Beatles for Sale is the fourth studio album by the English rock band The Beatles, released on 4 December 1964 and produced by George Martin for Parlophone. The album marked a minor turning point in the evolution of the Lennon–McCartney partnership, John Lennon particularly now showing interest in composing songs of a more autobiographical nature. "I'm a Loser" shows Lennon for the first time coming under the influence of Bob Dylan, whom he met for the first time in New York while on tour, on 28 August 1964.

Beatles for Sale did not produce a single for the UK – the non-album tracks "I Feel Fine" and "She's a Woman" performed that role. Nevertheless, that coupling was followed up in the United States by "Eight Days a Week", which became their seventh number one in March 1965.

The album hit the UK number one spot and retained that position for 11 of the 46 weeks that it spent in the Top 20. Beatles for Sale did not surface as a regular album in the US until 1987. In its place was Beatles '65 which featured eight songs from Beatles for Sale, plus the A and B-side of "I Feel Fine" and "I'll Be Back" from the UK's A Hard Day's Night album. Beatles '65 enjoyed a nine week run at the top of the US charts beginning in January 1965.

For Sale may refer to:

David "Bruce" Spizer (born July 2, 1955) is a tax attorney in New Orleans, Louisiana, who is also recognized as an expert on The Beatles. He has published eight books, and is frequently quoted as an authority on the history of the band and its recordings.

Spizer was born and raised in New Orleans. He attended Isidore Newman School and then received B.A., M.B.A., and J.D. degrees from Tulane University, where he was a member of honorary societies Phi Beta Kappa and the Order of the Coif. While pursuing his legal career, he also managed The Cold, a popular New Wave band in New Orleans.

In 1997, Spizer earned a large legal fee from the settlement of a class action lawsuit, and decided to use some of the money to replace his childhood collection of Beatles LPs (which had been damaged by cockroaches) with a new set of first edition albums. Drawn into the world of Beatles collectors, he ended up writing and self-publishing The Beatles Records on Vee-Jay, about the relationship between EMI, the Beatles' U.K. record label, and Vee-Jay Records, the U.S. label that released the band's first records in the U.S. As of 2011, Spizer has written and published eight books about The Beatles. A New York Times reviewer described his books as containing "a wealth of detail about the Beatles' American recordings and their first visit to the United States, touching on everything from contracts and lawsuits to promotional materials, all richly illustrated." A New York Daily News article called his The Beatles' Story on Capitol Records "a Beatle collector's fantasy by a fanatic Beatles collector and historian."

Frank Albert Daniels (August 15, 1856 - January 12, 1935) was a comedian, an actor on stage and in early black-and-white films, and a singer.

Frank Daniels was born on August 15, 1856 in Dayton, Ohio to Balinda and Henry Daniels. He grew up in Boston, where he attended business school before studying singing at the New England Conservatory of Music. His first appearance was made when he was twenty years of age, at the old Gaiety Theatre in Boston, as the Judge in Trial by Jury. He made his professional stage debut as the Sheriff in The Chimes of Normandy in 1879, then served a second apprenticeship with several light opera companies, including the McCaull Comic Opera Company. Daniels first won major recognition in New York as Old Sport, the boxing fan drugstore clerk, in A Rag Baby (1884).

Other successes included the transformed father Packingham Giltedge in Little Puck (1888) (which was based on F. Anstey's novel Vice Versa) the loyal lighthouse man Shrimps in Princess Bonnie (1895), and the title role in Victor Herbert's The Wizard of the Nile (1895). His success in the latter musical was so pronounced that Herbert immediately wrote two more vehicles especially for him: The Idol's Eye (1897) and The Ameer (1899). Miss Simplicity (1902), The Office Boy (1903), and Sergeant Bruce (1905) all depended on his antics for their popularity. Among his later credits were the tailor‐made vehicle The Tattooed Man (1907) by Herbert, The Belle of Brittany (1909), and a touring company of The Pink Lady (1911). He retired after performing in Joe Weber and Lew Fields's last double bill, Roly Poly and Without the Law (1912).