- Order:
- Duration: 62:25
- Published: 28 Feb 2008
- Uploaded: 28 Jun 2011
- Author: mstrsail
Name | The Who's Tommy |
---|---|
Caption | Original Broadway Recording |
Music | Pete Townshend |
Lyrics | Pete Townshend |
Book | Pete Townshend Des McAnuff |
Basis | Tommy rock opera by The Who |
Productions | 1992 La Jolla Playhouse1993 Broadway1996 West End revival 2008 Dallas Theater Center |
Awards | Tony Award for Best Score, Tony Award for Best Choreography, Tony Award for Best Scenic Design, Tony Award for Best Lighting Design, Tony Award for Best Direction of a Musical |
The Who's Tommy is a rock musical by Pete Townshend and Des McAnuff based on The Who's 1969 double album rock opera Tommy, also by Pete Townshend, with additional material by John Entwistle and Sonny Boy Williamson.
An original cast recording was produced by RCA Victor and released on 13 July 1993.
A Canadian Production opened at the Elgin Theatre in Toronto on 1 March 1995, and played throughout the year. The production featured an entirely Canadian cast, and the lead character of Tommy was played by Tyley Ross. Once the Toronto run ended, the production went on a Cross-Canada tour.
A revival ran in the West End at the Shaftesbury Theatre from 5 March 1996 until 8 February 1997, featuring Paul Keating (Tommy) and Kim Wilde (Mrs. Walker).
A European tour of Tommy opened on 26 January 2005 at the Chasse Theatre in Breda, The Netherlands. The opening was set to celebrate the 35th anniversary of the original Tommy album by The Who.
A production at the Australian Institute of Music, featuring the Music Theatre and acting Students, opened in September 2007
The original Broadway cast performed a one night only reunion benefit concert at the August Wilson Theatre in New York City on 15 December 2008. Produced by The Path Fund/Rockers on Broadway, the concert was a benefit for Broadway Cares/Equity Fights AIDS, the Broadway Dreams Foundation and the Bachmann-Strauss Dystonia and Parkinson Foundation.
This musical inspired Data East's production of a pinball machine called The Who's Tommy Pinball Wizard, which used music from the original Broadway cast recording.
The original wardrobe is on display at the Costume World Broadway Collection in Pompano Beach, Florida.
; Scene One :1941: Two nurses gently hand Mrs. Walker her newborn son ("It's a Boy").
; Scene Two :1945: American troops liberate Walker's POW camp, and tell him the war in Europe is over ("We've Won").
; Scene Three :Believing her husband dead, Mrs. Walker has a new lover, and they celebrate her twenty-first birthday and discuss getting married together with now four-year-old Tommy. To their surprise, Captain Walker arrives as Mrs. Walker and her lover embrace ("Twenty-One"). In shock, Mrs. Walker reaches out to touch him, but a fight erupts between Walker and the boyfriend. Tommy is watching the fight, and Mrs. Walker turns him towards the mirror in hopes of him not seeing the fight. Through the mirror, Tommy sees his father kill his mother's new boyfriend. Mr. and Mrs. Walker embrace, but soon realise what Tommy has witnessed, and violently shake him, telling him he didn't see or hear anything ("What About the Boy"). The police arrive to investigate, while Tommy gazes at the mirror. A narrator (Tommy's older self) appears, visible only to Tommy, and invites the audience to witness Tommy's journey ("Amazing Journey").
; Scene Four :Captain Walker is tried for the lover's murder, but found not guilty by reasons of self-defense. However, the family celebration dies down as they realise Tommy is now deaf, dumb, and blind, when he fails to show emotion towards his father's release.
; Scene Five :Mr. and Mrs. Walker take him to a hospital, where a battery of doctors and nurses, to no avail, examine Tommy ("Sparks"). 1950: Tommy is nearly ten years old but the narrator reiterates that his state remains the same ("Amazing Journey (Reprise)").
; Scene Six :1950: The Walkers take ten-year-old Tommy to church and host a family dinner ("Christmas"). Although they try to enjoy the party, they can't help but think that Tommy doesn't know that it is Christmas or understand its meaning. Everyone is stunned when Tommy responds to Uncle Ernie's playing the French Horn. Mr. Walker, in a desperate attempt to reach his son, shouts "Tommy, can you hear me?" multiple times. Older Tommy, only visible to young Tommy, sings to him. ("See Me, Feel Me").
; Scene Seven :Back home, the Walkers worry about whether to leave Tommy with the drunken Uncle Ernie ("Do You Think It's Alright?"), but they convince themselves that Tommy will be fine. After the two leave, Ernie molests him ("Fiddle About").
; Scene Eight :Tommy's next babysitter, Cousin Kevin, and his friends, taunt and bully him mercilessly ("Cousin Kevin"). The group then takes Tommy to a youth club where, to everyone's astonishment, he plays pinball brilliantly ("Sensation").
; Scene Nine :Encouraged, the Walkers try yet another doctor, a psychiatrist, who tests Tommy without success ("Sparks (Reprise)").
; Scene Ten :The desperate Mr. Walker is approached by The Hawker and Harmonica Player ("Eyesight to the Blind") who promise a miraculous cure for Tommy. They take Mr. Walker and young Tommy to the Isle of Dogs to find a prostitute called The Gypsy.
; Scene Eleven :The Gypsy tries to convince Mr. Walker to let her spend time alone with Tommy, introducing him to sex and drugs ("The Acid Queen"). Mr. Walker, horrified by the Gyspy's methods, snatches the boy and runs away.
; Scene Twelve :1958: The act ends as Cousin Kevin a group of teenagers await 17-year-old Tommy's appearance at the amusement arcade as his skills propel his rise to local popularity ("Pinball Wizard").
; Scene Thirteen :The father, still in search of a cure, convinces his wife to try once more ("There's a Doctor").
; Scene Fourteen :They take Tommy to specialists ("Go to the Mirror!") for elaborate tests, but to no avail. The doctors discover that no one can free Tommy from his catatonic state but himself.
; Scene Fifteen :On the street a group of local louts surround Tommy ("Tommy, Can You Hear Me?") and carry him home.
; Scene Sixteen :The parents, at their wits' end and considering having Tommy institutionalised, compassionately confront one another ("I Believe My Own Eyes"). Tommy stares into the mirror as his mother tries desperately to reach him one last time ("Smash the Mirror"). Out of rage, frustration, and desperation, she shatters the mirror that Tommy continually gazed at for years. With the mirror in pieces, Tommy becomes conscious ("I'm Free") and leaves home.
; Scene Seventeen :1961-1963: While his cure hits the news ("Miracle Cure"), Tommy is idolised by the public and the press ("Sensation (Reprise)"), and begins appearing in stadiums ("Pinball Wizard (Reprise)").
; Scene Eighteen :Uncle Ernie tries to capitalise on Tommy's newfound stardom, by selling Tommy souvenirs in a carnival-like setting ("Tommy's Holiday Camp").
; Scene Nineteen :On the night of the concert, teenage Sally Simpson manages to sneak out of her parents' home to attend Tommy's appearance. She gets on stage and tries to touch Tommy but in the commotion he unknowingly pushes her off the stage, she falls and is pummelled by the guards ("Sally Simpson"). Tommy, in horror, stops the show and tends to her.
; Scene Twenty : Realizing how caught up in the celebrity machine he has become, Tommy invites everyone back to his house ("Welcome"). Once there, Sally asks Tommy how she can be more like him and less like herself ("Sally Simpson's Question"). He is confused, and insists that there is no reason to be like him, when everyone can be themselves. Disenchanted with their hero for failing to provide exciting answers, the crowd turns on him and leaves ("We're Not Gonna Take It"). Tommy hears the voice of his ten-year-old self ("See Me, Feel Me") and for a moment, to the horror of his family, seems to be reverting to his old state. But instead he turns to his family, whom he has ignored during his stardom, embraces them in acceptance, and reunites with his younger selves ("Listening to You"). The entire ensemble joins him and his family on stage. After they all leave, the 4 year old Tommy, 10 year old Tommy, and adult Tommy dramatically end looking out in different directions.
The film added a handful of new songs which were not on the original album and weren't retained for the stage production. For the 1993 Broadway version, Pete Townshend wrote a new piece called "I Believe My Own Eyes" in which the Walkers resign themselves to accepting Tommy's fate after years of trying.
The most fundamental difference in the story is the finale, which was rewritten in 1993. Originally, Tommy instructs his followers to become deaf, dumb, and blind themselves to find a heightened state of enlightenment. The crowd rejects this and turns on him. In the stage version, Tommy tells them the opposite: to not try to emulate him, but to rather live out their own normal lives. Upon hearing this message, the crowd still rejects him out of a desire to hear a bolder message from him.
Category:1993 in music Category:1993 musicals Category:Adultery in fiction Category:Broadway musicals Category:Olivier Award winning musicals Category:Rock musicals Category:Tommy (rock opera) Category:Tony Award winning musicals Category:Toronto musicals Category:Sung-through musicals
This text is licensed under the Creative Commons CC-BY-SA License. This text was originally published on Wikipedia and was developed by the Wikipedia community.