The Limits of Control (2009)

Actors

• John Hurt (actor)
• Jean-François Stévenin (actor)
• Bill Murray (actor)
• Luis Tosar (actor)
• Randall Balsmeyer (miscellaneous crew)
• Gael García Bernal (actor)
• Tilda Swinton (actress)
• Jim Jarmusch (writer)
• Jim Jarmusch (director)
• Hiam Abbass (actress)
• José Corbacho (actor)
• Alex Descas (actor)
• Isaach De Bankolé (actor)
• Gabriella Ludlow (miscellaneous crew)
• Óscar Jaenada (actor)

Genres

• Crime
• Drama
• Mystery
• Thriller

Taglines:

For every way in, there is another way out.

Quotes:

Blonde: Are you interested in films, by any chance? I like really old films. You can really see what the world looked like, thirty, fifty, a hundred years ago. You know the clothes, the telephones, the trains, the way people smoked cigarettes, the little details of life. The best films are like dreams you're never sure you've really had. I have this image in my head of a room full of sand. And a bird flies towards me, and dips its wing into the sand. And I honestly have no idea whether this image came from a dream, or a film. Sometimes I like it in films when people just sit there, not saying anything.

Guitar: La vida non vale nada.

Molecules: Are you interested in science by any chance? I'm interested in molecules. The Sufis say each one of us is a planet spinning in ecstasy. But I say each one of us is a set of shifting molecules. Spinning in ecstasy. In the near future, worn out things will be made new again by reconfiguring their molecules. A pair of shoes. A tire. Molecular detection will also allow the determination of an object's physical history. This match box for example. Its collection of molecules could indicate everywhere it's ever been. They could do it with your clothes. Or even with your skin, for that matter. Wait three days until you see the bread. The guitar will find you. Among us, there are those who are not among us.::Lone Man: I'm among no one.

American: How the fuck did you get in here?::Lone Man: I used my imagination.

American: Is this your twisted idea of revenge for something?::Lone Man: No. Revenge is useless.

Mexican: The old men in my village used to say, "Everything changes by the colour of the glass you see it through." Nothing is true. Everything is imagined. Do you know these reflections? For me sometimes the reflection is far more present than the thing being reflected.

[last lines]::American: What is your fucking agenda here?::[pause]::American: You people don't understand a fucking thing about how the world really works.::Lone Man: I understand. But I understand subjectively.::American: That's fucking nonsense. Your sick minds have been polluted with crap. Your music, movies, science. Fucking bohemians on hallucinogenic drugs. All that shit has poisoned you. And it has nothing to do with the real world. And I suppose you believe that by eliminating me, you will eliminate control over some fucking artificial reality.::Lone Man: Reality is arbitrary.::American: Fuck you.

[first lines]::Creole: [character speaks in Spanish/French creole, English subtitles] You don't speak Spanish, right?::French: [character translates for Creole] You don't speak Spanish, right?::Creole: You are ready? Everything's cool?::French: You are ready? Everything's cool?::Lone Man: Yes!::Creole: Good.::French: Good.

Violin: Are you interested in music, by any chance? I believe that musical instruments, especially those made out of wood - cellos, violins, guitars, I believe that they resonate, musically, even when they're not being played. They have a memory. Every note that's ever been played on them is still inside of them, resonating in the molecules of the wood. I guess, like everything, it's just a matter of perception, no?

Mexican: The old men in my village used to say, everything changes by the colour of the glass you see it through. Nothing is true. Every thing's imagined. Do you notice reflections? For me, sometimes the reflection is far more present than the thing being reflected. Are you interested in hallucinations, by any chance? Have you ever tried peyote? Do you know who the Huicholes are? They wear mirrors around their necks. And they play violins. Handmade violins. With only one string.

Dust (2008)

Actors

• Clay Liford (editor)
• Brad Blank (producer)
• Brad Blank (editor)
• Brad Blank (director)
• Brad Blank (writer)
• Xavier Cortes (actor)
• John Franklin (actor)
• Nathan Towry (actor)
• Medgar Jacobs (actor)
• Tara Monet Speer (producer)
• Ron Blank (producer)
• Patrick Spruiell (actor)
• Aaron Willridge (actor)
• Patrick Spruiell (producer)
• Jeff Rodgers (actor)

Genres

• Adventure

Creole (1981)

Actors

• Mickey Rooney (actor)
• Arte Johnson (actor)
• Georgia Engel (actress)
• Nick Bosustow (producer)
• Sam Weiss (director)
• Lars Floden (editor)
• Greg Schorer (editor)
• Stephen Cosgrove (writer)

Genres

• Animation
• Short

The Rhinemann Exchange (1977)

Actors

• Roddy McDowall (actor)
• Pedro Armendáriz Jr. (actor)
• John Huston (actor)
• José Ferrer (actor)
• Larry Hagman (actor)
• Michel Colombier (composer)
• Isela Vega (actress)
• Roger Cudney (actor)
• Rene Auberjonois (actor)
• John Hoyt (actor)
• Claude Akins (actor)
• Gene Evans (actor)
• William Prince (actor)
• Burt Kennedy (director)
• Lauren Hutton (actress)

Genres

• Drama
• Thriller
• War

Den hvide Slavehandels sidste Offer (1911)

Actors

• Lauritz Olsen (actor)
• Carl Schenstrøm (actor)
• Frederik Jacobsen (actor)
• Franz Skondrup (actor)
• August Blom (director)
• Axel Boesen (actor)
• Peter Nielsen (actor)
• Clara Pontoppidan (actress)
• Otto Lagoni (actor)
• Svend Bille (actor)
• Ella La Cour (actress)
• Aage Brandt (actor)
• Julie Henriksen (actress)
• Doris Langkilde (actress)
• Sofus Wolder (actor)

Genres

• Drama

• Lyrics: play full screen play karaoke
• Creole - Beyoncé

Baby I see you
That look in your eyes
Hips that keep shaking
mysterious style
exotically tempting
familiar to me
That Creole Sexy it's all over me
So all my redbones get on the floor
and all my yellow bones get on the floor
and all my brown bones get on the floor
Then you mix it up and call it Creole
Creole! When I look real good
Whenever I talk real good
whenever I bounce real good
Just in case you wanna know the secret CREOLE
When she look that good
whenever she talk that good
whenever she bounce real good
Ladies if you wanna know it's your secret CREOLE
Bad bad bad bad redbone
bad bad bad bad yellow bone
bad bad bad bad brown bone
bad bad bad bad to the bone
For all of my brown bones
that make a good?
And all of my redbones that make a good sauce
the yellow bone flavor is familiar to me
mix it all together it's a delicacy
So all my redbones get on the floor
and all my yellow bones get on the floor
and all my brown bones get on the floor
Then you mix it up and call it Creole
Creole! When I look real good
Whenever I talk real good
whenever I bounce real good
Just in case you wanna know the secret CREOLE
When she look that good
whenever she talk that good
whenever she bounce real good
Ladies if you wanna know it's your secret CREOLE
Bad bad bad bad redbone
bad bad bad bad yellow bone
bad bad bad bad brown bone
bad bad bad bad to the bone
So all my redbones get on the floor
and all my yellow bones get on the floor
and all my brown bones get on the floor
Then you mix it up and call it Creole
Creole! When I look real good
Whenever I talk real good
whenever I bounce real good
Just in case you wanna know the secret CREOLE
Bad bad bad bad redbone
bad bad bad bad yellow bone
bad bad bad bad brown bone