"L'Oiseau Vert" d'après Carlo Gozzi
Carlo gozzi - Renato Simoni
Carlo Gozzi 1/2
Turandot
Turandot de Carlo Gozzi.Adaptation,mise en scene et scenographie de Emile Salimov...
Carlo Gozzi 2/2
turandot da carlo gozzi regia roberto gandini
Carlo Gozzi - AGRAV mas 1
L'Oiseau Vert - Carlo Gozzi / Sandrine Anglade
Carlo Gozzi and the Age of Enlightenment
КОРОЛЬ-ОЛЕНЬ - Re Cervo di Gozzi in Siberia Orientale
2006 - Venezia, La disfida dei Carlo
HDJ - Král jelenem
L'Oiseau Vert (par Astrabald-Théatre)
Plot
In the 1700's, while the glory of Venice was to the apex of its splendor but to the beginning of its express decline, Carlo Goldoni anticipated the French revolution renewing the European theatre: it removed to the actors the mask of the comedies of the art in order to show the true face and the emotions of the bourgeois of the age of the illuminism.
Keywords: 18th-century, aristocracy, costume, gondola, paris-france, theatre, venice-italy
"L'Oiseau Vert" d'après Carlo Gozzi
Carlo gozzi - Renato Simoni
Carlo Gozzi 1/2
Turandot
Turandot de Carlo Gozzi.Adaptation,mise en scene et scenographie de Emile Salimov...
Carlo Gozzi 2/2
turandot da carlo gozzi regia roberto gandini
Carlo Gozzi - AGRAV mas 1
L'Oiseau Vert - Carlo Gozzi / Sandrine Anglade
Carlo Gozzi and the Age of Enlightenment
КОРОЛЬ-ОЛЕНЬ - Re Cervo di Gozzi in Siberia Orientale
2006 - Venezia, La disfida dei Carlo
HDJ - Král jelenem
L'Oiseau Vert (par Astrabald-Théatre)
Gozzi, Amore delle 3 melarance - Гоцци, Любовь к трем апельсинам
Busoni, two scenes from 'Turandot'
Die Theatergruppe "RIF" Turandot. Bergisch Gladbach
CARLO BARBERO con ROBERTA PINOTTI & PAOLO GOZZI "PARLIAMO DI ROCK"
Blaylok - Worst Nightmare
Amazon Launches E-Book Lending for Libraries
Turandot
Bande-annonce de La Princesse Turandot
TURANDOT, Palacio de Bellas Artes
Gozzi Amore delle 3 Melarance - Гоцци. Любовь к трем апельсинам
"The King Stag" Part 1 of 2
Franco Gozzi l'ultima intervista: "Ferrari e Gilles" - Esclusiva
Blaylok - No Exit
Interview de Carlo, comédien dans la pièce "Temps Mort"
die Liebe zu den 3 Orangen - Spiel und Regie Sylvia Barth
"The King Stag" Part 2 of 2
LEAH LOWE: "The Disagreeable Theatre Hat": Fashion, Class, and Audiences in America's Gilded Age
L'amore delle tre melarance - Nicola Piovani Vincenzo Cerami
40esima Edizione del Festival della Valle d'Itria Martina Franca 2014
Nessun Dorma Opera. Pavarotti , Persian subtitles !
Yo-Yo Ma Performs at Tanglewood
Nessun Dorma Persian and Spanish subtitles ! Placio Domingo ,
Turandot regia roberto gandini foto Gabriele Bellan 2-Monitor_2.m4v
TOLDY GIMI 2012-es IV. oszt. előadása: Carlo Goldoni: A hazug 1 rész
Venice, City of Canals - Raif Kurt
Meet Carlo Gatti
Beatrice and Silvio Sword Fight - A Servant of Two Masters by Carlo Goldoni
Le Bal Littéraire par ses auteurs - Festival Des Voix... Found In Translation
Puccini / Turandot: 1937 Covent Garden - Coronation Scene, Signore Ascolta, Non Piangere Liu
Stef Interview - Markonee
Carlo, Count Gozzi (13 December 1720, Venice – 4 April 1806, Venice) was an Italian playwright.
Born in Venice, he came from an old Venetian family from the Republic of Ragusa. His father's debts forced him to look for a means of supporting himself, and at the age of sixteen, he joined the army in Dalmatia; three years later he returned to Venice, where he soon made a reputation for himself as the wittiest member of the Granelleschi society, to which the publication of several satirical pieces had gained him admission. This society, nominally devoted to conviviality and wit, had serious literary aims, and was especially zealous to preserve Tuscan literature from foreign influence.
The displacement of the old Italian comedy by the dramas of Pietro Chiari and Carlo Goldoni's works, modelled on French examples, threatened to defeat the society's efforts; in 1757 Gozzi came to the rescue by publishing a satirical poem, La tartana degli influssi per l'anno 1756, and in 1761 by his comedy, The Love for Three Oranges or Analisi riflessiva della fiaba L'amore delle tre melarance, a parody of the manner of the other two poets, founded on a fairy tale. To perform it, he obtained the services of the Sacchi company of players, who, thanks to the popularity of the comedies of Chiari and Goldoni—which offered no scope for the display of their peculiar talents—had been left without employment. Their satirical powers thus sharpened by personal enmity, the play was an extraordinary success.
Renato Simoni (September 5, 1875 in Verona – July 5, 1952 in Milan) was an Italian journalist, playwright, writer and theatrical critic noted for his collaboration work with Giuseppe Adami for Giacomo Puccini's Turandot.
Simoni's career was entirely devoted to theater. His first job was as an editor and a critic at L'Adige, a local Veronese newspaper company in his hometown. In 1902, he wrote one of his best comedies, La Vedova, followed by Carlo Gozzi (1903), Tramondo (1906), Congedo (1910) and Il matrimonio di Casanova.
In 1914, he succeeded John Pozza as an author and critic at Corriere della Sera newspaper. He worked for the company until the end of his life. He also held a position as a director for a weekly magazine, La Tradotta.
All his writings and critics were collected in volumes by Lucio Ridenti in 1951 under the title Trent'anni di cronaca drammatica and was published in 1960.
In 1952, Simoni donated 40,000 volumes of his writings and reviews to the Museum of La Scala and dedicated them to his mother, Livia. The museum library was named Biblioteca Livia Simoni, after his mother’s name.
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It seems so good to see you back again
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It seems like a mighty long time
Shoo-bop shoo-bop, my baby, ooo
It seems like a mighty long time
Ooo...
If you're not gonna stay
Please don't treat me like you did before
'cause I still love you so although
It seems like a mightly long time
Shoo-bop shoo-bop, my baby, oooo
It seems like a mighty long time
Hello stranger
It seems so good to see you back again
It seems like a mighty long time
Shoo-bop shoo-bop, my baby, ooo
I hate to say I'm leaving you
I wish to call that I could stay
things ain't right between us
not the way that used to be the love
we thought would last forever and a day cannot be
cause sometimes a love goes wrong
sometimes a heart can fear love
sometimes a love goes wrong
just when you think you got it
Sometimes a love goes wrong
sometimes a heart can fear love
sometimes a love goes wrong
just when you think you got it
look and love is gone
Why did the feelings have to change
why couldn't it remain the same
where's the joy and laughter
and all the things that we once knew
I know that it´s so hard believin
that we're through but it's true
cause sometimes a love goes wrong
sometimes a heart can fear love
sometimes a love goes wrong
just when you think you got it
look and love is gone
oh when a love is through there
ain't nothin' that you can do
when love comes along look around
it's gone when love.. is gone you feel you can't go on
and the love you have found look around and it's
gone...
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Is all I want to do
Can’t get you off my mind
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Is all I want to do
Can’t get you off my mind
I want to be with you all the time
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Is all I want to do
Can't get you off my mind
Want to be with you all the time
(Dance with you)
Come on and dance with me baby
(Dance with you)
Make romance with me baby
(Dance with you)
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(Dance with you)
'Cause I wanna I wanna
Dancing the night away
Keep going to the break of day
Oh what I love can't you see [------not sure about this line... sorry]
Please come and go with me
(Dance with you)
I've gotta keep dancing
(Dance with you)
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whoo whoo whoo whoo
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Can't get you off my mind
I Want to be with you all the time
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So I can play with you boy
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Will make you jump
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Will make you jump
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I wanna I wanna I wanna
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