Technocriticism is a branch of critical theory devoted to the study of technological change.

Technocriticism treats technological transformation as historically specific changes in personal and social practices of research, invention, regulation, distribution, promotion, appropriation, use, and discourse, rather than as an autonomous or socially indifferent accumulation of useful inventions, or as an uncritical narrative of linear "progress", "development" or "innovation".

Technocriticism studies these personal and social practices in their changing practical and cultural significance. It documents and analyzes both their private and public uses, and often devotes special attention to the relations among these different uses and dimensions. Recurring themes in technocritical discourse include the deconstruction of essentialist concepts such as "health", "human", "nature" or "norm".

Technocritical theory can be either "descriptive" or "prescriptive" in tone. Descriptive forms of technocriticism include some scholarship in the history of technology, science and technology studies, cyberculture studies and philosophy of technology. More prescriptive forms of technocriticism can be found in the various branches of technoethics, for example, media criticism, infoethics, bioethics, neuroethics, roboethics, nanoethics, existential risk assessment and some versions of environmental ethics and environmental design theory.

Forgotten Tales is a Canadian power metal band from Quebec City, Quebec originally assembled in 1999.

Forgotten Tales got their start in 1999 as a cover band, with the intent of covering power metal songs by their favorite European bands. As one of Canada's few melodic power metal bands, they performed in front of sold out crowds, culminating in an opening slot for Finnish heavyweights Nightwish in Montreal in November, 2000. At this point, the idea for an album of original material began to take shape.

They distinguish themselves by having a female lead singer in Sonia Pineault, possessing a strong, clear voice gave them an extra edge to go along with their quality musicianship. On par with the efforts of European groups in this style, the band went into Victor studios in Montreal in April 2001 to record their debut effort, The Promise. The album was released across Canada in October, 2001, to enthusiastic reviews. Quebec, long a stronghold of chaotic death metal bands such as Cryptopsy and Kataklysm had a promising power metal band as well. Forgotten Tales established themselves in the local scene in front of enthusiastic crowds opening for bands like Edguy and Gamma Ray.