
- Order:
- Duration: 8:07
- Published: 24 Jun 2010
- Uploaded: 28 May 2011
- Author: povborders
- http://wn.com/Attica_Prison_Riot__William_Kunstler_Disturbing_the_Universe__POV_on_PBS
- Email this video
- Sms this video
During the following four days of negotiations, authorities agreed to 28 of the prisoners' demands, but would not agree to demands for complete amnesty from criminal prosecution for the prison takeover or for the removal of Attica's superintendent. Under order of governor Nelson Rockefeller, state police took back control of the prison. When the uprising was over, at least 39 people were dead, including ten correction officers and civilian employees.
Officer Quinn in the central control room of the tunnels tried to phone for help when he saw what was happening in the tunnel. However, he kept getting a busy signal and the mob of prisoners managed to get into the control room and beat him unconscious with the lead handle of the rotary phone.
The inmates quickly gained control of sections, D-yard, two tunnels and the central control room, Times Square. Inmates took 42 officers and civilians hostage and aired a list of grievances, demanding their needs be met before their surrender. they felt that they had been illegally denied rights and conditions to which they were entitled, illustrated by such practices as being allowed only one shower per week and one roll of toilet paper per person per month.
The situation may have been further complicated by Governor Rockefeller’s refusal to come to the scene of the riot and meet with the inmates, Negotiations broke down and Oswald told the inmates that he was unable to negotiate with them anymore and ordered that they must give themselves up. Oswald later called Governor Rockefeller and again begged him to come to the prison to calm the riot. After the governor's refusal, Oswald stated that he would order the State Police to retake the facility by force. Rockefeller agreed with Oswald's decision. This agreement would be later criticized by a commission created by Rockefeller to study the riot and the aftermath.
At 9:46 AM on Monday, September 13, 1971 tear gas was dropped into the yard and New York State Police troopers opened fire non-stop for two minutes into the smoke. Among the weapons used by the troopers were shotguns, which led to the wounding and killing of hostages and inmates who were not resisting. Former prison officers were allowed to participate, a decision later called "inexcusable" by the commission established by Rockefeller to study the riot and the aftermath.
Inmates and families of inmates killed in the prison retaking sued the State of New York for civil rights violations by law enforcement officers during and after the retaking of Attica. After 27 years in the courts, in 2000, the State of New York agreed to pay $12 million to settle the case.
Category:1971 riots Category:1971 in the United States Category:History of New York Category:Riots and civil unrest in the United States Category:History of African-American civil rights Category:Prison uprisings Category:Crime in New York Category:History of the United States (1964–1980)
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Muhammad Ali |
---|---|
Nationality | American |
Nickname | The GreatestThe ChampThe Louisville Lip |
Height | |
Reach | |
Weight | Heavyweight |
Birth date | January 17, 1942 |
Birth place | Louisville, Kentucky, United States |
Style | Orthodox |
Total | 61 |
Wins | 56 |
Ko | 37 |
Losses | 5 |
Draws | 0 |
No contests | 0 |
Originally known as Cassius Clay, Ali changed his name after joining the Nation of Islam in 1964, subsequently converting to Sunni Islam in 1975 and more recently to Sufism. In 1967, Ali refused to be conscripted into the U.S. military, based on his religious beliefs and opposition to the Vietnam War. He was arrested and found guilty on draft evasion charges, stripped of his boxing title, and his boxing license was suspended. He was not imprisoned, but did not fight again for nearly four years while his appeal worked its way up to the U.S. Supreme Court, where it was successful.
Nicknamed "The Greatest", Ali was involved in several historic boxing matches. Notable among these are three with rival Joe Frazier and one with George Foreman, whom he beat by knockout to win the world heavyweight title for the second time. He suffered only five losses (four decisions and one TKO by retirement from the bout) with no draws in his career, while amassing 56 wins (37 knockouts and 19 decisions). Ali was well known for his unorthodox fighting style, which he described as "float like a butterfly, sting like a bee", and employing techniques such as the rope-a-dope. He was also known for his pre-match hype, where he would "trash talk" opponents on television and in person some time before the match, often with rhymes. These personality quips and idioms, along with an unorthodox fighting technique, made him a cultural icon. In later life, Ali developed Parkinson's disease. In 1999, Ali was crowned "Sportsman of the Century" by Sports Illustrated and "Sports Personality of the Century" by the BBC.
Clay was first directed toward boxing by the white Louisville police officer and boxing coach Joe E. Martin, who encountered the 12-year-old fuming over the theft of his bicycle. However, without Martin's knowledge, Clay also began training with Fred Stoner, an African-American trainer working at the local community center. In this way, Clay could make $4 a week on Tomorrow's Champions, a local, weekly TV show that Martin hosted, while benefiting from the coaching of the more experienced Stoner, who continued working with Clay throughout his amateur career.
Under Stoner's guidance, Cassius Clay won six Kentucky Golden Gloves titles, two national Golden Gloves titles, an Amateur Athletic Union National Title, and the Light Heavyweight gold medal in the 1960 Summer Olympics in Rome. Clay's amateur record was 100 wins with five losses.
Ali states (in his 1975 autobiography) that he threw his Olympic gold medal into the Ohio River after being refused service at a 'whites-only' restaurant, and fighting with a white gang. Whether this is true is still debated, although he was given a replacement medal at a basketball intermission during the 1996 Olympics in Atlanta, where he lit the torch to start the games.
Standing tall, at 6-ft, 3-in (1.91 m), Clay had a highly unorthodox style for a heavyweight boxer. Rather than the normal style of carrying the hands high to defend the face, he instead relied on foot speed and quickness to avoid punches, and carried his hands low.
From 1960 to 1963, the young fighter amassed a record of 19–0, with 15 knockouts. He defeated boxers such as Tony Esperti, Jim Robinson, Donnie Fleeman, Alonzo Johnson, George Logan, Willi Besmanoff, Lamar Clark (who had won his previous 40 bouts by knockout), Doug Jones and Henry Cooper.
Clay built a reputation by correctly predicting the round in which he would "finish" several opponents, and by boasting before his triumphs. had Clay's colorful persona and nonstop braggadocio as its sole appeal.
Faversham confronted Clay about his association with Malcolm X (who, at the time, was actually under suspension by the Nation as a result of controversial comments made in the wake of President Kennedy's assassination). While stopping short of admitting he was a member of the Nation, Clay protested the suggested cancellation of the fight. As a compromise, Faversham asked the fighter to delay his announcement about his conversion to Islam until after the fight. The incident is described in the 1975 book The Greatest: My Own Story by Ali (with Richard Durham).
During the weigh-in on the day before the bout, the ever-boastful Clay, who frequently taunted Liston during the buildup by dubbing him "the big ugly bear" (among other things), declared that he would "float like a butterfly and sting like a bee," and, summarizing his strategy for avoiding Liston's assaults, said, "Your hands can't hit what your eyes can't see."
At the pre-fight weigh-in, Clay's pulse rate was around 120, more than double his norm of 54. Liston, among others, misread this as nervousness. In the opening rounds, Clay's speed kept him away from Liston's powerful head and body shots, as he used his height advantage to beat Liston to the punch with his own lightning-quick jab. And in relation to inter-racial marriage: "No intelligent black man or black woman in his or her right black mind wants white boys and white girls coming to their homes to marry their black sons and daughters."
Appearing shortly thereafter for his scheduled induction into the U.S. Armed Forces on April 28, 1967 in Houston, he refused three times to step forward at the call of his name. An officer warned him he was committing a felony punishable by five years in prison and a fine of $10,000. Once more, Ali refused to budge when his name was called. As a result, he was arrested and on the same day the New York State Athletic Commission suspended his boxing license and stripped him of his title. Other boxing commissions followed suit.
At the trial on June 20, 1967, after only 21 minutes of deliberation, the jury found Ali guilty.
Ali and Frazier met in the ring on March 8, 1971, at Madison Square Garden. The fight, known as '"The Fight of the Century," was one of the most eagerly anticipated bouts of all time and remains one of the most famous. It featured two skilled, undefeated fighters, both of whom had legitimate claims to the heavyweight crown. Frank Sinatra—unable to acquire a ringside seat—took photos of the match for Life magazine. Legendary boxing announcer Don Dunphy and actor and boxing aficionado Burt Lancaster called the action for the broadcast, which reached millions of people. The fight lived up to the hype, and Frazier punctuated his victory by flooring Ali with a hard, leaping left hook in the 15th and final round. Frazier retained the title on a unanimous decision, dealing Ali his first professional loss.
In 1973, Ali fought Ken Norton, who broke Ali's jaw and won by split decision in 12 rounds. Ali won the rematch, also by split decision, on September 10, 1973, which set up Ali-Frazier II, a nontitle rematch with Joe Frazier, who had already lost his title to George Foreman. The bout was held on January 28, 1974, with Ali winning a unanimous 12-round decision.
Almost no one, not even Ali's long-time supporter Howard Cosell, gave the former champion a chance of winning. Analysts pointed out that Joe Frazier and Ken Norton had given Ali four tough battles in the ring and won two of them, while Foreman had knocked out both of them in the second round. As a matter of fact, so total was the domination that, in their bout, Foreman had knocked down Frazier an incredible six times in only four minutes and 25 seconds.
During the bout, Ali employed an unexpected strategy. Leading up to the fight, he had declared he was going to "dance" and use his speed to keep away from Foreman and outbox him. However, in the first round, Ali headed straight for the champion and began scoring with a right hand lead, clearly surprising Foreman. Ali caught Foreman nine times in the first round with this technique but failed to knock him out. He then decided to take advantage of the young champion's weakness: staying power. Foreman had won 37 of his 40 bouts by knockout, mostly within three rounds. Eight of his previous bouts didn't go past the second round. Ali saw an opportunity to outlast Foreman, and capitalized on it.
In the second round, the challenger retreated to the ropes—inviting Foreman to hit him, while counterpunching and verbally taunting the younger man. Ali's plan was to enrage Foreman and absorb his best blows to exhaust him mentally and physically. While Foreman threw wide shots to Ali's body, Ali countered with stinging straight punches to Foreman's head. Foreman threw hundreds of punches in seven rounds, but with decreasing technique and potency. Ali's tactic of leaning on the ropes, covering up, and absorbing ineffective body shots was later termed "The Rope-A-Dope".
By the end of the seventh round, Foreman was exhausted. In the eighth round, Ali dropped Foreman with a combination at center ring and Foreman failed to make the count. Against the odds, Ali had regained the title.
The "Rumble in the Jungle" was the subject of a 1996 Academy Award winning documentary film, When We Were Kings. The fight and the events leading up to it are extensively depicted in both John Herzfeld's 1997 docudrama and Michael Mann's 2001 docudrama, Ali.
On October 1, 1975, Ali fought Joe Frazier for the third time. Although widely perceived as a publicity stunt, the match against Inoki would have a long-term detrimental affect on Ali's mobility. Inoki spent much of the fight on the ground trying to damage Ali’s legs, while Ali spent most of the fight dodging the kicks or staying on the ropes. At the end of 15 rounds, the bout was called a draw. Ali's legs, however, were bleeding, leading to an infection. He suffered two blood clots in his legs as well.
In 1993, the Associated Press reported that Ali was tied with Babe Ruth as the most recognized athlete, out of over 800 dead or alive athletes, in America. The study, conducted by Nye Lavalle's Sports Marketing Group, found that over 97% of Americans, over 12-years of age, identified both Ali and Ruth.
He was the recipient of the 1997 Arthur Ashe Courage Award.
, alongside Interstate 64 on Louisville's riverfront]]
He appeared at the 1998 AFL (Australian Football League) Grand Final, where Anthony Pratt invited him to watch the game. He also greets runners at the start line of the Los Angeles Marathon every year.
In 1999, the BBC produced a special version of its annual BBC Sports Personality of the Year Award ceremony, and Ali was voted their Sports Personality of the Century, receiving more votes than the other four contenders combined. His daughter Laila Ali also became a boxer in 1999, despite her father's earlier comments against female boxing in 1978: "Women are not made to be hit in the breast, and face like that... the body's not made to be punched right here [patting his chest]. Get hit in the breast... hard... and all that."
On September 13, 1999, Ali was named "Kentucky Athlete of the Century" by the Kentucky Athletic Hall of Fame in ceremonies at the Galt House East.
on display at the Ali Center]]
In 2001, a biographical film, entitled Ali, was made, directed by Michael Mann, with Will Smith starring as Ali. The film received mixed reviews, with the positives generally attributed to the acting, as Smith and supporting actor Jon Voight earned Academy Award nominations. Prior to making the Ali movie, Will Smith had continually rejected the role of Ali until Muhammad Ali personally requested that he accept the role. According to Smith, the first thing Ali said about the subject to him was: "Man, you're almost pretty enough to play me."
On November 17, 2002, Muhammad Ali went to Afghanistan as "U.N. Messenger of Peace". He was in Kabul for a three-day goodwill mission as a special guest of the United Nations.
On January 8, 2005, Muhammad Ali was presented with the Presidential Citizens Medal by President George W. Bush.
He received the Presidential Medal of Freedom at a White House ceremony on November 9, 2005, and the "Otto Hahn Peace Medal in Gold" of the United Nations Association of Germany (DGVN) in Berlin for his work with the US civil rights movement and the United Nations (December 17, 2005).
embraces Muhammad Ali after presenting him with the Presidential Medal of Freedom on November 9, 2005, during ceremonies at the White House.]]
On November 19, 2005 (Ali's 19th wedding anniversary), the $60 million non-profit Muhammad Ali Center opened in downtown Louisville. In addition to displaying his boxing memorabilia, the center focuses on core themes of peace, social responsibility, respect, and personal growth.
According to the Ali Center website, "Since he retired from boxing, Ali has devoted himself to humanitarian endeavors around the globe. He is a devout Muslim, and travels the world over, lending his name and presence to hunger and poverty relief, supporting education efforts of all kinds, promoting adoption and encouraging people to respect and better understand one another. It is estimated that he has helped to provide more than 22 million meals to feed the hungry. Ali travels, on average, more than 200 days per year."
At the FedEx Orange Bowl on January 2, 2007, Ali was an honorary captain for the Louisville Cardinals wearing their white jersey, number 19. Ali was accompanied by golf legend Arnold Palmer, who was the honorary captain for the Wake Forest Demon Deacons, and Miami Heat star Dwyane Wade.
A youth club in Ali's hometown and a species of rose (Rosa ali) have also been named after him. On June 5, 2007, he received an honorary doctorate of humanities at Princeton University's 260th graduation ceremony.
Ali lives in Scottsdale, Arizona with his fourth wife, Yolanda "Lonnie" Ali. They own a house in Berrien Springs, Michigan, which is for sale. On January 9, 2007, they purchased a house in eastern Jefferson County, Kentucky for $1,875,000. Lonnie converted to Islam from Catholicism in her late 20s.
On the 17th of August 2009, it was voted unanimously by the town council of Ennis, Co Clare, Ireland to make Ali the first Freeman of Ennis. Ennis was the birthplace of Ali's great grandfather before he emigrated to the U.S. in the 1860s, before eventually settling in Kentucky. On September 1, 2009, Ali visited the town of Ennis and at a civic reception he received the honour of the freedom of the town.
Ali is generally considered to be one of the greatest heavyweights of all time by boxing commentators and historians. Ring Magazine, a prominent boxing magazine, named him number 1 in a 1998 ranking of greatest heavyweights from all eras.
Ali was named the second greatest fighter in boxing history by ESPN.com behind only welterweight and middleweight great Sugar Ray Robinson. In December 2007, ESPN listed Ali second in its choice of the greatest heavyweights of all time, behind Joe Louis.
On August 17, 1967, Ali (aged 25) married 17-year old Belinda Boyd. After the wedding, she converted to Islam and changed her name to Khalilah Ali, though she was still called Belinda by old friends and family. They had four children: Maryum (b. 1968), Jamillah and Liban (b. 1970), and Muhammad Ali Jr. (b. 1972).
In 1975, Ali began an affair with Veronica Porsche, an actress and model. By the summer of 1977, Ali's second marriage was over and he had married Veronica. At the time of their marriage, they had a baby girl, Hana, and Veronica was pregnant with their second child. Their second daughter, Laila, was born in December 1977. By 1986, Ali and Veronica were divorced.
On November 19, 1986, Ali married Yolanda Ali. They had been friends since 1964 in Louisville. They have one adopted son, Asaad Amin, who they adopted when Amin was five.
Ali has two other daughters, Miya and Khaliah, from extramarital relationships.
As a world champion boxer and social activist, Ali has been the subject of numerous books, films and other creative works. In 1963, he released an album of spoken word on Columbia Records titled I am the Greatest! He has appeared on the cover of Sports Illustrated on 37 different occasions, second only to Michael Jordan. He appeared in the documentary film Black Rodeo (1972) riding both a horse and a bull. His autobiography The Greatest: My Own Story, written with Richard Durham, was published in 1975. In 1977 the book was adapted into a film called The Greatest, in which Ali played himself and Ernest Borgnine played Angelo Dundee. When We Were Kings, a 1996 documentary about the Rumble in the Jungle, won an Academy Award, and the 2001 biopic Ali garnered an Oscar nomination for Will Smith's portrayal of the lead role.
For contributions to the entertainment industry, Muhammed Ali was honored with a star on the Hollywood Walk of Fame at 6801 Hollywood Boulevard.
}} }}
}}
}}
}}
}}
Category:1942 births Category:Living people Category:African American boxers Category:American boxers of Irish descent Category:American boxers of English descent Category:American anti-Vietnam War activists Category:Boxers from Kentucky Category:World Heavyweight Champions Category:Heavyweights Category:WBA Champions Category:WBC Champions Category:African American Muslims Category:American conscientious objectors Category:American Sufis Category:Boxers at the 1960 Summer Olympics Category:COINTELPRO targets Category:Converts to Islam from Christianity Category:International Boxing Hall of Fame inductees Category:Kentucky colonels Category:Olympic boxers of the United States Category:Olympic gold medalists for the United States Category:People with Parkinson's disease Category:Presidential Medal of Freedom recipients Category:Presidential Citizens Medal recipients Category:Professional wrestling referees Category:People from Louisville, Kentucky Category:People from Paradise Valley, Arizona Category:Winners of the United States Championship for amateur boxers Category:African American converts to Islam Category:Former Nation of Islam members
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Yoko Ono小野 洋子 |
---|---|
Background | solo_singer |
Born | February 18, 1933 Tokyo, Japan |
Genre | Avant-garde, rock, pop, electronica, Shibuya kei, Fluxus |
Occupation | Artist, musician, film director, peace activist |
Years active | 1961–present |
Instrument | Vocals, piano |
Label | Apple, Geffen, Polydor, Rykodisc, Astralwerks, Chimera Music |
Associated acts | John LennonThe Plastic Ono BandThe Ghost of a Saber Tooth Tiger |
In 1956, she married composer Toshi Ichiyanagi. They divorced in 1962 after living apart for several years. On November 28 that same year, Ono married an American named Anthony Cox. Cox was a jazz musician, film producer and art promoter. He had heard of Ono in New York and tracked her down to a mental institution in Japan, where her family had placed her following a suicide attempt. Ono had neglected to finalize her divorce from Ichiyanagi, so their marriage was annulled on March 1, 1963 and Cox and Ono married on June 6. Their daughter, Kyoko Chan Cox, was born two months later on August 3, 1963.
The marriage quickly fell apart but the Coxes stayed together for the sake of their joint career. They performed at Tokyo's Sogetsu Hall with Ono lying atop a piano played by John Cage. Soon the Coxes returned to New York with Kyoko. In the early years of this marriage, Ono left most of Kyoko's parenting to Cox while she pursued her art full-time and Tony managed publicity. After she divorced Cox on February 2, 1969, Ono and Cox engaged in a bitter legal battle for custody of Kyoko, which resulted in Ono being awarded full custody. However, in 1971, Cox disappeared with eight-year-old Kyoko, in violation of the custody order. Cox subsequently became a Christian and raised Kyoko in a Christian group known as the Church of the Living Word (or "the Walk"). Cox left the group with Kyoko in 1977. Living an underground existence, Cox changed the girl's name to Rosemary. Cox and Kyoko sent Ono a sympathy message after Lennon's 1980 murder. Afterwards, the bitterness between the parents lessened slightly and Ono publicly announced in People Magazine that she would no longer seek out the now-adult Kyoko, but still wished to make contact with her. In 1994, Kyoko made contact with Ono and established a relationship.
Almost immediately after John Cage finished teaching at the New School for Social Research in the Summer of 1960, Ono was determined to rent a place to present her works along with works of other New York avant-garde artists. She eventually found a cheap loft in downtown Manhattan at 112 Chambers Street that she used as a studio and living space. Composer La Monte Young urged Ono to let him organize concerts in the loft, and Ono acquiesced. but Ono claims to have been eventually pushed into a subsidiary role by Young. The Chambers Street series hosted some of Ono's earliest conceptual artwork including Painting to Be Stepped On, which was a scrap of canvas on the floor that became a completed artwork upon the accrual of footprints. Participants faced a moral dilemma presented by Ono that a work of art no longer needed to be mounted on a wall, inaccessible, but an irregular piece of canvas as low and dirty as to have to be completed by being stepped on.
Ono was an explorer of conceptual art and performance art. An example of her performance art is "Cut Piece" (this instance of performance art is also known as a "happening"), first performed in 1964 at the Sogetsu Art Center in Tokyo. Cut Piece had one destructive verb as its instruction: "Cut." Ono executed the performance in Tokyo by walking on stage and casually kneeling on the floor in a draped garment. Audience members were requested to come on stage and begin cutting until she was naked. Cut Piece was one of Ono’s many opportunities to outwardly communicate her internal suffering through her art. Ono had originally been exposed to Jean-Paul Sartre's theories of existentialism in college, and in order to appease her own human suffering, Ono enlisted her viewers to complete her works of art in order to complete her identity as well. Besides a commentary on identity, Cut Piece was a commentary on the need for social unity and love. It was also a piece that touched on issues of gender and sexism as well as the greater, universal affliction of human suffering and loneliness. Ono performed this piece again in London and other venues, garnering drastically different attention depending on the audience. In Japan, the audience was shy and cautious. In London, the audience participators became zealous to get a piece of her clothing and became violent to the point where she had to be protected by security. An example of her conceptual art includes her book of instructions called Grapefruit. This book, first produced in 1964, includes surreal, Zen-like instructions that are to be completed in the mind of the reader, for example: "Hide and seek Piece: Hide until everybody goes home. Hide until everybody forgets about you. Hide until everybody dies." The book, an example of Heuristic art, was published several times, most widely distributed by Simon and Schuster in 1971, and reprinted by them again in 2000. Many of the scenarios in the book would be enacted as performance pieces throughout Ono's career and have formed the basis for her art exhibitions, including one highly publicized show at the Everson Museum in Syracuse, New York that was nearly closed by a fan riot.
In addition to conceptual art, Ono has also created participatory art, including her 1996 project entitled "Wish Tree" in Japan.
:"Wish Piece by Yoko Ono (1996)
:Make a wish :Write it down on a piece of paper :Fold it and tie it around a branch of a Wish Tree :Ask your friends to do the same :Keep wishing :Until the branches are covered with wishes".
Ono was also an experimental filmmaker who made sixteen films between 1964 and 1972, and gained particular renown for a 1966 Fluxus film called simply No. 4, but often referred to as "Bottoms". The film consists of a series of close-ups of human buttocks as the subject walks on a treadmill. The screen is divided into four almost equal sections by the elements of the gluteal cleft and the horizontal gluteal crease. The soundtrack consists of interviews with those who are being filmed as well as those considering joining the project. In 1996, the watch manufacturing company Swatch produced a limited edition watch that commemorates this film. (Ono also acted in an obscure exploitation film in 1965, Satan's Bed.)
John Lennon once described her as "the world's most famous unknown artist: everybody knows her name, but nobody knows what she does." Her circle of friends in the New York art world has included Kate Millett, Nam June Paik, Dan Richter, Jonas Mekas, Merce Cunningham, Judith Malina, Erica Abeel, Fred DeAsis, Peggy Guggenheim, Betty Rollin, Shusaku Arakawa, Adrian Morris, Stefan Wolpe, Keith Haring, and Andy Warhol, as well as Maciunas and Young.
In 2001, YES YOKO ONO, a forty-year retrospective of Ono's work, received the prestigious International Association of Art Critics USA Award for Best Museum Show Originating in New York City, considered one of the highest accolades in the museum profession. In 2002 Ono was awarded the Skowhegan Medal for work in assorted media. In 2005 she received a lifetime achievement award from the Japan Society of New York.
Ono received an honorary Doctorate of Laws from Liverpool University in 2001. In 2002, she was presented with the honorary degree of Doctor of Fine Arts from Bard College.
In 2008, she showed a large retrospective exhibition, Between The Sky And My Head, at the Kunsthalle Bielefeld, Bielefeld, Germany, and the Baltic Centre for Contemporary Art in Gateshead, UK.
In 2009, she showed a selection of new and old work as part of her show "Anton's Memory" in Venice, Italy. She also received a Golden Lion Award for lifetime achievement from the Venice Biennale in 2009. to Yoko Ono's Wish Tree]] Wish Tree, her installation in the Sculpture Garden - Museum of Modern Art, New York (since July 2010), has become very popular with contributions from all over the world.
Another work displayed a real apple with a card reading "APPLE." When John was told that the price of the apple was £200 (approximately £2300 or $4600 in 2007 money), he later reported that he thought "This is a joke, this is pretty funny". Another display was a white board with nails in it with a sign inviting visitors to hammer a nail into its surface. Since the show was not beginning until the following day, Ono refused to allow Lennon to hammer in a nail. The gallery owner whisked her away, saying, "Don't you know who that is? He's a millionaire!" Upon returning to John, she said he could hammer in a nail for five shillings. Lennon replied, "I'll give you an imaginary five shillings if you let me hammer in an imaginary nail".
Lennon referred to Ono in many of his songs. While still a Beatle he wrote "The Ballad of John and Yoko", and he alluded to her indirectly in "Julia", a song dedicated to his mother, with the lyrics: "Ocean child calls me, so I sing a song of love" (The kanji 洋子 ("Yoko") means "ocean child").
Ono and Lennon collaborated on many albums, beginning in 1968 when Lennon was still a Beatle, with , an album of experimental and difficult electronic music. That same year, the couple contributed an experimental piece to The White Album called "Revolution 9". Ono also contributed backing vocals (on "Birthday"), and one line of lead vocals (on "The Continuing Story of Bungalow Bill") to The White Album. Many of the couple's later albums were released under the name the Plastic Ono Band. The couple also appeared together at concerts. When Lennon was invited to play with Frank Zappa at the Fillmore on June 5, 1971, Ono joined in as well.
In 1969, the Plastic Ono Band's first album, Live Peace in Toronto 1969, was recorded during the Toronto Rock and Roll Revival Festival. In addition to Lennon and Ono, this first incarnation of the group consisted of guitarist Eric Clapton, bass player Klaus Voormann, and drummer Alan White. The first half of their performance consisted of rock standards, and during the second half, Ono took the microphone and along with the band performed an avant garde set, ending with music that consisted mainly of feedback, while Ono screamed and sang.
In November 1968, Yoko miscarried a male child which they named John Ono Lennon II. Ono and Lennon married on March 20, 1969 in Gibraltar. ".]] Ono released her first solo album, Yoko Ono/Plastic Ono Band in 1970, as a companion piece to Lennon's better-known John Lennon/Plastic Ono Band. The two albums have almost identical covers: Ono's featured a photo of her leaning on Lennon, and Lennon's had a photo of him leaning on Ono. Her album included raw and quite harsh vocals that were possibly influenced by Japanese opera, but bear much in common with sounds in nature (especially those made by animals) and free jazz techniques used by wind and brass players. The performers included Ornette Coleman and other renowned free jazz performers. The personnel was supplemented by John Lennon, Ringo Starr and minor performers. Some songs consisted of wordless vocalizations, in a style that would influence Meredith Monk, and other musical artists who have used screams and vocal noise in lieu of words. The album peaked at #183 on the US charts.
In 1971, Ono released Fly – a double album. On this release Ono explored slightly more conventional psychedelic rock with tracks like "Midsummer New York" and "Mind Train", in addition to a number of Fluxus experiments. She also received minor airplay with the ballad "Mrs. Lennon". Perhaps the most famous track from the album is "Don't Worry, Kyoko (Mummy's Only Looking For Her Hand In The Snow)", an ode to Ono's kidnapped daughter.
In 1971, while studying with Maharishi Mahesh Yogi in Majorca, Ono's second husband, Anthony Cox, accused Ono of abducting their daughter, Kyoko from his hotel. A large number of accusations were then made by both parents toward each other and the matter of custody. Cox eventually moved to Houston, Texas and converted to Evangelical Christianity with his new wife, who was originally from Houston. At the end of 1971, a custody hearing in Houston went against Cox. In violation of the order, he took Kyoko and disappeared. Ono then launched a search for her daughter with the aid of the police and private investigators. Ono wrote a song about her daughter, "Don't Worry Kyoko (Mummy's Only Looking For Her Hand In The Snow)", which appears on Lennon and Ono's album Live Peace In Toronto 1969 and her album Fly. Both versions feature Eric Clapton on guitar. Kyoko is also referenced on the first line of "Happy Christmas (War Is Over)" when Yoko whispers "Happy Christmas Kyoko" followed by Lennon whispering "Happy Christmas Julian".
Both the press and the public were critical of her. She was blamed for the breakup of The Beatles and repeatedly criticized for her influence over Lennon and his music. Her experimental art was not popularly understood. Following the murder, she went into complete seclusion for an extended period.
Following Lennon's murder, Cox and Kyoko sent a message of sympathy to Ono but did not reveal their location. Ono later printed an open letter to Kyoko saying how she missed her but that she would cease her attempts to find her. Kyoko would later appear on the 1987 title track of American English by the British pop band Wax.
In early 1980, Lennon heard Lene Lovich and The B-52's' "Rock Lobster" in a nightclub, and it reminded him of Ono's musical sound. He took this as an indication that her sound had reached the mainstream. Indeed, many musicians, particularly those of the new wave movement, have paid tribute to Ono (both as an artist in her own right, and as a muse and iconic figure). For example, Elvis Costello recorded a version of Ono's song "Walking on Thin Ice", the B-52's who drew from her early recordings
Four months after her husband's murder, Ono began a relationship with antiques dealer and interior designer Sam Havadtoy, which lasted until 2001. She had also been linked to art dealer and Greta Garbo confidante Sam Green, who is mentioned in Lennon's will. In 1982, she released It's Alright (I See Rainbows). The cover featured Ono in her famous wrap-around sunglasses, looking towards the sun, while on the back the ghost of Lennon looks over her and their son. The album scored minor chart success and airplay with the singles "My Man" and "Never Say Goodbye".
In 1984, a tribute album titled Every Man Has a Woman was released, featuring a selection of Ono songs performed by artists such as Elvis Costello, Roberta Flack, Eddie Money, Rosanne Cash and Harry Nilsson. It was one of Lennon's projects that he never got to finish. Later that year, Ono and Lennon's final album, Milk and Honey, was released as an unfinished demo.
Ono's final album of the 1980s was Starpeace, a concept album that she intended as an antidote to Ronald Reagan's "Star Wars" missile defense system. On the cover, a warm, smiling Ono holds the Earth in the palm of her hand. Starpeace became Ono's most successful non-Lennon effort: the single "Hell in Paradise" was a hit, reaching No. 16 on the US dance charts and #26 on the Billboard Hot 100 as well as major airplay on MTV.
In 1986, Ono set out on a goodwill world tour for Starpeace, mostly visiting Eastern European countries.
Ono went on hiatus until signing with Rykodisc in 1992 to release the comprehensive six-disc box set Onobox. It included remastered highlights from all of Ono's solo albums, as well as unreleased material from the 1974 "lost weekend" sessions. There was also a one-disc "greatest hits" release of highlights from Onobox, simply titled Walking on Thin Ice. That year, she agreed to sit down for an extensive interview with music journalist Mark Kemp for a cover story in the alternative music magazine Option. The story took a revisionist look at Ono's music for a new generation of fans more accepting of her role as a pioneer in the merger of pop and the avant-garde.
In 1994, Ono produced her own musical entitled New York Rock, featuring Broadway renditions of her songs. In 1995, she released Rising, a collaboration with her son Sean and his band, Ima. Rising spawned a world tour that traveled through Europe, Japan and the United States. The following year, she collaborated with various alternative rock musicians for an EP entitled Rising Mixes. Guest remixers of Rising material included Cibo Matto, Ween, Tricky, and Thurston Moore.
In 1997, Rykodisc reissued all her solo albums on CD, from Yoko Ono/Plastic Ono Band through Starpeace. Ono and her engineer Rob Stevens personally remastered the audio, and various bonus tracks were added including outtakes, demos and live cuts.
2001 saw the release of Ono's feminist concept album Blueprint for a Sunrise. In 2002, Yoko joined The B-52's in New York for their 25th anniversary concerts. She came out for the encore and performed Rock Lobster with the band. Starting in 2002, some DJs remixed other Ono songs for dance clubs. For the remix project, she dropped her first name and became known as simply "ONO", as a response to the "Oh, no!" jokes that dogged her throughout her career. Ono had great success with new versions of "Walking on Thin Ice", remixed by top DJs and dance artists including Pet Shop Boys, Orange Factory, Peter Rauhofer, and Danny Tenaglia. In April 2003, Ono's Walking on Thin Ice (Remixes) was rated No. 1 on Billboard Magazine's "Dance/Club Play Chart", gaining Ono her first number one hit. On the 12" mix of the original 1981 version of "Walking on Thin Ice", Lennon can be heard remarking "I think we've just got your first No.1, Yoko." She returned to No. 1 on the same charts in November 2004 with "Everyman...Everywoman...", a reworking of her song "Every Man Has a Woman Who Loves Him", in January 2008, with "No No No", and in August 2008, with "Give Peace a Chance." In June 2009, at the age of 76, Ono scored her fifth No. 1 hit on the "Dance/Club Play Chart" with "I'm Not Getting Enough."
Ono released the album Yes, I'm a Witch in 2007, a collection of remixes and covers from her back catalog by various artists including The Flaming Lips, Cat Power, Antony, DJ Spooky, Porcupine Tree and Peaches, released in February 2007, along with a special edition of Yoko Ono/Plastic Ono Band. Yes I'm a Witch has been critically well-received. A similar compilation of Ono dance remixes entitled Open Your Box was also released in April of that year.
In 2009, Ono recorded Between My Head and the Sky, her first album to be released as "Yoko Ono/Plastic Ono Band" since 1973's Feeling the Space. The all-new Plastic Ono Band lineup includes Sean Lennon, Cornelius and Yuka Honda amongst others. On February 16, 2010, Sean organized a concert in Brooklyn, New York called "We Are Plastic Ono Band," at which Yoko performed her music with Sean, Clapton, Klaus Voorman and Jim Keltner, for the first time since the 1970s. Guests including Bette Midler, Paul Simon and his son Harper, and principal members of Sonic Youth interpreted her songs in their own styles.
During her career, Ono has collaborated with a diverse group of artists and musicians including John Lennon, Eric Clapton, Klaus Voormann, Cornelius (Keigo Oyamada, Naoki Shimizu and Yoko Araki), Frank Zappa, Sean Lennon, Yuka Honda, Jim Keltner, Earl Slick, Peaches, John Cage, David Tudor, George Maciunas, Ornette Coleman, Charlotte Moorman, George Brecht, Jackson Mac Low, Jonas Mekas, Fred DeAsis, Yvonne Rainer, La Monte Young, Richard Maxfield, Zbigniew Rybczyński, Yo La Tengo, and Andy Warhol (in 1987 Ono was one of the speakers at Warhol's funeral). As a dance music artist, Ono has worked with re-mixers/producers such as Basement Jaxx, Pet Shop Boys, Cat Power, Bill Kates, Tricky, Thurston Moore, Keiji Haino, Nick Vernier Band, Cibo Matto, Billy Martin, DJ Spooky, Apples In Stereo, Damien Price, The Flaming Lips, DJ Chernobyl, Bimbo Jones, DJ Dan, Craig Armstrong, Jorge Artajo, Shuji Nabara, and Konrad Behr, among others.
, Ono's residence since 1973]]
Ono performed at the opening ceremony for the 2006 Winter Olympic Games in Turin, Italy, wearing white, like many of the others who performed during the ceremony, to symbolize the snow that makes the Winter Olympics possible. She read a free verse poem calling for peace in the world. The poem was an intro to a performance of the song "Imagine", Lennon's anthem to world peace.
On December 13, 2006, Ono's bodyguard was arrested after he was taped trying to extort Ono for two million dollars, threatening to release private conversations and photographs.
On June 26, 2007, Ono appeared on Larry King Live along with Paul McCartney, Ringo Starr, and Olivia Harrison. Ono headlined the Pitchfork Music Festival in Chicago on July 14, 2007, performing a full set that mixed music and performance art. She sang "Mulberry", a song about her time in the countryside after the Japanese collapse in World War II for only the third time in her life, with Thurston Moore. Ono had previously performed the song once with John Lennon and once with Sean Lennon and told the audience of thousands that she will never perform it again.
On October 9, 2007 Ono officially lit the Imagine Peace Tower on Viðey Island in Iceland, dedicated to peace and to Lennon.
Ono returned to Liverpool for the 2008 Liverpool Biennial, where she unveiled "Sky Ladders" in the ruins of Church of St Luke, Liverpool (which was largely destroyed during World War II and now stands roofless as a memorial to those killed in the Liverpool Blitz).
In May 2009, Yoko designed a T-shirt for the second 'Fashion against AIDS' campaign/collection of HIV/AIDS awareness NGO Designers against AIDS and H&M;, with the statement 'Imagine Peace' depicted in 21 different languages.
On March 31, 2009, Yoko Ono went to the inauguration of the exhibition: "Imagine: The Peace Ballad of John & Yoko" to mark the 40th anniversary of Lennon-Ono bed-in at the Queen Elizabeth Hotel in Montreal, Canada from May 26 to June 2, 1969.
Ono appeared on-stage at Microsoft's June 1, 2009 E3 press conference with Olivia Harrison, Paul McCartney and Ringo Starr to promote video game.
Ono appears on the new Basement Jaxx album Scars, featuring on the single "Day of the Sunflowers (We March On)".
On April 1, 2010, Ono was named the first "Global Autism Ambassador" by the Autism Speaks organization. In 2009, she created a piece of artwork called Promise to mark the annual World Autism Awareness Day, which is on April 2.
On July 7, 2010, Ono appeared with Ringo Starr at New York's Radio City Music Hall in celebration of Starr's 70th birthday, performing "With a Little Help from My Friends" and "Give Peace a Chance".
In recent years an image of Ono as a strong, uncompromising survivor has emerged.
On Valentine’s Day, February 14, 2003, on the eve of the Iraqi invasion by the Americans and the British, Ono heard about a romantic couple holding a love-in protest in their tiny bedroom in Addingham, West Yorkshire. She sent the couple, Andrew and Christine Gale, some flowers and wished them the best.
In 2004, Ono remade her song "Everyman... Everywoman..." to support same-sex marriage, releasing remixes that included "Every Man Has a Man Who Loves Him" and "Every Woman Has a Woman Who Loves Her."
In 1995, after the Beatles released Lennon's "Free as a Bird" and "Real Love" with demos provided by Ono, McCartney and his family collaborated with her and Sean Lennon to create the song "Hiroshima Sky is Always Blue", which commemorates the 50th anniversary of the atomic bombing of that Japanese city. Of Ono, McCartney stated: "I thought she was a cold woman. I think that's wrong ... she's just the opposite ... I think she's just more determined than most people to be herself."
In 1997, Ono compared Lennon to Mozart while McCartney, she said, more closely resembled his less-talented rival Salieri. This remark infuriated Linda McCartney, who was battling breast cancer at the time. When she died less than a year later, McCartney pointedly did not invite Ono to a New York memorial service for her.
Accepting an award at the 2005 Q Awards, Ono mentioned that Lennon had once felt insecure about his songwriting, and asked her why other musicians "always cover Paul's songs, and never mine". Ono had responded, "You're a good songwriter; it's not June with spoon that you write. You're a good singer, and most musicians are probably a little bit nervous about covering your songs". McCartney responded by saying, "I don’t take any notice of her. She’s John’s wife so I have to respect her for that, but I don’t think she’s the brightest of buttons. She’s said some particularly daft things in her time. Her life is dedicated to putting me down but I attempt very strongly not to put her down." Ono later issued a statement claiming she did not mean any offense, as her comment was an attempt to console her husband, not attack McCartney; she went on to insist that she respected McCartney and that it was the press who had taken her comments out of context. "
Category:1933 births Category:1980s singers Category:1990s singers Category:2000s singers Category:2010s singers Category:American anti-war activists Category:American dance musicians Category:American experimental musicians Category:American feminists Category:American film directors of Japanese descent Category:American musicians of Japanese descent Category:American pacifists Category:American performance artists Category:American rock singers Category:American women artists Category:Apple Records artists Category:Artists from New York Category:Astralwerks artists Category:COINTELPRO targets Category:Conceptual artists Category:Contemporary artists Category:Female film directors Category:Female rock singers Category:Feminist artists Category:Fluxus Category:Gakushuin University alumni Category:Geffen Records artists Category:Grammy Award winners Category:Japanese feminists Category:Japanese film directors Category:Japanese immigrants to the United States Category:Japanese musicians Category:Japanese pacifists Category:Japanese performance artists Category:Japanese women artists Category:John Lennon Category:LGBT rights activists from the United States Category:Living people Category:Multimedia artists Category:Musicians from New York Category:Musicians from Tokyo Category:Naturalized citizens of the United States Category:People associated with The Beatles Category:People from Scarsdale, New York Category:Plastic Ono Band members Category:Polydor Records artists Category:Postmodern artists Category:Rykodisc artists Category:Sarah Lawrence College alumni Category:Singers from New York Category:Sound artists Category:The Dirty Mac
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Kunstler played an important role as a civil rights lawyer in the 1960s, traveling to many of the segregated battlegrounds to work to free those who had been jailed. Working on behalf of the ACLU, Kunstler defended the "Freedom Riders" in Mississippi in 1961. Kunstler filed for a writ of habeas corpus with Sidney Mize, a federal judge in Biloxi, and appealed to the Fifth Circuit; he also filed similar pleas in state courts. The riders were convicted in a bench trial in Jackson city and appealed to a county jury trial, where Kunstler argued that the county systematically discriminated against African-American jurors.
In 1962, Kunstler took part in efforts to integrate public parks and libraries in Albany, Georgia. Later that year, he published The Case for Courage (modeled on President Kennedy's Profiles in Courage) highlighting the efforts of other lawyers who risked their careers for controversial clients as well as similar acts by public servants. At the time of the publication, Kunstler was already well-known for his work with the Freedom Riders, his book on the Caryl Chessman case, and his radio coverage of trials. cases under the Civil Rights Act of 1964: protesters at the 1964 New York World's Fair.]] In 1963, for the Gandhi Society of New York, Kunstler filed to remove the cases of more than 100 arrested African-American demonstrators from the Danville Corporation Court to the Charlottesville District Court, under a Reconstruction Era statute. Although the district judge remanded the cases to city court, he dissolved the city's injunction against demonstrations.
In 1964, Kunstler defended a group of four accused of kidnapping a white couple, and succeeded in getting the alleged weapons thrown out of evidence, as they could not be positively identified as ones used. That year he also challenged Mississippi's unpledged elector law as well as racial segregation in primary elections; he also defended three members of the Blood Brothers, a Harlem gang, charged with murder.
Kunstler went to St. Augustine, Florida in 1964 during the demonstrations led by Dr. Martin Luther King and Dr. Robert B. Hayling that resulted in the passage of the landmark Civil Rights Act of 1964. Kunstler himself brought the first federal case under Title IX of the Civil Rights Act of 1964, which allowed the removal of cases from county court to be appealed; the defendants were protestors at the 1964 New York World's Fair.
In 1965, Kunstler's firm Kunstler, Kunstler, and Kinoy was asked to defend Jack Ruby by his brother Earl, but dropped the case because they "did not wish to be in a situation where we have to fight to get into the case". Ruby was eventually permitted to replace his original defense team with Kunstler, who got him a new trial. In 1966, he also defended an arsonist who burned down a Jewish Community Center, killing twelve, because he was not provided a lawyer before he signed a confession.
Kunstler's other notable clients include: Salvador Agron, H. Rap Brown, Lenny Bruce, Angela Davis, Larry Davis, Gregory Lee Johnson, Martin Luther King, Filiberto Ojeda Rios, Assata Shakur, Lemuel Smith, Wayne Williams, and Michael X.
The trial was marked by frequent clashes between Kunstler and U.S. Attorney Thomas Foran, with Kunstler taking the opportunity to accuse the government of failing to "realize the extent of antiwar sentiment". Kunstler also sparred with Judge Julius Hoffman, on one occasion remarking (with respect to the number of federal marshals): "this courtroom has the appearance of an armed camp. I would note that the Supreme Court has ruled that the appearance of an armed camp is a reversible error". During one heated exchange, Kunstler informed Hoffman that his entry on "Who's Who" was three times longer than the judges, to which the judge replied "I hope you get a better obituary". Kunstler and co-defense attorney Leonard Weinglass were cited for contempt (the convictions were later overturned, unanimously, by the Seventh Circuit).
The progress of the trial—which had many aspects of guerrilla theatre--was covered on the nightly news and made Kunstler the best-known lawyer in the country, and something of a folk hero. After much deadlock, the jury acquitted all seven on the conspiracy charge, but convicted five of violating the Federal Antiriot Act. The Seventh Circuit overturned all the convictions on November 21, 1972 due to Hoffman's refusal to let defense lawyers question the prospective jurors on racial and cultural biases; the Justice Department did not retry the case.
Kunstler objected to the heavy trial security on the grounds that it could prejudice the jury and Judge Fred J. Nichol agreed to ease measures. Two authors and three Sioux were called as defense witnesses, mostly focusing on the historical (and not-so-historical) injustice against the Sioux on the part of the U.S. government, shocking the prosecution.
In 1975, Kunstler again defended AIM members in the slaying of two FBI agents at Pine Ridge Indian Reservation, not far from the site of the Wounded Knee incident. At the trial in 1976, Kunstler subpoenaed prominent government officials to testify about the existence of a Counter-Intelligence Program (COINTELPRO) against Native American activists. District Judge Edward J. McManus approved Kunstler's attempt to subpoena FBI director Clarence M. Kelley.
Kunstler also defended a Native American woman who refused to send her daughter with muscular dystrophy to school.
Despite Justice King's repeated warnings to Kunstler to "be careful, sir", Kunstler quickly became "the star of the trial, the man the jurors watch most attentively, and the lawyer whose voice carries most forcefully". Although the prosecution was careful to avoid personal confrontation with Kunstler, who frequently charmed the jury with jokes, on one instance Kunstler provoked a shouting match with the lead prosecutor, allegedly to wake up a sleeping jury member.
In June, Kunstler and Barbara Handshu, representing another inmate at Attica, Mariano Gonzales, asked for a new hearing on the role of FBI informant Mary Jo Cook.
Kunstler's defense of the three clerics made him "more visible, more venerated, more vilified than ever".
During the first Gulf War, they represented dozens of American soldiers who refused to fight and claimed conscientious objector status. They also represented El-Sayyid Nosair, the alleged assassin of the late Jewish leader Rabbi Meir Kahane who was acquitted of murder charges.
During the 1994-95 television season, Kunstler starred as himself in an episode of Law & Order titled "White Rabbit". It was based on the 1971 shooting of a policeman in connection with the robbery of a Boston Brinks truck by members of the Weatherman Underground.
William Kunstler was survived by his wife Margaret Ratner Kunstler and daughters Karin Kunstler Goldman, Jane Drazek, Sarah Kunstler and Emily Kunstler and grandchildren Jessica Goldman, Daniel Goldman and Andrew Drazek. Emily Kunstler and Sarah Kunstler have recently completed a documentary about their father entitled which had its world premiere screening as part of the Documentary Competition of the 2009 Sundance Film Festival. Karin Goldman is currently the charities bureau section chief at the attorney general's office of New York.
Category:Recipients of the Bronze Star Medal Category:African Americans' rights activists Category:American legal scholars Category:American military personnel of World War II Category:Columbia Law School alumni Category:American lawyers Category:Jewish American writers Category:American Jews Category:People from New York City Category:New York lawyers Category:Rebels Category:United States Army officers Category:Chicago Seven Category:Yale University alumni Category:Cardiovascular disease deaths in New York Category:Deaths from heart failure Category:DeWitt Clinton High School alumni Category:American civil rights lawyers Category:Yippies Category:1919 births Category:1995 deaths
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Tom Paxton |
---|---|
Background | solo_singer |
Birth name | Thomas Richard Paxton |
Born | October 31, 1937 Chicago, Illinois |
Instrument | Guitar, Vocals |
Genre | Folk |
Occupation | Singer-songwriter, guitarist. |
Years active | 1962 - Present |
Influences | Pete Seeger, Woody Guthrie, Bob Gibson, Burl Ives, Tom Lehrer, Mississippi John Hurt |
Label | Elektra, Vanguard, Rhino, Reprise, Flying Fish, Rounder, Mountain Railroad, Sugar Hill, Appleseed|Associated_acts = |
Url | http://www.tompaxton.com/ |
Thomas Richard Paxton (born October 31, 1937) is an American folk singer and singer-songwriter who has been writing, performing and recording music for over forty years. In 2009, Paxton received a Grammy Lifetime Achievement Award.
Paxton's songs have demonstrated enduring appeal, including modern standards such as "The Last Thing on My Mind", "Bottle of Wine", "Whose Garden Was This?", "The Marvelous Toy", and "Ramblin' Boy". Paxton's songs have been recorded by Pete Seeger and The Weavers, Judy Collins, Sandy Denny, Joan Baez, Doc Watson, Harry Belafonte, Peter, Paul and Mary, Marianne Faithfull, The Kingston Trio, The Chad Mitchell Trio, John Denver, Dolly Parton and Porter Wagoner, Willie Nelson, Flatt & Scruggs, The Move, The Fireballs, and many others (see covers). He has performed thousands of concerts around the world in such places as Australia, New Zealand, Japan, Hong Kong, Scandinavia, France, Germany, Italy, Belgium, Holland, England, Scotland, Ireland, Canada, and all over the United States; and his songs have been translated into various languages. Paxton enjoys a strong relationship with fans throughout the world.
Tom Paxton's songs can be emotionally affective and cover a wide range of topics, from the serious and profound to the lighthearted and comical. "What Did You Learn in School Today?" mocks the way children are often taught lies. "Jimmy Newman" is the story of a dying soldier, and "My Son John" is a moving song about a soldier who comes back home and can't even begin to describe what he's been through. "Beau John" is a civil rights era song about taking a stand against racial injustice. "A Thousand Years" tells the chilling tale of Neo-Nazi uprising, and "Train for Auschwitz" is about the Holocaust. "On the Road to Srebrenica" is about Bosnian Muslims who were killed in a 1995 massacre in Bosnia and Herzegovina. "The Bravest" is a song about the firefighters who gave their lives while trying to save others on September 11, 2001. Then there are Paxton's "short shelf life songs", which are topical songs about current events and things in the news. These songs can be lighthearted and comical, or serious depending on the situation, and they change all the time as new ones are written and old ones can reappear as things seem to have a way of cycling around in this world. They include: "In Florida", about the 2000 election; "Without DeLay", a song about the former congressman; "Bobbitt", about John and Lorena Bobbitt; "Little Bitty Gun", which lampoons Nancy Reagan; "I'm Changing My Name to Chrysler", about the federal loan guarantee to Chrysler in 1979 (which was rewritten in 2008 as "I Am Changing My Name to Fannie Mae" about the 700 billion dollar "bailout of the U.S. financial system"); "The Ballad of Spiro Agnew", and "Lyndon Johnson Told the Nation" (which became "George W. Told the Nation" in 2007).
In 1948, the family moved to Bristow, Oklahoma, which Paxton considers to be his hometown. Soon after, his father died from a stroke. Tom was about fifteen when he received his first stringed instrument, a ukulele. Tom received a guitar from his aunt when he was sixteen, and he soon began to immerse himself in the music of Burl Ives and Harry Belafonte.
In 1955, Tom enrolled at the University of Oklahoma, where he studied in the drama school. It was here that he first found other enthusiasts of folk music, and discovered the music of Woody Guthrie and The Weavers. Paxton would later note, "Woody was fearless; he'd take on any issue that got him stirred up ... and he became one of my greatest influences." During college, Tom was in a group known as the Travellers, and they sang in an off-campus coffeehouse. Tom's first original song was an Elizabethan murder ballad with the title "Robert".
Shortly after his honorable discharge from the Army, Paxton auditioned for the Chad Mitchell Trio via publisher Milt Okun in 1960. He initially received the part, but his voice did not blend well enough with those of the group members. However, after singing his song "The Marvelous Toy" for Okun, he became the first writer signed to Milt's music publishing company, Cherry Lane Music Publishing.
Tom soon began performing at The Gaslight Cafe in Greenwich Village, where he became a mainstay. In 1962, he recorded a privately-produced live album at the Gaslight entitled, I'm the Man That Built the Bridges. During his stay in Greenwich Village, Tom published some of his songs in the folk magazines Broadside and Sing Out!, and performed alongside such folksingers as Bob Dylan, Phil Ochs, Eric Andersen, Dave Van Ronk, and Mississippi John Hurt. Tom met his future wife, Midge, at the Gaslight one night in January 1963 after being introduced to her by David Blue.
Pete Seeger picked up on a few of Tom Paxton's songs in 1963, including "Ramblin' Boy" (which Seeger performed at The Weavers reunion concert at Carnegie Hall) and "What Did You Learn in School Today?" Meanwhile, Paxton had increased his profile as a performer, appearing at the 1963 Newport Folk Festival, which was recorded by Vanguard Records. A month after Newport in 1963, Tom married Midge. He began traveling the country on the coffeehouse and small-venue circuit before returning to New York. Tom became involved with causes that promoted human rights, civil rights and labor rights. In 1963, Tom and a group of other folk musicians performed and offered moral support to striking coal miners in Hazard, Kentucky.
After returning to New York, Paxton signed with Elektra Records in 1964, a label which at that time featured a distinguished roster of folk musicians. Tom would go on to record seven albums for Elektra. As the folk revival hit its peak, Tom began getting more work outside of New York City, including benefit concerts and college campus visits. In 1964, Tom took part in the Freedom Summer and visited the Deep South, with other folk musicians, to perform at voter registration drives and civil rights rallies. His civil rights song "Beau John" was written after attending a Freedom Song Workshop in Atlanta, Georgia, and the song "Goodman, Schwerner and Chaney" was written about the unjust and brutal murders of three civil rights activists (Andrew Goodman, Michael Schwerner and James Chaney) in the summer of 1964 by members of the Ku Klux Klan in Mississippi. Numerous musicians of various musical genres began recording Tom's songs as the 1960s progressed.
Of the songwriters on the Greenwich Village scene of the 1960s, Dave Van Ronk said, "Dylan is usually cited as the founder of the new song movement, and he certainly became its most visible standard-bearer, but the person who started the whole thing was Tom Paxton ... he tested his songs in the crucible of live performance, he found that his own stuff was getting more attention than when he was singing traditional songs or stuff by other people... he set himself a training regimen of deliberately writing one song every day. Dylan had not yet showed up when this was happening, and by the time Bobby came on the set, with at most two or three songs he had written, Tom was already singing at least 50 percent his own material. That said, it was Bobby's success that really got the ball rolling. Prior to that, the folk community was very much tied to traditional songs, so much so that songwriters would sometimes palm their own stuff off as traditional."
In 1965, Tom Paxton made his first tour of the United Kingdom. The tour was the beginning of a still-thriving professional relationship that has included yearly performances there.
In 1967, the rock group Clear Light recorded a menacing and lengthy psychedelic version of Tom's song "Mr. Blue" on their only album Clear Light. Porter Wagoner and Dolly Parton's recording of "The Last Thing on My Mind" reached the top ten on the U.S. country singles charts in December 1967. Then in 1968, Tom managed to score a Top 10 radio hit when The Fireballs recorded his song "Bottle of Wine". In the 1960s, Tom even licensed one of his songs, "My Dog's Bigger than Your Dog", for use in a Ken-L Ration dog food commercial. Not too fazed by the success of some of his songs, Tom continued writing and performing. Though some of his songs were becoming hits for other people, he hadn't any huge hits of his own recordings. Tom was not interested in jumping on the folk rock (or, as he once joked, "folk rot") bandwagon though, and continued his folk singer-songwriter style on albums like Outward Bound (1966) and Morning Again (1968). On January 20, 1968, three months after the death of Woody Guthrie, Tom and a number of other prominent folk musicians performed at the Harold Leventhal produced "A Tribute to Woody Guthrie" concert at New York City's Carnegie Hall. Tom was determined to keep speaking out, writing, and singing songs of social significance. As musical trends changed and people became more experimental with their sound, Tom decided to try some more elaborate recording techniques, including neo-chamber music with string sections, flutes, horns, piano, various session musicians, as well as his acoustic guitar and vocals, similar to what his labelmate Judy Collins and his friend Phil Ochs were experimenting with around this time. Tom finally broke into the album pop charts with The Things I Notice Now in the summer of 1969, and also charted with Tom Paxton 6 in the spring of the following year. Tom's song "Whose Garden Was This?", an environmentalist anthem written for the first Earth Day, was later recorded by John Denver and became the title track of Denver's 1970 album. The diverse "Baroque Folk" experimentation on Tom's recordings was basically short-lived though, and he tended to think that the music was becoming too overproduced and away from the more natural acoustic roots that he loved best. Regarding this time, Tom said, "the acoustic guitar has always been what I loved the most ... I know I didn't have that rock mentality or anything. I was still a kid from a small town in Oklahoma. And I just wanted to hear folk songs." Tom continued to sing and perform his songs on acoustic guitar at his live performances, and it wasn't too long before his albums would once again generally reflect his original traditional-sounding style.
In 1969, Tom performed at the Isle of Wight Festival and was very well received by the English audience.
As he continued to record for Elektra and perform extensively, Tom and Midge had two daughters.
In 1978, Tom released his album Heroes, which contained a song, "Phil", about his friend Phil Ochs, who had taken his own life in 1976. The album also includes the song "The Death of Stephen Biko", which details the brutal killing of anti-apartheid activist Steve Biko in South Africa.
Paxton's 1979 album, Up and Up, contains the song "Let the Sunshine", which addresses issues concerning environmentalism and solar energy. Tom has also performed at the Clearwater Festival, an annual event, started by Pete Seeger, dedicated to environmentalism and cleaning up the Hudson River. His 1983 album Bulletin includes a song about Woody Guthrie entitled "They Couldn't Take the Music."
In 1984, Paxton briefly was a member of a trio (along with Bob Gibson and Anne Hills) known as the Best of Friends.
After recording for labels like Mountain Railroad and Flying Fish in the 1980s, Paxton started his own label (Pax Records) in 1987.
It was during this time that Tom Paxton continued to suffer from an undiagnosed and deepening depression that affected his work. With some advice from Midge, Tom began to look for a solution, and he was eventually diagnosed with Attention Deficit Disorder, for which he received ongoing treatment.
In 2000, Paxton once again began to write more of the topical songs for which he originally became known. In 2001, he released an album with Anne Hills entitled Under American Skies, and in 2002, Tom released an album of all new songs entitled Looking for the Moon (Appleseed Recordings). Tom was pleased with Looking for the Moon, and at the time it was released he expressed that it might be his best album so far. Looking for the Moon contains the song "The Bravest", which is about the firefighters who gave their lives while trying to save others in New York City on September 11, 2001. Also, around this time, Tom began writing and releasing his "Short Shelf Life Songs" about current events for free download on his website. The "short shelf life songs", as Tom calls them, are about politics and things going on in the news. Tom wrote a number of topical protest songs that were critical of the Bush administration's actions. For example, the song "Homeland Security" lampooned exaggerated terror threats, and "John Ashcroft and The Spirit of Justice" comically mocked John Ashcroft's prudishness over the Spirit of Justice statue. In 2007, Tom rewrote a song of his from 1965 entitled "Lyndon Johnson Told The Nation", about the escalation of the war in Vietnam, and transformed it into "George W. Told The Nation", about the surge in the Iraq war.
In 2007, Tom Paxton became one of the founding members of the Copyright Alliance, whose purpose is to promote the cultural and economic benefits of copyrights.
In 2008, Paxton rewrote his song "I'm Changing My Name to Chrysler", about the federal loan guarantee to Chrysler in 1979, as "I Am Changing My Name to Fannie Mae", about the 700 billion dollar "bailout of the U.S. financial system".
Paxton continues to perform yearly tours of the United States and United Kingdom.
Paxton described his political views in the following way: "My own politics more or less resembled Will Rogers's politics. He had said that he belonged to no organized political party — he was a Democrat ... Being young and impassioned almost automatically put me over on the radical side of most issues. Being older, I find myself still more or less there, somewhat to my surprise."
In February 2002, Tom Paxton was honored with the ASCAP Lifetime Achievement Award in Folk Music. A few days later, he received three Wammies (Washington, DC, Area Music Awards); as Best Male Vocalist in the "traditional folk" and "children's music" categories, and for Best Traditional Folk Recording of the Year for Under American Skies (the duo album he made with Anne Hills in 2001). This was the first Paxton album to receive an award of any kind.
Paxton has been nominated four times for Grammy Awards in his career, all since 2002. He was first nominated in 2002 for his children's album, Your Shoes, My Shoes. The following year, Looking for the Moon received a 2003 nomination for "Best Contemporary Folk Album". Live In The UK (2005), received a 2006 Grammy nomination in the "Best Traditional Folk Album" category. Most recently, his 2008 album Comedians and Angels received a 2009 nomination, also in the "Best Traditional Folk Album" category. Tom was honored with a 2009 Lifetime Achievement Award from the Recording Academy, and the formal announcement was made during the 51st Annual Grammy Awards telecast, which aired on February 8, 2009.
Tom's songs have been featured in the following movies: The Inheritance (1964), A Time for Burning (1966), Jennifer on My Mind (1971), Demolition Man (1993), The Family Man (2000), North Country (2005), and Spike (2008).
Tom's song "Going to the Zoo" was included in an episode of Monty Python's Flying Circus entitled "" (Season 1, episode 13; aired January 11, 1970; recorded January 4, 1970). "Going to the Zoo" was also featured on an episode of Sharon, Lois & Bram's Elephant Show entitled "Zoo" (Season 1, Episode 9; aired, November 5, 1984). Tom's song "Lyndon Johnson Told the Nation" was included in an episode of American Experience entitled LBJ (1991). "The Last Thing on My Mind" was included on Bravo Profiles Dolly Parton: Diamond in a Rhinestone World (aired September 6, 1999). A brief clip of Tom was shown during the 51st Grammy Awards telecast on February 8, 2009, which announced his Grammy Lifetime Achievement Award. Tom contributed original music for the short drama The Price of Art (2007; release date, June 5, 2009).
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Caption | Freeman at the 2005 Cannes Film Festival |
---|---|
Birth date | June 01, 1937 |
Birth place | Memphis, Tennessee, U.S. |
Birth name | Morgan Porterfield Freeman, Jr. |
Spouse | Jeanette Adair Bradshaw (1967–1979; divorced)Myrna Colley-Lee (1984–2010; divorced) |
Occupation | Actor, director, narrator |
Years active | 1964–present |
Morgan Porterfield Freeman, Jr. (born June 1, 1937) is an American actor, film director, and narrator. He is noted for his reserved demeanor and authoritative speaking voice.
Freeman has received Academy Award nominations for his performances in Street Smart, Driving Miss Daisy, The Shawshank Redemption and Invictus and won in 2005 for Million Dollar Baby. He has also won a Golden Globe Award and a Screen Actors Guild Award.
Freeman has appeared in many other box office hits, including Unforgiven, Glory, Seven, Deep Impact, The Sum of All Fears, Bruce Almighty, Batman Begins, March of the Penguins , The Bucket List, Evan Almighty, Wanted, The Dark Knight, and Red.
Effective January 4, 2010, Freeman replaced Walter Cronkite as the voiceover introduction to the CBS Evening News featuring Katie Couric as news anchor. CBS cited the need for consistency in introductions for regular news broadcasts and special reports as the basis for the change.
He has two sons from previous relationships before he married Bradshaw. He adopted his first wife's daughter and the couple also had his fourth child.
In 2008 Freeman's family history was profiled on the PBS series African American Lives 2. A DNA test showed that he is descended from the Songhai and Tuareg peoples of Niger.
Freeman has worked on narrating small clips for global organizations, such as One Earth, whose goals include raising awareness of environmental issues. He has narrated the clip "Why Are We Here", which can be viewed on One Earth's website.
Freeman has donated money to the Mississippi Horse Park in Starkville, Mississippi. The Horse park is part of Mississippi State University. Freeman has several horses that he takes there.
Freeman was the first American to record a par on Legend Golf & Safari Resort's Extreme 19th hole.
At age 65, Freeman earned a private pilot's license. He owns or has owned at least three private aircraft, including a Cessna Citation 501 jet and a Cessna 414 twin-engine prop. In 2007 he purchased an Emivest SJ30 long-range private jet, and took delivery in December 2009. He is certified to fly all of them.
Freeman joined President Bill Clinton, USA Bid Committee Chairman Sunil Gulati, and USMNT midfielder Landon Donovan on Wednesday, December 1, 2010 in Zurich for the USA bid committee's final presentation to FIFA for the 2022 FIFA World Cup.
Category:1937 births Category:Living people Category:Actors from Tennessee Category:Actors from Mississippi Category:American aviators Category:American film directors Category:American stage actors Category:African American film actors Category:African American television actors Category:African American film directors Category:Best Supporting Actor Academy Award winners Category:Best Musical or Comedy Actor Golden Globe (film) winners Category:English-language film directors Category:Independent Spirit Award winners Category:People from Gary, Indiana Category:People from Greenwood, Mississippi Category:People from Memphis, Tennessee Category:Tennessee Democrats Category:United States Air Force airmen
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Louis Farrakhan |
---|---|
Birthname | Louis Eugene Walcott |
Order | Final Call/Nation of Islam |
Term start | 1978/1981 |
Predecessor | Founder of Final Call |
Birth date | May 11, 1933 |
Birth place | The Bronx, New York CityNew York, U.S. |
Nationality | American |
Alma mater | English High School of Boston |
Religion | Nation of Islam |
Relatives | Dr. Akbar Muhammad, PHD, Jabir Herbert Muhammad |
Spouse | Khadijah Farrakhan |
Louis Farrakhan (born Louis Eugene Walcott; May 11, 1933) was the leader of the Chicago-based Nation of Islam [NOI] (1981–2007). He served as minister of major mosques in Boston and Harlem before the 1975 death of the longtime Nation of Islam leader Elijah Muhammad. After Warith Deen Muhammad led most of the NOI members into traditional Islam and renamed the group the American Society of Muslims, Farrakhan set up a separate group, at first named Final Call. In 1981 his minority group took back the name of Nation of Islam.
Farrakhan is an advocate of civil rights for African Americans and a critic of the United States government on many issues. Farrakhan has been both praised and widely criticized for his often controversial political views and outspoken rhetorical style. In October 1995, he helped organize a Million Man March in Washington, DC, calling on black men to renew their commitments to their families and communities. In 1996, Libya's de facto leader Muammar al-Gaddafi awarded him the Al-Gaddafi International Prize for Human Rights. Because of health issues, in 2007 Farrakhan reduced his responsibilities with the NOI.
As a child Louis had intense musical training in the violin, He attended college for two years at Winston-Salem Teachers College, where he had a track scholarship.
There he first came in contact with the teachings of the Nation of Islam (NOI) through Rodney Smith, a friend from Boston and saxophonist. Walcott attended the annual Saviours' Day address by Elijah Muhammad. In July 1955, he joined the Nation of Islam and took the name Louis X. The "X" was considered a placeholder, which people used to indicate that their original African family names had been lost. They acknowledged European surnames were slave names, often assigned by the slaveowners to mark their ownership. Members of NOI used the "X" while waiting for the Islamic name which some Nation members received later in their conversion.
That summer Elijah Muhammad stated that all musicians in the NOI had to choose between music and the Nation of Islam.
In October 1989, at a press conference in Washington, DC, Farrakhan described a 1985 vision which he had in Mexico. He was carried up to "a Wheel, or what you call an unidentified flying object", as in the Bible's Book of Ezekiel. During this vision, he heard the voice of Elijah Muhammad, the longtime leader of the Nation of Islam (1934–1975).
On January 12, 1995, Malcolm X's daughter Qubilah Shabazz was arrested for conspiracy to assassinate Farrakhan. According to Stanford University historian Clayborne Carson, "[her family] resented Farrakhan and had good reason to because he was one of those in the Nation responsible for the climate of vilification that resulted in Malcolm X's assassination". Some critics later alleged that the FBI had used paid informant Michael Fitzpatrick to frame Shabazz, who was four years old when her father was killed. Nearly four months later, on the first of May, federal prosecutors dropped their case against Shabazz.
That year in October, Farrakhan convened a broad coalition of 1 million men in Washington, D.C., for the Million Man March. He and other speakers called for African American men to renew their commitments to their families and communities. The event was supported by a wide variety of church and other religious groups, and drew men and their sons from across the country. In 2005, together with prominent black Americans such as New Black Panther Party leader Malik Zulu Shabazz, the activist Al Sharpton, Addis Daniel and others, Farrakhan marked the 10th anniversary of the Million Man March by holding a second gathering, the Millions More Movement, October 14–17 in Washington.
2006, an AP-AOL "Black Voices" poll voted Farrakhan the fifth-most important black leader, with 4 percent of the vote.
Experts including the Independent Levee Investigation Team (ILIT) from the University of California, Berkeley have countered his accusations. The report from the ILIT said "The findings of this panel are that the overtopping of the levees by flood waters, the often sub-standard materials used to shore up the levees, and the age of the levees contributed to these "scour holes" found at many of the sites of levee breaks after the hurricane."
The Obama campaign quickly responded to convey his distance from the minister. "Senator Obama has been clear in his objections to Minister Farrakhan's past pronouncements and has not solicited the minister's support," said Obama spokesman Bill Burton. Obama "rejected and denounced" Farrakhan's support during an NBC presidential candidate debate.
Conservative internet sites such as World Net Daily reported that during his February 24, 2008, "Saviours Day" speech Farrakhan called Obama "the Messiah". Quoting in context, Farrakhan said, "Sen. Obama is not the Messiah for sure, but anytime, he gives you a sign of uniting races, ethnic groups, ideologies, religions and makes people feel a sense of oneness, that’s not necessarily Satan’s work, that is I believe the work of God."
Following the 2008 presidential election Farrakhan explained, during a BET television interview, that he was "careful" to never endorse Obama during his campaign. "I talked about him — but, in very beautiful and glowing terms, stopping short of endorsing him. And unfortunately, or fortunately, however we look at it, the media said I 'endorsed' him, so he renounced my so-called endorsement and support. But that didn’t stop me from supporting him."
Farrakhan was released from his five-week hospital stay on January 28, 2007, after major abdominal surgery. The operation was performed to correct damage caused by side effects of a radioactive "seed" implantation procedure that he received years earlier to successfully treat prostate cancer.
Following his hospital stay Farrakhan released a "Message of Appreciation" to supporters and well wishers and weeks later delivered the keynote address at the Nation of Islam's annual convention in Detroit.
Since then, Farrakhan has only continued in this sort of speech.
Farrakhan has repeatedly denied referring to Judaism as a "gutter religion" explaining that he was instead referring to the Israeli Government's use of Judaism as a political tool. In a June 18, 1997, letter to a former Wall Street Journal editor Jude Wanniski he stated:
In response to Farrakhan's speech Nathan Pearlmutter, then Chair of the Anti-Defamation League (ADL) of B'nai B'rith, referred to Farrakhan as the new "Black Hitler" and Village Voice journalist Nat Hentoff also characterized the NOI leader as a "Black Hitler" while a guest on a New York radio talk-show.
In response Farrakhan said during a March 11, 1984, speech broadcast on a Chicago radio station:
On May 20, 2000, Farrakhan publicly rejected CBS News' characterization of the interview stating, "It appears that the aim of 60 Minutes, CBS and Mike Wallace was to make the American public believe that I, Louis Farrakhan, ordered the assassination of Malcolm X. It in no way reflected the spirit of Miss Shabazz and myself and our attempt to continue the path of reconciliation started by Dr. Betty Shabazz and me in 1994 and 1995."
In a June 5, 2000, interview titled 'Setting the Record Straight' with Jet Magazine Farrakhan said, "the interview was edited in such a way to give viewers the impression that Farrakhan had a role in Malcolm's death." Of the full four-hour interview CBS broadcast only 12 minutes.
February 21, 1990, was the 25th anniversary of Malcolm X's death and during a speech at Malcolm X College in Chicago, Illinois Farrakhan gave a presentation on "The Murder of Malcolm X" and the lingering effects of the assassination.
On April 17, 1993, Farakhan made his return concert debut with performances of the Violin Concerto in E Minor by Felix Mendelssohn. Farrakhan intimated that his performance of a concerto by a Jewish composer was, in part, an effort to heal a rift between him and the Jewish community. The New York Times music critic Bernard Holland reported that Farrakhan's performance was somewhat flawed due to years of neglect "nonetheless Mr. Farrakhan's sound is that of the authentic player. It is wide, deep and full of the energy that makes the violin gleam." Farrakhan has gone on to perform the Violin Concerto of Ludwig van Beethoven and has announced plans to perform those of Tchaikovsky and Brahms.
Category:1933 births Category:Living people Category:African American religious leaders Category:African Americans' rights activists Category:American classical violinists Category:American people of Saint Kitts and Nevis descent Category:American religious leaders of Jamaican descent Category:American Muslims Category:Calypsonians Category:Members of the Nation of Islam Category:People from Boston, Massachusetts Category:Anti-Zionism
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Lee Morgan |
---|---|
Background | non_vocal_instrumentalist |
Birth name | Edward Lee Morgan |
Born | July 10, 1938 |
Died | February 19, 1972, New York, United States |
Origin | Philadelphia, Pennsylvania, United States |
Instrument | Trumpet |
Genre | Bebop, hard bop |
Label | Blue Note Records, Vee-Jay Records}} |
Edward Lee Morgan (July 10, 1938, Philadelphia, Pennsylvania – February 19, 1972, New York City) was an American hard bop trumpeter.
Lee Morgan, a leading trumpeter and composer, recorded prolifically from 1956 until a day before his death in February 1972. Originally interested in the vibraphone, he soon showed a growing enthusiasm for the trumpet. On his thirteenth birthday, his sister Ernestine gave him his first trumpet. His primary stylistic influence was Clifford Brown, who gave the teenager a few lessons before he joined the Dizzy Gillespie Big Band at 18, and remained a member for a year and a half, until economics forced Dizzy to disband the unit in 1958. He began recording for Blue Note Records in 1956, eventually recording 25 albums as a leader for the company, with more than 250 musicians. He also recorded on the Vee-Jay label.
He was a featured sideman on several early Hank Mobley records, as well as on John Coltrane's Blue Train (1957), on which he played a trumpet with an angled bell (given to him by Gillespie) and delivered one of his most celebrated solos on the title track.
Joining Art Blakey's Jazz Messengers in 1958 further developed his talent as a soloist and composer. He toured with Blakey for a few years, and was featured on numerous albums by the Messengers, including Moanin', which is one of the band's best-known recordings. When Benny Golson left the Jazz Messengers, Morgan persuaded Blakey to hire Wayne Shorter, a young tenor saxophonist, to fill the chair. This version of the Jazz Messengers, including pianist Bobby Timmons and bassist Jymie Merritt, would record the classic The Freedom Rider album. The drug problems of Morgan and Timmons forced them to leave the band in 1961, and the trumpeter returned to Philadelphia, his hometown. According to Tom Perchard, a Morgan biographer, it was Blakey who introduced the trumpeter to heroin, an addictive drug that impeded his career trajectory.
On returning to New York in 1963, he recorded The Sidewinder (1963), which became his greatest commercial success. The title track cracked the pop charts in 1964, and served as the background theme for Chrysler television commercials during the World Series. The tune was used without Morgan's or Blue Note's consent, and intercession by the label's lawyers led to the commercial being withdrawn. Due to the crossover success of "The Sidewinder" in a rapidly changing pop music market, Blue Note owners encouraged other of its artists to emulate the tune's "boogaloo" beat. Morgan himself repeated the formula several times with compositions such as "Cornbread" (from the eponymous album Cornbread) and "Yes I Can, No You Can't" on The Gigolo. According to drummer Billy Hart, Morgan said he had recorded "The Sidewinder" as filler for the album, and was bemused that it had turned into his biggest hit. He felt that his playing was much more advanced on Grachan Moncur III's essentially avant-garde Evolution album, recorded a month earlier, on November 21, 1963.
After this commercial success, Morgan continued to record prolifically, producing such works as Search for the New Land (1964), which reached the top 20 of the R&B; charts. He also briefly rejoined the Jazz Messengers after his successor, Freddie Hubbard, joined another group. Together with John Gilmore, this lineup was filmed by the BBC for seminal jazz television program Jazz 625.
As the 60's progressed, he recorded some twenty additional albums as a leader, and continued to record as a sideman on the albums of other artists, including Wayne Shorter's Night Dreamer; Stanley Turrentine's Mr. Natural; Freddie Hubbard's The Night of the Cookers; Hank Mobley's Dippin', A Caddy for Daddy, A Slice of the Top, Straight No Filter; Jackie McLean's Jackknife and Consequence; Joe Henderson's Mode for Joe; McCoy Tyner's Tender Moments; Lonnie Smith's Think and Turning Point; Elvin Jones' The Prime Element; Jack Wilson's Easterly Winds; Reuben Wilson's Love Bug; Larry Young's Mother Ship; Lee Morgan and Clifford Jordan Live in Baltimore 1968; Andrew Hill's Grass Roots; as well as on several albums with Art Blakey and the Jazz Messengers.
He became more politically involved in the last two years of his life, becoming one of the leaders of the Jazz and People's Movement. The group demonstrated during the taping of talk and variety shows during 1970-71 to protest the lack of jazz artists as guest performers and members of the programs' bands. His working band during those last years featured reedmen Billy Harper or Bennie Maupin, pianist Harold Mabern, bassist Jymie Merritt and drummers Mickey Roker or Freddie Waits. Maupin, Mabern, Merritt and Roker are featured on the well-regarded 3-disc, Live at the Lighthouse, recorded during a two-week engagement at the Hermosa Beach club, California, in July 1970.
Category:1938 births Category:1972 deaths Category:American jazz trumpeters Category:Bebop trumpeters Category:Hard bop trumpeters Category:Murdered entertainers Category:Musicians from Philadelphia, Pennsylvania Category:Savoy Records artists Category:Vee-Jay Records artists Category:Blue Note Records artists Category:Musicians who died on stage
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | John Lennon |
---|---|
Img alt | A bearded, bespectacled man in his late twenties, with long black hair and wearing a loose-fitting pajama shirt, sings and plays an acoustic guitar. White flowers are visible behind and to the right of him. |
Background | solo_singer |
Birth name | John Winston Lennon |
Born | October 09, 1940Liverpool, England, UK |
Died | December 08, 1980New York, New York, US |
Instrument | Vocals, guitar, piano, banjo, harmonica, Mellotron, six-string bass, percussion |
Genre | Rock, pop |
Occupation | Musician, singer-songwriter, record producer, artist, writer |
Years active | 1957–1975, 1980 |
Label | Parlophone, Capitol, Apple, EMI, Geffen, Polydor |
Associated acts | The Quarrymen, The Beatles, Plastic Ono Band, The Dirty Mac, John & Yoko/Plastic Ono Band |
Notable instruments | Rickenbacker 325Epiphone CasinoGibson J-160EGibson Les Paul Junior |
Born and raised in Liverpool, Lennon became involved as a teenager in the skiffle craze; his first band, The Quarrymen, evolved into The Beatles in 1960. As the group disintegrated towards the end of the decade, Lennon embarked on a solo career that produced the critically acclaimed albums John Lennon/Plastic Ono Band and Imagine, and iconic songs such as "Give Peace a Chance" and "Imagine". Lennon disengaged himself from the music business in 1975 to devote time to his family, but re-emerged in 1980 with a new album, Double Fantasy. He was murdered three weeks after its release.
Lennon revealed a rebellious nature and acerbic wit in his music, his writing, his drawings, on film, and in interviews, and he became controversial through his political activism. He moved to New York City in 1971, where his criticism of the Vietnam War resulted in a lengthy attempt by Richard Nixon's administration to deport him, while his songs were adopted as anthems by the anti-war movement.
As of 2010, Lennon's solo album sales in the United States exceed 14 million units, and as writer, co-writer or performer, he is responsible for 27 number-one singles on the US Hot 100 chart. In 2002, a BBC poll on the 100 Greatest Britons voted him eighth, and in 2008, Rolling Stone ranked him the fifth-greatest singer of all-time. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
Lennon was born in war-time England, on 9 October 1940 at Liverpool Maternity Hospital, to Julia and Alfred Lennon, a merchant seaman who was away at the time of his son's birth. He was named John Winston Lennon after his paternal grandfather, John "Jack" Lennon, and then-Prime Minister Winston Churchill. His father was often away from home but sent regular pay cheques to 9 Newcastle Road, Liverpool, where Lennon lived with his mother, but the cheques stopped when he went absent without leave in February 1944. When he eventually came home six months later, he offered to look after the family, but Julia—by then pregnant with another man's child—rejected the idea. After her sister, Mimi Smith, twice complained to Liverpool's Social Services, Julia handed the care of Lennon over to her. In July 1946, Lennon's father visited Smith and took his son to Blackpool, secretly intending to emigrate to New Zealand with him. Julia followed them—with her partner at the time, 'Bobby' Dykins—and after a heated argument his father forced the five-year-old to choose between them. Lennon twice chose his father, but as his mother walked away, he began to cry and followed her. It would be 20 years before he had contact with his father again.
Throughout the rest of his childhood and adolescence, he lived with his aunt and uncle, Mimi and George Smith, who had no children of their own, at Mendips, 251 Menlove Avenue, Woolton. His aunt bought him volumes of short stories, and his uncle, a dairyman at his family's farm, bought him a mouth organ and engaged him in solving crossword puzzles. Julia visited Mendips on a regular basis, and when he was 11 years old he often visited her at 1 Blomfield Road, Liverpool, where she played him Elvis Presley records, and taught him the banjo, playing "Ain't That a Shame" by Fats Domino.
In September 1980 he talked about his family and his rebellious nature: }}
He regularly visited his cousin, Stanley Parkes, who lived in Fleetwood. Seven years Lennon's senior, Parkes took him on trips, and to local cinemas. During the school holidays, Parkes often visited Lennon with Leila Harvey, another cousin, often travelling to Blackpool two or three times a week to watch shows. They would visit the Blackpool Tower Circus and see artists such as Dickie Valentine, Arthur Askey, Max Bygraves and Joe Loss, with Parkes recalling that Lennon particularly liked George Formby. After Parkes's family moved to Scotland, the three cousins often spent their school holidays together there. Parkes recalled, "John, cousin Leila and I were very close. From Edinburgh we would drive up to the family croft at Durness, which was from about the time John was nine years old until he was about 16." He was 14 years old when his uncle George died of a liver haemorrhage on 5 June 1955 (aged 52).
Lennon was raised as an Anglican and attended Dovedale Primary School. From September 1952 to 1957, after passing his Eleven-Plus exam, he attended Quarry Bank High School in Liverpool, and was described by Harvey at the time as, "A happy-go-lucky, good-humoured, easy going, lively lad." He often drew comical cartoons which appeared in his own self-made school magazine called The Daily Howl, but despite his artistic talent, his school reports were damning: "Certainly on the road to failure ... hopeless ... rather a clown in class ... wasting other pupils' time."
His mother bought him his first guitar in 1957, an inexpensive Gallotone Champion acoustic for which she "lent" her son five pounds and ten shillings on the condition that the guitar be delivered to her own house, and not Mimi's, knowing well that her sister was not supportive of her son's musical aspirations. As Mimi was sceptical of his claim that he would be famous one day, she hoped he would grow bored with music, often telling him, "The guitar's all very well, John, but you'll never make a living out of it". On 15 July 1958, when Lennon was 17 years old, his mother, walking home after visiting the Smiths' house, was struck by a car and killed.
Lennon failed all his GCE O-level examinations, and was accepted into the Liverpool College of Art only after his aunt and headmaster intervened. Once at the college, he started wearing Teddy Boy clothes and acquired a reputation for disrupting classes and ridiculing teachers. As a result, he was excluded from the painting class, then the graphic arts course, and was threatened with expulsion for his behaviour, which included sitting on a nude model's lap during a life drawing class. He failed an annual exam, despite help from fellow student and future wife Cynthia Powell, and was "thrown out of the college before his final year."
McCartney says that Aunt Mimi: "was very aware that John's friends were lower class", and would often patronise him when he arrived to visit Lennon. According to Paul's brother Mike, McCartney's father was also disapproving, declaring Lennon would get his son "into trouble"; although he later allowed the fledgling band to rehearse in the McCartneys' front room at 20 Forthlin Road. During this time, the 18-year-old Lennon wrote his first song, "Hello Little Girl", a UK top 10 hit for The Fourmost nearly five years later.
George Harrison joined the band as lead guitarist, even though Lennon thought Harrison (at 14 years old) was too young to join the band, so McCartney engineered a second audition on the upper deck of a Liverpool bus, where Harrison played Raunchy for Lennon. Stuart Sutcliffe, Lennon's friend from art school, later joined as bassist. Lennon, McCartney, Harrison and Sutcliffe became "The Beatles" in early 1960. In August that year The Beatles, engaged for a 48-night residency in Hamburg, Germany, and desperately in need of a drummer, asked Pete Best to join them. Lennon was now 19, and his aunt, horrified when he told her about the trip, pleaded with him to continue his art studies instead. After the first Hamburg residency, the band accepted another in April 1961, and a third in April 1962. Like the other band members, Lennon was introduced to Preludin while in Hamburg, and regularly took the drug, as well as amphetamines, as a stimulant during their long, overnight performances.
Brian Epstein, the Beatles' manager from 1962, had no prior experience of artist management, but nevertheless had a strong influence on their early dress code and attitude on stage. Lennon initially resisted his attempts to encourage the band to present a professional appearance, but eventually complied, saying, "I'll wear a bloody balloon if somebody's going to pay me". McCartney took over on bass after Sutcliffe decided to stay in Hamburg, and drummer Ringo Starr replaced Best, completing the four-piece line-up that would endure until the group's break-up in 1970. The band's first single, "Love Me Do", was released in October 1962 and reached #17 on the British charts. They recorded their debut album, Please Please Me, in under 10 hours on 11 February 1963, a day when Lennon was suffering the effects of a cold, which is evident in the vocal on the last song to be recorded that day, Twist and Shout. The Lennon/McCartney songwriting partnership yielded eight of its fourteen tracks. With few exceptions—one being the album title itself—Lennon had yet to bring his love of wordplay to bear on his song lyrics, saying: "We were just writing songs ... pop songs with no more thought of them than that–to create a sound. And the words were almost irrelevant". In a 1987 interview, McCartney said that the other Beatles idolised John: "He was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest".
The Beatles achieved mainstream success in the UK around the start of 1963. Lennon was on tour when his first son, Julian, was born in April. During their Royal Variety Show performance, attended by the Queen Mother and other British royalty, Lennon poked fun at his audience: "For our next song, I'd like to ask for your help. For the people in the cheaper seats, clap your hands ... and the rest of you, if you'll just rattle your jewellery." After a year of Beatlemania in the UK, the group's historic February 1964 US debut appearance on The Ed Sullivan Show marked their breakthrough to international stardom. A two-year period of constant touring, moviemaking, and songwriting followed, during which Lennon wrote two books, In His Own Write and A Spaniard in the Works. The Beatles received recognition from the British Establishment when they were appointed Members of the Order of the British Empire in the Queen's Birthday Honours of 1965.
" with The Beatles in 1967 to 400 million viewers of "Our World".]] Deprived of the routine of live performances after their final commercial concert in 1966, Lennon felt lost and considered leaving the band. Since his involuntary introduction to LSD in January, he had made increasing use of the drug, and was almost constantly under its influence for much of the year." According to biographer Ian MacDonald, Lennon's continuous experience with LSD during the year brought him "close to erasing his identity". 1967 saw the release of "Strawberry Fields Forever", hailed by Time magazine for its "astonishing inventiveness", and the group's landmark album Sgt. Pepper's Lonely Hearts Club Band, which revealed Lennon's lyrics contrasting strongly with the simple love songs of the Lennon/McCartney's early years.
In August, after having been introduced to the Maharishi Mahesh Yogi, the group attended a weekend of personal instruction at his Transcendental Meditation seminar in Bangor, Wales, and were informed of Epstein's death during the seminar. "I knew we were in trouble then", Lennon said later. "I didn't have any misconceptions about our ability to do anything other than play music, and I was scared". They later travelled to Maharishi's ashram in India for further guidance, where they composed most of the songs for The Beatles and Abbey Road.
The anti-war, black comedy How I Won the War, featuring Lennon's only appearance in a non–Beatles full-length film, was shown in cinemas in October 1967. McCartney organised the group's first post-Epstein project, the self-written, -produced and -directed television film Magical Mystery Tour, released in December that year. While the film itself proved to be their first critical flop, its soundtrack release, featuring Lennon's acclaimed, Carroll-inspired "I am the Walrus", was a success. With Epstein gone, the band members became increasingly involved in business activities, and in February 1968 they formed Apple Corps, a multimedia corporation comprising Apple Records and several other subsidiary companies. Lennon described the venture as an attempt to achieve, "artistic freedom within a business structure", but his increased drug experimentation and growing preoccupation with Yoko Ono, and McCartney's own marriage plans, left Apple in need of professional management. Lennon asked Lord Beeching to take on the role, but he declined, advising Lennon to go back to making records. Lennon approached Allen Klein, who had managed The Rolling Stones and other bands during the British Invasion. Klein was appointed as Apple’s chief executive by Lennon, Harrison and Starr, but McCartney never signed the management contract.
At the end of 1968, Lennon featured in the film The Rolling Stones Rock and Roll Circus (not released until 1996) in the role of a Dirty Mac band member. The supergroup, comprising Lennon, Eric Clapton, Keith Richards and Mitch Mitchell, also backed a vocal performance by Ono in the film. Lennon and Ono were married on 20 March 1969, and soon released a series of 14 lithographs called "Bag One" depicting scenes from their honeymoon, eight of which were deemed indecent and most of which were banned and confiscated. Lennon's creative focus continued to move beyond the Beatles and between 1968 and 1969 he and Ono recorded three albums of experimental music together: (known more for its cover than for its music), and Wedding Album. In 1969 they formed The Plastic Ono Band, releasing Live Peace in Toronto 1969. In protest at Britain's involvement in the Nigerian Civil War, Lennon returned his MBE medal to the Queen, though this had no effect on his MBE status, which could not be renounced. Between 1969 and 1970 Lennon released the singles "Give Peace a Chance" (widely adopted as an anti-Vietnam-War anthem in 1969), "Cold Turkey" (documenting his withdrawal symptoms after he became addicted to heroin) and "Instant Karma!".
Lennon left the Beatles in September 1969. He agreed not to inform the media while the band renegotiated their recording contract, and was outraged that McCartney publicised his own departure on releasing his debut solo album in April 1970. Lennon's reaction was, "Jesus Christ! He gets all the credit for it!" He later wrote, "I started the band. I disbanded it. It's as simple as that." In later interviews with Rolling Stone, he revealed his bitterness towards McCartney, saying, "I was a fool not to do what Paul did, which was use it to sell a record." He spoke too of the hostility he perceived the other members had towards Ono, and of how he, Harrison, and Starr "got fed up with being sidemen for Paul ... After Brian Epstein died we collapsed. Paul took over and supposedly led us. But what is leading us when we went round in circles?"
With Lennon's next album, Imagine (1971), critical response was more guarded. Rolling Stone reported that "it contains a substantial portion of good music" but warned of the possibility that "his posturings will soon seem not merely dull but irrelevant". The album's title track would become an anthem for anti-war movements, while another, "How Do You Sleep?", was a musical attack on McCartney in response to lyrics from Ram that Lennon felt, and McCartney later confirmed, were directed at him and Ono. However, Lennon softened his stance in the mid-70s and said he had written "How Do You Sleep?" about himself. He said in 1980: "I used my resentment against Paul ... to create a song ... not a terrible vicious horrible vendetta ... I used my resentment and withdrawing from Paul and the Beatles, and the relationship with Paul, to write 'How Do You Sleep'. I don't really go 'round with those thoughts in my head all the time".
Lennon and Ono moved to New York in August 1971, and in December released "Happy Xmas (War Is Over)". To advertise the single, they paid for billboards in 12 cities around the world which declared, in the national language, "WAR IS OVER—IF YOU WANT IT". The new year saw the Nixon Administration take what it called a "strategic counter-measure" against Lennon's anti-war propaganda, embarking on what would be a four-year attempt to deport him: embroiled in a continuing legal battle, he was denied permanent residency in the US until 1976.
Recorded as a collaboration with Ono and with backing from the New York band Elephant's Memory, Some Time in New York City was released in 1972. Containing songs about women's rights, race relations, Britain's role in Northern Ireland, and Lennon's problems obtaining a green card, the album was poorly received—unlistenable, according to one critic. "Woman Is the Nigger of the World", released as a US single from the album the same year, was televised on 11 May, on The Dick Cavett Show. Many radio stations refused to broadcast the song because of the word "nigger". Lennon and Ono gave two benefit concerts with Elephant's Memory and guests in New York in aid of patients at the Willowbrook State School mental facility. Staged at Madison Square Garden on 30 August 1972, they were his last full-length concert appearances.
In 1974, Lennon was drinking heavily and his alcohol-fuelled antics with Harry Nilsson soon made the headlines. Two widely publicised incidents occurred at The Troubadour club in March, the first when Lennon placed a menstruation ‘towel’ on his forehead and scuffled with a waitress, and the second, two weeks later, when Lennon and Nilsson were ejected from the same club after heckling the Smothers Brothers. Lennon decided to produce Nilsson's album Pussy Cats and Pang rented an L.A. beach house for all the musicians but after a month of further debauchery, with the recording sessions in chaos, Lennon moved to New York with Pang to finish work on the album. In April, Lennon had produced the Mick Jagger song "Too Many Cooks (Spoil the Soup)" which was, for contractual reasons, to remain unreleased for more than thirty years. Pang supplied the recording for its eventual inclusion on The Very Best of Mick Jagger (2007).
Settled back in New York, Lennon recorded the album Walls and Bridges. Released in October 1974, it yielded his only number-one single in his lifetime, "Whatever Gets You Thru the Night", featuring Elton John on backing vocals and piano. A second single from the album, "#9 Dream", followed before the end of the year. Starr's Goodnight Vienna (1974) again saw assistance from Lennon, who wrote the title track and played piano. On 28 November, Lennon made a surprise guest appearance at Elton John's Thanksgiving concert at Madison Square Garden, in fulfilment of his promise to join the singer in a live show if "Whatever Gets You Thru the Night"—a song whose commercial potential Lennon had doubted—reached number one. Lennon performed the song along with "Lucy in the Sky with Diamonds" and "I Saw Her Standing There".
Lennon co-wrote "Fame", David Bowie's first US number one, and provided guitar and backing vocals for the January 1975 recording. He and Ono were reunited shortly afterwards. The same month, Elton John topped the charts with his own cover of "Lucy in the Sky with Diamonds", featuring Lennon on guitar and back-up vocals. Lennon released Rock 'n' Roll (1975), an album of cover songs, in February. Soon afterwards, "Stand By Me", taken from the album and a US and UK hit, became his last single for five years. He made what would be his final stage appearance in the ATV special A Salute to Lew Grade, recorded on 18 April and televised in June. Playing acoustic guitar, and backed by his eight-piece band BOMF (introduced as "Etcetera"), Lennon performed two songs from Rock 'n' Roll ("Stand By Me", which was not broadcast, and "Slippin' and Slidin'") followed by "Imagine". The band wore masks on the backs of their heads, making them appear two-faced, a dig at Grade, with whom Lennon and McCartney had been in conflict because of his control of the Beatles' publishing company. (Dick James had sold his majority share to Grade in 1969.) During "Imagine", Lennon interjected the line "and no immigration too", a reference to his battle to remain in the United States.
He emerged from retirement in October 1980 with the single "(Just Like) Starting Over", followed the next month by the album Double Fantasy, which contained songs written during a journey to Bermuda on a 43-foot sailing boat the previous June, that reflected Lennon's fulfillment in his new-found stable family life. Sufficient additional material was recorded for a planned follow-up album Milk and Honey (released posthumously in 1984). Released jointly with Ono, Double Fantasy was not well received, drawing comments such as Melody Maker's "indulgent sterility ... a godawful yawn".
Ono issued a statement the next day, saying "There is no funeral for John," ending it with the words, "John loved and prayed for the human race. Please pray the same for him." His body was cremated at Ferncliff Cemetery in Hartsdale, New York. Ono scattered his ashes in New York's Central Park, where the Strawberry Fields memorial was later created. Chapman pleaded guilty to second degree murder and was sentenced to 20 years to life; as of 2010, he remains in prison, having been repeatedly denied parole.
Recalling his reaction in July 1962 on learning that Cynthia was pregnant, Lennon said, "There's only one thing for it Cyn. We'll have to get married." The couple were married on 23 August at the Mount Pleasant Register Office in Liverpool. His marriage began just as Beatlemania took hold across the UK. He performed on the evening of his wedding day, and would continue to do so almost daily from then on. Epstein, fearing that fans would be alienated by the idea of a married Beatle, asked the Lennons to keep their marriage secret. Julian was born on 8 April 1963; Lennon was on tour at the time and did not see his son until three days later.
Cynthia attributes the start of the marriage breakdown to LSD, and as a result, she felt that he slowly lost interest in her. When the group travelled by train to Bangor, Wales, in 1967, for the Maharishi Mahesh Yogi's Transcendental Meditation seminar, a policeman did not recognise her and stopped her from boarding. She later recalled how the incident seemed to symbolize the ending of their marriage. After arriving home at Kenwood, and finding Lennon with Ono, Cynthia left the house to stay with friends. Alexis Mardas later claimed to have slept with her that night, and a few weeks later he informed her that Lennon was seeking a divorce and custody of Julian on grounds of her adultery with him. After negotiations, Lennon capitulated and agreed to her divorcing him on the same grounds. The case was settled out of court, with Lennon giving her £100,000, and custody of Julian.
Lennon delighted in mocking Epstein for his homosexuality and for the fact that he was Jewish. When Epstein invited suggestions for the title of his autobiography, Lennon offered Queer Jew; on learning of the eventual title, A Cellarful of Noise, he parodied, "More like A Cellarful of Boys". He demanded of a visitor to Epstein's flat, "Have you come to blackmail him? If not, you're the only bugger in London who hasn't." During the recording of "Baby, You're a Rich Man", he sang altered choruses of "Baby, you're a rich fag Jew".
Lennon's first son, Julian, was born as his commitments with the Beatles intensified at the height of Beatlemania during his marriage to Cynthia. Lennon was touring with the Beatles when Julian was born on 8 April 1963. Julian's birth, like his mother Cynthia's marriage to Lennon, was kept secret because Epstein was convinced public knowledge of such things would threaten the Beatles' commercial success. Julian recalls how some four years later, as a small child in Weybridge, "I was trundled home from school and came walking up with one of my watercolour paintings. It was just a bunch of stars and this blonde girl I knew at school. And Dad said, 'What's this?' I said, 'It's Lucy in the sky with diamonds.'" Lennon used it as the title of a Beatles' song, and though it was later reported to have been derived from the initials LSD, Lennon insisted, "It's not an acid song." McCartney corroborated Lennon's explanation that Julian innocently came up with the name. Lennon was distant from Julian, who felt closer to McCartney than to his father. During a car journey to visit Cynthia and Julian during Lennon's divorce, McCartney composed a song, "Hey Jules", to comfort him. It would evolve into the Beatles song "Hey Jude". Lennon later said, "That's his best song. It started off as a song about my son Julian ... he turned it into 'Hey Jude'. I always thought it was about me and Yoko but he said it wasn't."
Lennon's relationship with Julian was already strained, and after Lennon and Ono's 1971 move to New York, Julian would not see his father again until 1973. With Pang's encouragement, it was arranged for him (and his mother) to visit Lennon in Los Angeles, where they went to Disneyland. Julian started to see his father regularly, and Lennon gave him a drumming part on a Walls and Bridges track. He bought Julian a Gibson Les Paul guitar and other instruments, and encouraged his interest in music by demonstrating guitar chord techniques. Julian recalls that he and his father "got on a great deal better" during the time he spent in New York: "We had a lot of fun, laughed a lot and had a great time in general."
In a Playboy interview with David Sheff shortly before his death, Lennon said, "Sean was a planned child, and therein lies the difference. I don't love Julian any less as a child. He's still my son, whether he came from a bottle of whiskey or because they didn't have pills in those days. He's here, he belongs to me, and he always will." He said he was trying to re-establish a connection with the then 17-year-old, and confidently predicted, "Julian and I will have a relationship in the future." After his death it was revealed that he had left Julian very little in his will.
Two versions exist of how Lennon met Ono. According to the first, on 9 November 1966 Lennon went to the Indica gallery in London, where Ono was preparing her conceptual art exhibit, and they were introduced by gallery owner John Dunbar. Lennon was intrigued by Ono's "Hammer A Nail": patrons hammered a nail into a wooden board, creating the art piece. Although the exhibition had not yet begun, Lennon wanted to hammer a nail into the clean board, but Ono stopped him. Dunbar asked her, "Don't you know who this is? He's a millionaire! He might buy it." Ono had supposedly not heard of the Beatles, but relented on condition that Lennon pay her five shillings, to which Lennon replied, "I'll give you an imaginary five shillings and hammer an imaginary nail in." The second version, told by McCartney, is that in late 1965, Ono was in London compiling original musical scores for a book John Cage was working on, Notations, but McCartney declined to give her any of his own manuscripts for the book, suggesting that Lennon might oblige. When asked, Lennon gave Ono the original handwritten lyrics to "The Word".
Ono began telephoning and calling at Lennon's home, and when his wife asked for an explanation, he explained that Ono was only trying to obtain money for her "avant-garde bullshit". In May 1968, while his wife was on holiday in Greece, Lennon invited Ono to visit. They spent the night recording what would become the Two Virgins album, after which, he said, they "made love at dawn." When Lennon's wife returned home she found Ono wearing her bathrobe and drinking tea with Lennon who simply said, "Oh, hi." Ono became pregnant in 1968 and miscarried a male child they named John Ono Lennon II on 21 November 1968, a few weeks after Lennon's divorce from Cynthia was granted.
During Lennon's last two years in the Beatles, he and Ono began public protests against the Vietnam War. They were married in Gibraltar on 20 March 1969, and spent their honeymoon in Amsterdam campaigning with a week-long Bed-In for peace. They planned another Bed-In in the United States, but were denied entry, so held one instead at the Queen Elizabeth Hotel in Montreal, where they recorded "Give Peace a Chance". They often combined advocacy with performance art, as in their "Bagism", first introduced during a Vienna press conference. Lennon detailed this period in the Beatles' song "The Ballad of John and Yoko". Lennon changed his name by deed poll on 22 April 1969, adding "Ono" as a middle name. The brief ceremony took place on the roof of the Apple Corps building, made famous three months earlier by the Beatles' Let It Be rooftop concert. Although he used the name John Ono Lennon thereafter, official documents referred to him as John Winston Ono Lennon, since he was not permitted to revoke a name given at birth. After Ono was injured in a car accident, Lennon arranged for a king-sized bed to be brought to the recording studio as he worked on the Beatles' last album, Abbey Road. To escape the acrimony of the band's break-up, Ono suggested they move permanently to New York, which they did on 31 August 1971. They first lived in the St. Regis Hotel on 5th Avenue, East 55th Street, then moved to a street-level flat at 105 Bank Street, Greenwich Village, on 16 October 1971. After a robbery, they relocated to the more secure Dakota at 1 West 72nd Street, in May 1973.
According to author Albert Goldman, Ono was regarded by Lennon as an "almost magical being" who could solve all his problems for him, but this was a "grand illusion", and she openly cheated on him with gigolos. Eventually, writes Goldman, "both he and Yoko were burnt out from years of hard drugs, overwork, emotional breakdowns, quack cures, and bizarre diets, to say nothing of the effects of living constantly in the glare of the mass media." After their separation, "no longer collaborating as a team, they remained in constant communication. ... No longer able to live together, they found that they couldn’t live apart either."
On moving to New York, they "prepared a spare room" in their newly rented apartment for Julian to visit. Lennon, hitherto inhibited by Ono in this regard, began to reestablish contact with other relatives and friends. By December he and Pang were considering a house purchase, and he was refusing to accept Ono's telephone calls. In January 1975, he agreed to meet Ono—who said she had found a cure for smoking—but after the meeting failed to return home or call Pang. When Pang telephoned the next day, Ono told her Lennon was unavailable, being exhausted after a hypnotherapy session. Two days later, Lennon reappeared at a joint dental appointment, stupefied and confused to such an extent that Pang believed he had been brainwashed. He told her his separation from Ono was now over, though Ono would allow him to continue seeing her as his mistress.
Lennon's most intense feelings were reserved for McCartney. In addition to attacking him through the lyrics of "How Do You Sleep?", Lennon argued with him through the press for three years after the group split. The two later began to reestablish something of the close friendship they had once known, and in 1974 even played music together again, before growing apart once more. Lennon said that during McCartney's final visit, in April 1976, they watched the episode of Saturday Night Live in which Lorne Michaels made a $3,000 cash offer to get the Beatles to reunite on the show. The pair considered going to the studio to make a joke appearance, attempting to claim their share of the money, but were too tired. Lennon summarised his feelings towards McCartney in an interview three days before his death: "Throughout my career, I've selected to work with...only two people: Paul McCartney and Yoko Ono....That ain't bad picking."
Along with his estrangement from McCartney, Lennon always felt a musical competitiveness with him and kept an ear on his music. During his five-year career break he was content to sit back so long as McCartney was producing what Lennon saw as mediocre "product". When McCartney released "Coming Up" in 1980, the year Lennon returned to the studio and the last year of his life, he took notice. "It's driving me crackers!" he jokingly complained, because he couldn't get the tune out of his head. Asked the same year whether the group were dreaded enemies or the best of friends, he replied that they were neither, and that he had not seen any of them in a long time. But he also said, "I still love those guys. The Beatles are over, but John, Paul, George and Ringo go on."
Later that year, Lennon and Ono supported efforts by the family of James Hanratty, hanged for murder in 1962, to prove his innocence. Those who had condemned Hanratty were, according to Lennon, "the same people who are running guns to South Africa and killing blacks in the streets. ... The same bastards are in control, the same people are running everything, it's the whole bullshit bourgeois scene." In London, Lennon and Ono staged a "Britain Murdered Hanratty" banner march and a "Silent Protest For James Hanratty", and produced a 40-minute documentary on the case. At an appeal hearing years later, Hanratty's conviction was upheld.
Lennon and Ono showed their solidarity with the Clydeside UCS workers' work-in of 1971 by sending a bouquet of red roses and a cheque for £5,000. On moving to New York City in August that year, they befriended two of the Chicago Seven, Yippie peace activists Jerry Rubin and Abbie Hoffman. Another peace activist, John Sinclair, poet and co-founder of the White Panther Party, was serving ten years in prison for selling two joints of marijuana after previous convictions for possession of the drug. In December 1971 at Ann Arbor, Michigan, 20,000 people attended the "John Sinclair Freedom Rally", a protest and benefit concert with contributions from Lennon, Stevie Wonder, Bob Seger, Bobby Seale of the Black Panther Party, and others. Lennon and Ono, backed by David Peel and Rubin, performed an acoustic set of four songs from their forthcoming Some Time in New York City album including "John Sinclair", whose lyrics called for his release. The day before the rally, Michigan State had drastically reduced the penalties for Sinclair’s crimes and three days after the rally, he was released on bail. The performance was recorded and two of the tracks later appeared on John Lennon Anthology (1998).
Following the Bloody Sunday massacre in 1972, in which 27 civil rights protesters were shot by the British Army during a Northern Ireland Civil Rights Association march, Lennon said that given the choice between the army and the IRA he would side with the latter. Lennon and Ono wrote two songs protesting England's actions in the Northern Irish political situation on their Some Time in New York City album: "Luck of the Irish" and "Sunday Bloody Sunday". In 2000, a former member of Britain's domestic security service MI5 suggested that Lennon had given money to the IRA. Biographer Bill Harry records that following Bloody Sunday, Lennon and Ono financially supported the production of the film The Irish Tapes, a political documentary with a pro-IRA slant.
According to FBI surveillance reports (and confirmed by Tariq Ali in 2006) Lennon was sympathetic to the International Marxist Group, a Trotskyist group formed in Britain in 1968. However, the FBI considered Lennon to have limited effectiveness as a revolutionary since he was "constantly under the influence of narcotics".
John and Yoko add a great voice and drive to the country’s so-called art institution. They inspire and transcend and stimulate and by doing so, only help others to see pure light and in doing that, put an end to this dull taste of petty commercialism which is being passed off as Artist Art by the overpowering mass media. Hurray for John and Yoko. Let them stay and live here and breathe. The country’s got plenty of room and space. Let John and Yoko stay!
On 23 March 1973, Lennon was ordered to leave the US within 60 days. Ono, meanwhile, was granted permanent residence. In response, Lennon and Ono held a press conference on 1 April 1973 at the New York chapter of the American Bar Association, where they announced the formation of the state of Nutopia; a place with "no land, no boundaries, no passports, only people". Waving the white flag of Nutopia (two handkerchiefs), they asked for political asylum in the US. The press conference was filmed, and would later appear in the 2006 documentary The U.S. vs. John Lennon. Lennon's Mind Games (1973) included the track "Nutopian International Anthem", which comprised three seconds of silence. Soon after the press conference, Nixon's involvement in a political scandal came to light, and in June the Watergate hearings began in Washington, DC. They led to the president's resignation 14 months later. Nixon's successor, Gerald Ford, showed little interest in continuing the battle against Lennon, and the deportation order was overturned in 1975. The following year, his US immigration status finally resolved, Lennon received his "green card" certifying his permanent residency, and when Jimmy Carter was inaugurated as president in January 1977, Lennon and Ono attended the Inaugural Ball.
Lennon's love of wordplay and nonsense with a twist found a wider audience when he was 24. Harry writes that In His Own Write (1964) was published after "Some journalist who was hanging around the Beatles came to me and I ended up showing him the stuff. They said, 'Write a book' and that's how the first one came about". Like the Daily Howl it contained a mix of formats including short stories, poetry, plays and drawings. One story, "Good Dog Nigel", tells the tale of "a happy dog, urinating on a lamp post, barking, wagging his tail—until he suddenly hears a message that he will be killed at three o'clock". The Times Literary Supplement considered the poems and stories "remarkable ... also very funny ... the nonsense runs on, words and images prompting one another in a chain of pure fantasy". Book Week reported, "This is nonsense writing, but one has only to review the literature of nonsense to see how well Lennon has brought it off. While some of his homonyms are gratuitous word play, many others have not only double meaning but a double edge." Lennon was not only surprised by the positive reception, but that the book was reviewed at all, and suggested that readers "took the book more seriously than I did myself. It just began as a laugh for me".
In combination with A Spaniard in the Works (1965), In His Own Write formed the basis of the stage play The John Lennon Play: In His Own Write, co-adapted by Victor Spinetti and Adrienne Kennedy. After negotiations between Lennon, Spinetti and the artistic director of the National Theatre, Sir Laurence Olivier, the play opened at the Old Vic in 1968. Lennon and Ono attended the opening night performance, their second public appearance together to date. After Lennon's death, further works were published, including Skywriting by Word of Mouth (1986); Ai: Japan Through John Lennon's Eyes: A Personal Sketchbook (1992), with Lennon's illustrations of the definitions of Japanese words; and Real Love: The Drawings for Sean (1999). The Beatles Anthology (2000) also presented examples of his writings and drawings.
As his Beatles era segued into his solo career, his singing voice found a widening range of expression. Biographer Chris Gregory writes that Lennon was, "tentatively beginning to expose his insecurities in a number of acoustic-led 'confessional' ballads, so beginning the process of 'public therapy' that will eventually culminate in the primal screams of 'Cold Turkey' and the cathartic John Lennon/Plastic Ono Band." David Stuart Ryan notes Lennon's vocal delivery to range from, "extreme vulnerability, sensitivity and even naivety" to a hard "rasping" style. Wiener too describes contrasts, saying the singer's voice can be "at first subdued; soon it almost cracks with despair" Music historian Ben Urish recalls hearing the Beatles' Ed Sullivan Show performance of "This Boy" played on the radio a few days after Lennon's murder: "As Lennon's vocals reached their peak ... it hurt too much to hear him scream with such anguish and emotion. But it was my emotions I heard in his voice. Just like I always had."
In a 2006 Guardian article, Jon Wiener wrote: "For young people in 1972, it was thrilling to see Lennon's courage in standing up to [US President] Nixon. That willingness to take risks with his career, and his life, is one reason why people still admire him today." Whilst for music historians Urish and Bielen, Lennon's most significant effort was "the self-portraits ... in his songs [which] spoke to, for, and about, the human condition."
Lennon continues to be mourned throughout the world and has been the subject of numerous memorials and tributes. In 2010, on what would have been Lennon’s 70th birthday, the John Lennon Peace Monument was unveiled in Chavasse Park, Liverpool, by Cynthia and Julian Lennon. The sculpture entitled ‘Peace & Harmony’ exhibits peace symbols and carries the inscription “Peace on Earth for the Conservation of Life · In Honour of John Lennon 1940–1980”.
The Lennon/McCartney songwriting partnership is regarded as one of the most influential and successful of the 20th century. As performer, writer or co-writer Lennon has had 27 number one singles on the US Hot 100 chart. His album sales in the US stand at 14 million units. Double Fantasy, released shortly before his death, and his best-selling, post-Beatles studio album at three million shipments in the US, won the 1981 Grammy Award for Album of the Year. The following year, the BRIT Award for Outstanding Contribution to Music went to Lennon. Participants in a 2002 BBC poll voted him eighth of "100 Greatest Britons". Between 2003 and 2008, Rolling Stone recognised Lennon in several reviews of artists and music, ranking him fifth of "100 Greatest Singers of All Time" and 38th of "The Immortals: The Fifty Greatest Artists of All Time", and his albums John Lennon/Plastic Ono Band and Imagine, 22nd and 76th respectively of "The RS 500 Greatest Albums of All Time". He was appointed Member of the Order of the British Empire (MBE) with the other Beatles in 1965. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and into the Rock and Roll Hall of Fame in 1994.
, Liverpool]]
Category:1940 births Category:1980 deaths Category:1960s singers Category:1970s singers Category:1980s singers Category:Apple Records artists Category:Alumni of Quarry Bank High School Category:Best Original Music Score Academy Award winners Category:BRIT Award winners Category:British anti-war activists Category:British people murdered abroad Category:Capitol Records artists Category:COINTELPRO targets Category:Critics of religions or philosophies Category:Deaths by firearm in New York Category:English expatriates in the United States Category:English experimental musicians Category:English film actors Category:English-language singers Category:English male singers Category:English murder victims Category:English pacifists Category:English people of Irish descent Category:English rock guitarists Category:English rock pianists Category:English rock singers Category:English singer-songwriters Category:Feminist artists Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Ivor Novello Award winners Category:Members of the Order of the British Empire Category:Murdered musicians Category:Musicians from Liverpool Category:Nonviolence advocates Category:People convicted of drug offenses Category:People murdered in New York Category:Plastic Ono Band members Category:Religious skeptics Category:Rhythm guitarists Category:Rock and Roll Hall of Fame inductees Category:Songwriters Hall of Fame inductees Category:The Beatles members Category:The Dirty Mac Category:The Quarrymen members Category:Yoko Ono
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.
Name | Gavin DeGraw|Background = solo_singer |
---|---|
Birth name | Gavin Shane DeGraw |
Born | February 04, 1977 |
Height | 5'11" |
Origin | South Fallsburg, New York, United States. |
Genre | Rock, pop rock, blue-eyed soul |
Instrument | Vocals, piano, guitar |
Voice type | Tenor |
Occupation | Singer-songwriter, musician |
Years active | 2001–present |
Label | J RecordsSony Music Entertainment |
Url | Official website |
Since 2004, his profile has grown, bringing him to other states as he tours the country. He made his television debut on Last Call with Carson Daly. DeGraw has also appeared on television shows including 'The Tonight Show with Jay Leno, The Late Show With David Letterman, The Ellen DeGeneres Show, and Live with Regis and Kelly. Recently, he has been seen in cameos on Dead Like Me, What I Like About You, and American Dreams. He also appeared in One Tree Hill'', singing "I Don't Want to Be" and "Chariot" at Karen's Cafe. DeGraw has released a number of music videos as well, including "I Don't Want to Be", "Follow Through" and "Chariot". The latter was directed by Zach Braff, who also directed music videos for Joshua Radin. DeGraw has toured with such acts as Sister Hazel, Barenaked Ladies, Howie Day, Michael Tolcher, Butterfly Boucher, The Allman Brothers Band, Marc Broussard, Saving Jane, Jason Mraz and Maroon 5.
He and his brother opened The National Underground in December 2007, a New York City music venue that is a roots rock Americana music bar located in Manhattan's Lower East Side, at 159 East Houston Street between Allen Street and Eldridge Street. The venue offers music, food, and drink. The idea for the venue came about because the brothers wanted a place where they could hang out on a regular basis, and where other musicians could come in and listen and learn. "We were picky about the quality of musicians that played there," Gavin DeGraw says. "We wanted a place where the players were so good, other musicians were like, 'Wow! I really respect what they're doing.'"
According to DeGraw's official site, he returned to the studio on September 1, 2006 to begin recording his next album. Gavin DeGraw was released on May 6, 2008, peaking at #7 on the US Billboard Chart. The first single, "In Love with a Girl" was released on February 5, 2008. The second U.S. single "Cheated On Me" was released in September 2008, while the rest of the world saw the release of "She Holds a Key". The worldwide third single is "I Have You to Thank".
Gavin Degraw's third album, Free was released March 31, 2009. DeGraw made FREE in less than two weeks at the Brooklyn studio of his producer Camus Celli. The first single, "Stay", was released through DeGraw's website on March 11.
DeGraw's song "Follow Through" (from his 2003 album release Chariot) was featured on an advert for Carte D'or ice cream in both the UK and Italy from 2008 to 2010.
Gavin's song "More Than Anyone" (also from the album Chariot), was featured on an episode of the television series What I Like About You.
According to DeGraw, his next album will release in April 2011 and will feature tracks co-written with other artists.
Category:1977 births Category:American male singers Category:American rock guitarists Category:American rock pianists Category:American rock singer-songwriters Category:American singers Category:Berklee College of Music alumni Category:Ithaca College alumni Category:American people of Irish descent Category:American people of Russian descent Category:Living people Category:Musicians from New York Category:People from the Catskills Category:People from Fallsburg, New York
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.