

In February 2009, Iggy Pop played the character Victor in the movie Suck.

Iggy was also referenced in The Venture Brothers Episode Showdown at Cremation Creek (Part I) and Showdown at Cremation Creek (Part II) alongside Klaus Nomi as the bodyguards to The Sovereign who is in fact David Bowie, Iggy along with Klaus who defect to Phantom Limb who then tries to kill David Bowie with a large glowing ball that he can summon at will to kill people on the command "POP!" He was quoted as saying to him before he kills him, "Too long have I been made to play the idiot, now you're going to be MY DOG!"

Iggy worked with Johnny Depp on several films: they appeared together in Cry-Baby and Dead Man, and Iggy provided the soundtrack for The Brave, which was directed by and starred Depp.

In the Super Mario Bros. video game series, the character Iggy Koopa was named after him.^[35]

Future biopic[link]

The Passenger was the putative name for a biographical film about Pop's early career with the Stooges. The film was to be directed by Nick Gomez, and Elijah Wood was to play Iggy Pop.^[36][37][38] As of 2010^[update], the project appears to be shelved.^[39]

Pop liked the script but refused to take part in the film. He said:

The script ain't chopped liver... It was a work of art. But subjectively, I don't want to be involved in any way. A producer and the writer sent me a very decent letter, and asked me to write back if I didn't want them to do it... I don't feel negative about it at all.

He also called Wood "a very poised and talented actor".^[40]

Classical scholarship[link]

In 1995, an established journal of classical scholarship, Classics Ireland, published Pop's reflections on the applicability of Edward Gibbon's Decline and Fall of the Roman Empire to the modern world in a short article, Caesar Lives, (Vol. 2, 1995).^[41] Pop also relates how reading Gibbon while on tour in the Southern United States inspired him to a spontaneous soliloquy he called "Caesar".

Discography[link]

Albums[link]

With The Stooges[link]

• 1969 – The Stooges
• 1970 – Fun House
• 1973 – Raw Power
• 2007 – The Weirdness

With James Williamson[link]

• 1977 – Kill City

Solo[link]

• 1977 – The Idiot
• 1977 – Lust for Life
• 1979 – New Values
• 1980 – Soldier
• 1981 – Party
• 1982 – Zombie Birdhouse
• 1986 – Blah Blah Blah
• 1988 – Instinct
• 1990 – Brick by Brick
• 1993 – American Caesar
• 1996 – Naughty Little Doggie
• 1999 – Avenue B
• 2001 – Beat 'Em Up
• 2003 – Skull Ring
• 2009 – Préliminaires
• 2012 - Après

Personal life[link]

Pop lives in the Miami area.^[42] He has been married three times: to Wendy Weissberg (for several weeks in 1968, the marriage was annulled shortly thereafter)^[43] to Suchi Asano (1984–1999),^[44] and most recently, he wed longtime sweetheart Nina Alu. He has a son, Eric Benson, born in 1970.^[45]

In the 1990s, Iggy Pop developed a friendship with Johnny Depp, Jim Jarmusch and tattoo artist Jonathan Shaw. According to Shaw, the four wore matching rings depicting a skull, and all but Iggy also had a similar skull-and-crossbones tattoo.^[46]

References[link]

Further reading/info[link]

• Trynka, Paul (2007). Iggy Pop: Open Up and Bleed. London: Little, Brown Book Group. ISBN 1-84744-019-3. 
• Logan, Nick; Woffinden, Bob (1977). The Illustrated Encyclopedia of Rock (First Edition). New York: Harmony Books. ISBN 0-517-52852-5. 

External links[link]

Wikimedia Commons has media related to: Iggy Pop

Wikiquote has a collection of quotations related to: Iggy Pop

• Iggy & The Stooges Official Website
• Iggy Pop at the Internet Movie Database
• Iggy Pop at Memory Alpha (a Star Trek wiki)
• http://archives.cbc.ca/arts_entertainment/music/clips/2806/ (Iggy Pop's infamous 1977 interview with Peter Gzowski, from the Canadian Broadcasting Corporation's archive)
• Video of Iggy Pop collaboration with Sergio Dias (Os Mutantes) + Tahiti Boy & the Palmtree Family

Mike Stern
Stern performing in Munich, 2001
Background information
Birth name	Mike Sedgwick
Born	(1953-01-10) January 10, 1953 (age 59) Boston, Massachusetts, United States
Genres	Jazz, jazz fusion, post-bop
Occupations	Songwriter, musician
Instruments	Guitar
Years active	1976–present
Labels	Heads Up International, Atlantic Jazz
Associated acts	Mike Stern Group, Brecker Brothers, Miles Davis, Sound Factory, Blood, Sweat & Tears
Website	www.mikestern.org
Notable instruments
Yamaha PA511MS[1] Fender Telecaster

Mike Stern (born Mike Sedgwick on January 10, 1953) is an American jazz guitarist. After playing for a few years with Blood, Sweat & Tears, he landed a gig with drummer Billy Cobham and then broke through with trumpeter Miles Davis' comeback band from 1981 to 1983, and again in 1985. Following that he launched a solo career, releasing more than a dozen albums. He was hailed as the Best Jazz Guitarist of 1993 by Guitar Player magazine, and in 2009 was listed on Down Beat's list of 75 best jazz guitar players.

Personal life[link]

Stern was born Mike Sedgwick in Boston, Massachusetts, the son of Helen Burroughs and Henry Dwight Sedgwick V.^[2] He is the half-brother of actress Kyra Sedgwick;^[3] his full sister, Holly, is the mother of actor Philip Nozuka and singers George Nozuka, Justin Nozuka, and Henry Nozuka. Stern is married to guitarist and vocalist Leni Stern.

Career[link]

At the Berklee College of Music in Boston his focus shifted to jazz. Stern landed a gig with Blood, Sweat & Tears in 1976 and remained with the band for two years, appearing on the BS&T albums More Than Ever and Brand New Day.

In 1979, Stern joined Billy Cobham's fusion band. Two years later he joined Miles Davis group, making his public debut on June 27, 1981, at the KIX nightclub in Boston, a performance documented on the CBS live album We Want Miles. He remained with Davis through 1983. From 1983 to 1984 he toured in Jaco Pastorius' Word of Mouth band and in 1985 he returned to Davis for a second tour of duty that lasted close to a year.

His solo debut, Upside Downside, was released on Atlantic Records in 1986. It features performances by Pastorius, David Sanborn, and Bob Berg. From 1986 through 1988, he was a member of Michael Brecker's quintet, appearing on Don't Try This At Home.

Stern's second Atlantic album, 1988's Time In Place, featured Peter Erskine on drums, Jim Beard on keyboards, Jeff Andrews on bass, Don Alias on percussion and Don Grolnick on organ. He followed with 1989's Jigsaw, which was produced by fellow guitarist Steve Khan and included Mike's menacing Miles Davis tribute, "Chief". In 1989, Stern formed a cooperative touring group with Bob Berg that also included drummer Dennis Chambers and bassist Lincoln Goines. They remained a working unit through 1992 and are featured on Mike's Atlantic release, Odds Or Evens.

Stern joined a reunited Brecker Brothers Band in 1992 and became a factor in the success of that popular group for the next two years. His acclaimed and jazzy 1993 Atlantic release, Standards (And Other Songs), led to Stern being named Best Jazz Guitarist Of The Year by the readers and critics of Guitar Player. He followed that up with 1994's Is What It Is and 1996's Between The Lines, both of which received Grammy nominations.

Mike Stern at the Liri Blues Festival, Italy, in 1998.

In 1997, Stern returned to a jazzier aesthetic with Give And Take, a looser, more spontaneous session featuring bassist John Patitucci, drummer Jack DeJohnette, percussionist Don Alias and special guests Michael Brecker and David Sanborn. He won the Orville W. Gibson Award for Best Jazz Guitarist.

After 15 years with Atlantic, Stern shifted to ESC for the 2004 release of These Times, an eclectic set that included guest appearances by some high-profile session players –- bassist Richard Bona, saxophonist Kenny Garrett, and banjoist Bela Fleck.

Stern joined the Heads Up label with the August 2006 release of Who Let the Cats Out? In 2008, Stern collaborated with the Yellowjackets for their Lifecycle release, contributing two compositions and performing on most of the tracks; he toured with the Yellowjackets for much of 2008 and 2009.

In February 2009, in the first in a series of articles to celebrate DownBeat's 75th anniversary, Stern was named to the jazz magazine’s list of 75 Great Guitarists.

In August 2009, Stern released Big Neighborhood, which was nominated for a Grammy for Best Contemporary Jazz Album.^{[citation needed]}

Instruments, amplifiers, effects[link]

Guitars[link]

An early and important guitar for Stern was a hybrid 1950s/1960s Fender Telecaster, previously owned by Roy Buchanan and Danny Gatton, which was stolen from him in an armed robbery in Boston. This guitar is the basis for a custom-made guitar built by Boston-based luthier Michael Aronson,^[1] which has a Telecaster style body with an original 1950's Broadcaster neck. There is a Seymour Duncan humbucker in the neck position and a Bill Lawrence single coil in the bridge.^{[citation needed]}

The Aronson guitar is in turn the basis for the Yamaha PA511MS, the Mike Stern signature model.^[1] The neck position pickup is a Seymour Duncan '59 and it has a Tele Hot Rail in the bridge.^[4]

Stern uses Fender nickel-wound strings, .011 - .038.^[1]

Amplifiers[link]

Stern uses a pair of Fender '65 Twin Reverb amps.

Effects[link]

Stern's highly recognizable chorused sound is created in part by a Yamaha SPX-90, split for stereo. He uses two Boss DD-3 digital delays, one of which is set to a long delay time for "big, spacey sounds."^[1] His distortion pedal is a Boss DS-1.^[1]

Discography as leader[link]

• Neesh (1983)
• Upside Downside (1986)
• Time in Place (1988)
• Jigsaw (1989)
• Odds or Evens (1991)
• Standards and Other Songs (1992)
• Is What It Is (1994)
• Between the Lines (1996)
• Give and Take (1997)
• Play (1999)
• Voices (2001)
• These Times (2004)
• Who Let the Cats Out? (2006)
• Big Neighborhood (2009)

References[link]

External links[link]

• Mike Stern's main website
• Mike Stern featured page in the Party Of The Century international music project
• 2006 Mike Stern interview on Modern Guitars magazine
• Mike Stern interview at Allaboutjazz.com