- published: 20 Jun 2013
- views: 364889
- author: MastersMusicPL
3:27
Masters - Serce do koperty (Official Video)
ZAKAZ KOPIOWANIA TELEDYSKU NA INNE KANAŁY!! muz. Paweł Jasionowski, sł. Monika Chorko....
published: 20 Jun 2013
author: MastersMusicPL
Masters - Serce do koperty (Official Video)
Masters - Serce do koperty (Official Video)
ZAKAZ KOPIOWANIA TELEDYSKU NA INNE KANAŁY!! muz. Paweł Jasionowski, sł. Monika Chorko.- published: 20 Jun 2013
- views: 364889
- author: MastersMusicPL
3:31
Masters - Bella
Strona zespołu http://mastersmusic.pl/ facebook http://www.facebook.com/MastersOfficial ht...
published: 01 Sep 2011
author: NawrotkaTv
Masters - Bella
Masters - Bella
Strona zespołu http://mastersmusic.pl/ facebook http://www.facebook.com/MastersOfficial http://www.buymp3.pl.- published: 01 Sep 2011
- views: 5523098
- author: NawrotkaTv
3:17
Masters - "Słodka jak miód" Nowość 2013 HD
muzyka: Marian Lichtman, Wojciech Stępnik, Paweł Jasionowski słowa: Monika Chorko http://w...
published: 19 Jul 2013
author: TelewizjaPoloTV
Masters - "Słodka jak miód" Nowość 2013 HD
Masters - "Słodka jak miód" Nowość 2013 HD
muzyka: Marian Lichtman, Wojciech Stępnik, Paweł Jasionowski słowa: Monika Chorko http://www.youtube.com/subscription_center?add_user=TelewizjaPoloTv Subskry...- published: 19 Jul 2013
- views: 177227
- author: TelewizjaPoloTV
3:43
Masters - Szukam dziewczyny (Official Video)
Strona zespołu http://mastersmusic.pl/ facebook http://www.facebook.com/MastersOfficial mu...
published: 20 May 2012
author: NawrotkaTv
Masters - Szukam dziewczyny (Official Video)
Masters - Szukam dziewczyny (Official Video)
Strona zespołu http://mastersmusic.pl/ facebook http://www.facebook.com/MastersOfficial muz.Marian Lichtman , Wojciech Stępnik, sł. Monika Chorko.- published: 20 May 2012
- views: 5501502
- author: NawrotkaTv
19:22
Adam Scott v. Angel Cabrera 2013 Masters Playoff - Full HD Coverage
Full coverage of 2013 Masters playoff: Adam Scott v. Angel Cabrera in 720p HD. Visit my we...
published: 15 Apr 2013
author: MisterHooplah
Adam Scott v. Angel Cabrera 2013 Masters Playoff - Full HD Coverage
Adam Scott v. Angel Cabrera 2013 Masters Playoff - Full HD Coverage
Full coverage of 2013 Masters playoff: Adam Scott v. Angel Cabrera in 720p HD. Visit my website for more details regarding my videos. http://www.hooplahgolf....- published: 15 Apr 2013
- views: 117732
- author: MisterHooplah
29:57
Tiger Woods, Rory McIlroy, Dustin Johnson & more ... 2013 Masters Golf Practice Rounds
More videos & instruction at http://www.hermanwilliamsgolf.com 30 minutes of pure golf ......
published: 09 Apr 2013
author: Herman Williams Golf
Tiger Woods, Rory McIlroy, Dustin Johnson & more ... 2013 Masters Golf Practice Rounds
Tiger Woods, Rory McIlroy, Dustin Johnson & more ... 2013 Masters Golf Practice Rounds
More videos & instruction at http://www.hermanwilliamsgolf.com 30 minutes of pure golf ... Tiger Woods, Rory McIlroy, Dustin Johnson, Bubba Watson, Rickie Fo...- published: 09 Apr 2013
- views: 462911
- author: Herman Williams Golf
3:29
Masters - Podróż do gwiazd
Strona zespołu http://mastersmusic.pl/ facebook http://www.facebook.com/MastersOfficial....
published: 06 Aug 2010
author: NawrotkaTv
Masters - Podróż do gwiazd
Masters - Podróż do gwiazd
Strona zespołu http://mastersmusic.pl/ facebook http://www.facebook.com/MastersOfficial.- published: 06 Aug 2010
- views: 1387293
- author: NawrotkaTv
3:23
Masters - Jestem wolny (Official Audio) NOWOŚĆ
www.facebook.com/MastersOfficial
www.mastersmusic.pl
muz. Paweł Jasionowski, sł. Monika C...
published: 02 Oct 2013
Masters - Jestem wolny (Official Audio) NOWOŚĆ
Masters - Jestem wolny (Official Audio) NOWOŚĆ
www.facebook.com/MastersOfficial www.mastersmusic.pl muz. Paweł Jasionowski, sł. Monika Chorko- published: 02 Oct 2013
- views: 24802
4:04
Masters - Ta nieznana (Official Video)
www.facebook.com/MastersOfficial www.mastersmusic.pl muz. Marian Lichtman, Wojciech Stępni...
published: 14 Feb 2013
author: MastersMusicPL
Masters - Ta nieznana (Official Video)
Masters - Ta nieznana (Official Video)
www.facebook.com/MastersOfficial www.mastersmusic.pl muz. Marian Lichtman, Wojciech Stępnik, sl. Jarosław Dziemian.- published: 14 Feb 2013
- views: 197913
- author: MastersMusicPL
3:06
Masters of Sex Season 1: Official Trailer
They started a conversation that ignited a revolution. Don't miss the series premiere of M...
published: 08 Aug 2013
author: SHOWTIME
Masters of Sex Season 1: Official Trailer
Masters of Sex Season 1: Official Trailer
They started a conversation that ignited a revolution. Don't miss the series premiere of Masters of Sex September 29th at 10PM ET/PT.- published: 08 Aug 2013
- views: 247370
- author: SHOWTIME
4:05
Masters - Żono moja
Strona zespołu http://mastersmusic.pl/ facebook http://www.facebook.com/MastersOfficial 1....
published: 15 Feb 2008
author: NawrotkaTv
Masters - Żono moja
Masters - Żono moja
Strona zespołu http://mastersmusic.pl/ facebook http://www.facebook.com/MastersOfficial 1. Gdy nad nami niebo płacze, Mokną Twoje złote włosy, Piękny list sp...- published: 15 Feb 2008
- views: 23524812
- author: NawrotkaTv
0:54
Masters of Sex Season 1: Next on Episode 9
Haas and Vivian's wedding plans get sidetracked. Libby keeps a secret....
published: 18 Nov 2013
Masters of Sex Season 1: Next on Episode 9
Masters of Sex Season 1: Next on Episode 9
Haas and Vivian's wedding plans get sidetracked. Libby keeps a secret.- published: 18 Nov 2013
- views: 301
2:43
Sports Science Examines Bubba Watson's Famous Masters Shot
Bubba Watson won the 2012 Masters with a shot that is wildly considered to be one of the m...
published: 11 Apr 2013
author: RSVLTS
Sports Science Examines Bubba Watson's Famous Masters Shot
Sports Science Examines Bubba Watson's Famous Masters Shot
Bubba Watson won the 2012 Masters with a shot that is wildly considered to be one of the most daring and greatest in golf history. So how did he pull of the ...- published: 11 Apr 2013
- views: 141325
- author: RSVLTS
1:11
Masters of Sex Season 1: Episode 9 Clip - Our Girl is Gone
Haas and Vivian's wedding plans get sidetracked. Libby keeps a secret....
published: 18 Nov 2013
Masters of Sex Season 1: Episode 9 Clip - Our Girl is Gone
Masters of Sex Season 1: Episode 9 Clip - Our Girl is Gone
Haas and Vivian's wedding plans get sidetracked. Libby keeps a secret.- published: 18 Nov 2013
- views: 296
Vimeo results:
2:21
SHAKE
Learn more about SHAKE the book: www.ShakeTheBook.com
See the photography series: www.Carl...
published: 17 Oct 2013
author: Variable
SHAKE
Learn more about SHAKE the book: www.ShakeTheBook.com
See the photography series: www.CarliDavidson.com
Shake off all the worries on your mind and smile! The dogs featured in SHAKE are simply here to offer you a couple minutes of wonder and laughter. :)
SHAKE is based on a photography series of the same name by co-director Carli Davidson. The work was inspired by her own dog Norbert, whose drool she regularly cleans off walls due to his own frequent shaking.
In 2012 the Variable team stumbled upon Carli Davidson's photo-series-gone-viral, "SHAKE", and immediately fell in love with the images of dogs that she was able to capture. The combination of innocence and ridiculousness had us all hysterically laughing, and of course thinking; "We NEED to meet this Carli and bring her images to life!" Fortunately for us, Carli responded to our enthusiastic e-mail with an even more enthusiastic e-mail stating that she was totally down to collaborate and had a very similar vision! After months and many meetings of trying to figure out how we could even afford to make this film, we all just decided to empty our pockets, pull some serious strings, and make the video purely for the fun of it.
If you are fans of the video, there is a very good chance you will enjoy the book as well. Check it out on the link below and please consider supporting our awesome friend Carli. This is her first book, and we are certain it won't be her last!
www.ShakeTheBook.com
*No dogs were harmed during the making of this film. We love animals. Please reach out to carlidavidson@gmail.com directly if you have any questions or concerns about the animal’s rolls and we will get back to you asap. Thanks in advance!
For press inquiries about SHAKE please contact:
carlidavidson@gmail.com
--
Production Company: Variable
Directors: Carli Davidson & Jonathan Bregel
Executive Producer: Tyler Ginter
Producers: Carli Davidson & Alex Friedman
Director of Photography: Khalid Mohtaseb
Camera Master/Phantom Technician: Nick Midwig
Assistant Camera: Daniel Stewart
Gaffer: Travis Becker
Animal Wrangler: Amanda Giese
Craft Services: Tim Wiesch
Production Assistant: Cheyenne Allott
Post Production: Variable & The Mill
Editor: Jonathan Bregel
Assistant Editor: Jeff Levine
Post Production Producer: Alex Friedman
Head of Content: Ian Bearce @ The Mill
TK Producer: Heath Raymond @ The Mill
Colourist: Sal Malfitano @ The Mill
Score: Mayer Hawthorne "Shiny & New"
https://itunes.apple.com/us/album/shiny-new/id325250582?i=325250966
Label: Stones Throw Records
Special thanks to the amazing team at Rule Boston Camera for trusting us yet again with their Phantom Flex camera package. None of this would be possible without their support over the past few years. www.Rule.com
Thank you to the entire Becker family and Becker Productions for kindly providing us with a great studio space and plenty of lighting and grip to cover with dog hair and drool.
Last but most certainly not least, thanks to all of the wonderful dogs and their owners for collaborating with our team in making this idea a reality. Next time we are in Portland, dog treats are on us. ;)
--
www.CarliDavidson.com
www.facebook.com/Carli.Davidson.Photography
carlidavidson@gmail.com
www.WeAreVariable.com
twitter.com/WeAreVariable
hello@WeAreVariable.com
6:22
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutel...
published: 12 Jun 2011
author: OFFF, let\'s feed the future
OFFF Barcelona 2011 Main Titles
Still shocked and excited from last night, it's an honor for us to show you this absolutely MINDBLOWING TITLES made for OFFF by PostPanic.
Thank you so much to PostPanic, and specially to Mischa Rozema, Ania Markham and Si Scott, simply epic!!!
Written by Mischa Rozema and British graphic designer, Si Scott, the opening titles reflect their dark thoughts on a possible future. Directed by Mischa and shot on location in Prague, the film guides the viewer through a grim scenario embedded with the names of artists appearing at this year’s OFFF festival. The live action was brought back to Amsterdam for post, primarily carried out by PostPanic’s in-house team of artists but also with the additional help of freelancers and partner companies that we have enjoyed strong creative relationships with over the years. It’s really fair to say that this was a labour of love by a passionate crew of people.
Says Ania Markham, Executive Producer at PostPanic:
“The images created by the crew of people working on the titles has been unbelievable, with nationalities represented including Dutch, Czech, English, American, Polish, German, Swedish and Belgian. It’s been a great opportunity for all of us to work together on a non-commercial project we’re passionate about and we’re so proud of the combined effort and final result.”
DIRECTORS NOTES (Mischa Rozema)
This project started out as a collaboration between myself and Si Scott. Right from the start, we decided that it should be the darkest thing we could make. I think it just felt natural to the both of us; if we had to nail the future, it would not be a nice place.
This idea evolved into a clash of times. Inspired by an idea from the late Arthur C. Clarke. He wrote about different historical civilizations meeting in a single point in time. So what happens when civilizations meet? The 'weaker' one gets eaten by the 'stronger'. You only have to look at history to see the destructive power of civilizations.
So the main underlying idea is: what would happen if the future lands on our doorstep today? Let's take mankind, add perhaps 100 years and then let them show up on our doorstep today. The future would pretty much devour the present. Probably in a matter of, let's say, 7 days… So that's what we're looking at. But every ending also means a new beginning, hence Year Zero.
There's all kinds of hidden messages in there. Like the virus eating away at reality, buildings and people, even at the viewers brain. It's behaving off course much like a computer virus. And the network of wires represents the future of social networking. I just made it physical and let it 'catch' the city and it's people like a net. All these ideas just serve as inspiration for us to create a future that worked for this concept. They're not meant to be deciphered by the audience. It's still meant to be just a title sequence and not an actual movie.
Now what makes a good title sequence? Personally, I think it's something that gets you in the mood, warms you up for what you're about to experience, be it a film, tv series or in our case, the OFFF festival. We decided to treat the OFFF festival as a feature film experience. So all we had to do was get the viewer into the right state of mind. Without, of course, being too narrative led. The best title sequences out there are nothing but a random collection of images/scenes that don't tell a lot if you watch them on their own. But edit them together and a new context is created. A context that matters, a feeling that gets the viewer ready for the main event, in our case, the festival.
To get started, the next thing we did was make a collection of ideas that would scare me and Si. So, anything drawn from our youth, right through to stuff that's inspired us over the years as well as seemingly random compositions that trigger the imagination of the viewer. For example, when we show you the aesthetics of a car explosion, it's carefully constructed. Why a car and not something else? Because an exploding car brings extra content to an otherwise simple aesthetic display of violence. A car doesn't explode by itself so instantly the brain tries to formulate the background behind it. It adds an either political or criminal edge to the violence. To me it felt appropriate because of the sense of protest and rebellion the shot has. And maybe the biggest question; was there someone in the car and if so, who was it? For me, every idea should provoke these kind of questions; from a girl in a prom dress holding a rocket launcher to a riot cop standing in the kitchen. All scenes have a pre and post story to them. In no time you're actually trying to connect these seemingly random scenes and boom; you've just created your own strange context. You now have a feeling, a taste and lots of questions probably. Questions that normally would be answered by watching the actual movie. But since there's no actual movie here we'll leave stranded with, hopefully,
2:23
John Lewis 'The Bear & The Hare' - The Making Of
Making of film directed by Jake & Josh
www.jakeandjosh.co.uk
The Bear & the Hare is the f...
published: 31 Oct 2013
author: Blink
John Lewis 'The Bear & The Hare' - The Making Of
Making of film directed by Jake & Josh
www.jakeandjosh.co.uk
The Bear & the Hare is the first John Lewis campaign to embrace the emotive power of animation, a filmic technique so evocative of Christmasses gone by.
Elliot and Yves took the two most traditional and time-honoured animation processes – stop-motion and traditional hand-drawn 2D animation – and combined them to create something innovative and unique. Their aim was to do almost everything in camera, using real lighting, lens and film craft to build a world where the audience can see and feel the painstaking work behind it. The 2D animation’s physical interaction with the set and the human imperfections inherent in the process create a hand-crafted piece full of heart and integrity.
The animation process involved constant shifts between 2D and 3D worlds. In order to achieve this complicated combination the whole film was first created in Blinkink Studios as a 3D previsualisation animatic with all the sets and characters built to scale. This allowed everything to be developed and planned alongside the modelmakers and animators, thus integrating the different disciplines and processes before the set was built or the characters were printed.
Aaron Blaise (Brother Bear, The Lion King, Mulan) and his team of veteran Disney animators at Premise Entertainment in Orlando, Florida, designed and animated the characters. The 2D-animation frames were printed onto mounted paper and cut with a laser. Each frame (nearly 4,000 in total) was then individually hand-labelled before going on set. Feature-film stop-frame animators then spent 6 weeks bringing the world to life.
The set was built by our production designer John Lee (Aliens, Fantastic Mr Fox, Frankenweenie) and his team at Shepperton Studios before being transported to Clapham Road Studios ready for the stop-motion shoot.
Post-production was done in-house in Blinkink’s animation studio, and the final grade was completed at MPC.
CREDITS
Directors:
Elliot Dear & Yves Geleyn
Executive Producers:
Bart Yates
Michael Feder
Producers:
Bart Yates
James Stevenson Bretton
Josephine Gallagher
Line Producer:
Kev Harwood
Production Manager:
Benjamin Lole
2D Animation:
Premise Entertainment LLC
2D Animation Supervisors:
Aaron Blaise
Dominic Carola
2D Line Producer:
Iris Pearson
2D Animators:
Erin Humiston
Darko Cesar
Head of Clean-up 2D Animation:
Janelle Bell-Martin
2D Clean-up Artists:
Mi Yul Lee
Teresa Quezada-Geer
Jacque Pierro
Chad Thompson
Jason Peltz
2D Compositor/Scene Setup:
Mac Masters
2D Artistic Coordinator:
Pam Darley
2D Digital Artist:
Anthony West
Enoc Castaneda
2D Lead Colourist/Coordinator:
James Lancett
2D Colourists:
Sean Weston
Joseph Sparkes
Frankie Swan
Harriet Gillian
Assistant 2D Colourist:
Lila Peuscet
2D Illustrator Technician:
Albert Sala
Printers:
The Graphical Tree
Laser Cutting:
Ewen Dickie
Designer/Typographer:
Robert Frank Hunter
Storyboard Artists:
Sav Akyuz
Steve Tappin
James Lancett
Robert Frank Hunter
3D Technical Director:
Patrick Hearn
3D Previsualisation Artist:
Simone Ghilardotti
Lucas Cuenca
Johannes Sambs
Lead Stop-Frame Animator:
Andy Biddle
Stop-Frame Animators:
Daniel Ojari
Daniel Gill
Production Designer/ Supervising Modeller:
John Lee
Art Department Modellers:
Colin Armitage
Sonya Yu
Maggie Haden
Collette Pidgeon
Yossel Simpson Little
Richard Blakey
Gary Welch
Christy Matta
Lucy Begent
Scenic Painters:
Fiona Stewart
Beth Quinton
Rigging Department:
Richard Blakey
Art Department Assistants:
Morgan Faverty
Anna Ginsburg
Jennifer Newman
MOCO/Camera Assistant:
Max Halstead
Director of Photography:
Toby Howell
Gaffer:
Aldo Camilleri
Runner:
Robert Gould
Post Production:
Blinkink Studios
Post Production/Compositing:
Alasdair Brotherston
Ian Sargent
Carlos Diego
Jonathan Gallagher
Elliot Dear
Editors:
Sam Sneade at Speade
Ellie Johnson at Speade
Sound Design:
Sam Robson at Factory Studios
Colourist:
Jean-Clement Soret at MPC
‘Making of’ Film:
Jake Hopwell & Josh Hine
Studio Manager:
Elizabeth Day
Studio Assistant:
Toby Goodyear
Catering:
Laura Barbi
Advertising Agency:
Adam & Eve DDB
Executive Creative Director:
Ben Priest
Creative Directors:
Aidan McClure Laurent Simon
Agency Producer:
Anthony Falco
Assistant Producer:
Catherine Cullen
1:32
SASHA GREY
“For my film portrait of Sasha Grey, I wanted to focus on her expressive and psychological...
published: 01 Jun 2011
author: V Magazine
SASHA GREY
“For my film portrait of Sasha Grey, I wanted to focus on her expressive and psychological transformation into a cinematic actor, separate from the cues that have associated Sasha with her previous career as a performance artist working within the adult film world.” –Richard Phillips
Shot on location at the John Lautner Chemosphere House off Mulholland Drive, the film showcases Sasha as a perpetually evolving figure. Costume designer Ellen Mirojnick (“Basic Instinct,” “Fatal Attraction,” “Wall Street,” “Wall Street: Money Never Sleeps”) dressed Sasha for the part in an array of lingerie and military inspired garments to highlight the dual nature of her masculine / feminine persona. Looking over the roadside from the vantage point of one the most legendary residences in modern and cinematic history, Sasha reflects on her relationship to the San Fernando Valley landscape- the location of some of her most noted adult performances. Back inside the circular vortex of the Chemosphere, Sasha's inner dialogue projects an equally diaristic and imaginary self-portrait that pushes beyond the extremes of her past filmography and into her new future.
“Sasha Grey,” along with Phillip’s first short film, “Lindsay Lohan,” will be included in "Commercial Break," presented by the Garage Center for Contemporary Culture, Venice, Italy, June 1 - 5, 2011, concurrent with the 54th international exhibition of the Venice Biennale.
SASHA GREY
A Richard Phillips Film
Directed by: Richard Phillips and Taylor Steele Director of Photography: Todd Heater Costume Designer: Ellen Mirojnick Creative Director: Dominic Sidhu Art Director: Kyra Griffin Editor: Haines Hall Color mastering: Pascal Dangin for Boxmotion Music: Chelsea Wolfe
About Richard Phillips
Phillips’ strikingly distinctive paintings are drawn from found imagery that deal with the marketability of man, his wishes, ideas, actions, identity, sexuality, politics, and desires. Images he translates into drawings and then paintings executed through a traditional process. In doing so, he makes use of the iconic quality of pictures, which the media and art use daily – each according to its own agenda. Perhaps more so than any other contemporary painter of his kind, Phillips’ imagery has achieved a level of pop recognition outside of the artworld with fashion, media and film collaborations, including Gossip Girl, MAC Cosmetics, The Art Production Fund, Visionaire, and a recent guest judge appearance on Bravo’s new TV series “Work of Art: The Next Great Artist”. Phillips’ most recent exhibition, Most Wanted at White Cube in London, features ten larger than life celebrity portraits set against red carpet step and repeat backdrops.
Born in Massachusetts in 1962, Richard Phillips lives and works in New York City. He has exhibited extensively throughout the U.S. and Europe including Gagosian Gallery, New York; the Kunsthalle Zürich; Le Consortium in Dijon; Max Hetzler, Berlin; and White Cube in London.
Youtube results:
38:43
Tiger Woods Final Round Masters 2009
Complete Coverage of Tiger at the 2009 Masters....
published: 08 Jul 2013
author: thetigerwoodsrises
Tiger Woods Final Round Masters 2009
Tiger Woods Final Round Masters 2009
Complete Coverage of Tiger at the 2009 Masters.- published: 08 Jul 2013
- views: 1538
- author: thetigerwoodsrises
0:43
Masters of Sex Season 1: Episode 9 Clip - Signs of Passion
Masters and Johnson discuss their results on involuntary actions during sex....
published: 18 Nov 2013
Masters of Sex Season 1: Episode 9 Clip - Signs of Passion
Masters of Sex Season 1: Episode 9 Clip - Signs of Passion
Masters and Johnson discuss their results on involuntary actions during sex.- published: 18 Nov 2013
- views: 301
2:17
CNN Explains: The Masters
PGA.com's Steve Eubanks explains the ins and outs of the golf tournament and why a preside...
published: 05 Apr 2013
author: CNN
CNN Explains: The Masters
CNN Explains: The Masters
PGA.com's Steve Eubanks explains the ins and outs of the golf tournament and why a president wanted to alter the course.- published: 05 Apr 2013
- views: 2324
- author: CNN
209:21
The Money Masters ~ Full Movie
The powers of financial capitalism had a far-reaching plan, nothing less than to create a ...
published: 03 Aug 2011
author: TrueBliu Nineleven
The Money Masters ~ Full Movie
The Money Masters ~ Full Movie
The powers of financial capitalism had a far-reaching plan, nothing less than to create a world system of financial control in private hands able to dominate...- published: 03 Aug 2011
- views: 220865
- author: TrueBliu Nineleven