Mbuti or Bambuti are one of several indigenous pygmy groups in the Congo region of Africa. Their languages belong to the Central Sudanic (subgroup of the Nilo-Saharan phylum) and also to Bantu languages.

Overview[link]

The Bambuti are pygmy hunter-gatherers, and are one of the oldest indigenous people of the Congo region of Africa. The Bambuti are composed of bands which are relatively small in size, ranging from 15 to 60 people. The Bambuti population totals about 30,000 to 40,000 people. There are four distinct cultures within the Bambuti. These are

1. The Efé, who speak the language of a neighboring Sudanic people, Lese.
2. The Sua AKA Kango AKA Mbuti, who speak a dialect (or perhaps two) of the language of a neighboring Bantu people, Bila.
3. The Asua, the only Mbuti people with their own language, which is closely related to that of the neighboring Sudanic Mangbetu.
4.  ????

^[1] The term BaMbuti (Mbuti) is therefore confusing, as it has been used to refer to all the pygmy peoples in the Ituri region in general, as well as to a single subgroup in the center of the Ituri forest.

Around 2500 BCE, the Ancient Egyptians made reference to a "people of the trees" that could have been the Mbuti.

Environment[link]

Map of Ituri Rainforest within the DRC.

The forest of Ituri is a tropical rainforest. In this area, there is a high amount of rainfall annually, ranging from 50 to 70 inches^[2] (127 cm to 178 cm). The rainforest is 70,000 square kilometers. The dry season is relatively short, ranging from one to two months in duration.^[3] The forest is a moist, humid region strewn with rivers and lakes. Several ecological problems exist which affect the Bambuti. Disease is prevalent in the forests and can spread quickly, killing not only humans, but plants, and animals, the major source of food, as well. One disease, carried by tsetse flies, is sleeping sickness, which limits the use of large mammals.^[4] Too much rainfall, as well as droughts, can greatly diminish the food supply.

Settlement architecture and organization[link]

The Bambuti live in villages that are categorized as bands. Each hut houses a family unit. At the start of the dry season, they leave the village to enter the forest and set up a series of camps.^[5] This way the Bambuti are able to utilize more land area for maximum foraging. These villages are solitary and separated from other groups of people. Their houses are small, circular, and very temporary.

House construction begins with the tracing of the outline of the house into the ground.^[6] The walls of the structures are strong sticks that are placed in the ground, and at the top of the sticks, a vine is tied around them to keep them together.^[7] Large leaves are used in the construction of the hut roofs.

Food and resources[link]

The Bambuti are primarily hunter-gatherers. Their animal foodstuffs include crabs, shellfish, ants, larvae, snails, pigs, antelopes, monkeys, fishes, and honey. The vegetable component of their diet includes wild yams, berries, fruits, roots, leaves, and cola nuts.^[8]

While hunting, the Bambuti have been known to specifically target the giant forest hog. The meat obtained from the giant forest hog (as is the meat from rats) is often considered kweri, a bad animal which may cause illness to those who eat it,^[9] but is often valuable as a trade good between the Bambuti and agriculturalist Bantu groups. There is some lore that is thought to have identified giant forest hogs as kweri due to their nocturnal habits and penchant for disruption of the few agricultural advances the Bambuti have made.^[10] This lore can be tied to Bambuti mythology, where the giant forest hog is thought to be a physical manifestation of Negoogunogumbar. Further, there are unconfirmed reports of giant forest hogs eating Bambuti infants from their cribs in the night.^{[citation needed]} Other food sources yielded by the forest are non-kweri animals for meat consumption, root plants, palm trees, and bananas;^[11] and in some seasons, wild honey.^[12] Yams, legumes, beans, peanuts, hibiscus, amaranth, and gourds are consumed.^[13] The Bambuti use large nets, traps, and bows and arrows to hunt game. Women and children sometimes assist in the hunt by driving the prey into the nets. Both sexes gather and forage. Each band has its own hunting ground, although boundaries are hard to maintain.^[14]

Trade[link]

The Bantu villagers produce many items that the hunter gatherers trade some of their products for. They often obtain iron goods, pots, wooden goods, and basketry, in exchange for meat, animal hides, and other forest goods.^[15] Bushmeat is a particularly frequently traded item. They will also trade to obtain agricultural products from the villagers through barter.^[16]

Labor[link]

Hunting is usually done in groups, with men, women, and children all aiding in the process. Women and children are not involved if the hunting involves the use of a bow and arrow, but if nets are used, it is common for everyone to participate. In some instances women may hunt using a net more often than men. The women and the children herd the animals to the net, while the men guard the net. Everyone engages in foraging, and women and men both take care of the children. Women are in charge of cooking, cleaning and repairing the hut, and obtaining water. The kin-based units work together to provide food and care for the young. It is easier for men to lift the women up into the trees for honey.

Kinship and descent system[link]

The Bambuti tend to follow a patrilineal descent system, and their residences after marriage are patrilocal. However, the system is rather loose. The only type of group seen amongst the Bambuti is the nuclear family.^[17] Kinship also provides allies for each group of people.

Marriage customs[link]

Sister exchange is the common form of marriage.^[18] Based on reciprocal exchange, men from other bands exchange sisters or other females to whom they have ties.^[19] In Bambuti society, bride wealth is not customary. There is no formal marriage ceremony: a couple are considered officially married when the groom presents his bride's parents with an antelope he alone has hunted and killed. Polygamy does occur, but at different rates depending on the group, and it is not very common.

Political structure[link]

Bambuti societies have no ruling group or lineage, no overlying political organization, and little social structure. The Bambuti are an egalitarian society in which the band is the highest form of social organization.^[20] Leadership may be displayed for example on hunting treks.^[21] Men and women basically have equal power. Issues are discussed and decisions are made by consensus at fire camps; men and women engage in the conversations equivalently.^[22] If there is a disagreement, misdemeanor, or offense, then the offender may be banished, beaten or scorned.^[23]

Religion[link]

See Bambuti mythology.

Everything in the Bambuti life is centered on the forest. They consider the forest to be their great protector and provider and believe that it is a sacred place. They sometimes call the forest "mother" or "father". An important ritual that impacts the Bambuti's life is referred to as molimo. After events such as death of an important person in the tribe, molimo is noisily celebrated to wake the forest, in the belief that if bad things are happening to its children, it must be asleep.^[24] As for many Bambuti rituals, the time it takes to complete a molimo is not rigidly set; instead, it is determined by the mood of the group. Food is collected from each hut to feed the molimo, and in the evening the ritual is accompanied by the men dancing and singing around the fire. Women and children must remain in their huts with the doors closed. These practices were studied thoroughly by British anthropologist Colin Turnbull, known primarily for his work with the tribe.

"Molimo" is also the name of a trumpet the men play during the ritual. Traditionally, it was made of wood or sometimes bamboo, but Turnbull also reported the use of metal drainpipes. The sound produced by a molimo is considered more important than the material it is made out of. When not in use, the trumpet is stored in the trees of the forest. During a celebration, the trumpet is retrieved by the youth of the village and carried back to the fire.^[25]

Major challenges today[link]

The way of life of the Bambuti is threatened for various reasons. Their territory in the DRC has no legal protections, and the boundaries that each band claims are not formally established. Bambuti are no longer allowed to hunt large game. Due to deforestation, gold mining, and modern influences from plantations, agriculturalists, and efforts to conserve the forests, their food supply is threatened. There is also much civil unrest in the country.

In 2003, Sinafasi Makelo, a representative of Mbuti Pygmies, told the UN Forum on Indigenous Issues that during the Congo Civil War, his people were hunted down and eaten as though they were game animals. Both sides of the war regarded them as "subhuman" and some say their flesh can confer magical powers. Makelo asked the UN Security Council to recognize cannibalism as a crime against humanity and an act of genocide.^[1][2]

See also[link]

• Pygmy
• Twa (Batwa) peoples
• Anarcho-primitivism

Notes[link]

References[link]

External links[link]

• Todd Pitman, Mbuti Net Hunters of the Ituri Forest, story with photos and link to Audio Slideshow. The Associated Press, 2010.
• The Mbuti of Zaire, uconn.edu
• African Pygmies Hunter-Gatherers of Central Africa, with photos and soundscapes
• Stephanie McCrummen, "Lured Toward Modern Life, Pygmy Families Left in Limbo", The Washington Post, 12 November 2006
• 'Erasing the Board' Report of the international research mission into crimes under international law committed against the Bambuti Pygmies in the eastern Democratic Republic of Congo; Minority Rights Group International, July 2004
• http://foragers.wikidot.com/mbuti More information about the Mbuti on a site that is devoted to the scientific study of the diversity of forager societies without recreating a myth.
• http://turnbullandthembuti.pbwiki.com/ a critique of Colin Turnbull's The Forest People

Corrado Guzzanti
Born	May 17, 1965 Rome
Nationality	Italian
Occupation	Actor, director, writer and satirist

Guzzanti and the cast of Fascisti su marte.

Corrado Guzzanti (born May 17, 1965) is an Italian actor, director, writer and satirist. He has been described as "the most interesting satirical author and actor today"^[1] and "among the comedians best loved by the Italian public."^[2]

Biography[link]

Born in Rome, he is the son of journalist and Senator Paolo Guzzanti, great-nephew of former Minister of Health Elio Guzzanti, and brother of Sabina and Caterina, both also Italian television personalities and satirical actresses.

After beginning his career as writer for his sister Sabina, he debuted with roles for himself in Avanzi, hosted by Serena Dandini, with whom he collaborated in almost all his subsequent TV shows. These include Tunnel, Maddecheaò, Pippo Chennedy Show and L'ottavo nano.

He is famous for his corrosive imitations of Italian politicians and personalities: an incomplete list include Emilio Fede, Antonello Venditti, Francesco Rutelli, Romano Prodi, Fausto Bertinotti, Gianfranco Funari, Gianni Baget Bozzo, Giulio Tremonti and many others. He has also notoriously sent up Berlusconi's lauding of "freedom," which he and other critics of the Prime Minister view cynically, in a sketch in which he urinated on a couch.^[3][4]

Guzzanti has also created characters of his own, including avantgarde cinema director Rokko Smithersons (who appeared more like a leather-clad biker); Quelo, a comedic version of a new age guru with a number of catchphrases; Vulvia, the linkwoman of the Discovery Channel-like Re-Educational Channel; Lorenzo, a spoof of the "typical" late 1980s teenager, obsessed with Mtv, heavy metal, playing football and getting stoned; and the poet Brunello Robertetti, a satire of a typical Italian selfish and pseudo-profound intellectual. His latest character is Don Florestano Pizzarro, a powerful priest, in 2008.

In 2006 he debuted as movie director with Fascisti su Marte ("Fascists on Mars"), which features an anachronistic and heavily satirical plot about a group of Fascist militiamen attempting to colonize Mars (the red Bolshevik planet) during the Fascist era.

References[link]

External links[link]

Media related to Corrado Guzzanti at Wikimedia Commons

• Homepage (Currently offline)
• Fascisti su Marte at the Internet Movie Database